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"Boys disappear every day like that. Sure they do." He leaned toward the screen and his voice was[Pg 97] as hard as his face. "Malone, are these kids mixed up with those impossible robberies you had me looking up?"

"Well," Malone said, "I think so. But I doubt if you could prove it."

Fernack's face had begun its slow climb toward purple again. "Malone," he said, "if you're suppressing evidence, even if you are the FBI, I'll—"

"I'm not suppressing any evidence," Malone said. "I don't think you could prove a connection. I don't think I could prove a connection. I don't think anybody could—not right now."

Fernack leaned back, apparently mollified.

"John Henry," Malone said, "I want to ask you to keep your hands off this case. To let me handle it my way."

Fernack nodded absently. "Sure, Malone," he said.

"What?"

"I said sure," Fernack said. "Isn't that what you wanted?"

"Well, yes," Malone said, "but—"

Fernack leaned all the way back in his chair, his face a mask of disappointment and frustration. "Malone," he said, "I wish I'd never heard of this case. I wish I'd been retired or died before it ever came up. I've been a police officer in New York for a long time, and I wish this case had waited a few more years to happen."

He stopped. Malone leaned against the back wall of the phone booth and lit a cigarette.

"Andy Burris called me less than half an hour ago," Fernack said.

"Oh," Malone said.

"That's right," Fernack said. "Good old Burris of the FBI. And he told me this was a National Security case. National Security. It's your baby, Malone, because Burris wants it that way." He snorted. "So don't worry about me," he said. "I'm just here to co-operate. The patriotic, loyal, dumb slave of a grateful government."

Malone blew out a plume of smoke. "You know, John Henry," he said, "you might have made a good FBI man yourself. You've got the right attitude."

"Never mind the jokes," Fernack said bitterly.

"O.K.," Malone said. "But tell me: Did you actually make arrangements for me to get into that warehouse? I suppose you know that's what I want."

"I guessed that much," Fernack said. "I haven't made any arrangements at all yet, but I will. I'll have Safe and Loft get the keys, and a full set of floor plans to the place while they're at it. Will that do, Your Majesty?"

Malone choked on his smoke and shot a quick look over his shoulder. There was nothing there but the wall of the booth. Queen Elizabeth I was nowhere in evidence. Then he realized that Fernack had been talking to him.

"Don't do that," he said.

"What?" Fernack said.

Malone realized in one awful sec[Pg 98]ond how strange the explanation was going to sound. Could he say that he thought he'd been mistaken for an old friend of his, Elizabeth Tudor? Could he say that he'd just had a call from her?

In the end he merely said: "Nothing," and let it go at that.

"Well, anyhow," Fernack said, "do you want anything else?"

"Not right now," Malone said. "I'll let you know, though. And—thanks, John Henry. No matter why you're doing this, thanks."

"I don't deserve 'em." Fernack muttered. "And I hope you get caught in some kind of deadfall and have to come screaming to the cops."

That, Malone reflected, was the second time a cop had suggested his yelling if he got into trouble.

Hadn't the police force ever heard of telephones?

He said good-by and flipped off.

Then he stared at the screen for a little while, as his cigarette burned down between his fingers. At last he put the cigarette out and went downstairs again to the bar.

If he had to do some heavy thinking, he told himself, there was absolutely no reason why he couldn't enjoy himself a little while doing it.

The evening rush had begun, and Malone found himself a stool by the simple expedient of slipping into one while a drinker's back was turned. Once ensconced, he huddled himself up like an old drunk, thus effectively cutting himself off from interruptions, and lit another cigarette. Ray was down at the other end of the bar, chatting with a red-headed woman and her pale, bald escort. Malone sighed and set himself to the job of serious, constructive thinking.

How, he asked himself, do you go about catching a person who can vanish away like so much smoke?

Well, Malone could think of one solution, but it was pretty bloody. Nailing the kids to a wall would probably work, but he couldn't say much else for it. There had to be another way out. For some reason Malone just couldn't see himself with a mouthful of nails, a hammer and a teen-ager.

It sounded just a little too messy.

Then, of course, there were handcuffs.

That sounded a little better. The trouble was that Malone simply didn't have enough information, and knew it. Obviously, the kids could carry stuff with them when they teleported; the stuff they stole proved that. And their clothes, Malone added. Apparently the kids didn't arrive at wherever they went stark staring naked.

But how close to a teleport did the things he carried have to be?

In other words. Malone thought, if you put handcuffs on a teleport, would the handcuffs vanish when the teleport did? And did that include the part of the cuff you were holding?

What happened if you snapped half the cuff around your own wrist first? Did you go along with the teleport? Or did your wrist go, while[Pg 99] you stayed behind and wondered how long it would take to bleed to death?

Or what?

All the questions were intriguing ones. Malone sighed, wishing he knew the answer to even one of them.

It was somewhat comforting to think that he'd managed to progress a little, anyway. The kids hadn't meant anybody to find out about them—but Malone had found out about them, and alerted all the cops in town, as well as the rest of the FBI. He knew just who they were, and where they lived, and how they performed the "miracles" they performed.

Anyhow, he knew something about that last item.

He even knew who had his notebook.

He tabled that thought, and went back to feeling victorious. Within a few seconds, the sense of achievement was gone, and futility had come in its place. After all, he still didn't know how to catch the kids, did he?

No.

