Father Goriot - Honoré de Balzac (finding audrey TXT) 📗
- Author: Honoré de Balzac
Book online «Father Goriot - Honoré de Balzac (finding audrey TXT) 📗». Author Honoré de Balzac
neglect your pistol practice."
Vautrin struck an attitude, as if he were facing an antagonist. Rastignac, meaning to give the porter a tip, felt in his pockets and found nothing. Vautrin flung down a franc piece on the table.
"Your credit is good," he remarked, eyeing the student, and Rastignac was forced to thank him, though, since the sharp encounter of wits at dinner that day, after Eugene came in from calling on Mme. de Beauseant, he had made up his mind that Vautrin was insufferable. For a week, in fact, they had both kept silence in each other's presence, and watched each other. The student tried in vain to account to himself for this attitude.
An idea, of course, gains in force by the energy with which it is expressed; it strikes where the brain sends it, by a law as mathematically exact as the law that determines the course of a shell from a mortar. The amount of impression it makes is not to be determined so exactly. Sometimes, in an impressible nature, the idea works havoc, but there are, no less, natures so robustly protected, that this sort of projectile falls flat and harmless on skulls of triple brass, as cannon-shot against solid masonry; then there are flaccid and spongy-fibred natures into which ideas from without sink like spent bullets into the earthworks of a redoubt. Rastignac's head was something of the powder-magazine order; the least shock sufficed to bring about an explosion. He was too quick, too young, not to be readily accessible to ideas; and open to that subtle influence of thought and feeling in others which causes so many strange phenomena that make an impression upon us of which we are all unconscious at the time. Nothing escaped his mental vision; he was lynx-eyed; in him the mental powers of perception, which seem like duplicates of the senses, had the mysterious power of swift projection that astonishes us in intellects of a high order--slingers who are quick to detect the weak spot in any armor.
In the past month Eugene's good qualities and defects had rapidly developed with his character. Intercourse with the world and the endeavor to satisfy his growing desires had brought out his defects. But Rastignac came from the South side of the Loire, and had the good qualities of his countrymen. He had the impetuous courage of the South, that rushes to the attack of a difficulty, as well as the southern impatience of delay or suspense. These traits are held to be defects in the North; they made the fortune of Murat, but they likewise cut short his career. The moral would appear to be that when the dash and boldness of the South side of the Loire meets, in a southern temperament, with the guile of the North, the character is complete, and such a man will gain (and keep) the crown of Sweden.
Rastignac, therefore, could not stand the fire from Vautrin's batteries for long without discovering whether this was a friend or a foe. He felt as if this strange being was reading his inmost soul, and dissecting his feelings, while Vautrin himself was so close and secretive that he seemed to have something of the profound and unmoved serenity of a sphinx, seeing and hearing all things and saying nothing. Eugene, conscious of that money in his pocket, grew rebellious.
"Be so good as to wait a moment," he said to Vautrin, as the latter rose, after slowly emptying his coffee-cup, sip by sip.
"What for?" inquired the older man, as he put on his large-brimmed hat and took up the sword-cane that he was wont to twirl like a man who will face three or four footpads without flinching.
"I will repay you in a minute," returned Eugene. He unsealed one of the bags as he spoke, counted out a hundred and forty francs, and pushed them towards Mme. Vauquer. "Short reckonings make good friends" he added, turning to the widow; "that clears our accounts till the end of the year. Can you give me change for a five-franc piece?"
"Good friends make short reckonings," echoed Poiret, with a glance at Vautrin.
"Here is your franc," said Rastignac, holding out the coin to the sphinx in the black wig.
"Any one might think that you were afraid to owe me a trifle," exclaimed this latter, with a searching glance that seemed to read the young man's inmost thoughts; there was a satirical and cynical smile on Vautrin's face such as Eugene had seen scores of times already; every time he saw it, it exasperated him almost beyond endurance.
"Well... so I am," he answered. He held both the bags in his hand, and had risen to go up to his room.
Vautrin made as if he were going out through the sitting-room, and the student turned to go through the second door that opened into the square lobby at the foot of the staircase.
"Do you know, Monsieur le Marquis de Rastignacorama, that what you were saying just now was not exactly polite?" Vautrin remarked, as he rattled his sword-cane across the panels of the sitting-room door, and came up to the student.
Rastignac looked coolly at Vautrin, drew him to the foot of the staircase, and shut the dining-room door. They were standing in the little square lobby between the kitchen and the dining-room; the place was lighted by an iron-barred fanlight above a door that gave access into the garden. Sylvie came out of her kitchen, and Eugene chose that moment to say:
"_Monsieur_ Vautrin, I am not a marquis, and my name is not Rastignacorama."
