The Sleeper Awakes - H. G. Wells (best fiction novels to read .TXT) 📗
- Author: H. G. Wells
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Isbister stopped short and looked at the sufferer doubtfully.
“Look at these rocks!” cried the seated man with a sudden force of gesture. “Look at that sea that has shone and quivered there for ever! See the white spume rush into darkness under that great cliff. And this blue vault, with the blinding sun pouring from the dome of it. It is your world. You accept it, you rejoice in it. It warms and supports and delights you. And for me—”
He turned his head and showed a ghastly face, bloodshot pallid eyes and bloodless lips. He spoke almost in a whisper. “It is the garment of my misery. The whole world ... is the garment of my misery.”
Isbister looked at all the wild beauty of the sunlit cliffs about them and back to that face of despair. For a moment he was silent.
He started, and made a gesture of impatient rejection. “You get a night’s sleep,” he said, “and you won’t see much misery out here. Take my word for it.”
He was quite sure now that this was a providential encounter. Only half an hour ago he had been feeling horribly bored. Here was employment the bare thought of which, was righteous self-applause. He took possession forthwith. The first need of this exhausted being was companionship. He flung himself down on the steeply sloping turf beside the motionless seated figure, and threw out a skirmishing line of gossip.
His hearer lapsed into apathy; he stared dismally seaward, and spoke only in answer to Isbister’s direct questions—and not to all of those. But he made no objection to this benevolent intrusion upon his despair.
He seemed even grateful, and when presently Isbister, feeling that his unsupported talk was losing vigour, suggested that they should reascend the steep and return towards Boscastle, alleging the view into Blackapit, he submitted quietly. Halfway up he began talking to himself, and abruptly turned a ghastly face on his helper. “What can be happening?” he asked with a gaunt illustrative hand. “What can be happening? Spin, spin, spin, spin. It goes round and round, round and round for evermore.”
He stood with his hand circling.
“It’s all right, old chap,” said Isbister with the air of an old friend. “Don’t worry yourself. Trust to me,”
The man dropped his hand and turned again. They went over the brow and to the headland beyond Penally, with the sleepless man gesticulating ever and again, and speaking fragmentary things concerning his whirling brain. At the headland they stood by the seat that looks into the dark mysteries of Blackapit, and then he sat down. Isbister had resumed his talk whenever the path had widened sufficiently for them to walk abreast. He was enlarging upon the complex difficulty of making Boscastle Harbour in bad weather, when suddenly and quite irrelevantly his companion interrupted him again.
“My head is not like what it was,” he said, gesticulating for want of expressive phrases. “It’s not like what it was. There is a sort of oppression, a weight. No—not drowsiness, would God it were! It is like a shadow, a deep shadow falling suddenly and swiftly across something busy. Spin, spin into the darkness. The tumult of thought, the confusion, the eddy and eddy. I can’t express it. I can hardly keep my mind on it—steadily enough to tell you.”
He stopped feebly.
“Don’t trouble, old chap,” said Isbister. “I think I can understand. At any rate, it don’t matter very much just at present about telling me, you know.”
The sleepless man thrust his knuckles into his eyes and rubbed them. Isbister talked for awhile while this rubbing continued, and then he had a fresh idea. “Come down to my room,” he said, “and try a pipe. I can show you some sketches of this Blackapit. If you’d care?”
The other rose obediently and followed him down the steep.
Several times Isbister heard him stumble as they came down, and his movements were slow and hesitating. “Come in with me,” said Isbister, “and try some cigarettes and the blessed gift of alcohol. If you take alcohol?”
The stranger hesitated at the garden gate. He seemed no longer aware of his actions. “I don’t drink,” he said slowly, coming up the garden path, and after a moment’s interval repeated absently, “No—I don’t drink. It goes round. Spin, it goes—spin—”
He stumbled at the doorstep and entered the room with the bearing of one who sees nothing.
Then he sat down heavily in the easy chair, seemed almost to fall into it. He leant forward with his brows on his hands and became motionless. Presently he made a faint sound in his throat.
Isbister moved about the room with the nervousness of an inexperienced host, making little remarks that scarcely required answering. He crossed the room to his portfolio, placed it on the table and noticed the mantel clock.
“I don’t know if you’d care to have supper with me,” he said with an unlighted cigarette in his hand—his mind troubled with ideas of a furtive administration of chloral. “Only cold mutton, you know, but passing sweet. Welsh. And a tart, I believe.” He repeated this after momentary silence.
The seated man made no answer. Isbister stopped, match in hand, regarding him.
The stillness lengthened. The match went out, the cigarette was put down unlit. The man was certainly very still. Isbister took up the portfolio, opened it, put it down, hesitated, seemed about to speak. “Perhaps,” he whispered doubtfully. Presently he glanced at the door and back to the figure. Then he stole on tiptoe out of the room, glancing at his companion after each elaborate pace.
