Portia - Margaret Wolfe Hungerford (top 100 books of all time checklist txt) 📗
- Author: Margaret Wolfe Hungerford
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"Ah! we shall be friends," cries Sir Christopher, gaily. "Baby and you and I will ride roughshod over all the others; and we have wanted somebody to help us, haven't we, Baby?" Then he turns more entirely to Dulce; "Eh, a sharp wit, isn't it?" he says.
"Auntie Maud sent her love to you," said Portia.
"Eh? Much obliged, I'm sure," says Sir Christopher. "Very good of her; mine to her in return. A most estimable woman she always was, if short of nose. How she _could_ have thrown herself away upon that little insignificant--eh?--though he _was_ my brother--eh?"
"She ought to have had you," says Miss Vibart, with soft audacity.
"Eh? eh?" says Sir Christopher, plainly delighted. "Now, what a rogue!" He turns to Dulce, as he always does on every occasion, be it sweet or bitter. "You hear her, Dulce. She flatters me, eh?"
"Uncle Christopher, you are a sad, sad flirt," says Dulce, patting his cheek. "I am glad poor Auntie Maud escaped your fascinations. You would have forgotten her in a week. Do you know what o'clock it is?--_after_ six. Now do go up and get ready for dinner, and try to be in time for once, if only to do honor to Portia. He is so irregular," says Dulcinea, turning to Portia.
Miss Vibart, like Alice, begins to think it all "curiouser and curiouser;" yet, withal, the house seems full of love.
"Well, indeed as a rule, I believe I _am_ late," says Sir Christopher, in a resigned tone. "But I always put it down upon Mylder; he _can't_ tie a cravat!" Then, to Portia, "You are pale and thin, child. You must get rosy and fat, and above all things healthy, before we are done with you."
"She must, indeed," says Dulce, "though I doubt if she will thank us for it by-and-by; when she finds herself (as she shall) with rose-colored cheeks like a dairy-maid, she will be very angry with us all."
"I shall never have red cheeks," says Portia; "and I shall never be angry with you; but I shall surely get strong in this charming air."
"Here you will live forever," says Dulce. "People at ninety-five consider themselves in the prime of life."
"Lucky they!" says Portia; "they must 'wear the rose of youth' upon them forever."
"Oh! we _can_ die young," says Dulce, hastily, as though anxious to take a stigma off her country-side. "We have been known to do it, but not much; and the happiest have gone the soonest."
"Yes," says Uncle Christopher, most cheerfully--he is plainly unimpressed, and shows an inclination to whistle
"Golden lads and girls, all must,
As chimney-sweepers come to dust!"
"I say, Dulce, isn't Portia like that picture of your grand-aunt in the north gallery?"
"Like who?" asks Portia, anxiously.
"Like the handsomest woman in Europe, of her time," says Sir Christopher, earnestly, with a low, profound bow that might perhaps have been acceptable to "the handsomest woman in Europe," but only serves now to raise wild mirth in the breasts of her degenerate grand-nieces.
When they have reached again the hall outside (leaving Sir Christopher to seek the tender mercies of Mylder) Portia turns to her cousin--
"I am fortunate," she says, in her usual composed fashion that is yet neither cold nor repellant, "I find Uncle Christopher, also, altogether charming!"
The "also" is very happy. It is not to be misunderstood, and is full of subtle flattery. Dulcinea yields to it, and turns, eyes and lips bright with a warm smile, upon Miss Vibart.
"Yes; he is quite everything that is nice," she says, gracefully ignoring the compliment to herself. "Now, shall we come and sit on the balcony until dinner is ready; as a rule, we assemble there in Summer instead of in the drawing-room, which, of course, is more convenient, and decidedly more gloomy."
"I have an all-conquering curiosity to know everything about everybody down here," says Portia, as they reach the balcony. Dulce pushes a low, sleepy-looking chair toward her, and, sinking gracefully into it, she turns her eyes up to her cousin. "Tell me all about your Roger," she says, languidly. "As I must begin with somebody, I think I shall prefer beginning with--with--what shall I call him? Your young man?"