"They will fight," said Mlle. Michonneau, in an indifferent tone.
"Fight!" echoed Poiret.
"Not they," replied Mme. Vauquer, lovingly fingering her pile of coins.
"But there they are under the lime-trees," cried Mlle. Victorine, who had risen so that she might see out into the garden. "Poor young man! he was in the right, after all."
"We must go upstairs, my pet," said Mme. Couture; "it is no business of ours."
At the door, however, Mme. Couture and Victorine found their progress barred by the portly form of Sylvie the cook.
"What ever can have happened?" she said. "M. Vautrin said to M. Eugene, 'Let us have an explanation!' then he took him by the arm, and there they are, out among the artichokes."
Vautrin came in while she was speaking. "Mamma Vauquer," he said smiling, "don't frighten yourself at all. I am only going to try my pistols under the lime-trees."
"Oh! monsieur," cried Victorine, clasping her hands as she spoke, "why do you want to kill M. Eugene?"
Vautrin stepped back a pace or two, and gazed at Victorine.
"Oh! this is something fresh!" he exclaimed in a bantering tone, that brought the color into the poor girl's face. "That young fellow yonder is very nice, isn't he?" he went on. "You have given me a notion, my pretty child; I will make you both happy."
Mme. Couture laid her hand on the arm of her ward, and drew the girl away, as she said in her ear:
"Why, Victorine, I cannot imagine what has come over you this morning."
"I don't want any shots fired in my garden," said Mme. Vauquer. "You will frighten the neighborhood and bring the police up here all in a moment."
"Come, keep cool, Mamma Vauquer," answered Vautrin. "There, there; it's all right; we will go to the shooting-gallery."
He went back to Rastignac, laying his hand familiarly on the young man's arm.
"When I have given you ocular demonstration of the fact that I can put a bullet through the ace on a card five times running at thirty-five paces," he said, "that won't take away your appetite, I suppose? You look to me to be inclined to be a trifle quarrelsome this morning, and as if you would rush on your death like a blockhead."
"Do you draw back?" asked Eugene.
"Don't try to raise my temperature," answered Vautrin, "it is not cold this morning. Let us go and sit over there," he added, pointing to the green-painted garden seats; "no one can overhear us. I want a little talk with you. You are not a bad sort of youngster, and I have no quarrel with you. I like you, take Trump--(confound it!)--take Vautrin's word for it. What makes me like you? I will tell you by-and-by. Meantime, I can tell you that I know you as well as if I had made you myself, as I will prove to you in a minute. Put down your bags," he continued, pointing to the round table.
Rastignac deposited his money on the table, and sat down. He was consumed with curiosity, which the sudden change in the manner of the man before him had excited to the highest pitch. Here was a strange being who, a moment ago, had talked of killing him, and now posed as his protector.
"You would like to know who I really am, what I was, and what I do now," Vautrin went on. "You want to know too much, youngster. Come! come! keep cool! You will hear more astonishing things than that. I have had my misfortunes. Just hear me out first, and you shall have your turn afterwards. Here is my past in three words. Who am I? Vautrin. What do I do? Just what I please. Let us change the subject. You want to know my character. I am good-natured to those who do me a good turn, or to those whose hearts speak to mine. These last may do anything they like with me; they may bruise my shins, and I shall not tell them to 'mind what they are about'; but, _nom d'une pipe_, the devil himself is not an uglier customer than I can be if people annoy me, or if I don't happen to take to them; and you may just as well know at once that I think no more of killing a man than of that," and he spat before him as he spoke. "Only when it is absolutely necessary to do so, I do my best to kill him properly. I am what you call an artist. I have read Benvenuto Cellini's _Memoirs_, such as you see me; and, what is more, in Italian: A fine-spirited fellow he was! From him I learned to follow the example set us by Providence, who strikes us down at random, and to admire the beautiful whenever and wherever it is found. And, setting other questions aside, is it not a glorious part to play, when you pit yourself against mankind, and the luck is on your side? I have thought a good deal about the constitution of your present social Dis-order. A duel is downright childish, my boy! utter nonsense and folly! When one of two living men must be got out of the way, none but an idiot would leave chance to decide which it is to be; and in a duel it is a toss-up--heads or tails--and there you are! Now I, for instance, can hit the ace in the middle of a card five times running, send one bullet after another through the same hole, and at thirty-five paces, moreover! With that little accomplishment you might think yourself certain of killing your man, mightn't you. Well, I have fired, at twenty paces, and missed, and the rogue who had never handled a pistol in his life--look here!"--(he unbuttoned his waistcoat and exposed his chest, covered, like a bear's back, with a shaggy fell; the student gave a startled shudder)--"he was a raw lad, but he made his mark on me," the extraordinary man went on,
Vautrin struck an attitude, as if he were facing an antagonist. Rastignac, meaning to give the porter a tip, felt in his pockets and found nothing. Vautrin flung down a franc piece on the table.
