Quality and Others - John Galsworthy (bts books to read .TXT) 📗
- Author: John Galsworthy
- Performer: -
Book online «Quality and Others - John Galsworthy (bts books to read .TXT) 📗». Author John Galsworthy
[*] The etext, when displayed, is clearly readable, and does not contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this “Small Print!” statement.
[3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don’t derive profits, no royalty is due. Royalties are payable to “Project Gutenberg Literary Archive Foundation” the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.
WHAT IF YOU WANT TO SEND MONEY EVEN IF YOU DON’T HAVE TO? Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.
The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the: “Project Gutenberg Literary Archive Foundation.”
If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: hart@pobox.com
[Portions of this header are copyright (C) 2001 by Michael S. Hart and may be reprinted only when these Etexts are free of all fees.] [Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg Etexts or other materials be they hardware or software or any other related product without express permission.]
END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTSVer.10/04/01*END*
This etext was produced by David Widger <widger@cecomet.net>
STUDIES AND ESSAYS
By John Galsworthy
“Je vous dirai que l’exces est toujours un mal.” —ANATOLE FRANCE
CONCERNING LIFE
TABLE OF CONTENTS: QUALITY THE GRAND JURY GONE THRESHING THAT OLD-TIME PLACE ROMANCE—THREE GLEAMS MEMORIES FELICITY
QUALITY
I knew him from the days of my extreme youth, because he made my father’s boots; inhabiting with his elder brother two little shops let into one, in a small by-street-now no more, but then most fashionably placed in the West End.
That tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the Royal Family—merely his own German name of Gessler Brothers; and in the window a few pairs of boots. I remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. Had he bought them to put there? That, too, seemed inconceivable. He would never have tolerated in his house leather on which he had not worked himself. Besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one’s mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. Those pairs could only have been made by one who saw before him the Soul of Boot—so truly were they prototypes incarnating the very spirit of all foot-gear. These thoughts, of course, came to me later, though even when I was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. For to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.
I remember well my shy remark, one day, while stretching out to him my youthful foot:
“Isn’t it awfully hard to do, Mr. Gessler?”
And his answer, given with a sudden smile from out of the sardonic redness of his beard: “Id is an Ardt!”
Himself, he was a little as if made from leather, with his yellow crinkly face, and crinkly reddish hair and beard; and neat folds slanting down his cheeks to the corners of his mouth, and his guttural and one-toned voice; for leather is a sardonic substance, and stiff and slow of purpose. And that was the character of his face, save that his eyes, which were grey-blue, had in them the simple gravity of one secretly possessed by the Ideal. His elder brother was so very like him—though watery, paler in every way, with a great industry—that sometimes in early days I was not quite sure of him until the interview was over. Then I knew that it was he, if the words, “I will ask my brudder,” had not been spoken; and that, if they had, it was his elder brother.
When one grew old and wild and ran up bills, one somehow never ran them up with Gessler Brothers. It would not have seemed becoming to go in there and stretch out one’s foot to that blue iron-spectacled glance, owing him for more than—say—two pairs, just the comfortable reassurance that one was still his client.
For it was not possible to go to him very often—his boots lasted terribly, having something beyond the temporary—some, as it were, essence of boot stitched into them.
One went in, not as into most shops, in the mood of: “Please serve me, and let me go!” but restfully, as one enters a church; and, sitting on the single wooden chair, waited—for there was never anybody there. Soon, over the top edge of that sort of well—rather dark, and smelling soothingly of leather—which formed the shop, there would be seen his face, or that of his elder brother, peering down. A guttural sound, and the tip-tap of bast slippers beating the narrow wooden stairs, and he would stand before one without coat, a little bent, in leather apron, with sleeves turned back, blinking—as if awakened from some dream of boots, or like an owl surprised in daylight and annoyed at this interruption.
And I would say: “How do you do, Mr. Gessler? Could you make me a pair of Russia leather boots?”
