The Alkahest - Honoré de Balzac (any book recommendations .txt) 📗
- Author: Honoré de Balzac
Book online «The Alkahest - Honoré de Balzac (any book recommendations .txt) 📗». Author Honoré de Balzac
it was so constantly occupied either by the French or by the enemy, so many foreigners came there, so many of the country-people sought refuge within its walls, so many lives were in peril, so many catastrophes occurred, that each man thought only of himself.
The Abbe de Solis and his nephew, and the two Pierquins, doctor and lawyer, were the only persons who now visited Madame Claes; for whom the winter of 1814-1815 was a long and dreary death-scene. Her husband rarely came to see her. It is true that after dinner he remained some hours in the parlor, near her bed; but as she no longer had the strength to keep up a conversation, he merely said a few words, invariably the same, sat down, spoke no more, and a dreary silence settled down upon the room. The monotony of this existence was broken only on the days when the Abbe de Solis and his nephew passed the evening with Madame Claes.
While the abbe played backgammon with Balthazar, Marguerite talked with Emmanuel by the bedside of her mother, who smiled at their innocent joy, not allowing them to see how painful and yet how soothing to her wounded spirit were the fresh breezes of their virgin love, murmuring in fitful words from heart to heart. The inflection of their voices, to them so full of charm, to her was heart-breaking; a glance of mutual understanding surprised between the two threw her, half-dead as she was, back to the young and happy past which gave such bitterness to the present. Emmanuel and Marguerite with intuitive delicacy of feeling repressed the sweet half-childish play of love, lest it should hurt the saddened woman whose wounds they instinctively divined.
No one has yet remarked that feelings have an existence of their own, a nature which is developed by the circumstances that environ them, and in which they are born; they bear a likeness to the places of their growth, and keep the imprint of the ideas that influenced their development. There are passions ardently conceived which remain ardent, like that of Madame Claes for her husband: there are sentiments on which all life has smiled; these retain their spring-time gaiety, their harvest-time of joy, seasons that never fail of laughter or of fetes; but there are other loves, framed in melancholy, circled by distress, whose pleasures are painful, costly, burdened by fears, poisoned by remorse, or blackened by despair. The love in the heart of Marguerite and Emmanuel, as yet unknown to them for love, the sentiment that budded into life beneath the gloomy arches of the picture-gallery, beside the stern old abbe, in a still and silent moment, that love so grave and so discreet, yet rich in tender depths, in secret delights that were luscious to the taste as stolen grapes snatched from a corner of the vineyard, wore in coming years the sombre browns and grays that surrounded the hour of its birth.
Fearing to give expression to their feelings beside that bed of pain, they unconsciously increased their happiness by a concentration which deepened its imprint on their hearts. The devotion of the daughter, shared by Emmanuel, happy in thus uniting himself with Marguerite and becoming by anticipation the son of her mother, was their medium of communication. Melancholy thanks from the lips of the young girl supplanted the honeyed language of lovers; the sighing of their hearts, surcharged with joy at some interchange of looks, was scarcely distinguishable from the sighs wrung from them by the mother's sufferings. Their happy little moments of indirect avowal, of unuttered promises, of smothered effusion, were like the allegories of Raphael painted on a black ground. Each felt a certainty that neither avowed; they knew the sun was shining over them, but they could not know what wind might chase away the clouds that gathered about their heads. They doubted the future; fearing that pain would ever follow them, they stayed timidly among the shadows of the twilight, not daring to say to each other, "Shall we end our days together?"
The tenderness which Madame Claes now testified for her children nobly concealed much that she endeavored to hide from herself. Her children caused her neither fear nor passionate emotion: they were her comforters, but they were not her life: she lived by them; she died through Balthazar. However painful her husband's presence might be to her, lost as he was for hours together in depths of thought from which he looked at her without seeing her, it was only during those cruel moments that she forgot her griefs. His indifference to the dying woman would have seemed criminal to a stranger, but Madame Claes and her daughters were accustomed to it; they knew his heart and they forgave him. If, during the daytime, Josephine was seized by some sudden illness, if she were worse and seemed near dying, Claes was the only person in the house or in the town who remained ignorant of it. Lemulquinier knew it, but neither the daughters, bound to silence by their mother, nor Josephine herself let Balthazar know the danger of the being he had once so passionately loved.
