The Big Fix by George O. Smith (best novels ever TXT) 📗
- Author: George O. Smith
Book online «The Big Fix by George O. Smith (best novels ever TXT) 📗». Author George O. Smith
Anybody who planned a caper would sure have to plan it well.
Barcelona hadn't planned the fix, he merely stated a firm desire and either Barcelona got what he wanted or I got what I didn't want, and I had to do it real good or Delancey would make it real hot for me.
I was not only being forced to enter a life of crime, I was also being forced to perform cleverly.
It wasn't fair for the law to gang up with the crooks against me.
And so with a mind feeling sort of like the famous sparrow who'd gotten trapped for three hours in a badminton game at Forest Hills, I built a strong highball, and poured it down while my halluscene set was warming up. I needed the highball as well as the relaxation, because I knew that the "Drama" being presented was the hundred and umpty-umpth remake of "Tarzan of the Apes" and for ninety solid minutes I would be swinging through trees without benefit of alcohol. Tarzan, you'll remember, did not learn to smoke and drink until the second book.
The halluscene did relax me and kept my mind from its worry even though the drama was cast for kids and therefore contained a maximum of tree-swinging and ape-gymnastics and a near dearth of Lady Jane's pleasant company. What was irritating was the traces of wrong aroma. If one should not associate the African jungle with the aroma of a cheap bar, one should be forgiven for objecting to Lady Jane with a strong flavor of tobacco and cheap booze on her breath.
And so I awoke with this irritating conflict in my senses to discover that I'd dropped out of my character as Tarzan and my surroundings of the jungle, but I'd somehow brought the stench of cheap liquor and moist cigarettes with me.
There was an occupant in the chair next to mine. He needed a bath and he needed a shave but both would have been wasted if he couldn't change his clothing, too. His name was Gimpy Gordon.
I said, "Get out!"
He whined, "Mr. Wilson, you just gotta help me."
"How?"
"Fer years," he said, "I been living on peanuts. I been runnin' errands for hard coins. I been—"
"Swiping the take of a Red Cross box," I snapped at him.
"Aw, Mr. Wilson," he whined, "I simply gotta make a stake. I'm a-goin' to send it back when I win."
"Are you going to win?"
"Can't I?"
For a moment I toyed with the idea of being honest with the Gimp. Somehow, someone should tell the duffer that all horse players die broke, or that if he could make a living I'd be out of business.
Gimpy Gordon was one of Life's Unfortunates. If it were to rain gold coins, Gimpy would be out wearing boxing gloves. His mental processes meandered because of too much methyl. His unfortunate nickname did not come from the old-fashioned reason that he walked with a limp, but from the even more unfortunate reason that he thought with a limp. In his own unhealthy way he was—could we call it "Lucky" by any standard of honesty? In this world full of highly developed psi talent, the Gimp could pick a pocket and get away with it because he often literally could not remember where and how he'd acquired the wallet for longer than a half minute. And it was a sort of general unwritten rule that any citizen so utterly befogged as to permit his wealth to be lifted via light fingers should lose it as a lesson!
But then it did indeed occur to me that maybe I could make use of the Gimp.
I said, "What can I do, Gimpy?"
"Mr. Wilson," he pleaded, "is it true that you're workin' for Barcelona?"
"Now, you know I can't answer that."
I could read his mind struggling with this concept. It was sort of like trying to read a deck of Chinese Fortune Cards being shuffled before they're placed in the machine at the Penny Arcade. As the drunk once said after reading the Telephone Directory: "Not much plot, but egad! What a cast of characters!" The gist of his mental maundering was a childlike desire to have everything sewed up tight. He wanted to win, to be told that he'd win, and to have all the rules altered ad hoc to assure his winning.
Just where he'd picked up the inside dope that Barcelona favored Flying Heels, Moonbeam, and Lady Grace in the Derby I could not dig out of him. Just how Gimpy had made the association between this clambake and me—good old Wally Wilson—I couldn't dig either. But here he was with his—by now—sixty-five bucks carefully heisted, lifted, pinched and fingered, and by the great Harry, Gimpy was not a-goin' to lay it across the board on those three rejects from a claiming race unless he had a cast-iron assurance that they'd come in across the board, one, two, and three.
I said slowly, "If I were even thinking of working for Mr. Barcelona," I told him, "I would be very careful never, never to mention it, you know."
This bundle of The Awful Truth hit him and began to sink in with the inexorable absorption of water dropping down into a bucket of dry sand. It took some time for the process to climax. Once it reached Home Base it took another period of time for the information to be inspected, sorted out, identified, analyzed, and in a very limited degree, understood.
He looked up at me. "I couldn't cuff a hundred, could I?"
I shook my head. I didn't have to veil my mind because I knew that Gimpy was about as talented a telepath as a tallow candle. Frankly between me and thee, dear reader, I do not put anybody's bet on the cuff. I do a fair-to-middling brisk trade in booking bets placed and discussed by telepathy, but the ones I accept and pay off on—if they're lucky—are those folks who've been sufficiently foresighted to lay it on the line with a retainer against which their losses can be assessed.
On the other hand I could see in Gimpy's mind the simple logic that told him that as a bookmaker I'd be disinclined to lend him money which he'd use to place with me against a sure-thing long shot. If I were to "Lend" him a century for an on-the-cuff bet on a 100:1 horse, especially one that I knew was sure to come in, I might better simply hand him one hundred times one hundred dollars as a gift. It would save a lot of messy bookkeeping.
So the fact that I wouldn't cuff a bet for Gimpy gave him his own proof that I was confirming the fix.
Then I buttered the process.
"Gimp, do you know another good bookmaker?"
"Sure. But you're the best."