"It sounds like Martha's baker's boy," says Dulce, laughing; "but you may call Roger what you like. I wish with all my heart you could call him husband, as that would take him out of my way."
They are standing on the balcony, and are looking toward the South. Beyond them stretch the lawns, green and sloping; from below, the breath of the sleeping flowers comes up to greet them; through the trees in the far, far distance comes to them a glimpse of the great ocean as it lies calm and silent, almost to melancholy, but for the soft lap, lapping of the waves upon the pebbly shore.
"Some one told me he was very handsome," says Portia, at a venture. Perhaps she has heard this, perhaps she hasn't. It even seems to her there is more truth in the "has" than in the "hasn't."
"I have seen uglier people," admits Dulcinea, regretfully; "when he has his face washed, and his hair brushed, he isn't half a bad boy."
"Boy?" asks Portia, doubtfully; to her the foregoing speech is full of difficulty.
"I daresay _you_ would call him a man," says Dulce, with a shrug of her soft shoulders; "but really he isn't. If you had grown up with him, as I have, you would never think of him as being anything but an overgrown baby, and a very cross one. That is the worst of being brought up with a person, and being told one is to marry him by-and-by. It rather takes the gilt off him, I think," says Dulce with a small smile.
"But why must you marry him?" asks Portia, opening her large black fan in an indolent fashion, and waving it to and fro.
The sun retiring
"On waves of glory, like an ocean god,"
flings over her a pale, pink halo, that renders even more delicately fine the beauty of her complexion. A passing breeze flings into her lap a few rose-leaves from a trailing tree that has climbed the balcony, and is now nodding drowsily as the day slowly dies. She is feeling a little sorry for Dulce, who is reciting her family history with such a doleful air.
"Well, I needn't, you know," says that young lady, lightly; "not if I don't choose, you know. I have got until I am twenty-one to think about it, and I am only eighteen now. I daresay I shall cry-off at the last moment; indeed, I am sure I shall," with a wilful shake of the head, "because Roger, at times, is quite too much, and utterly insupportable, yet, in that case, I shall vex Uncle Christopher, and I do so love Uncle Christopher!"
"But he had nothing to do with the arrangement, had he?"
"Nothing. It was his brother, Uncle Humphrey, who made the mistake. He left the property between us on condition we married each other. Whichever of us, at twenty-one, declines to carry out the agreement, gets L500 a year off the property, and the rest goes to the happy rejected. It is a charming place, about six miles from this, all lakes and trees, and the most enchanting gardens. I daresay Roger would be delighted if I would give him up, but" (vindictively) "I shan't. He shall never get those delicious gardens all to himself."
"What an eccentric will," says Portia.
"Well, hardly that. The place is very large, and requires money to keep it up. If he had divided the income between us, and we had been at liberty to go each our own way, the possessor of the house and lands would not have had enough money to keep it in proper order. I think it rather a just will. I wish it had been differently arranged, of course, but it can't be helped now."
"Is he your first cousin? You know I have heard very little about this branch of my family, having lived so long in India."
"No, my second cousin. Fabian is Uncle Christopher's heir, but if--if he died, Roger would inherit title and all. That is another reason why I hate him. Why should he have even a distant claim to anything that belongs to Fabian?"
"But, my dear girl, you are not going to marry a man you hate?" says Portia, sitting up very straight, and forgetting to wave her fan.
"Not exactly," says Dulce, meditatively; "I really don't think I hate him, but he can be disagreeable, I promise you."
"But if you marry him, hardly tolerating him, and afterwards you meet somebody you can love, how will it be with you then?"
"Oh, I shan't do that," she says; "I have felt so married to Roger for years, that it would be positively indecent of me, even _now_, to fall in love with any one. In fact I couldn't."
"I daresay, after all, you like him well enough," says Miss Vibart, with her low, soft laugh. "Mark Gore says you are exactly suited to each other."
