The Regent's Daughter - Alexandre Dumas père (ink book reader .TXT) 📗
- Author: Alexandre Dumas père
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the garb of virtues. All these lights, madame, are doubtless the remains of yesterday's illumination. Are all your flowers so faded, and all your guests so fatigued, that you cannot show me a single bouquet nor a single dancer?"
"Monsieur," said the abbess in a grave tone, "this is not the place for fetes and amusements."----"Yes," answered the regent, "I see, that if you feasted yesterday, you fast to-day."
"Did you come here, monsieur, to catechise? At least what you see should reply to any accusations against me."
"I came to tell you, madame," replied the regent, annoyed at being supposed to have been duped, "that the life you lead displeases me; your conduct yesterday was unbecoming an abbess; your austerities to-day are unbecoming a princess of the blood; decide, once for all, between the nun and the court lady. People begin to speak ill of you, and I have enemies enough of my own, without your saddling me with others from the depth of your convent."
"Alas, monsieur, in giving entertainments, balls, and concerts, which have been quoted as the best in Paris, I have neither pleased those enemies, nor you, nor myself. Yesterday was my last interview with the world; this morning I have taken leave of it forever; and to-day, while still ignorant of your visit, I had adopted a determination from which I will never depart."
"And what is it?" asked the regent, suspecting that this was only a new specimen of his daughter's ordinary follies.
"Come to this window and look out," said the abbess.
The regent, in compliance with the invitation, approached the window, and saw a large fire blazing in the middle of the courtyard. Dubois--who was as curious as if he had really been an abbe--slipped up beside him.
Several people were rapidly passing and repassing before the fire, and throwing various singular-shaped objects into the flames.
"But what is that?" asked the regent of Dubois, who seemed as much surprised as himself.
"That which is burning now?" asked the abbe.----"Yes," replied the regent.
"Ma foi, monseigneur, it looks to me very much like a violincello."
"It is mine," said the abbess, "an excellent violincello by Valeri."
"And you are burning it!" exclaimed the duke.
"All instruments are sources of perdition," said the abbess, in a tone which betrayed the most profound remorse.
"Eh, but here is a harpsichord," interrupted the duke.
"My harpsichord, monsieur; it was so perfect that it enticed me toward earthly things; I condemned it this morning."
"And what are those chests of papers with which they are feeding the fire?" asked Dubois, whom the spectacle seemed to interest immensely.
"My music, which I am having burned."
"Your music?" demanded the regent.
"Yes, and even yours," answered the abbess; "look carefully and you will see your opera of 'Panthee' follow in its turn. You will understand that my resolution once taken, its execution was necessarily general."
"Well, madame, this time you are really mad! To light the fire with music, and then feed it with bass-viols and harpsichords is really a little too luxurious."
"I am doing penance, monsieur."
"Hum, say rather that you are refitting your house, and that this is an excuse for buying new furniture, since you are doubtless tired of the old."
"No, monseigneur, it is no such thing."
"Well, then, what is it? Tell me frankly."
"In truth, I am weary of amusing myself, and, indeed, I intend to act differently."
"And what are you going to do?"
"I am going with my nuns to visit my tomb."
"Diable, monseigneur!" exclaimed the abbe, "her wits are gone at last."
"It will be truly edifying, will it not, monsieur?" continued the abbess, gravely.
"Indeed," answered the regent, "if you really do this, I doubt not but people will laugh at it twice as much as they did at your suppers."
"Will you accompany me, messieurs?" continued the abbess; "I am going to spend a few minutes in my coffin; it is a fancy I have had a long time."
"You will have plenty of time for that," said the regent; "moreover, you have not even invented this amusement; for Charles the Fifth, who became a monk as you became a nun, without exactly knowing why, thought of it before you."
"Then you will not go with me, monsieur?" said the abbess.
"I," answered the duke, who had not the least sympathy with somber ideas, "I go to see tombs! I go to hear the De Profundis! No, pardieu! and the only thing which consoles me for not being able to escape them some day, is, that I shall neither see the one nor the other."
"Ah, monsieur," answered the abbess, in a scandalized tone, "you do not, then, believe in the immortality of the soul?"
"I believe that you are raving mad. Confound this abbe, who promises me a feast, and brings me to a funeral."
"By my faith, monseigneur," said Dubois, "I think I prefer the extravagance of yesterday; it was more attractive."
The abbess bowed, and made a few steps toward the door. The duke and Dubois remained staring at each other, uncertain whether to laugh or cry.
"One word more," said the duke; "are you decided this time, or is it not some fever which you have caught from your confessor? If it be real, I have nothing to say; but if it be a fever, I desire that they cure you of it. I have Morceau and Chirac, whom I pay for attending on me and mine."
