The Works of Lucian of Samosata — Volume 02 by of Samosata Lucian (scary books to read txt) 📗

not comparing myself with Anacharsis the king, but Anacharsis the barbarian. When first I set foot in your city, I was filled with amazement at its size, its beauty, its population, its resources and splendour generally. For a time I was dumb with admiration; the sight was too much for me. I felt like the island lad Telemachus, in the palace of Menelaus; and well I might, as I viewed this city in all her pride;

A garden she, whose flowers are ev'ry blessing.

Thus affected, I had to bethink me what course I should adopt. For as to lecturing here, my mind had long been made up about that; what other audience could I have in view, that I should pass by this great city in silence? To make a clean breast of it, then, I set about inquiring who were your great men; for it was my design to approach them, and secure their patronage and support in facing the public. Unlike Anacharsis, who had but one informant, and a barbarian at that, I had many; and all told me the same tale, in almost the same words. 'Sir,' they said, 'we have many excellent and able men in this city—nowhere will you find more: but two there are who stand pre-eminent; who in birth and in prestige are without a rival, and in learning and eloquence might be matched with the Ten Orators of Athens. They are regarded by the public with feelings of absolute devotion: their will is law; for they will nothing but the highest interests of the city. Their courtesy, their hospitality towards strangers, their unassuming benevolence, their modesty in the midst of greatness, their gentleness, their affability,— all these you will presently experience, and will have something to say on the subject yourself. But—wonder of wonders!—these two are of one house, father and son. For the father, conceive to yourself a Solon, a Pericles, an Aristides: as to the son, his manly comeliness and noble stature will attract you at the first glance; and if he do but say two words, your ears will be taken captive by the charm that sits upon his tongue. When he speaks in public, the city listens like one man, open- mouthed; 'tis Athens listening to Alcibiades; yet the Athenians presently repented of their infatuation for the son of Clinias, but here love grows to reverence; the welfare of this city, the happiness of her citizens, are all bound up in one man. Once let the father and son admit you to their friendship, and the city is yours; they have but to raise a finger, to put your success beyond a doubt.'—Such, by Heaven (if Heaven must be invoked for the purpose), such was the unvarying report I heard; and I now know from experience that it fell far short of the truth.

Then up, nor waste thy days In indolent delays,

as the Cean poet cries; I must strain every nerve, work body and soul, to gain these friends. That once achieved, fair weather and calm seas are before me, and my haven is near at hand.

THE WAY TO WRITE HISTORY MY DEAR PHILO,

There is a story of a curious epidemic at Abdera, just after the accession of King Lysimachus. It began with the whole population's exhibiting feverish symptoms, strongly marked and unintermittent from the very first attack. About the seventh day, the fever was relieved, in some cases by a violent flow of blood from the nose, in others by perspiration not less violent. The mental effects, however, were most ridiculous; they were all stage-struck, mouthing blank verse and ranting at the top of their voices. Their favourite recitation was the Andromeda of Euripides; one after another would go through the great speech of Perseus; the whole place was full of pale ghosts, who were our seventh- day tragedians vociferating,

O Love, who lord'st it over Gods and men,

and the rest of it. This continued for some time, till the coming of winter put an end to their madness with a sharp frost. I find the explanation of the form it took in this fact: Archelaus was then the great tragic actor, and in the middle of the summer, during some very hot weather, he had played the Andromeda there; most of them took the fever in the theatre, and convalescence was followed by a relapse—into tragedy, the Andromeda haunting their memories, and Perseus hovering, Gorgon's head in hand, before the mind's eye.

Well, to compare like with like, the majority of our educated class is now suffering from an Abderite epidemic. They are not stage-struck, indeed; that would have been a minor infatuation—to be possessed with other people's verses, not bad ones either; no; but from the beginning of the present excitements—the barbarian war, the Armenian disaster, the succession of victories—you cannot find a man but is writing history; nay, every one you meet is a Thucydides, a Herodotus, a Xenophon. The old saying must be true, and war be the father of all things [Footnote: See note on Icaromenippus, 8.], seeing what a litter of historians it has now teemed forth at a birth.

Such sights and sounds, my Philo, brought into my head that old anecdote about the Sinopean. A report that Philip was marching on the town had thrown all Corinth into a bustle; one was furbishing his arms, another wheeling stones, a third patching the wall, a fourth strengthening a battlement, every one making himself useful somehow or other. Diogenes having nothing to do—of course no one thought of giving him a job—was moved by the sight to gird up his philosopher's cloak and begin rolling his tub-dwelling energetically up and down the Craneum; an acquaintance asked, and got, the explanation: 'I do not want to be thought the only idler in such a busy multitude; I am rolling my tub to be like the rest.'