"Mark Gore is a confirmed old bachelor, and knows nothing," says Dulce, contemptuously.
"Yet once, they say, he was hopelessly in love with Phyllis Carrington."
"So he was. It was quite a romance, and he was the hero."
"Phyllis is quite everything she ought to be, and utterly sweet," says Portia, thoughtfully. "But _is_ she the sort of person to create a _grande passion_ in a man like Mark?"
"I daresay. Her eyes are lovely; so babyish, yet so full of latent coquetry. A man of the world, like Mark, would like that sort of thing. But it is all over now, quite a worn-out tale. He visits there at stated times, and she has thoughts only for her baby and her 'Duke,' as she calls her husband."
"I wonder," says Miss Vibart, with a faint yawn, "if at times she doesn't find that a trifle slow?"
Then she grows a little ashamed of herself, as she catches Dulce's quick, puzzled glance.
"It is a very pretty baby," says Dulce, as though anxious to explain matters.
"And what can be more adorable than a pretty baby?" responds her cousin, with a charming smile. "Now do tell me"--quickly, and as though to change the current of her companion's thoughts--"how many people are in this house, and who they are, and everything that is bad and good about them."
Dulce laughs.
"We come and go," she says. "It would be hard to arrange us. _I_ am always here, and Uncle Christopher, and--Fabian. Roger calls this his home, too, but sometimes he goes away for awhile, and Dicky's room is always kept for him. We are all cousins pretty nearly, and there is one peculiarity--I mean, Uncle Christopher makes no one welcome who does not believe--in--Fabian."
Her voice falls slightly as she makes the last remark, and she turns her head aside, and, leaning over the balcony, plays absently with a rosebud that is growing within her reach. In this position she cannot see that Portia has colored warmly, and is watching her with some curiosity.
"You must try to like Fabian," says Dulce, presently. Her voice is sad, but quite composed. She appears mournful, but not disconcerted. "You have no doubt heard his unfortunate story from Auntie Maud, and--_you_ believe in him, don't
"Ah! we shall be friends," cries Sir Christopher, gaily. "Baby and you and I will ride roughshod over all the others; and we have wanted somebody to help us, haven't we, Baby?" Then he turns more entirely to Dulce; "Eh, a sharp wit, isn't it?" he says.
"Auntie Maud sent her love to you," said Portia.
"Eh? Much obliged, I'm sure," says Sir Christopher. "Very good of her; mine to her in return. A most estimable woman she always was, if short of nose. How she _could_ have thrown herself away upon that little insignificant--eh?--though he _was_ my brother--eh?"
"She ought to have had you," says Miss Vibart, with soft audacity.
"Eh? eh?" says Sir Christopher, plainly delighted. "Now, what a rogue!" He turns to Dulce, as he always does on every occasion, be it sweet or bitter. "You hear her, Dulce. She flatters me, eh?"
"Uncle Christopher, you are a sad, sad flirt," says Dulce, patting his cheek. "I am glad poor Auntie Maud escaped your fascinations. You would have forgotten her in a week. Do you know what o'clock it is?--_after_ six. Now do go up and get ready for dinner, and try to be in time for once, if only to do honor to Portia. He is so irregular," says Dulcinea, turning to Portia.
Miss Vibart, like Alice, begins to think it all "curiouser and curiouser;" yet, withal, the house seems full of love.
"Well, indeed as a rule, I believe I _am_ late," says Sir Christopher, in a resigned tone. "But I always put it down upon Mylder; he _can't_ tie a cravat!" Then, to Portia, "You are pale and thin, child. You must get rosy and fat, and above all things healthy, before we are done with you."
"She must, indeed," says Dulce, "though I doubt if she will thank us for it by-and-by; when she finds herself (as she shall) with rose-colored cheeks like a dairy-maid, she will be very angry with us all."
"I shall never have red cheeks," says Portia; "and I shall never be angry with you; but I shall surely get strong in this charming air."