When his heavy step sounded in the gallery as he came to dinner, Madame Claes was happy--she was about to see him! and she gathered up her strength for that happiness. As he entered, the pallid face blushed brightly and recovered for an instant the semblance of health. Balthazar came to her bedside, took her hand, saw the misleading color on her cheek, and to him she seemed well. When he asked, "My dear wife, how are you to-day?" she answered, "Better, dear friend," and made him think she would be up and recovered on the morrow. His preoccupation was so great that he accepted this reply, and believed the illness of which his wife was dying a mere indisposition. Dying to the eyes of the world, in his alone she was living.
A complete separation between husband and wife was the result of this year. Claes slept in a distant chamber, got up early in the morning, and shut himself into his laboratory or his study. Seeing his wife only in presence of his daughters or of the two or three friends who came to visit them, he lost the habit of communicating with her. These two beings, formerly accustomed to think as one, no longer, unless at rare intervals, enjoyed those moments of communion, of passionate unreserve which feed the life of the heart; and finally there came a time when even these rare pleasures ceased. Physical suffering was now a boon to the poor woman, helping her to endure the void of separation, which might have killed her had she been truly living. Her bodily pain became so great that there were times when she was joyful in the thought that he whom she loved was not a witness of it. She lay watching Balthazar in the evening hours, and knowing him happy in his own way, she lived in the happiness she had procured for him,--a shadowy joy, and yet it satisfied her. She no longer asked herself if she were loved, she forced herself to believe it; and she glided over that icy surface, not daring to rest her weight upon it lest it should break and drown her soul in a gulf of awful nothingness.
No events stirred the calm of this existence; the malady that was slowly consuming Madame Claes added to the household stillness, and in this condition of passive gloom the House of Claes reached the first weeks of the year 1816. Pierquin, the lawyer, was destined, at the close of February, to strike the death-blow of the fragile woman who, in the words of the Abbe de Solis, was well-nigh without sin.
"Madame," said Pierquin, seizing a moment when her daughters could not hear the conversation, "Monsieur Claes has directed me to borrow three hundred thousand francs on his property. You must do something to protect the future of your children."
Madame Claes clasped her hands and raised her eyes to the ceiling; then she thanked the notary with a sad smile and a kindly motion of her head which affected him.
His words were the stab that killed her. During that day she had yielded herself up to sad reflections which swelled her heart; she was like the wayfarer walking beside a precipice who loses his balance and a mere pebble rolls him to the depth of the abyss he had so long and so courageously skirted. When the notary left her, Madame Claes told Marguerite to bring writing materials; then she gathered up her remaining strength to write her last wishes. Several times she paused and looked at her daughter. The hour of confidence had come.
Marguerite's management of the household since her mother's illness had amply fulfilled the dying woman's hopes that Madame Claes was able to look upon the future of the family without absolute despair, confident that she herself would live again in this strong and loving angel. Both women felt, no doubt, that sad and mutual confidences must now be made between them; the daughter looked at the mother, the mother at the daughter, tears flowing from their eyes. Several times, as Madame Claes rested from her writing, Marguerite said: "Mother?" then she dropped as if choking; but the mother, occupied with her last thoughts, did not ask the meaning of the interrogation. At last, Madame Claes wished to seal the letter; Marguerite held the taper, turning aside her head that she might not see the superscription.
"You can read it, my child," said the mother, in a heart-rending voice.
The young girl read the words, "To my daughter Marguerite."
"We will talk to each other after I have rested awhile," said Madame Claes, putting the letter under her pillow.
Then she fell back as if exhausted by the effort, and slept for several hours. When she woke, her two daughters and her two sons were kneeling by her bed and praying. It was Thursday. Gabriel and Jean had been brought from school by Emmanuel de Solis, who for the last six months was professor of history and philosophy.
"Dear children, we must part!" she cried. "You have never forsaken me, never! and he who--"
She stopped.
"Monsieur Emmanuel," said Marguerite, seeing the pallor on her mother's face, "go to my father, and tell him mamma is worse."
Young de Solis went to the door of the laboratory and persuaded Lemulquinier to make Balthazar come and speak to him. On hearing of the urgent request of the young man, Claes answered, "I will come."
"Emmanuel," said Madame Claes when he returned to her, "take my sons away, and bring your uncle here. It is time to give me the last sacraments, and I wish to receive them from his hand."
When she was alone with her daughters she made a sign to Marguerite, who understood her and sent Felicie away.
"I have something to say to you myself, dear mamma," said Marguerite who, not believing her mother so ill as she really was, increased the wound Pierquin had given. "I have had no money for the household expenses during the last ten days; I owe six months' wages to the servants. Twice I have tried to ask my father for money, but did not dare to do so. You don't know, perhaps, that all the pictures in the gallery have been sold, and all the wines in the cellar?"