"Monseigneur," answered the abbess, "you forget that I know sufficient of medicine to undertake my own cure, if I were ill: I can, therefore, assure you that I am not. I am a Jansenist; that is all."
"Ah," cried the duke, "this is more of Father le Doux's work, that execrable Benedictine! At least I know a treatment which will cure him."
"What is that?" asked the abbess.
"The Bastille."
And he went out in a rage, followed by Dubois, who was laughing heartily.
"You see," said the regent, after a long silence, and when they were nearing Paris, "I preached with a good grace; it seems it was I who needed the sermon."
"Well, you are a happy father, that is all; I compliment you on your younger daughter, Mademoiselle de Chartres. Unluckily your elder daughter, the Duchesse de Berry--"
"Oh, do not talk of her; she is my ulcer, particularly when I am in a bad temper."
"Well?"
"I have a great mind to make use of it by finishing with her at one blow."
"She is at the Luxembourg?"
"I believe so."
"Let us go to the Luxembourg, monseigneur."
"You go with me?"
"I shall not leave you to-night."
"Well, drive to the Luxembourg."
CHAPTER II.
DECIDEDLY THE FAMILY BEGINS TO SETTLE DOWN.
Whatever the regent might say, the Duchesse de Berry was his favorite daughter. At seven years of age she had been seized with a disease which all the doctors declared to be fatal, and when they had abandoned her, her father, who had studied medicine, took her in hand himself, and succeeded in saving her.
From that time the regent's affection for his daughter became almost a weakness. He allowed the haughty and self-willed child the most perfect liberty; her education was neglected, but this did not prevent Louis XIV. from choosing her as a wife for his grandson the Duc de Berry.
It is well known how death at once struck a triple blow at the royal posterity, and within a few years carried off the dauphin, the Duc and Duchesse de Bourgoyne and the Duc de Berry.
Left a widow at twenty years of age, loving her father almost as tenderly as he loved her, and having to choose between the society of Versailles and that of the Palais Royal, the Duchesse de Berry, young, beautiful, and fond of pleasure, had quickly decided. She took part in all the fetes, the pleasures and follies of her father.
The Duc d'Orleans, in his increasing fondness for his daughter--who already had six hundred thousand francs a year--allowed her four hundred thousand francs more from his private fortune. He gave up the Luxembourg to her, gave her a bodyguard, and at length, to the scandal of those who advocated the old forms of etiquette, he merely shrugged his shoulders when the Duchesse de Berry passed through Paris preceded by cymbals and trumpets, and only laughed when she received the Venetian ambassador on a throne, raised on three steps, which nearly embroiled France with the republic of Venice.
About this time the Duchesse de Berry took a fancy to fall in love with the Chevalier de Riom.
The Chevalier de Riom was a nephew or grand-nephew of the Duc de Lauzun, who came to Paris in 1715 to seek his fortune, and found it at the Luxembourg. Introduced to the princess by Madame de Mouchy, he soon established the same influence over her as his uncle, the Duc de Lauzun, had exercised over La Grande Mademoiselle fifty years before, and was soon established as her lover, supplanting Lahaie, who was sent on an embassy to Denmark.
The duchess had the singular moderation of never having had more than two lovers; Lahaie, whom she had never avowed, and Riom, whom she proclaimed aloud.
This was not the true cause of the malice with which the princess was pursued; it arose rather from the previous offenses of her passage through Paris, the reception of the ambassadors, her bodyguard, and her assumptions. The duke himself was indignant at Riom's influence over his daughter. Riom had been brought up by the Duc de Lauzun, who in the morning had crushed the hand of the Princesse de Monaco with the heel of the boot which, in the evening, he made the daughter of Gaston d'Orleans pull off, and who had given his nephew the following instruction, which Riom had fully carried out.
"The daughters of France," said he, "must be treated with a high hand;" and Riom, trusting to his uncle's experience, had so well schooled the Duchesse de Berry that she scarcely dared to give a fete without his permission.
The duke took as strong a dislike to Riom as his careless character allowed him to take to any one, and, under pretext of serving the duchess, had given him a regiment, then the government of Cognac, then the order to retire to his government, which almost made his favors look like disfavors and disgrace.
The duchess was not deceived; she went to her father, begged, prayed, and scolded, but in vain; and she went away threatening the duke with her anger, and declaring that Riom should not go.
The duke's only reply was to repeat his orders for Riom's departure the next day, and Riom had respectfully promised to obey.
The same day, which was the one preceding that on which our story opens, Riom had ostensibly set out, and Dubois himself had told the duke that he had left for Cognac at nine o'clock.