"Here you will live forever," says Dulce. "People at ninety-five consider themselves in the prime of life."
"Lucky they!" says Portia; "they must 'wear the rose of youth' upon them forever."
"Oh! we _can_ die young," says Dulce, hastily, as though anxious to take a stigma off her country-side. "We have been known to do it, but not much; and the happiest have gone the soonest."
"Yes," says Uncle Christopher, most cheerfully--he is plainly unimpressed, and shows an inclination to whistle
"Golden lads and girls, all must,
As chimney-sweepers come to dust!"
"I say, Dulce, isn't Portia like that picture of your grand-aunt in the north gallery?"
"Like who?" asks Portia, anxiously.
"Like the handsomest woman in Europe, of her time," says Sir Christopher, earnestly, with a low, profound bow that might perhaps have been acceptable to "the handsomest woman in Europe," but only serves now to raise wild mirth in the breasts of her degenerate grand-nieces.
When they have reached again the hall outside (leaving Sir Christopher to seek the tender mercies of Mylder) Portia turns to her cousin--
"I am fortunate," she says, in her usual composed fashion that is yet neither cold nor repellant, "I find Uncle Christopher, also, altogether charming!"
The "also" is very happy. It is not to be misunderstood, and is full of subtle flattery. Dulcinea yields to it, and turns, eyes and lips bright with a warm smile, upon Miss Vibart.
"Yes; he is quite everything that is nice," she says, gracefully ignoring the compliment to herself. "Now, shall we come and sit on the balcony until dinner is ready; as a rule, we assemble there in Summer instead of in the drawing-room, which, of course, is more convenient, and decidedly more gloomy."
"I have an all-conquering curiosity to know everything about everybody down here," says Portia, as they reach the balcony. Dulce pushes a low, sleepy-looking chair toward her, and, sinking gracefully into it, she turns her eyes up to her cousin. "Tell me all about your Roger," she says, languidly. "As I must begin with somebody, I think I shall prefer beginning with--with--what shall I call him? Your young man?"
"It sounds like Martha's baker's boy," says Dulce, laughing; "but you may call Roger what you like. I wish with all my heart you could call him husband, as that would take him out of my way."
They are standing on the balcony, and are looking toward the South. Beyond them stretch the lawns, green and sloping; from below, the breath of the sleeping flowers comes up to greet them; through the trees in the far, far distance comes to them a glimpse of the great ocean as it lies calm and silent, almost to melancholy, but for the soft lap, lapping of the waves upon the pebbly shore.
"Some one told me he was very handsome," says Portia, at a venture. Perhaps she has heard this, perhaps she hasn't. It even seems to her there is more truth in the "has" than in the "hasn't."
"I have seen uglier people," admits Dulcinea, regretfully; "when he has his face washed, and his hair brushed, he isn't half a bad boy."
"Boy?" asks Portia, doubtfully; to her the foregoing speech is full of difficulty.
"I daresay _you_ would call him a man," says Dulce, with a shrug of her soft shoulders; "but really he isn't. If you had grown up with him, as I have, you would never think of him as being anything but an overgrown baby, and a very cross one. That is the worst of being brought up with a person, and being told one is to marry him by-and-by. It rather takes the gilt off him, I think," says Dulce with a small smile.
"But why must you marry him?" asks Portia, opening her large black fan in an indolent fashion, and waving it to and fro.
The sun retiring
"On waves of glory, like an ocean god,"
flings over her a pale, pink halo, that renders even more delicately fine the beauty of her complexion. A passing breeze flings into her lap a few rose-leaves from a trailing tree that has climbed the balcony, and is now nodding drowsily as the day slowly dies. She is feeling a little sorry for Dulce, who is reciting her family history with such a doleful air.
"Well, I needn't, you know," says that young lady, lightly; "not if I don't choose, you know. I have got until I am twenty-one to think about it, and I am only eighteen now. I daresay I shall cry-off at the last moment; indeed, I am sure I shall," with a wilful shake of the head, "because Roger, at times, is quite too much, and utterly insupportable, yet, in that case, I shall vex Uncle Christopher, and I do so love Uncle Christopher!"
