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his brother. Before the shut doors of the abbey was Count John, very splendid in a purple cloak, his crown of a count upon his yellow hair. He stood like a king among his peers, but flushed and restless, twiddling his fingers as kings do not twiddle theirs.

Irresolution kept him where he was until Richard had topped the first flight of steps. But then he came down to meet him in too much of a hurry, tripping, blundering the degrees, nodding and poking his head, with hands stretched out and body bent, like his who supplicates what he does not deserve.

'Hail, King of England, O hail!' he said, wheedling, royally vested, royally above, yet grovelling there to the prince below him. King Richard stopped with his foot on the next step, and let the Count come down.

'How lies he?' were his first words; the other's face grew fearful.

'Eh, I know not,' he said, shuddering. 'I have not seen him.' Now, he must have been in Fontevrault for a day or more.

'Why not?' asked Richard; and John stretched out his arms again.

'Oh, brother, I waited for you!' he cried, then added lower, 'I could not face him alone.' This was perfectly evident, or he would never have said it.

'Pish!' said King Richard, that is no way to mend matters. But it is written, "They shall look on him whom they pierced." Come you in.' He mounted the steps to his brother's level; and men saw that he was nearly a hand taller, though John was a fine tall man.

'With you, Richard, with you—but never without you!' said John, in a hush, rolling his eyes about. Richard, taking no notice, bid them set open the doors. This was done: the chill taint of the dark, of wax and damp and death came out. John shivered, but King Richard left him to shiver, and passed out of the sun into the echoing nave. Lightly and fiercely he went in, like a brave man who is fretful until he meets his danger's face; and John caught at his wrist, and went tiptoe after him. All the rest, Poictevins and Frenchmen together, followed in a pack; then the two bishops vested.

At the far end of the church, beyond the great Rood, they saw the candles flare about a bier. Before that was a little white altar with a priest saying his mass in a whisper. The high altar was all dark, and behind a screen in the north transept the nuns were singing the Office for the Dead. King Richard pushed on quickly, the others trooping behind. There in the midst of all this chilly state, grim and sour-faced, as he had always been, but now as unconcerned as all the dead are, lay the empty majesty of England, careless (as it seemed) of the full majesty; and dead Anjou a stranger to the living.

It was not so altogether, if we are to believe those who saw it. The hatred of the dead is a fearful thing: of that which followed be God the only judge, and I not even the reporter. Milo saw it, and Milo (who got some comfort out of it at last) shall tell you the tale; 'for I know,' says he, 'that in the end the hidden things are to be made plain, and even so, things which then I guessed darkly have since been opened out to my understanding. Behold!' he goes on, 'I tell you a mystery. Lightly and adventuring came King Richard to his dead father, and Count John dragging behind him like a load of care. Reverently he knelt him down beside the bier, prayed for a little, then, looking up, touched the grey old face. Before God, I say, it was the act of a boy. But slowly, slowly, we who watched quaking saw a black stream well at the nostril of the dead, and slowly drag a snake's way down the jaw: a sight to shake those fraught with God—and what to men in their trespasses? But while all the others fell back gasping, or whispering their prayers, scarce knowing what I was or did (save that I loved King Richard), I whipt forward with a handkerchief to cover the horror out of sight. This I would have done, though all had seen it; the King had seen it, and that white-hearted traitor Count had seen it, and sprung away with a wail, "O Christ! O Christ!" The King stood up, and with his lifted hand stopped me in the pious act. All held their breaths. I saw the priest at the altar peer round the corner, his mouth making a ring. King Richard was very pale and serious. He began to talk to his father, while the Count lay cowering on the pavement.

'"Thou thinkest me thy slayer, father," he said, "pointing at me the murder-sign. Well, I am content to take it; for be thou sure of this, that if that last war between us was rightfully begun it was rightfully ended. And of righteousness I think I am as good a judge as ever thou wert. Thy work is done, and mine is to do. If I may be as kingly as thou wert, I shall please thee yet; and if I fail in that I shall never blame thee, father. Now, Abbot Milo," he concluded, "cover the face." So I did, and Count John got up to his knees again, and looked at his brother.

'This was not the end. Madame Alois of France came into the church through the nuns' door, dressed all in grey, with a great grey hood on her head, and after her women in the same habit. She came hastily, with a quick shuffling motion of the feet, as if she was gliding; and by the bier she stood still, questing with her eyes from side to side, like a hunted thing. King Richard she saw, for he was standing up; but still she looked about and about. Now Count John was kneeling in the shadow, so she saw him last; but once meeting his deplorable eyes with her own she never left go again. Whatever she did (and it was much), or whatever said (and her mouth was pregnant), was with a fixed gaze on him.

'Being on the other side of the bier from him she watched, she put her arms over the dead body, as a priest at mass broods upon the Host he is making. And looking shrewdly at the Count, "If the dead could speak, John," she said, "if the dead could speak, how think you it would report concerning you and me?"