Meanwhile the duke had not again seen his daughter; thus, when he spoke of going to finish with her, it was rather a pardon than a quarrel that he went to seek. Dubois had not been duped by this pretended resolution; but Riom was gone, and that was all he wanted; he hoped to slip in some new personage who should efface all memory of Riom, who was to be sent to join
"Monsieur," said the abbess in a grave tone, "this is not the place for fetes and amusements."----"Yes," answered the regent, "I see, that if you feasted yesterday, you fast to-day."
"Did you come here, monsieur, to catechise? At least what you see should reply to any accusations against me."
"I came to tell you, madame," replied the regent, annoyed at being supposed to have been duped, "that the life you lead displeases me; your conduct yesterday was unbecoming an abbess; your austerities to-day are unbecoming a princess of the blood; decide, once for all, between the nun and the court lady. People begin to speak ill of you, and I have enemies enough of my own, without your saddling me with others from the depth of your convent."
"Alas, monsieur, in giving entertainments, balls, and concerts, which have been quoted as the best in Paris, I have neither pleased those enemies, nor you, nor myself. Yesterday was my last interview with the world; this morning I have taken leave of it forever; and to-day, while still ignorant of your visit, I had adopted a determination from which I will never depart."
"And what is it?" asked the regent, suspecting that this was only a new specimen of his daughter's ordinary follies.
"Come to this window and look out," said the abbess.
The regent, in compliance with the invitation, approached the window, and saw a large fire blazing in the middle of the courtyard. Dubois--who was as curious as if he had really been an abbe--slipped up beside him.
Several people were rapidly passing and repassing before the fire, and throwing various singular-shaped objects into the flames.
"But what is that?" asked the regent of Dubois, who seemed as much surprised as himself.
"That which is burning now?" asked the abbe.----"Yes," replied the regent.
"Ma foi, monseigneur, it looks to me very much like a violincello."
"It is mine," said the abbess, "an excellent violincello by Valeri."
"And you are burning it!" exclaimed the duke.
"All instruments are sources of perdition," said the abbess, in a tone which betrayed the most profound remorse.
"Eh, but here is a harpsichord," interrupted the duke.
"My harpsichord, monsieur; it was so perfect that it enticed me toward earthly things; I condemned it this morning."
"And what are those chests of papers with which they are feeding the fire?" asked Dubois, whom the spectacle seemed to interest immensely.
"My music, which I am having burned."
"Your music?" demanded the regent.
"Yes, and even yours," answered the abbess; "look carefully and you will see your opera of 'Panthee' follow in its turn. You will understand that my resolution once taken, its execution was necessarily general."
"Well, madame, this time you are really mad! To light the fire with music, and then feed it with bass-viols and harpsichords is really a little too luxurious."
"I am doing penance, monsieur."
"Hum, say rather that you are refitting your house, and that this is an excuse for buying new furniture, since you are doubtless tired of the old."
"No, monseigneur, it is no such thing."
"Well, then, what is it? Tell me frankly."
"In truth, I am weary of amusing myself, and, indeed, I intend to act differently."
"And what are you going to do?"
"I am going with my nuns to visit my tomb."
"Diable, monseigneur!" exclaimed the abbe, "her wits are gone at last."
"It will be truly edifying, will it not, monsieur?" continued the abbess, gravely.
"Indeed," answered the regent, "if you really do this, I doubt not but people will laugh at it twice as much as they did at your suppers."
"Will you accompany me, messieurs?" continued the abbess; "I am going to spend a few minutes in my coffin; it is a fancy I have had a long time."
"You will have plenty of time for that," said the regent; "moreover, you have not even invented this amusement; for Charles the Fifth, who became a monk as you became a nun, without exactly knowing why, thought of it before you."
"Then you will not go with me, monsieur?" said the abbess.
"I," answered the duke, who had not the least sympathy with somber ideas, "I go to see tombs! I go to hear the De Profundis! No, pardieu! and the only thing which consoles me for not being able to escape them some day, is, that I shall neither see the one nor the other."
"Ah, monsieur," answered the abbess, in a scandalized tone, "you do not, then, believe in the immortality of the soul?"
"I believe that you are raving mad. Confound this abbe, who promises me a feast, and brings me to a funeral."
"By my faith, monseigneur," said Dubois, "I think I prefer the extravagance of yesterday; it was more attractive."
The abbess bowed, and made a few steps toward the door. The duke and Dubois remained staring at each other, uncertain whether to laugh or cry.
"One word more," said the duke; "are you decided this time, or is it not some fever which you have caught from your confessor? If it be real, I have nothing to say; but if it be a fever, I desire that they cure you of it. I have Morceau and Chirac, whom I pay for attending on me and mine."
"Monseigneur," answered the abbess, "you forget that I know sufficient of medicine to undertake my own cure, if I were ill: I can, therefore, assure you that I am not. I am a Jansenist; that is all."