"Your credit is good," he remarked, eyeing the student, and Rastignac was forced to thank him, though, since the sharp encounter of wits at dinner that day, after Eugene came in from calling on Mme. de Beauseant, he had made up his mind that Vautrin was insufferable. For a week, in fact, they had both kept silence in each other's presence, and watched each other. The student tried in vain to account to himself for this attitude.
An idea, of course, gains in force by the energy with which it is expressed; it strikes where the brain sends it, by a law as mathematically exact as the law that determines the course of a shell from a mortar. The amount of impression it makes is not to be determined so exactly. Sometimes, in an impressible nature, the idea works havoc, but there are, no less, natures so robustly protected, that this sort of projectile falls flat and harmless on skulls of triple brass, as cannon-shot against solid masonry; then there are flaccid and spongy-fibred natures into which ideas from without sink like spent bullets into the earthworks of a redoubt. Rastignac's head was something of the powder-magazine order; the least shock sufficed to bring about an explosion. He was too quick, too young, not to be readily accessible to ideas; and open to that subtle influence of thought and feeling in others which causes so many strange phenomena that make an impression upon us of which we are all unconscious at the time. Nothing escaped his mental vision; he was lynx-eyed; in him the mental powers of perception, which seem like duplicates of the senses, had the mysterious power of swift projection that astonishes us in intellects of a high order--slingers who are quick to detect the weak spot in any armor.
In the past month Eugene's good qualities and defects had rapidly developed with his character. Intercourse with the world and the endeavor to satisfy his growing desires had brought out his defects. But Rastignac came from the South side of the Loire, and had the good qualities of his countrymen. He had the impetuous courage of the South, that rushes to the attack of a difficulty, as well as the southern impatience of delay or suspense. These traits are held to be defects in the North; they made the fortune of Murat, but they likewise cut short his career. The moral would appear to be that when the dash and boldness of the South side of the Loire meets, in a southern temperament, with the guile of the North, the character is complete, and such a man will gain (and keep) the crown of Sweden.
Rastignac, therefore, could not stand the fire from Vautrin's batteries for long without discovering whether this was a friend or a foe. He felt as if this strange being was reading his inmost soul, and dissecting his feelings, while Vautrin himself was so close and secretive that he seemed to have something of the profound and unmoved serenity of a sphinx, seeing and hearing all things and saying nothing. Eugene, conscious of that money in his pocket, grew rebellious.
"Be so good as to wait a moment," he said to Vautrin, as the latter rose, after slowly emptying his coffee-cup, sip by sip.
"What for?" inquired the older man, as he put on his large-brimmed hat and took up the sword-cane that he was wont to twirl like a man who will face three or four footpads without flinching.
"I will repay you in a minute," returned Eugene. He unsealed one of the bags as he spoke, counted out a hundred and forty francs, and pushed them towards Mme. Vauquer. "Short reckonings make good friends" he added, turning to the widow; "that clears our accounts till the end of the year. Can you give me change for a five-franc piece?"
"Good friends make short reckonings," echoed Poiret, with a glance at Vautrin.
"Here is your franc," said Rastignac, holding out the coin to the sphinx in the black wig.
"Any one might think that you were afraid to owe me a trifle," exclaimed this latter, with a searching glance that seemed to read the young man's inmost thoughts; there was a satirical and cynical smile on Vautrin's face such as Eugene had seen scores of times already; every time he saw it, it exasperated him almost beyond endurance.
"Well... so I am," he answered. He held both the bags in his hand, and had risen to go up to his room.
Vautrin made as if he were going out through the sitting-room, and the student turned to go through the second door that opened into the square lobby at the foot of the staircase.
"Do you know, Monsieur le Marquis de Rastignacorama, that what you were saying just now was not exactly polite?" Vautrin remarked, as he rattled his sword-cane across the panels of the sitting-room door, and came up to the student.
Rastignac looked coolly at Vautrin, drew him to the foot of the staircase, and shut the dining-room door. They were standing in the little square lobby between the kitchen and the dining-room; the place was lighted by an iron-barred fanlight above a door that gave access into the garden. Sylvie came out of her kitchen, and Eugene chose that moment to say:
"_Monsieur_ Vautrin, I am not a marquis, and my name is not Rastignacorama."
"They will fight," said Mlle. Michonneau, in an indifferent tone.
