The Social Cancer - José Rizal (ebook reader macos .TXT) 📗
- Author: José Rizal
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The little girl grew up under the care of her aunt Isabel, that good old lady of monkish urbanity whom we met at the beginning of the story. For the most part, her early life was spent in San Diego, on account of its healthful climate, and there Padre Damaso was devoted to her.
Maria Clara had not the small eyes of her father; like her mother, she had eyes large, black, long-lashed, merry and smiling when she was playing but sad, deep, and pensive in moments of repose. As a child her hair was curly and almost blond, her straight nose was neither too pointed nor too flat, while her mouth with the merry dimples at the corners recalled the small and pleasing one of her mother, her skin had the fineness of an onion-cover and was white as cotton, according to her perplexed relatives, who found the traces of Capitan Tiago’s paternity in her small and shapely ears. Aunt Isabel ascribed her half-European features to the longings of Doña Pia, whom she remembered to have seen many times weeping before the image of St. Anthony. Another cousin was of the same opinion, differing only in the choice of the smut, as for her it was either the Virgin herself or St. Michael. A famous philosopher, who was the cousin of Capitan Tinong and who had memorized the “Amat,” [42] sought for the true explanation in planetary influences.
The idol of all, Maria Clara grew up amidst smiles and love. The very friars showered her with attentions when she appeared in the processions dressed in white, her abundant hair interwoven with tuberoses and sampaguitas, with two diminutive wings of silver and gold fastened on the back of her gown, and carrying in her hands a pair of white doves tied with blue ribbons. Afterwards, she would be so merry and talk so sweetly in her childish simplicity that the enraptured Capitan Tiago could do nothing but bless the saints of Obando and advise every one to purchase beautiful works of sculpture.
In southern countries the girl of thirteen or fourteen years changes into a woman as the bud of the night becomes a flower in the morning. At this period of change, so full of mystery and romance, Maria Clara was placed, by the advice of the curate of Binondo, in the nunnery of St. Catherine [43] in order to receive strict religious training from the Sisters. With tears she took leave of Padre Damaso and of the only lad who had been a friend of her childhood, Crisostomo Ibarra, who himself shortly afterward went away to Europe. There in that convent, which communicates with the world through double bars, even under the watchful eyes of the nuns, she spent seven years.
Each having his own particular ends in view and knowing the mutual inclinations of the two young persons, Don Rafael and Capitan Tiago agreed upon the marriage of their children and the formation of a business partnership. This agreement, which was concluded some years after the younger Ibarra’s departure, was celebrated with equal joy by two hearts in widely separated parts of the world and under very different circumstances.
The Song of Songs, which is Solomon’s.
That morning Aunt Isabel and Maria Clara went early to mass, the latter elegantly dressed and wearing a rosary of blue beads, which partly served as a bracelet for her, and the former with her spectacles in order to read her Anchor of Salvation during the holy communion. Scarcely had the priest disappeared from the altar when the maiden expressed a desire for returning home, to the great surprise and displeasure of her good aunt, who believed her niece to be as pious and devoted to praying as a nun, at least. Grumbling and crossing herself, the good old lady rose. “The good Lord will forgive me, Aunt Isabel, since He must know the hearts of girls better than you do,” Maria Clara might have said to check the severe yet maternal chidings.
After they had breakfasted, Maria Clara consumed her impatience in working at a silk purse while her aunt was trying to clean up the traces of the former night’s revelry by swinging a feather duster about. Capitan Tiago was busy looking over some papers. Every noise in the street, every carriage that passed, caused the maiden to tremble and quickened the beatings of her heart. Now she wished that she were back in the quiet convent among her friends; there she could have seen him without emotion and agitation! But was he not the companion of her infancy, had they not played together and even quarreled at times? The reason for all this I need not explain; if you, O reader, have ever loved, you will understand; and if you have not, it is useless for me to tell you, as the uninitiated do not comprehend these mysteries.
