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They came upon the corpse of a Brahmin lying in the depth of the jungle, where he had died of thirst. The king, leaving his horse, performed the requisite ceremony, and instantly his soul had migrated into the body of the, Brahmin, and his own lay as dead upon the ground. At the same moment, however, the hunchback deserted his body, and possessed himself of that which had been the king's, and shouting farewell to the dismayed monarch, he rode back to the palace, where he was received with royal honours. But it was not long before the queen and one of the ministers discovered that a screw was somewhere loose, and when the quondam king, but now Brahmin, arrived and told his tale, a plot was laid for the recovery of his body. The queen asked her false husband whether it were possible to make her parrot talk, and he in a moment of uxorious weakness promised to make it speak. He laid his body aside, and sent his soul into the parrot. Immediately the true king jumped out of his Brahmin body and resumed that which was legitimately his own, and then proceeded, with the queen, to wring the neck of the parrot.

But besides the doctrine of metempsychosis, which proved such a fertile mother of fable, there was another article of popular mythology which gave rise to stories of transformation. Among the abundant superstitions existing relative to transformation, three shapes seem to have been pre-eminently affected--that of the swan, that of the wolf, and that of the serpent. In many of the stories of those transformed, it is evident that the individual who changes shape is regarded with superstitious reverence, as a being of a higher order--of a divine nature. In Christian countries, everything relating to heathen mythology was regarded with a suspicious eye by the clergy, and any miraculous powers not sanctioned by the church were attributed to the evil one. The heathen gods became devils, and the marvels related of them were supposed to be effected by diabolic agency. A case of transformation which had shown the power of an ancient god, was in Christian times considered as an instance of witchcraft. Thus stories of transformation fell into bad odour, and those who changed shapes were no longer regarded as heavenly beings, commanding reverence, but as miserable witches deserving the stake.

In the infancy of the world, when natural phenomena were ill-understood, expressions which to us are poetical were of a real significance. When we speak of thunder rolling, we use an expression which conveys no further idea than a certain likeness observed between the detonations and the roll of a vehicle; but to the uninstructed mind it was more. The primæval savage knew not what caused thunder, and tracing the resemblance between it and the sound of wheels, he at once concluded that the chariot of the gods was going abroad, or that the celestial spirits were enjoying a game of bowls.

We speak of fleecy clouds, because they appear to us soft and light as wool, but the first men tracing the same resemblance, believed the light vapours to be flocks of heavenly sheep. Or we say that the clouds are flying: the savage used the same expression, as he looked up at the mackerel sky, and saw in it flights of swans coursing over the heavenly lake. Once more, we creep nearer to the winter fire, shivering at the wind, which we remark is howling around the house, and yet we do not suppose that the wind has a voice. The wild primæval men thought that it had, and because dogs and wolves howl, and the wind howled, and because they had seen dogs and wolves, they concluded that the storm-wind was a night-hound, or a monstrous wolf, racing over the country in the darkness of the winter night, ravening for prey.

Along with the rise of this system of explaining the operations of nature by analogies in the bestial world, another conclusion forced itself on the untaught mind. The flocks which strayed in heaven were no earthly sheep, but were the property of spiritual beings, and were themselves perhaps spiritual; the swans which flew aloft, far above the topmost peak of the Himalaya, were no ordinary swans, but were divine and heavenly. The wolf which howled so wildly in the long winter night, the hounds, whose bay sounded so. dismally through the shaking black forest, were no mundane wolves and hounds, but issued from the home of a divine hunter, and were themselves wondrous, supernatural beings of godlike race.

And so, the clouds having become swans, the swan-clouds were next believed to be divine beings, valkyries, apsaras, and the like, seen by mortals in their feather-dresses, but appearing among the gods as damsels. The storm-wind having been supposed to be a wolf, next was taken to be a tempestuous god, who delighted to hunt on earth in lupine form.

I have mentioned also the serpent shape, as being one very favourite in mythology. The ancient people saw the forked and writhing lightning, and supposed it to be a heavenly fiery serpent, a serpent which had godlike powers, which was in fact a divine being, manifesting himself to mortals under that form. Among the North American Indians, the lightning is still regarded as the great serpent, and the thunder is supposed to be his hissing.

"Ah!" exclaimed a Magdeburg peasant to a German professor, during a thunder-storm, as a vivid forked gleam shot to earth, "what a glorious snake was that!" And this resemblance did not escape the Greeks.

{Greek _é!likes d? e?klámpousi steroph~s ksápuroi_}.

_Æsch. Prom._ 1064.

{Greek _drákonta pursónwton, ó!s á?platon a?mfeliktòs é!lik? e?froúrei, ktanw'n_}.

_Eurip. Herc. F._ 395.

And according to Aristotle, {Greek _e!likíai_} are the lightnings, {Greek _grammoeidw~s ferómenoi_}.

It is so difficult for us to unlearn all we know of the nature of meteorological phenomena, so hard for us to look upon atmospheric changes as though we knew nothing of the laws that govern them, that we are disposed to treat such explanations of popular myths as I have given above, as fantastic and improbable.