"Fight!" echoed Poiret.
"Not they," replied Mme. Vauquer, lovingly fingering her pile of coins.
"But there they are under the lime-trees," cried Mlle. Victorine, who had risen so that she might see out into the garden. "Poor young man! he was in the right, after all."
"We must go upstairs, my pet," said Mme. Couture; "it is no business of ours."
At the door, however, Mme. Couture and Victorine found their progress barred by the portly form of Sylvie the cook.
"What ever can have happened?" she said. "M. Vautrin said to M. Eugene, 'Let us have an explanation!' then he took him by the arm, and there they are, out among the artichokes."
Vautrin came in while she was speaking. "Mamma Vauquer," he said smiling, "don't frighten yourself at all. I am only going to try my pistols under the lime-trees."
"Oh! monsieur," cried Victorine, clasping her hands as she spoke, "why do you want to kill M. Eugene?"
Vautrin stepped back a pace or two, and gazed at Victorine.
"Oh! this is something fresh!" he exclaimed in a bantering tone, that brought the color into the poor girl's face. "That young fellow yonder is very nice, isn't he?" he went on. "You have given me a notion, my pretty child; I will make you both happy."
Mme. Couture laid her hand on the arm of her ward, and drew the girl away, as she said in her ear:
"Why, Victorine, I cannot imagine what has come over you this morning."
"I don't want any shots fired in my garden," said Mme. Vauquer. "You will frighten the neighborhood and bring the police up here all in a moment."
"Come, keep cool, Mamma Vauquer," answered Vautrin. "There, there; it's all right; we will go to the shooting-gallery."
He went back to Rastignac, laying his hand familiarly on the young man's arm.
"When I have given you ocular demonstration of the fact that I can put a bullet through the ace on a card five times running at thirty-five paces," he said, "that won't take away your appetite, I suppose? You look to me to be inclined to be a trifle quarrelsome this morning, and as if you would rush on your death like a blockhead."
"Do you draw back?" asked Eugene.
"Don't try to raise my temperature," answered Vautrin, "it is not cold this morning. Let us go and sit over there," he added, pointing to the green-painted garden seats; "no one can overhear us. I want a little talk with you. You are not a bad sort of youngster, and I have no quarrel with you. I like you, take Trump--(confound it!)--take Vautrin's word for it. What makes me like you? I will tell you by-and-by. Meantime, I can tell you that I know you as well as if I had made you myself, as I will prove to you in a minute. Put down your bags," he continued, pointing to the round table.
Rastignac deposited his money on the table, and sat down. He was consumed with curiosity, which the sudden change in the manner of the man before him had excited to the highest pitch. Here was a strange being who, a moment ago, had talked of killing him, and now posed as his protector.
"You would like to know who I really am, what I was, and what I do now," Vautrin went on. "You want to know too much, youngster. Come! come! keep cool! You will hear more astonishing things than that. I have had my misfortunes. Just hear me out first, and you shall have your turn afterwards. Here is my past in three words. Who am I? Vautrin. What do I do? Just what I please. Let us change the subject. You want to know my character. I am good-natured to those who do me a good turn, or to those whose hearts speak to mine. These last may do anything they like with me; they may bruise my shins, and I shall not tell them to 'mind what they are about'; but, _nom d'une pipe_, the devil himself is not an uglier customer than I can be if people annoy me, or if I don't happen to take to them; and you may just as well know at once that I think no more of killing a man than of that," and he spat before him as he spoke. "Only when it is absolutely necessary to do so, I do my best to kill him properly. I am what you call an artist. I have read Benvenuto Cellini's _Memoirs_, such as you see me; and, what is more, in Italian: A fine-spirited fellow he was! From him I learned to follow the example set us by Providence, who strikes us down at random, and to admire the beautiful whenever and wherever it is found. And, setting other questions aside, is it not a glorious part to play, when you pit yourself against mankind, and the luck is on your side? I have thought a good deal about the constitution of your present social Dis-order. A duel is downright childish, my boy! utter nonsense and folly! When one of two living men must be got out of the way, none but an idiot would leave chance to decide which it is to be; and in a duel it is a toss-up--heads or tails--and there you are! Now I, for instance, can hit the ace in the middle of a card five times running, send one bullet after another through the same hole, and at thirty-five paces, moreover! With that little accomplishment you might think yourself certain of killing your man, mightn't you. Well, I have fired, at twenty paces, and missed, and the rogue who had never handled a pistol in his life--look here!"--(he unbuttoned his waistcoat and exposed his chest, covered, like a bear's back, with a shaggy fell; the student gave a startled shudder)--"he was a raw lad, but he made his mark on me," the extraordinary man went on,
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