"But he had nothing to do with the arrangement, had he?"
"Nothing. It was his brother, Uncle Humphrey, who made the mistake. He left the property between us on condition we married each other. Whichever of us, at twenty-one, declines to carry out the agreement, gets L500 a year off the property, and the rest goes to the happy rejected. It is a charming place, about six miles from this, all lakes and trees, and the most enchanting gardens. I daresay Roger would be delighted if I would give him up, but" (vindictively) "I shan't. He shall never get those delicious gardens all to himself."
"What an eccentric will," says Portia.
"Well, hardly that. The place is very large, and requires money to keep it up. If he had divided the income between us, and we had been at liberty to go each our own way, the possessor of the house and lands would not have had enough money to keep it in proper order. I think it rather a just will. I wish it had been differently arranged, of course, but it can't be helped now."
"Is he your first cousin? You know I have heard very little about this branch of my family, having lived so long in India."
"No, my second cousin. Fabian is Uncle Christopher's heir, but if--if he died, Roger would inherit title and all. That is another reason why I hate him. Why should he have even a distant claim to anything that belongs to Fabian?"
"But, my dear girl, you are not going to marry a man you hate?" says Portia, sitting up very straight, and forgetting to wave her fan.
"Not exactly," says Dulce, meditatively; "I really don't think I hate him, but he can be disagreeable, I promise you."
"But if you marry him, hardly tolerating him, and afterwards you meet somebody you can love, how will it be with you then?"
"Oh, I shan't do that," she says; "I have felt so married to Roger for years, that it would be positively indecent of me, even _now_, to fall in love with any one. In fact I couldn't."
"I daresay, after all, you like him well enough," says Miss Vibart, with her low, soft laugh. "Mark Gore says you are exactly suited to each other."
"Mark Gore is a confirmed old bachelor, and knows nothing," says Dulce, contemptuously.
"Yet once, they say, he was hopelessly in love with Phyllis Carrington."
"So he was. It was quite a romance, and he was the hero."
"Phyllis is quite everything she ought to be, and utterly sweet," says Portia, thoughtfully. "But _is_ she the sort of person to create a _grande passion_ in a man like Mark?"
"I daresay. Her eyes are lovely; so babyish, yet so full of latent coquetry. A man of the world, like Mark, would like that sort of thing. But it is all over now, quite a worn-out tale. He visits there at stated times, and she has thoughts only for her baby and her 'Duke,' as she calls her husband."
"I wonder," says Miss Vibart, with a faint yawn, "if at times she doesn't find that a trifle slow?"
Then she grows a little ashamed of herself, as she catches Dulce's quick, puzzled glance.
"It is a very pretty baby," says Dulce, as though anxious to explain matters.
"And what can be more adorable than a pretty baby?" responds her cousin, with a charming smile. "Now do tell me"--quickly, and as though to change the current of her companion's thoughts--"how many people are in this house, and who they are, and everything that is bad and good about them."
Dulce laughs.
"We come and go," she says. "It would be hard to arrange us. _I_ am always here, and Uncle Christopher, and--Fabian. Roger calls this his home, too, but sometimes he goes away for awhile, and Dicky's room is always kept for him. We are all cousins pretty nearly, and there is one peculiarity--I mean, Uncle Christopher makes no one welcome who does not believe--in--Fabian."
Her voice falls slightly as she makes the last remark, and she turns her head aside, and, leaning over the balcony, plays absently with a rosebud that is growing within her reach. In this position she cannot see that Portia has colored warmly, and is watching her with some curiosity.
"You must try to like Fabian," says Dulce, presently. Her voice is sad, but quite composed. She appears mournful, but not disconcerted. "You have no doubt heard his unfortunate story from Auntie Maud, and--_you_ believe in him, don't
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