"He never told me!" exclaimed Madame Claes. "My God! thou callest me to thyself in time! My poor children! what will become of them?"
She made a fervent prayer, which brought the fires of repentance to her eyes.
"Marguerite," she resumed, drawing
The Abbe de Solis and his nephew, and the two Pierquins, doctor and lawyer, were the only persons who now visited Madame Claes; for whom the winter of 1814-1815 was a long and dreary death-scene. Her husband rarely came to see her. It is true that after dinner he remained some hours in the parlor, near her bed; but as she no longer had the strength to keep up a conversation, he merely said a few words, invariably the same, sat down, spoke no more, and a dreary silence settled down upon the room. The monotony of this existence was broken only on the days when the Abbe de Solis and his nephew passed the evening with Madame Claes.
While the abbe played backgammon with Balthazar, Marguerite talked with Emmanuel by the bedside of her mother, who smiled at their innocent joy, not allowing them to see how painful and yet how soothing to her wounded spirit were the fresh breezes of their virgin love, murmuring in fitful words from heart to heart. The inflection of their voices, to them so full of charm, to her was heart-breaking; a glance of mutual understanding surprised between the two threw her, half-dead as she was, back to the young and happy past which gave such bitterness to the present. Emmanuel and Marguerite with intuitive delicacy of feeling repressed the sweet half-childish play of love, lest it should hurt the saddened woman whose wounds they instinctively divined.
No one has yet remarked that feelings have an existence of their own, a nature which is developed by the circumstances that environ them, and in which they are born; they bear a likeness to the places of their growth, and keep the imprint of the ideas that influenced their development. There are passions ardently conceived which remain ardent, like that of Madame Claes for her husband: there are sentiments on which all life has smiled; these retain their spring-time gaiety, their harvest-time of joy, seasons that never fail of laughter or of fetes; but there are other loves, framed in melancholy, circled by distress, whose pleasures are painful, costly, burdened by fears, poisoned by remorse, or blackened by despair. The love in the heart of Marguerite and Emmanuel, as yet unknown to them for love, the sentiment that budded into life beneath the gloomy arches of the picture-gallery, beside the stern old abbe, in a still and silent moment, that love so grave and so discreet, yet rich in tender depths, in secret delights that were luscious to the taste as stolen grapes snatched from a corner of the vineyard, wore in coming years the sombre browns and grays that surrounded the hour of its birth.
Fearing to give expression to their feelings beside that bed of pain, they unconsciously increased their happiness by a concentration which deepened its imprint on their hearts. The devotion of the daughter, shared by Emmanuel, happy in thus uniting himself with Marguerite and becoming by anticipation the son of her mother, was their medium of communication. Melancholy thanks from the lips of the young girl supplanted the honeyed language of lovers; the sighing of their hearts, surcharged with joy at some interchange of looks, was scarcely distinguishable from the sighs wrung from them by the mother's sufferings. Their happy little moments of indirect avowal, of unuttered promises, of smothered effusion, were like the allegories of Raphael painted on a black ground. Each felt a certainty that neither avowed; they knew the sun was shining over them, but they could not know what wind might chase away the clouds that gathered about their heads. They doubted the future; fearing that pain would ever follow them, they stayed timidly among the shadows of the twilight, not daring to say to each other, "Shall we end our days together?"
The tenderness which Madame Claes now testified for her children nobly concealed much that she endeavored to hide from herself. Her children caused her neither fear nor passionate emotion: they were her comforters, but they were not her life: she lived by them; she died through Balthazar. However painful her husband's presence might be to her, lost as he was for hours together in depths of thought from which he looked at her without seeing her, it was only during those cruel moments that she forgot her griefs. His indifference to the dying woman would have seemed criminal to a stranger, but Madame Claes and her daughters were accustomed to it; they knew his heart and they forgave him. If, during the daytime, Josephine was seized by some sudden illness, if she were worse and seemed near dying, Claes was the only person in the house or in the town who remained ignorant of it. Lemulquinier knew it, but neither the daughters, bound to silence by their mother, nor Josephine herself let Balthazar know the danger of the being he had once so passionately loved.
When his heavy step sounded in the gallery as he came to dinner, Madame Claes was happy--she was about to see him! and she gathered up her strength for that happiness. As he entered, the pallid face blushed brightly and recovered for an instant the semblance of health. Balthazar came to her bedside, took her hand, saw the misleading color on her cheek, and to him she seemed well. When he asked, "My dear wife, how are you to-day?" she answered, "Better, dear friend," and made him think she would be up and recovered on the morrow. His preoccupation was so great that he accepted this reply, and believed the illness of which his wife was dying a mere indisposition. Dying to the eyes of the world, in his alone she was living.
