Vittoria — Complete by George Meredith (best ereader manga .TXT) 📗

pertinacious in deception. “Yes,” he repeated; “the English lady. That was the person. What's the use of your skewering me with your eyes!”

“I perceive that you have never travelled, my Luigi,” said Barto. “I am afraid we shall not part so early as I had supposed. I double the dose, and return to you in four hours' time.”

Luigi threw himself flat on the ground, shrieking that he was ready to tell everything—anything. Not even the apparent desperation of his circumstances could teach him that a promise to tell the truth was a more direct way of speaking. Indeed, the hitting of the truth would have seemed to him a sort of artful archery, the burden of which should devolve upon the questioner, whom he supplied with the relation of “everything and anything.”

All through a night Luigi's lesson continued. In the morning he was still breaking out in small and purposeless lies; but Barto Rizzo had accomplished his two objects: that of squeezing him, and that of subjecting his imagination. Luigi confessed (owing to a singular recovery of his memory) the gift of the cigarette as coming from the Signorina Vittoria. What did it matter if she did give him a cigarette?

“You adore her for it?” said Barto.

“May the Virgin sweep the floor of heaven into her lap!” interjected Luigi. “She is a good patriot.”

“Are you one?” Barto asked.

“Certainly I am.”

“Then I shall have to suspect you, for the good of your country.”

Luigi could not see the deduction. He was incapable of guessing that it might apply forcibly to Vittoria, who had undertaken a grave, perilous, and imminent work. Nothing but the spontaneous desire to elude the pursuit of a questioner had at first instigated his baffling of Barto Rizzo, until, fearing the dark square man himself, he feared him dimly for Vittoria's sake; he could not have said why. She was a good patriot: wherefore the reason for wishing to know more of her? Barto Rizzo had compelled him at last to furnish a narrative of the events of that day on the Motterone, and, finding himself at sea, Luigi struck out boldly and swam as well as he could. Barto disentangled one succinct thread of incidents: Vittoria had been commissioned by the Chief to sing on the night of the Fifteenth; she had subsequently, without speaking to any of the English party, or revealing her features “keeping them beautifully hidden,” Luigi said, with unaccountable enthusiasm—written a warning to them that they were to avoid Milan. The paper on which the warning had been written was found by the English when he was the only Italian on the height, lying thereto observe and note things in the service of Barto Rizzo. The writing was English, but when one of the English ladies—“who wore her hair like a planed shred of wood; like a torn vine; like a kite with two tails; like Luxury at the Banquet, ready to tumble over marble shoulders” (an illustration drawn probably from Luigi's study of some allegorical picture,—he was at a loss to describe the foreign female head-dress)—when this lady had read the writing, she exclaimed that it was the hand of “her Emilia!” and soon after she addressed Luigi in English, then in French, then in “barricade Italian” (by which phrase Luigi meant that the Italian words were there, but did not present their proper smooth footing for his understanding), and strove to obtain information from him concerning the signorina, and also concerning the chances that Milan would be an agitated city. Luigi assured her that Milan was the peacefullest of cities—a pure babe. He admitted his acquaintance with the Signorina Vittoria Campa, and denied her being “any longer” the Emilia Alessandra Belloni of the English lady. The latter had partly retained him in her service, having given him directions to call at her hotel in Milan, and help her to communicate with her old friend. “I present myself to her to-morrow, Friday,” said Luigi.

“That's to-day,” said Barto.

Luigi clapped his hand to his cheek, crying wofully, “You've drawn, beastly gaoler! a night out of my life like an old jaw-tooth.”

“There's day two or three fathoms above us,” said Barto; “and hot coffee is coming down.”

“I believe I've been stewing in a pot while the moon looked so cool.” Luigi groaned, and touched up along the sleeves of his arms: that which he fancied he instantaneously felt.

The coffee was brought by the heavy-browed young woman. Before she quitted the place Barto desired her to cast her eyes on Luigi, and say whether she thought she should know him again. She scarcely glanced, and gave answer with a shrug of the shoulders as she retired. Luigi at the time was drinking. He rose; he was about to speak, but yawned instead. The woman's carelessly-dropped upper eyelids seemed to him to be reading him through a dozen of his contortions and disguises, and checked the idea of liberty which he associated with getting to the daylight.

“But it is worth the money!” shouted Barto Rizzo, with a splendid divination of his thought. “You skulker! are you not paid and fattened to do business which you've only to remember, and it'll honey your legs in purgatory? You're the shooting-dog of that Greek, and you nose about the bushes for his birds, and who cares if any fellow, just for exercise, shoots a dagger a yard from his wrist and sticks you in the back? You serve me, and there's pay for you; brothers, doctors, nurses, friends,—a tight blanket if you fall from a housetop! and masses for your soul when your hour strikes. The treacherous cur lies rotting in a ditch! Do you conceive that when I employ you I am in your power? Your intelligence will open gradually. Do you know that here in this house I can conceal fifty men, and leave the door open to the Croats to find them? I tell you now—you are free; go forth. You go alone; no one touches you; ten years hence a skeleton is found with an English letter on its ribs—”

“Oh, stop! signor Barto, and be a blessed man,” interposed Luigi, doubling and wriggling in a posture that appeared as if he were shaking negatives from the elbows of his crossed arms. “Stop. How did you know of a letter? I forgot—I have seen the English lady at her hotel. I was carrying the signorina's answer, when I thought 'Barto Rizzo calls me,' and I came like a lamb. And what does it matter? She is a good patriot; you are a good patriot; here it is. Consider my reputation, do; and be careful with the wax.”

Barto drew a long breath. The mention of the English letter had been a shot in the dark. The result corroborated his devotional belief in the unerringness of his own powerful intuition. He had guessed the case, or hardly even guessed it—merely stated it, to horrify Luigi. The letter was placed in his hands, and he sat as strongly thrilled by emotion, under the mask of his hard face, as a lover hearing music. “I read English,” he remarked.

After he had drawn the seal three or four times slowly over the lamp, the green wax bubbled and unsnapped. Vittoria had written the following lines in reply to her old English friend:—

“Forgive me, and do not ask to see me until we have passed the fifteenth of the month. You will see me that night at La Scala. I wish to embrace you, but I am miserable to think of your being in Milan. I cannot yet tell you where my residence is. I have not met your brother.