He closed the door noiselessly. The house door was standing open, and he went out beyond the porch, and stood where the monkshood rose at the corner of the garden bed. From this point he could see the stranger through the open window, still and dim, sitting head on hand. He had not moved.
A number of children going along the road stopped and regarded the artist curiously. A boatman exchanged civilities with him. He felt that possibly his circumspect attitude and position looked peculiar and unaccountable. Smoking, perhaps, might seem more natural. He drew pipe and pouch from his pocket, filled the pipe slowly.
“I wonder,” ... he said, with a scarcely perceptible loss of complacency. “At any rate one must give him a chance.” He struck a match in the virile way, and proceeded to light his pipe.
He heard his landlady behind him, coming with his lamp lit from the kitchen. He turned, gesticulating with his pipe, and stopped her at the door of his sitting-room. He had some difficulty in explaining the situation in whispers, for she did not know he had a visitor. She retreated again with the lamp, still a little mystified to judge from her manner, and he resumed his hovering at the corner of the porch, flushed and less at his ease.
Long after he had smoked out his pipe, and when the bats were abroad, curiosity dominated his complex hesitations, and he stole back into his darkling sitting-room. He paused in the doorway. The stranger was still in the same attitude, dark against the window. Save for the singing of some sailors aboard one of the little slate-carrying ships in the harbour the evening was very still. Outside, the spikes of monkshood and delphinium stood erect and motionless against the shadow of the hillside. Something flashed into Isbister’s mind; he started, and leaning over the table, listened. An unpleasant suspicion grew stronger; became conviction. Astonishment seized him and became—dread!
No sound of breathing came from the seated figure!
He crept slowly and noiselessly round the table, pausing twice to listen. At last he could lay his hand on the back of the armchair. He bent down until the two heads were ear to ear.
Then he bent still lower to look up at his visitor’s face. He started violently and uttered an exclamation. The eyes were void spaces of white.
He looked again and saw that they were open and with the pupils rolled under the lids. He was afraid. He took the man by the shoulder and shook him. “Are you asleep?” he said, with his voice jumping, and again, “Are you asleep?”
A conviction took possession of his mind that this man was dead. He became active and noisy, strode across the room, blundering against the table as he did so, and rang the bell.
“Please bring a light at once,” he said in the passage. “There is something wrong with my friend.”
He returned to the motionless seated figure, grasped the shoulder, shook it, shouted. The room was flooded with yellow glare as his landlady entered with the light. His face was white as he turned blinking towards her. “I must fetch a doctor,” he said. “It is either death or a fit. Is there a doctor in the village? Where is a doctor to be found?”
CHAPTER II. — THE TRANCE
The state of cataleptic rigour into which this man had fallen, lasted for an unprecedented length of time, and then he passed slowly to the flaccid state, to a lax attitude suggestive of profound repose. Then it was his eyes could be closed.
He was removed from the hotel to the Boscastle surgery, and from the surgery, after some weeks, to London. But he still resisted every attempt at reanimation. After a time, for reasons that will appear later, these attempts were discontinued. For a great space he lay in that strange condition, inert and still—neither dead nor living but, as it were, suspended, hanging midway between nothingness and existence. His was a darkness unbroken by a ray of thought or sensation, a dreamless inanition, a vast space of peace. The tumult of his mind had swelled and risen to an abrupt climax of silence. Where was the man? Where is any man when insensibility takes hold of him?
“It seems only yesterday,” said Isbister. “I remember it all as though it happened yesterday—clearer, perhaps, than if it had happened yesterday.”
It was the Isbister of the last chapter, but he was no longer a young man. The hair that had been brown and a trifle in excess of the fashionable length, was iron grey and clipped close, and the face that had been pink and white was buff and ruddy. He had a pointed beard shot with grey. He talked to an elderly man who wore a summer suit of drill (the summer of that year was unusually hot). This was Warming, a London solicitor and next of kin to Graham, the man who had fallen into the trance. And the two men stood side by side in a room in a house in London regarding his recumbent figure.
It was a yellow figure lying lax upon a water-bed and clad in a flowing shirt, a figure with a shrunken face and a stubby beard, lean limbs and lank nails, and about it was a case of thin glass. This glass seemed to mark off the sleeper from the reality of life about him, he was a thing apart, a strange, isolated abnormality. The two men stood close to the glass, peering in.
“The thing gave me a shock,” said Isbister. “I feel a queer sort of surprise even now when I think of his white eyes. They were white, you know, rolled up. Coming here again brings it all back to me.”
“Have you never seen him since that time?” asked Warming.
“Often wanted to come,” said Isbister; “but business nowadays is too serious a thing for much holiday keeping. I’ve been in America most of the time.”
“If I remember rightly,” said Warming, “you were an artist?”
“Was. And then I became a married man. I saw it was all up with black and white, very soon—at least for a mediocrity, and I jumped on to process. Those posters on the Cliffs at Dover are by my people.”
“Good posters,” admitted the solicitor, “though I was sorry to see them there.”
“Last as long as the cliffs, if necessary,” exclaimed Isbister with
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