He thought about handcuffs some more and then gave up. He'd just have to try it and see how it worked. And if the teleports took his wrist away he'd ... he'd ... he'd go after them and make them give it back.

Sure he would.

That reminded him of the notebook again, and, since the thing was being so persistent, he decided he might as well pay some attention to it.

Dorothea had the notebook. Malone tried to see himself barging in on her and asking for it, and he didn't care for the picture at all—no matter how Good Queen Bess felt about it.

After all, she thought Mike Fueyo was basically a nice kid.

So what did she know?

He closed his eyes. There he was, in the Fueyo apartment, talking to Dorothea.

"Dorothea," he muttered. "You filched my notebook."

That didn't sound very effective. And besides, it wasn't really his notebook. He tried again.

"Dorothea, you pinched your brother's notebook."

Now, for some reason, it sounded like something covered by the Vice Squad. It sounded terrible. But there were other ways of saying the same thing.

"Dorothea," he muttered, "you borrowed your brother's notebook."

That was too patronizing. Malone told himself that he sounded like a character straight out of the 3-D screens, and settled himself gamely for another try.

"Dorothea, you have your brother's notebook."

To which the obvious answer was: "Yes, I do, and so what?"

Or, possibly: "How do you know?"

And Malone thought about answering that one. "Queen Elizabeth told me," was the literal truth, but somehow it didn't sound like it. And[Pg 100] he couldn't find another answer to give the girl.

"Dorothea," he said, and a voice from nowhere added:

"Will you have another drink?"

Malone exploded, "That's not the question. Drinks have nothing to do with notebooks. I'm after notebooks. Can't you understand—" Belatedly, he looked up.

There was Ray, the barman.

"Oh," he said.

"I just came over," Ray said. "And I figured if you couldn't find your notebook, maybe you'd like a drink. So long as you're here."

"Ray," Malone said with feeling, "you are an eminently reasonable fellow. I accept your solution. Nay, more. I endorse your solution. Wholeheartedly."

Ray went off to mix, and Malone stared after him happily. This was really a nice place, he reflected—almost as nice as the City Hall Bar in Chicago where he'd gone long ago with his father.

But he tore his mind away from the happy past and concentrated, instead, on the miserable present. He decided for the last time that he was not going to ask Dorothea for the book—not just yet, anyhow. After all, it wasn't as if he needed the book; he knew his own name, and he knew Lynch's name, and he knew the names on the second page. And he didn't see any particular need for a picture of a red Cadillac, no matter how nicely colored it was.

So, he asked himself, why embarrass everybody by trying to get it back?

Of course, it was technically a crime to pick pockets, and that went double or triple for the pockets of FBI agents. But Malone told himself that he didn't feel like pressing charges, anyhow. And Dorothy probably didn't make a habit of pocket-picking.

He sighed and glanced at his watch. It was fifteen minutes of six.

Now, he knew what his next move was going to be.

He was going to go back to his hotel and change his clothes.

That is, he amended, as soon as he finished the drink that Ray was setting up in front of him.

XIII.

By the time Malone reached the Statler Hilton Hotel it was six-twenty. Malone hadn't reckoned with New York's rush-hour traffic, and, after seeing it, he still didn't believe it. Finding a cab had been impossible, and he had started for the subway, hoping that he wouldn't get lost and end up somewhere in Brooklyn.

But one look at the shrieking mob trying to sardine itself into the Seventh Avenue subway entrance had convinced him it was better to walk. Bucking the street crowds was bad enough. Bucking the subway crowds was something Malone didn't even want to think about.

He let himself into his room, and was taking off his shoes with a grate[Pg 101]ful sigh when there was a rap on the door of the bathroom that connected his room with Boyd's. Malone padded over to the door, his shoes in one hand. "Tom?" he said.

"You were expecting maybe Titus Moody?" Boyd called.

"O.K.," Malone said. "Come on in."

Boyd pushed open the door. He was stripped to the waist, a state of dress which showed the largest expanse of chest Malone had ever seen, and he was carrying the small scissors which he used to trim his Henry VIII beard. He stabbed the scissors toward Malone, who shuffled back hurriedly.

"Listen," Boyd said, "did you call the office after you left this afternoon?"

"No," Malone admitted. "Why? What happened?"

"There was a call for you," Boyd said. "Long Distance, just before I left at five. I came on back to the hotel and waited until I heard you come in. Thought you might want to know about it."

"I do, I guess," Malone said. "Who from?" Looking at Boyd, a[Pg 102] modern-day Henry VIII, the association was too obvious to be missed. Malone thought of Good Queen Bess, and wondered why she was calling him again.

And—more surprising—why she'd called him at FBI headquarters, when she must have known that he wasn't there.

"Dr. O'Connor," Boyd said.

"Oh," Malone said, somewhat relieved. "At Yucca Flats."

Boyd nodded. "Right," he said. "You're to call Operator Nine."

"Thanks." Malone went over to the phone, remembered his shoes and put them down carefully on the floor. "Anything else of importance?" he asked.

"On the Cadillacs," Boyd said. "We've got a final report now. Leibowitz and Hardin finally finished checking the last of them—there weren't quite as many as we were afraid there were going to be. Red isn't a very popular color around here."

"Good," Malone said.

"And there isn't a doggone thing on any of 'em," Boyd said. "Oh, we cleared up a lot of small-time crime, one thing and another, but that's about all. No such thing as an electro-psionic

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