Without a word he would leave me, retiring whence he came, or into the other portion of the shop, and I would, continue to rest in the wooden chair, inhaling the incense of his trade. Soon he would come back, holding in his thin, veined hand a piece of gold-brown leather. With eyes fixed on it, he would remark: “What a beaudiful biece!” When I, too, had admired it, he would speak again. “When do you wand dem?” And I would answer: “Oh! As soon as you conveniently can.” And he would say: “To-morrow fordnighd?” Or if he were his elder brother: “I will ask my brudder!”
Then I would murmur: “Thank you! Good-morning, Mr. Gessler.” “Goot-morning!” he would reply, still looking at the leather in his hand. And as I moved to the door, I would hear the tip-tap of his bast slippers restoring him, up the stairs, to his dream of boots. But if it were some new kind of foot-gear that he had not yet made me, then indeed he would observe ceremony—divesting me of my boot and holding it long in his hand, looking at it with eyes at once critical and loving, as if recalling the glow with which he had created it, and rebuking the way in which one had disorganized this masterpiece. Then, placing my foot on a piece of paper, he would two or three times tickle the outer edges with a pencil and pass his nervous fingers over my toes, feeling himself into the heart of my requirements.
I cannot forget that day on which I had occasion to say to him; “Mr. Gessler, that last pair of town walking-boots creaked, you know.”
He looked at me for a time without replying, as if expecting me to withdraw or qualify the statement, then said:
“Id shouldn’d ‘ave greaked.”
“It did, I’m afraid.”
“You goddem wed before dey found demselves?”
“I don’t think so.”
At that he lowered his eyes, as if hunting for memory of those boots, and I felt sorry I had mentioned this grave thing.
“Zend dem back!” he said; “I will look at dem.”
A feeling of compassion for my creaking boots surged up in me, so well could I imagine the sorrowful long curiosity of regard which he would bend on them.
“Zome boods,” he said slowly, “are bad from birdt. If I can do noding wid dem, I dake dem off your bill.”
Once (once only) I went absent-mindedly into his shop in a pair of boots bought in an emergency at some large firm’s. He took my order without showing me any leather, and I could feel his eyes penetrating the inferior integument of my foot. At last he said:
“Dose are nod my boods.”
The tone was not one of anger, nor of sorrow, not even of contempt, but there was in it something quiet that froze the blood. He put his hand down and pressed a finger on the place where the left boot, endeavouring to be fashionable, was not quite comfortable.
“Id ‘urds you dere,”, he said. “Dose big virms ‘ave no self-respect. Drash!” And then, as if something had given way within him, he spoke long and bitterly. It was the only time I ever heard him discuss the conditions and hardships of his trade.
“Dey get id all,” he said, “dey get id by adverdisement, nod by work. Dey dake it away from us, who lofe our boods. Id gomes to this— bresently I haf no work. Every year id gets less you will see.” And looking at his lined face I saw things I had never noticed before, bitter things and bitter struggle—and what a lot of grey hairs there seemed suddenly in his red beard!
As best I could, I explained the circumstances of the purchase of those ill-omened boots. But his face and voice made so deep impression that during the next few minutes I ordered many pairs. Nemesis fell! They lasted more terribly than ever. And I was not able conscientiously to go to him for nearly two years.
When at last I went I was surprised to find that outside one of the two little windows of his shop another name was painted, also that of a bootmaker-making, of course, for the Royal Family. The old familiar boots, no longer in dignified isolation, were huddled in the single window. Inside, the now contracted well of the one little shop was more scented and darker than ever. And it was longer than usual, too, before a face peered down, and the tip-tap of the bast slippers began. At last he stood before me, and, gazing through those rusty iron spectacles, said:
“Mr.–—, isn’d it?”
“Ah! Mr. Gessler,” I stammered, “but your boots are really too good, you know! See, these are quite decent still!” And I stretched out to him my foot. He looked at it.
“Yes,” he said, “beople do nod wand good hoods, id seems.”
To get away from his reproachful eyes and voice I hastily remarked:
Comments (0)