But among the ancients all solutions of natural problems were tentative, and it is only after the failure of every attempt made to explain these phenomena on supernatural grounds that we have been driven to the discovery of the true interpretation. Yet among the vulgar a vast amount of mythology remains, and is used still to explain atmospheric mysteries. The other day a Yorkshire girl, when asked why she was not afraid of thunder, replied because it was only her Father's voice; what knew she of the rushing together of air to fill the vacuum caused by the transit of the electric fluid? to her the thunder-clap was the utterance of the Almighty. Still in North Germany does the peasant say of thunder, that the angels are playing skittles aloft, and of the snow, that they are shaking up the feather-beds in heaven.

The myth of the dragon is one which admits, perhaps more than any other, of identification with a meteorological phenomenon, and presents to us as well the phase of transition from theriomorphosis to anthropomorphosis.

The dragon of popular mythology is nothing else than the thunderstorm, rising at the horizon, rushing with expanded, winnowing, black pennons across the sky, darting out its forked fiery tongue, and belching fire. In a Slovakian legend, the dragon sleeps in a mountain cave through the winter months, but, at the equinox, bursts forth--"In a moment the heaven was darkened and became black as pitch, only illumined by the fire which flashed from dragon's jaws and eyes. The earth shuddered, the stones rattled down the mountain sides into the glens. Right and left, left and right, did the dragon lash his tail, overthrowing pines and beeches, snapping them as rods. He evacuated such floods of water that the mountain torrents were full. But after a while his power was exhausted, he lashed no more with his tail, ejected no more water, and spat no more fire."

I think it is impossible not to see in this description, a spring-tide thunderstorm. But to make it more evident that the untaught mind did regard such a storm as a dragon, I think the following quotation from _John of Brompton's Chronicle_ will convince the most sceptical: "Another remarkable thing is this, that took place during a certain month in the Gulf of Satalia (on the coast of Pamphylia). There appeared a great and black dragon which came in clouds, and let down his head into the water, whilst his tail seemed turned to the sky; and the dragon drew the water to him by drinking, with such avidity, that, if any ship, even though laden with men or any other heavy articles, had been near him when drinking, it would nevertheless have been sucked up and carried on high. In order however to avoid this danger, it is necessary, when people see it, at once to make a great uproar, and to shout and hammer tables, so that the dragon, hearing the noise, and the voices of those shouting, may withdraw himself far off. Some people, however, assert that this is not a dragon, but the sun drawing up the waters of the sea; which seems more probable." [1] Such is John of Brompton's account of a waterspout. In Greek mythology the dragon of the storm has begun to undergo anthropomorphosis. Typhus is the son of Tartarus and Terra; the storm rising from the horizon may well be supposed to issue from the earth's womb, and its characteristics are sufficient to decide its paternity. Typhus, the whirlwind or typhoon, has a hundred dragon or serpent heads, the long writhing strive of vapour which run before the hurricane cloud. He belches fire, that is, lightnings issue from the clouds, and his roaring is like the howling of wild dogs. Typhus ascends to heaven to make war on the gods, who fly from him in various fantastic shapes; who cannot see in this ascent the hurricane climbing up the vault of sky, and in the flying gods, the many fleeting fragments of white cloud which are seen drifting across the heavens before the gale!

[1. Apud TWYSDEN, Hist. Anglicæ Script. x. 1652. p. 1216.]

Typhus, according to Hesiod, is the father of all bad winds, which destroy with rain and tempest, all in fact which went among the Greeks by the name of {Greek _laílaps_}, bringing injury to the agriculturist and peril to the voyager.



{Greek
_?Ek dè Tufwéos é?st? a?némwn ménos u!gròn á?eptwn,
nósfi Nótou Boréw te, kaì a?rgéstew Zefúrou te.
oí! ge mèn e?n ðeófin geneh`, ðnhtoïs még? ó?neiar.
ai! d? á?llai mapsau~rai e?pipneíousi ðalassan.
ai! d? h?'toi píptousai e?s heroeideá pónton,
ph~ma méga ðnhtoi~si, kakh~j ðúousin a?éllhj.
á?llote d? á?llai a?eísi, diaskidna~si te nh~as,
naútas te fðeírousi. kakou~ d? ou? gígnetai a?lkh`
a?ndrásin, oí! keínhjsi sinántwntai katà pónton.
ai! d? aû? kaì katà gai~an a?peíriton, a?nðemóessan
é?rg? e?ratà fðeírousi xamaigenéwn a?nðrw'pwn,
pimpleu~sai kóniós te kaì a?rgaléou kolosurtou~
_ }

_Hesiod. Theog._ 870, _seq._




In both modern Greek and Lithuanian household mythology the dragon or drake has become an ogre, a gigantic man with few of the dracontine attributes remaining. Von Hahn, in his _Griechische und Albanesische Märchen_, tells many tales of drakes, and in all, the old characteristics have been lost, and the drake is simply a gigantic man with magical and superhuman powers.

It is the same among the Lithuanian peasantry. A dragon walks on two legs, talks, flirts with a lady, and marries her. He retains

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