Father Payne - Arthur Christopher Benson (uplifting novels .TXT) 📗

it would be to have a creature like that living in this old house, telling me all she thought about, making a home beautiful. I could make a very fair lover if I tried! But I have got myself well in hand, and I know better. It isn't what she wants, and it isn't really what I want. I have got my work cut out for me; but I'll give her all I can, and be thankful if she gives me a bit of her heart; and I shall love to think of her going about the world, and reminding everyone she meets of the best and purest sort of beauty. I love Phyllis with all my old heart--is that enough for you?--and a great deal too well to confiscate her, as I should certainly have tried to do twenty years ago."

Father Payne stopped, and looked at me with one of his great clear smiles.

"Well, I must say," I began--

"No, you mustn't," said Father Payne. "I know all the excellent arguments you would advance. Why shouldn't two people be happy and not look ahead, and all that? I do look ahead, and I'm going to make her happy if I can. Shall I use my influence in your favour, my boy? How does that strike you?"

I laughed and reddened. Father Payne put his arm in mine, and said: "Now, I have turned my heart out for your inspection, and you can't convert me. Let the pretty child go her way! I only wish she was likely to get more fun out of the Wetheralls. Such excellent people too: but a lack of inspiration--not propelled from quite the central fount of beauty, I fancy! But it will do Phyllis good to make the best of them, and I fancy she is trying pretty hard. Dear me, I wish she were my niece! But I couldn't have her here--we should all be at daggers drawn in a fortnight: that's the puzzling thing about these beautiful people, that they light up such conflagrations, and make such havoc of divine philosophy, old boy!"


XX


OF CERTAINTY

We were returning from a walk, Father Payne and I; as we passed the churchyard, he said: "Do you remember that story of Lamennais at La Chenaie? He was sitting behind the chapel under two Scotch firs which grew there, with some of his young disciples. He took his stick, and marked out a grave on the turf, and said: 'It is there I would wish to be buried, but no tombstone! Only a simple mound of grass. Oh, how well I shall be there!' That is what I call sentiment. If Lamennais really thought he would be confined in spirit to such a place, he would not tolerate it--least of all a combative fellow like Lamennais--it would be a perpetual solitary confinement. Such a cry is merely a theatrical way of saying that he felt tired. Yet it is such sayings which impress people, because men love rhetoric."

Presently he went on: "It is strange that what one fears in death is the vagueness and the solitude of it--we are afraid of finding ourselves lost in the night. It would be agitating, but not frightful, if we were sure of finding company; and if we were _sure_ of meeting those whom we had loved and lost, death would not frighten us at all. Dying is simple enough, and indeed easy, for most of us. But I expect that something very precise and definite happens to us, the moment we die. It is probable, I think, that we shall set about building up a new body to inhabit at once, as a snail builds its shell. We are very definite creatures, all of us, with clearly apportioned tastes and energies, preferences and dislikes. The only puzzling thing is that we do not all of us seem to have the bodies which suit us here on earth: fiery spirits should have large phlegmatic bodies, and they too often have weak and inadequate bodies. Beautiful spirits cannot always make their bodies beautiful, and evil people have often very lovely shapes and faces. I confess I find all that very mysterious; heredity is quite beyond me. If it were merely confined to the body and even the mind, I should not wonder at it, but it seems to affect the soul as well. Who can feel free in will, if that is the case? And now, too, they say with some certainty that it seems as though all their own qualities need not be transmitted by parents but that no quality can be transmitted which is not present in the parents--that we can lose qualities, that is, but not gain them. If that is true, then all our qualities were present in primitive forms of life, and we are not really developing, we are only specialising. All this hurts one to think of, because it ties us hand and foot."

Presently he went on: "How ludicrous, after all, to make up our mind about things as most of us do! I believe that the desire for certainty is one of the worst temptations of the devil. It means closing our eyes and minds and hearts to experience; and yet it seems the only way to accomplish anything. I trust," he said, turning to me with a look of concern, "that you do not feel that you are being formed or moulded here, by me or by any of the others?"

"No," I said, "certainly not! I feel, indeed, since I came here, that I have got a wider horizon of ideas, and I hope I am a little more tolerant. I have certainly learnt from you not to despise ideas or experiences at first sight, but to look into them."