“I believe, Maria, that the doctor is right,” said Capitan Tiago. “You ought to go into the country, for you are pale and need fresh air. What do you think of Malabon or San Diego?” At the mention of the latter place Maria Clara blushed like a poppy and was unable to answer.
“You and Isabel can go at once to the convent to get your clothes and to say good-by to your friends,” he continued, without raising his head. “You will not stay there any longer.”
The girl felt the vague sadness that possesses the mind when we leave forever a place where we have been happy, but another thought softened this sorrow.
“In four or five days, after you get some new clothes made, we’ll go to Malabon. Your godfather is no longer in San Diego. The priest that you may have noticed here last night, that young padre, is the new curate whom we have there, and he is a saint.”
“I think that San Diego would be better, cousin,” observed Aunt Isabel. “Besides, our house there is better and the time for the fiesta draws near.”
Maria Clara wanted to embrace her aunt for this speech, but hearing a carriage stop, she turned pale.
“Ah, very true,” answered Capitan Tiago, and then in a different tone he exclaimed, “Don Crisostomo!”
The maiden let her sewing fall from her hands and wished to move but could not—a violent tremor ran through her body. Steps were heard on the stairway and then a fresh, manly voice. As if that voice had some magic power, the maiden controlled her emotion and ran to hide in the oratory among the saints. The two cousins laughed, and Ibarra even heard the noise of the door closing. Pale and breathing rapidly, the maiden pressed her beating heart and tried to listen. She heard his voice, that beloved voice that for so long a time she had heard only in her dreams he was asking for her! Overcome with joy, she kissed the nearest saint, which happened to be St. Anthony the Abbot, a saint happy in flesh and in wood, ever the object of pleasing temptations! Afterwards she sought the keyhole in order to see and examine him. She smiled, and when her aunt snatched her from that position she unconsciously threw her arms around the old lady’s neck and rained kisses upon her.
“Foolish child, what’s the matter with you?” the old lady was at last able to say as she wiped a tear from her faded eyes. Maria Clara felt ashamed and covered her eyes with her plump arm.
“Come on, get ready, come!” added the old aunt fondly. “While he is talking to your father about you. Come, don’t make him wait.” Like a child the maiden obediently followed her and they shut themselves up in her chamber.
Capitan Tiago and Ibarra were conversing in a lively manner when Aunt Isabel appeared half dragging her niece, who was looking in every direction except toward the persons in the room.
What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer.
Soon the two lovers, fleeing from the dust raised by Aunt Isabel’s broom, found themselves on the azotea where they could commune in liberty among the little arbors. What did they tell each other in murmurs that you nod your heads, O little red cypress flowers? Tell it, you who have fragrance in your breath and color on your lips. And thou, O zephyr, who learnest rare harmonies in the stillness of the dark night amid the hidden depths of our virgin forests! Tell it, O sunbeams, brilliant manifestation upon earth of the Eternal, sole immaterial essence in a material world, you tell it, for I only know how to relate prosaic commonplaces. But since you seem unwilling to do so, I am going to try myself.
The sky was blue and a fresh breeze, not yet laden with the fragrance of roses, stirred the leaves and flowers of the vines; that is why the cypresses, the orchids, the dried fishes, and the Chinese lanterns were trembling. The splash of paddles in the muddy waters of the river and the rattle of carriages and carts passing over the Binondo bridge came up to them distinctly, although they did not hear what the old aunt murmured as she saw where they were: “That’s better, there you’ll be watched by the whole neighborhood.” At first they talked nonsense, giving utterance only to those sweet inanities which are so much like the boastings of the nations of Europe—pleasing and honey-sweet at home, but causing foreigners to laugh or frown.
She, like a sister of Cain, was of course jealous and asked her sweetheart, “Have you always thought of me? Have you never forgotten me on all your travels in the great cities among so many beautiful women?”
He, too, was a brother of Cain, and sought to evade such questions, making use of a little fiction. “Could I forget you?” he answered as he gazed enraptured into her dark eyes. “Could I be faithless to my oath, my sacred oath? Do you remember that stormy night when you saw me weeping alone by the side of my dead mother and, drawing near to me, you
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