"Ah," cried the duke, "this is more of Father le Doux's work, that execrable Benedictine! At least I know a treatment which will cure him."
"What is that?" asked the abbess.
"The Bastille."
And he went out in a rage, followed by Dubois, who was laughing heartily.
"You see," said the regent, after a long silence, and when they were nearing Paris, "I preached with a good grace; it seems it was I who needed the sermon."
"Well, you are a happy father, that is all; I compliment you on your younger daughter, Mademoiselle de Chartres. Unluckily your elder daughter, the Duchesse de Berry--"
"Oh, do not talk of her; she is my ulcer, particularly when I am in a bad temper."
"Well?"
"I have a great mind to make use of it by finishing with her at one blow."
"She is at the Luxembourg?"
"I believe so."
"Let us go to the Luxembourg, monseigneur."
"You go with me?"
"I shall not leave you to-night."
"Well, drive to the Luxembourg."
CHAPTER II.
DECIDEDLY THE FAMILY BEGINS TO SETTLE DOWN.
Whatever the regent might say, the Duchesse de Berry was his favorite daughter. At seven years of age she had been seized with a disease which all the doctors declared to be fatal, and when they had abandoned her, her father, who had studied medicine, took her in hand himself, and succeeded in saving her.
From that time the regent's affection for his daughter became almost a weakness. He allowed the haughty and self-willed child the most perfect liberty; her education was neglected, but this did not prevent Louis XIV. from choosing her as a wife for his grandson the Duc de Berry.
It is well known how death at once struck a triple blow at the royal posterity, and within a few years carried off the dauphin, the Duc and Duchesse de Bourgoyne and the Duc de Berry.
Left a widow at twenty years of age, loving her father almost as tenderly as he loved her, and having to choose between the society of Versailles and that of the Palais Royal, the Duchesse de Berry, young, beautiful, and fond of pleasure, had quickly decided. She took part in all the fetes, the pleasures and follies of her father.
The Duc d'Orleans, in his increasing fondness for his daughter--who already had six hundred thousand francs a year--allowed her four hundred thousand francs more from his private fortune. He gave up the Luxembourg to her, gave her a bodyguard, and at length, to the scandal of those who advocated the old forms of etiquette, he merely shrugged his shoulders when the Duchesse de Berry passed through Paris preceded by cymbals and trumpets, and only laughed when she received the Venetian ambassador on a throne, raised on three steps, which nearly embroiled France with the republic of Venice.
About this time the Duchesse de Berry took a fancy to fall in love with the Chevalier de Riom.
The Chevalier de Riom was a nephew or grand-nephew of the Duc de Lauzun, who came to Paris in 1715 to seek his fortune, and found it at the Luxembourg. Introduced to the princess by Madame de Mouchy, he soon established the same influence over her as his uncle, the Duc de Lauzun, had exercised over La Grande Mademoiselle fifty years before, and was soon established as her lover, supplanting Lahaie, who was sent on an embassy to Denmark.
The duchess had the singular moderation of never having had more than two lovers; Lahaie, whom she had never avowed, and Riom, whom she proclaimed aloud.
This was not the true cause of the malice with which the princess was pursued; it arose rather from the previous offenses of her passage through Paris, the reception of the ambassadors, her bodyguard, and her assumptions. The duke himself was indignant at Riom's influence over his daughter. Riom had been brought up by the Duc de Lauzun, who in the morning had crushed the hand of the Princesse de Monaco with the heel of the boot which, in the evening, he made the daughter of Gaston d'Orleans pull off, and who had given his nephew the following instruction, which Riom had fully carried out.
"The daughters of France," said he, "must be treated with a high hand;" and Riom, trusting to his uncle's experience, had so well schooled the Duchesse de Berry that she scarcely dared to give a fete without his permission.
The duke took as strong a dislike to Riom as his careless character allowed him to take to any one, and, under pretext of serving the duchess, had given him a regiment, then the government of Cognac, then the order to retire to his government, which almost made his favors look like disfavors and disgrace.
The duchess was not deceived; she went to her father, begged, prayed, and scolded, but in vain; and she went away threatening the duke with her anger, and declaring that Riom should not go.
The duke's only reply was to repeat his orders for Riom's departure the next day, and Riom had respectfully promised to obey.
The same day, which was the one preceding that on which our story opens, Riom had ostensibly set out, and Dubois himself had told the duke that he had left for Cognac at nine o'clock.
Meanwhile the duke had not again seen his daughter; thus, when he spoke of going to finish with her, it was rather a pardon than a quarrel that he went to seek. Dubois had not been duped by this pretended resolution; but Riom was gone, and that was all he wanted; he hoped to slip in some new personage who should efface all memory of Riom, who was to be sent to join
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