I too am reluctant to be the only dumb man at so vociferous a season; I do not like walking across the stage, like a 'super', in gaping silence; so I decided to roll my cask as best I could. I do not intend to write a history, or attempt actual narrative; I am not courageous enough for that; have no apprehensions on my account; I realize the danger of rolling the thing over the rocks, especially if it is only a poor little jar of brittle earthenware like mine; I should very soon knock against some pebble and find myself picking up the pieces. Come, I will tell you my idea for campaigning in safety, and keeping well out of range.

Give a wide berth to all that foam and spray, and to the anxieties which vex the historian—that I shall be wise enough to do; but I propose to give a little advice, and lay down a few principles for the benefit of those who do venture. I shall have a share in their building, if not in the dedicatory inscription; my finger-tips will at least have touched their wet mortar.

However, most of them see no need for advice here: there might as well be an art of talking, seeing, or eating; history-writing is perfectly easy, comes natural, is a universal gift; all that is necessary is the faculty of translating your thoughts into words. But the truth is—you know it without my telling, old friend—, it is not a task to be lightly undertaken, or carried through without effort; no, it needs as much care as any sort of composition whatever, if one means to create 'a possession for ever,' as Thucydides calls it. Well, I know I shall not get a hearing from many of them, and some will be seriously offended—especially any who have finished and produced their work; in cases where its first reception was favourable, it would be folly to expect the authors to recast or correct; has it not the stamp of finality? is it not almost a State document? Yet even they may profit by my words; we are not likely to be attacked again; we have disposed of all our enemies; but there might be a Celto-Gothic or an Indo-Bactrian war; then our friends' composition might be improved by the application of my measuring-rod—always supposing that they recognize its correctness; failing that, let them do their own mensuration with the old foot-rule; the doctor will not particularly mind, though all Abdera insists on spouting the Andromeda.

Advice has two provinces—one of choice, the other of avoidance; let us first decide what the historian is to avoid—of what faults he must purge himself—, and then proceed to the measures he must take for putting himself on the straight high road. This will include the manner of his beginning, the order in which he should marshal his facts, the questions of proportion, of discreet silence, of full or cursory narration, of comment and connexion. Of all that, however, later on; for the present we deal with the vices to which bad writers are liable. As to those faults of diction, construction, meaning, and general amateurishness, which are common to every kind of composition, to discuss them is neither compatible with my space nor relevant to my purpose.

But there are mistakes peculiar to history; your own observation will show you just those which a constant attendance at authors' readings [Footnote: These were very common in Roman Imperial times, for purposes of advertisement, of eliciting criticism, &c. 'The audience at recitations may be compared with the modern literary reviews, discharging the functions of a preventive and emendatory, not merely of a correctional tribunal. Before publication a work might thus be known to more hearers than it would now find readers' Mayor, Juvenal, iii. 9.] has impressed on me; you have only to keep your ears open at every opportunity. It will be convenient, however, to refer by the way to a few illustrations in recent histories. Here is a serious fault to begin with. It is the fashion to neglect the examination of facts, and give the space gained to eulogies of generals and commanders; those of their own side they exalt to the skies, the other side they disparage intemperately. They forget that between history and panegyric there is a great gulf fixed, barring communication; in musical phrase, the two things are a couple of octaves apart. The panegyrist has only one concern—to commend and gratify his living theme some way or other; if misrepresentation will serve his purpose, he has no objection to that. History, on the other hand, abhors the intrusion of any least scruple of falsehood; it is like the windpipe, which the doctors tell us will not tolerate a morsel of stray food.

Another thing these gentlemen seem not to know is that poetry and history offer different wares, and have their separate rules. Poetry enjoys unrestricted freedom; it has but one law—the poet's fancy. He is inspired and possessed by the Muses; if he chooses to horse his car with winged steeds, or set others a-galloping over the sea, or standing corn, none challenges his right; his Zeus, with a single cord, may haul up earth and sea, and hold them dangling together—there is no fear the cord may break, the load come tumbling down and be smashed to atoms. In a complimentary picture of Agamemnon, there is nothing against his having Zeus's head and eyes, his brother Posidon's chest, Ares's belt—in fact, the son of Atreus and Aerope will naturally be an epitome of all Divinity; Zeus or Posidon or Ares could not singly or severally provide the requisite perfections. But, if history adopts such servile arts, it is nothing but poetry without the wings; the exalted tones are missing; and imposition of other kinds without the assistance of metre is only the more easily detected. It is surely a great, a superlative weakness, this inability to distinguish history from poetry; what, bedizen history, like her sister, with tale and eulogy and their attendant exaggerations? as well take some mighty athlete with muscles of steel, rig him up with purple drapery and meretricious ornament, rouge and powder his cheeks; faugh, what an object would one make of him with such defilements!

I would not be understood to exclude eulogy from history altogether; it is to be kept to its place and used with moderation, is not to tax the reader's patience; I shall presently show, indeed, that in all such matters an eye is to be had to posterity. It is true, there is a school which makes a pretty division of history into the agreeable and the useful, and defends the introduction of panegyric on the ground that it is agreeable, and pleases the general reader. But nothing could be further from the truth. In the first place the division is quite a false one; history has only