'"Ha, Madame!" says Count John, shaking like a leafy tree, "what is this?" Madame Alois removed my handkerchief. The horror was still there.

'"He did me kindness," she said, looking wistfully at the empty face; "he tried to serve me this way and that way." She stroked it, then looked again at the Count. "But then you came, John; and you he loved above all. How have you served him, John, my bonny lad? Eh, Saviour!" She looked up on high—"Eh, Saviour, if the dead could speak!"

'No more than the dead could John speak; but King Richard answered her.

'"Madame," he said, "the dead hath spoken, and I have answered it. That is the kingly office, I think, to stand before God for the people. Let no other speak. All is said."

'"No, no, Richard," said Madame Alois, "all is not nearly said. So sure as I live in torment, you will rue it if you do not listen to me now."

'"Madame," replied the King, "I shall not listen. I require your silence. If I have it in me, I command it. I know what I have done."

'"You know nothing," said the lady, beginning to tremble. "You are a fool."

'"May be," said King Richard, with a little shrug, "but I am a king in Fontevrault."

'The Count of Mortain began to wag his head about and pluck at the morse of his cope. "Air, air!" he gasped; "I strangle! I suffocate!" They carried him out of church to his, lodging, and there bled him.

'"Once more, King Richard," said Madame, "will you hear the truth from me?"

'The king turned fiercely, saying, "Madame, I will hear nothing from you. My purpose is to take the Cross here in this church, and to set about our Lord's business as soon as may be. I urge you, therefore, to depart and, if you have time, to consider your soul's health—as I consider mine and my kingdom's."

'She began to cry, being overwrought with this terrible affair. "O Richard," she said, "forgive me my trespasses. I am most wretched."

'He stepped forward, and across the dead man kissed her on the forehead. "God knows, I forgive thee, Alois," he said.

'So then she went away with her people, and no long time afterwards took (as I believe) the whole vow in the convent of Fontevrault.' Thus Milo records a scene too high for me.

When they had buried the old King, Richard sent letters to his brother of France, reminding him of what they had both undertaken to do, namely, to redeem the Sepulchre and set up again in Jerusalem the True Cross. 'As for me,' he wrote, 'I do most earnestly purpose to set about that business as soon as I may; and I require of you, sire and my brother, to witness my resumption of the Cross in this church of Fontevrault upon the feast of Monsire Saint John Baptist next coming. Let them also who are in your allegiance, the illustrious Duke of Burgundy, Conrad Marquess of Montferrat, and my cousin Count Henry, be of your party and sharers with you in the new vow.' This done, he went to Chinon to secure his father's treasure, and then made preparations for his coronation as Count of Anjou, and for Jehane's coronation.

When she got his word that she was to meet him at Angers by a certain day there was no thought of disobedience; the pouting mouth meant no mutiny. It meant sickening fear. In Angers they crown the Count of Anjou with the red cap, and put upon his feet the red shoes. That would make Richard the Red Count indeed, whose cap and bed the leper had bid her beware. Beware she might, but how avoid? She knew Richard by this time for master. A year ago she had subjugated him in the Dark Tower; but since then he had handled her, moulded her, had but to nod and she served his will. With what heart of lead she came, come she did to await him in black Angers, steep and hardy little city of slate; and the meeting of the two brought tears to many eyes. She fell at his feet, clasped his knees, could not speak nor cease from looking up; and he, tall and kingly, stoops, lifts her, holds her upon his breast, strokes her face, kisses her eyes and sorrowful mouth. 'Child,' he says, 'art thou glad of me?' asking, as lovers love best to do, the things they know best already. 'O Richard! O Richard!' was all she could say, poor fond wretch; however, we go not by the sense of a bride's language, but by the passion that breaks it up. Every agony of self-reproach, of fear of him, of mistrust, of lurking fate, lay in those sobbed words, 'O Richard! O Richard!'

When he had her alone at night, and she had found her voice, she began to woo him and softly to beguile him with a hand to his chin, judging it a propitious time, while one of his held her head. All the arts of woman were hers that night, but his were the new purposes of a man. He had had a rude shock, was full of the sense of his sin; that grim old mocking face, grey among the candle-flames, was plain across the bed-chamber where they lay. To himself he made oath that he would sin no more. No, no: a king, he would do kingly. To her, clasped close in his arms, he gave kisses and sweet words. Alas, she wanted not the sugar of his tongue; she would have had him bitter, though it cost her dear. Lying there, lulled but not convinced, her sobs grew weaker. She cried herself to sleep, and he kissed her sleeping.

In the cathedral church of his fathers he did on, by the hands of the Archbishop, the red cap and girdle and shoes of Anjou; there he held up the leopard shield for all to see. There also upon the bent head of Jehane—she kneeling before him—he laid for a little while the same cap, then in its room a circlet of golden leaves. If he was sovereign Count, girt with the sword, then she was Countess of Anjou before her grudging world. What more was she? Wife of a dead man and his killer!

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