He seemed pleased at this, and said: "Yes, to look into them--we must do that! When we see anyone acting in a way that we admire, or even in a way which we dislike, we must try to see why he acts so, what makes him what he is. We must not despise any indications. On the whole, I think that people behave well when they are happy, and ill when they are afraid. All violence and spite come when we are afraid of being left out; and we are happy when we are using all our powers. Don't be too prudent! Don't ever be afraid of uprooting yourself," he added with great emphasis. "Try experiments--in life, in work, in companionship. Have an open mind! That is why we should be so careful what we pray for, because in my experience prayers are generally granted, and often with a fine irony. The grand irony of God! It is one of the things that most reassures me about Him, to find that He can be ironical and indulgent; because our best chance of discovering the nature of things is that we should be given what we wish, just in order to find out that it was not what we wished at all!"

"But," I said, "if you are for ever experimenting, always moving on, always changing your mind, don't you run the risk of never mixing with life at all?"

"Oh, life will take care of that!" said Father Payne, smiling, "The time will come when you will know where to post your battery, and what to fire at. But don't try to make up your mind too early--don't try to fortify yourself against doubts and anxieties. That is the danger of all sensitive people. You can't attain to proved certainties in this life--at least, you can't at present. I don't say that there are not certainties--indeed, I think that it is all certainty, and that we mustn't confuse the unknown with the unknowable. As you go on, if you are fair-minded and sympathetic, you will get intuitions; you will discover gradually exactly what you are worth, and what you can do, and how you can do it best. But don't expect to know that too soon. And don't yield to the awful temptation of saying, 'So many good, fine, reasonable people seem certain of this and that; I had better assume it to be true.' It isn't better, it is only more comfortable. A great many more people suffer from making up their mind too early and too decisively than suffer from open-mindedness and the power to relate new experience to old experience. No one can write you out a prescription for life. You can't anticipate experience; and if you do, you will only find that you have to begin all over again."


XXI


OF BEAUTY

Father Payne had been away on one of his rare journeys. He always maintained that a journey was one of the most enlivening things in the world, if it was not too often indulged in. "It intoxicates me," he said, "to see new places, houses, people."

"Why don't you travel more, then?" said someone.

"For that very reason," said Father Payne; "because it intoxicates me--and I am too old for that sort of self-indulgence!"

"It's a dreadful business," he went on, "that northern industrial country. There's a grandeur about it--the bare valleys, the steep bleak fields, the dead or dying trees, the huge factories. Those great furnaces, with tall iron cylinders and galleries, and spidery contrivances, and black pipes, and engines swinging vast burdens about, and moving wheels, are fearfully interesting and magnificent. They stand for all sorts of powers and forces; they frighten me by their strength and fierceness and submissiveness. But the land is awfully barren of beauty, and I doubt if that can be wholesome. It all fascinates me, it increases my pride, but it makes me unhappy too, because it excludes beauty so completely. Those bleak stone-walled fields of dirty grass, the lines of grey houses, are fine in their way--but one wants colour and clearness. I longed for a glimpse of elms and water-meadows, and soft-wooded pastoral hills. It produces a shrewd, strong, good-tempered race, but very little genius. There is something harsh about Northerners--they haven't enough colour."

"But you are always saying," said Rose, "that we must look after form, and chance colour."

"Yes, but that is because you are _in statu pupillari_," said Father Payne, "If a man begins by searching for colour and ornament and richness, he gets clotted and glutinous. Colour looks after itself--but it isn't clearness that I am afraid of, it is shrewdness--I think that is, on the whole, a low quality, but it is awfully strong! What I am afraid of, in bare laborious country like that, is that people should only think of what is comfortable and sensible. Imagination is what really matters. It is not enough to have solid emotions; one ought not to be too reasonable about emotions. The thing is to care in an unreasonable and rapturous way about beautiful things, and not to know why one cares. That is the point of things which are simply beautiful and nothing else,--that you feel it isn't all capable of explanation."

"But isn't that rather sentimental?" said Rose.

"No, no, it's just the opposite," said Father Payne. "Sentiment is when one understands and exaggerates an emotion; beauty isn't that--it is something mysterious and inexplicable; it makes you bow the head and worship. Take the sort of thing you may see on the coast of Italy--a blue sea, with gray and orange cliffs falling steeply down into deep water; a gap, with a clustering village, coming down, tier by tier, to the sea's edge; fantastic castles on spires of rock, thickets and dingles running down among the clefts and out on the ledges, and perhaps a glimpse of pale, fantastic hills behind. No one could make it or design