Real Folks - Mrs. A. D. T. Whitney (color ebook reader .TXT) 📗

travel,--north or south?' 'Goosey-gander.'"

"'O, goosey-gander! If I might wander, It should be toward the sun; The blessed South Should fill my mouth With ripeness just begun. For bleak hills, bare, With stunted, spare, And scrubby, piney trees, Her gardens rare, And vineyards fair, And her rose-scented breeze. For fearful blast, Skies overcast, And sudden blare and scare Long, stormless moons, And placid noons, And--all sorts of comfortablenesses,--there!'"

"That makes me think of father's horse running away with him once," said Helena, "when he had to head him right up against a brick wall, and knock everything all to smash before he could stop!"

"Anybody else?"

"Miss Kincaid, I think," said Mr. Geoffrey. He had been watching Dorris's face through the play, flashing and smiling with the excitement of her rhyming, and the slender, nervous fingers twisting tremulously the penciled slip while she had listened to the others.

"If it isn't all rubbed out," said Dorris, coloring and laughing to find how badly she had been treating her own effusion.

"You see it _was_ rather an awful question,--'What do you want most?' And the word is, 'Thirteen.'"

She caught her breath a little quickly as she began:--

"'Between yourself, dear, myself, and the post, There are the thirteen things that I want the most. I want to be, sometimes, a little stronger; I want the days to be a little longer; I'd like to have a few less things to do; I'd better like to better do the few: I want--and this might almost lead my wishes,-- A bigger place to keep my mops and dishes. I want a horse; I want a little buggy, To ride in when the days grow hot and muggy; I want a garden; and,--perhaps it's funny,-- But now and then I want a little money. I want an easy way to do my hair; I want an extra dress or two to wear; I want more patience; and when all is given, I think I want to die and go to heaven!'"

"I never saw such bright people in all my life!" said Ada Geoffrey, when the outcry of applause for Dorris had subsided, and they began to rise to go. "But the _worst_ of all is papa! I'll never get over it of you, see if I do! Such a cheat! Why, it's like playing dumb all your life, and then just speaking up suddenly in a quiet way, some day, as if it was nothing particular, and nobody cared!"

With Hazel's little divining-rod, Mrs. Ripwinkley had reached out, testing the world for her, to see what some of it might be really made of. Mrs. Geoffrey, from her side, had reached out in turn, also, into this fresh and simple opportunity, to see what might be there worth while.

"How was it, Aleck?" she asked of her husband, as they sat together in her dressing-room, while she brushed out her beautiful hair.

"Brightest people I have been among for a long time--and nicest," said the banker, concisely. "A real, fresh little home, with a mother in it. Good place for Ada to go, and good girls for her to know; like the ones I fell in love with a hundred years ago."

"That rhymed oracle,--to say nothing of the _fraction_ of a compliment,--ought to settle it," said Mrs. Geoffrey, laughing.

"Rhymes have been the order of the evening. I expect to talk in verse for a week at least."

And then he told her about the "Crambo."

A week after, Mrs. Ledwith was astonished to find, lying on the mantel in her sister's room, a card that had been sent up the day before,--

"MRS. ALEXANDER H. GEOFFREY."


XI.

MORE WITCH-WORK.

Hazel was asked to the Geoffreys' to dinner.

Before this, she and Diana had both been asked to take tea, and spend an evening, but this was Hazel's little especial "invite," as she called it, because she and Ada were writing a dialogue together for a composition at school.

The Geoffreys dined at the good old-fashioned hour of half past two, except when they had formal dinner company; and Hazel was to come right home from school with Ada, and stay and spend the afternoon.

"What intimacy!" Florence Ledwith had exclaimed, when she heard of it.

"But it isn't at all on the grand style side; people like the Geoffreys do such things quite apart from their regular connection; it is a sort of 'behind the scenes;'" said Glossy Megilp, who was standing at Florence's dressing-glass, touching up the little heap of "friz" across her forehead.

"Where's my poker?" she asked, suddenly, breaking off from the Geoffrey subject, and rummaging in a dressing box, intent upon tutoring some little obstinate loop of hair that would be _too_ frizzy.

"I should think a 'blower' might be a good thing to add to your tools, Glossy," said Desire. "You have brush, poker, and tongs, now, to say nothing of coal-hod," she added, glancing at the little open japanned box that held some kind of black powder which had to do with the shadow of Glossy's eyelashes upon occasion, and the emphasis upon the delicate line of her brows.

"No secret," said Glossy, magnanimously. "There it is! It is no greater sin than violet powder, or false tails, for that matter; and the little gap in my left eyebrow was never deliberately designed. It was a 'lapsus naturae;' I only follow out the hint, and complete the intention. Something _is_ left to ourselves; as the child said about the Lord curling her hair for her when she was a baby and letting her do it herself after she grew big enough. What are our artistic perceptions given to us for, unless we're to make the best of ourselves in the first place?"

"But it isn't all eyebrows," said Desire, half aloud.

"Of course not," said Glossy Megilp. "Twice a day I have to do myself up somehow, and why shouldn't it be as well as I can? Other things come in their turn, and I do them."

"But, you see, the friz and the fix has to be, anyhow, whether or no. Everything isn't done, whether or no. I guess it's the 'first place,' that's the matter."

"I think you have a very theoretical mind, Des, and a slightly obscure style. You can't be satisfied till everything is all mapped out, and organized, and justified, and you get into horrible snarls trying to do it. If I were you, I would take things a little more as they come."

"I can't," said Desire. "They come hind side before and upside down."

"Well, if everybody is upside down, there's a view of it that makes it all right side up, isn't there? It seems to be an established fact that we must dress and undress, and that the first duty of the day is to get up and put on our clothes. We aren't ready for much until we do. And one person's dressing may require one thing, and another's another. Some people have a cork leg to put on, and some people have false teeth; and they wouldn't any of them come hobbling or mumbling out without them, unless there was a fire or an earthquake, I suppose."

Glossy Megilp's arguments and analogies perplexed Desire, always. They sometimes silenced her; but they did not always answer her. She went back to what they had been discussing before.

"To 'lay down the shubbel and the hoe,'--here's your poker, under the table-flounce, Glossy,--and to 'take up the fiddle and the bow,' again,--I think it's real nice and beautiful for Hazel--"

"To 'go where the good darkies go'?"

"Yes. It's the _good_ of her that's got her in. And I believe you and Florence both would give your best boots to be there too, if it _is_ behind. Behind the fixings and the fashions is where people _live_; 'dere's vat I za-ay!'" she ended, quoting herself and Rip Van Winkle.

"Maybe," said Florence, carelessly; "but I'd as lief be _in_ the fashion, after all. And that's where Hazel Ripwinkley never will get, with all her taking little novelties."

Meanwhile, Hazel Ripwinkley was deep in the delights of a great portfolio of rare engravings; prints of glorious frescoes in old churches, and designs of splendid architecture; and Mrs. Geoffrey, seeing her real pleasure, was sitting beside her, turning over the large sheets, and explaining them; telling her, as she gazed into the wonderful faces of the Saints and the Evangelists in Correggio's frescoes of the church of San Giovanni at Parma, how the whole dome was one radiant vision of heavenly glory, with clouds and angel faces, and adoring apostles, and Christ the Lord high over all; and that these were but the filling in between the springing curves of the magnificent arches; describing to her the Abbess's room in San Paolo, with its strange, beautiful heathen picture over the mantel, of Diana mounting her stag-drawn car, and