A complete separation between husband and wife was the result of this year. Claes slept in a distant chamber, got up early in the morning, and shut himself into his laboratory or his study. Seeing his wife only in presence of his daughters or of the two or three friends who came to visit them, he lost the habit of communicating with her. These two beings, formerly accustomed to think as one, no longer, unless at rare intervals, enjoyed those moments of communion, of passionate unreserve which feed the life of the heart; and finally there came a time when even these rare pleasures ceased. Physical suffering was now a boon to the poor woman, helping her to endure the void of separation, which might have killed her had she been truly living. Her bodily pain became so great that there were times when she was joyful in the thought that he whom she loved was not a witness of it. She lay watching Balthazar in the evening hours, and knowing him happy in his own way, she lived in the happiness she had procured for him,--a shadowy joy, and yet it satisfied her. She no longer asked herself if she were loved, she forced herself to believe it; and she glided over that icy surface, not daring to rest her weight upon it lest it should break and drown her soul in a gulf of awful nothingness.
No events stirred the calm of this existence; the malady that was slowly consuming Madame Claes added to the household stillness, and in this condition of passive gloom the House of Claes reached the first weeks of the year 1816. Pierquin, the lawyer, was destined, at the close of February, to strike the death-blow of the fragile woman who, in the words of the Abbe de Solis, was well-nigh without sin.
"Madame," said Pierquin, seizing a moment when her daughters could not hear the conversation, "Monsieur Claes has directed me to borrow three hundred thousand francs on his property. You must do something to protect the future of your children."
Madame Claes clasped her hands and raised her eyes to the ceiling; then she thanked the notary with a sad smile and a kindly motion of her head which affected him.
His words were the stab that killed her. During that day she had yielded herself up to sad reflections which swelled her heart; she was like the wayfarer walking beside a precipice who loses his balance and a mere pebble rolls him to the depth of the abyss he had so long and so courageously skirted. When the notary left her, Madame Claes told Marguerite to bring writing materials; then she gathered up her remaining strength to write her last wishes. Several times she paused and looked at her daughter. The hour of confidence had come.
Marguerite's management of the household since her mother's illness had amply fulfilled the dying woman's hopes that Madame Claes was able to look upon the future of the family without absolute despair, confident that she herself would live again in this strong and loving angel. Both women felt, no doubt, that sad and mutual confidences must now be made between them; the daughter looked at the mother, the mother at the daughter, tears flowing from their eyes. Several times, as Madame Claes rested from her writing, Marguerite said: "Mother?" then she dropped as if choking; but the mother, occupied with her last thoughts, did not ask the meaning of the interrogation. At last, Madame Claes wished to seal the letter; Marguerite held the taper, turning aside her head that she might not see the superscription.
"You can read it, my child," said the mother, in a heart-rending voice.
The young girl read the words, "To my daughter Marguerite."
"We will talk to each other after I have rested awhile," said Madame Claes, putting the letter under her pillow.
Then she fell back as if exhausted by the effort, and slept for several hours. When she woke, her two daughters and her two sons were kneeling by her bed and praying. It was Thursday. Gabriel and Jean had been brought from school by Emmanuel de Solis, who for the last six months was professor of history and philosophy.
"Dear children, we must part!" she cried. "You have never forsaken me, never! and he who--"
She stopped.
"Monsieur Emmanuel," said Marguerite, seeing the pallor on her mother's face, "go to my father, and tell him mamma is worse."
Young de Solis went to the door of the laboratory and persuaded Lemulquinier to make Balthazar come and speak to him. On hearing of the urgent request of the young man, Claes answered, "I will come."
"Emmanuel," said Madame Claes when he returned to her, "take my sons away, and bring your uncle here. It is time to give me the last sacraments, and I wish to receive them from his hand."
When she was alone with her daughters she made a sign to Marguerite, who understood her and sent Felicie away.
"I have something to say to you myself, dear mamma," said Marguerite who, not believing her mother so ill as she really was, increased the wound Pierquin had given. "I have had no money for the household expenses during the last ten days; I owe six months' wages to the servants. Twice I have tried to ask my father for money, but did not dare to do so. You don't know, perhaps, that all the pictures in the gallery have been sold, and all the wines in the cellar?"
"He never told me!" exclaimed Madame Claes. "My God! thou callest me to thyself in time! My poor children! what will become of them?"
She made a fervent prayer, which brought the fires of repentance to her eyes.
"Marguerite," she resumed, drawing
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