"Know one that'll take a bet from you—one that you don't like?"
"Sure, Mr. Wilson."
"Then," I said hauling a thousand out of my wallet, "Put this on our horses for me."
He eyed the grand. "But won't Mr. Barcelona be unhappy? Won't that run down the track odds?"
I laughed. "The whole world knows them dogs as also-rans," I said. "Gimpy, they put long shots like those into races just to clip the suckers who think there is a real hundred-to-one chance that a 100:1 horse will outrun favorites."
"Well, if you say so, Mr. Wilson."
"I say so."
"Thanks. I'll pay it back."
He would. I'd see to that.
Gimpy Gordon scuttled out of my bailiwick almost on a dead run. He was positively radiating merriment and joy and excitement. The note in his hand represented a sum greater than he had ever seen in one piece at any time of his life, and the concept of the riches he would know when they paid off on the Kentucky Derby was vague simply because Gimpy could not grasp the magnitude of such magnificence. Oddly, for some unexpected reason or from some unknown source hidden deep in his past, his mind pronounced it "Darby."
I returned to my African jungle still bored with the lack of anything constructive. I returned at about the point where Tarzan and Jane were going through that silly, "Me Tarzan; You Jane" routine which was even more irritating because the program director or someone had muffed the perfume that the Lady Jane wore. Instead of the wholesome freshness of the free, open air, Jane was wearing a heady, spicy scent engineered to cut its way through the blocking barrier of stale cigar smoke, whisky-laden secondhand air, and a waft of cooking aroma from the kitchen of the standard cosmopolitan bistro.
Worse, it got worse instead of better. Where a clever effects-director might have started with the heavy sophisticated scent and switched to something lighter and airier as Jane was moved away from civilization, this one had done it backwards for some absolutely ridiculous reason. It finally got strong enough to distract me out of my characterization, and I came back to reality to realize once more that reality had been strong enough to cut into the concentration level of a halluscene. There was strong woman-presence in my room, and as I looked around I found that Tomboy Taylor had come in—just as Gimpy Gordon had—and was sitting in the other halluscene chair. She was probably playing Lady Jane to my Tarzan.
Tomboy Taylor had changed to a short-skirted, low-necked cocktail dress; relaxed with her eyes closed in my halluscene chair she looked lovely. She looked as vulnerable as a soft kitten. Remembering that it's the soft vulnerable ones that claw you if you touch, I refrained.
I went to my little bar and refilled my highball glass because swinging through the jungle makes one thirsty, and while I was pouring I took a sly peek into Tomboy Taylor's mind.
She was not halluscening. She was watching me. And when I made contact with her, she radiated a sort of overall aura of amusement-emotion, covered up her conscious deliberation, and blocked any probing by directing me mentally, "Make it two, Wally."
I built her one, handed it to her, and then said, "Folks these days sure have forgotten how to use doorbells."
"If you don't want people coming in, Wally, you should restrict your mindwarden a little. It's set to admit anybody who does not approach the door with vigorous intent to commit grave physical harm. When the thing radiates 'Come in and relax' is a girl supposed to stand outside twiggling on the doorbell?"
I dropped the subject thinking that maybe I shouldn't have brought it up in the first place. It's one that can't be answered by logic, whereas a firm emotional statement of like or dislike stops all counter-argument and I'd made the mistake of questioning my own judgment.
So I eyed her and said, "Tomboy, you did not come here to indulge in small talk."
"No," she admitted. "I'm here to keep track of you, Wally."
"Oh?"
"Our great and good friend wants me to make notes on how clever you are at arranging things."
"You mean Barcelona sent you."
"That's about it."
I looked at her askance. "And how long are you going to stay?"
She smiled. "Until Flying Heels, Moonbeam, and Lady Grace come across the finish line One, Two, and Three at Churchill Downs on Derby Day."
I grinned at her. "Considering that trio of turtles, Tomboy, it may be for years and it may be forever."
She held up her glass in a sort of a toast. "Or," she said, "'Til death do us part!"
A little bitterly I said, "One might think that Barcelona doesn't trust me."
She replied, "It isn't a matter of trust. Barcelona holds you among his very closest friends. He is well aware of the fact that you would do anything for him, that you prize his friendship so highly yourself that you would go to the most desperate lengths to keep it firm and true. Yet he realizes that the simple desire he has recently expressed does place you in a delicate mental attitude. You are likely to feel that he shouldn't have expressed this desire since you feel obligated to fulfill it. He feels that maybe this obligation to maintain friendship at all costs may cause resentment. Since Barcelona does not want you to resent him, he sent me to be your companion in the hope that I might get some forewarning should your friendship for him begin to weaken."
Just why in this day and age she didn't just come out and say—or think—flatly that she was there to keep me in line, I don't know. But there she was, talking all around the main point and delivering the information by long-winded inference.
Even so, without her Pittsburgh stogie, Tomboy Taylor was a mighty attractive dish, and I knew that she could also be a bright and interesting conversationalist if she wanted to be. Under other circumstances I might have enjoyed the company, but it was no pleasure to know that every grain of her one hundred and fourteen pounds avoirdupois was Barcelona's Personal Property. At that moment I realized that I was not too much concerned with what Barcelona's reaction might be. Instead, I was wishing that things were different so that any activity between us would be for our own personal gain and pleasure rather than the order of or the fight against one Joseph Barcelona. There was one consolation. Tomboy Taylor had not come equipped with a box of Pittsburgh stogies with which to make my appreciation of beauty throw up its lunch.
She said, sweetly, "The better to ensnare you, my dear."
But as she spoke, for just a moment her thick woolly mind shield thinned out enough for me to catch a strange, puzzled grasp for understanding. As if for the first time she had been shown how admiration
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