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bygones, but----

She woke next day fairly at ease in her mind, but feeling as one does after any near-run escape. And then it was she said to herself that she was a good actress. But the part _was_ hard to act.

* * * * *


The relations between Fenwick and the Nightingales, mother and daughter, seem to us to have been acquiring cohesion at the time of the foregoing interview. It is rather difficult to say why. But it serves to pave the way to the state of things that Sally accepted as the "spooneyness" of Fenwick, and her mother's observation of his "going on," without the dimmest idea of the underlying motives of the drama. Another three months, bringing us on to these discriminations of Sally's, may also have brought about appearances that justified them.


CHAPTER X


THE DANGERS OF AN UNKNOWN PAST. NETTLE-GRASPING, AND A RECURRENCE. WHO AMONG US COURTS CATECHISM ABOUT HIMSELF? A UNIVERSALLY PROVIDED YOUNG MAN. HOW ABOUT THE POOR OLD FURNITURE?



We defy the acutest of psychologists to estimate precisely the hold love has on a man who is diagnosed, in the language of the vulgar child Sally, as "spooney." Probably no patient has ever succeeded in doing this himself. It is quite another matter when the eruption has broken out, when the crater is vomiting flames and the lava is pouring down on the little homesteads at the mountain's base, that may stand in the metaphor for all that man's duties and obligations. By that time he _knows_. But, while still within the "spooney" zone he knows no more than you or I (or that most important _she_) what the morrow means to bring. Will it be a step on or a step back? An altogether new _she_, or the fires of the volcano, let loose beyond recall?

Fenwick was certainly not in a position to gauge his own feelings towards Mrs. Nightingale. All previous experience was cut away from him, or seemed so. He might have been, for anything he knew, a married man with a family, a devoted husband. He might have been recently wedded to an adoring bride, and she might now be heart-broken in her loneliness. How could he tell? The only thing that gave him courage about this was that he _could_ remember the fact that he had had parents, brothers, sisters. He could not recollect _anything whatever_ about sweetheart, wife, or child. Unearthly gusts of half-ideas came to him at times, like that of the girl and the dog-cart. But they only gave him pain, and went away unsolved, leaving him sick and dizzy.

His situation was an acutely distressing one. He was shackled and embarrassed, so to speak, by what he knew of his relations to existence. At any moment a past might be sprung on him, bringing him suddenly face to face with God knows what. So strongly did he feel this that he often said to himself that the greatest boon that could be granted to him would be an assurance of continued oblivion. He was especially afflicted by memories of an atrocious clearness that would come to him in dreams, the horror of which would remain on into his waking time. They were not necessarily horrible things at all, but their clearness in the dream, and their total, if slow, disappearance as the actual world came back, became sometimes an excruciating torment. Who could say that they, or some equivalents, might not reach him out of the past to-day or to-morrow--any time?

For instance, he had one morning waked up in a perfect agony--a cold perspiration as of the worst nightmares--because of a dream harmless enough in itself. He had suddenly remembered, in the dream-street he could identify the houses of so plainly, a first-floor he had occupied where he had left all his furniture locked up years ago. And he had found the house and the first-floor quite easily, and had not seen anything strange in the landlord saying that he and his old woman often wondered when Mr. Fenwick would come for his things. It was not the accumulation of rent unpaid, nor that of the dirt he knew he should find on the furniture (all of which he could recollect in the dream perfectly well), but the fact that he had forgotten it all, and left it unclaimed all those years, that excruciated him. Even his having to negotiate for its removal in his shirt did not afflict him so much as his forgetfulness for so long of the actual furniture; his conviction of the reality of which lasted on after his discovery about his costume had made him suspect, in his dream, that he was dreaming.

To a man whose memory is sound, who feels sure he looks back on an actual past in security, such a dream is only a curiosity of sleep. To Fenwick it was, like many others of the same sort, a possible herald of an analogous revelation in waking hours, with a sequel of dreadful verification from some abysm of an utterly forgotten past.

His worst terror, far and away, was the fear that he was married and a father. It might have been supposed that this arose from a provisional sense of pity for the wife and children he must have left; that his mind would conceive hypothetical poverty for them, or sorrow, disease, or death, the result direct or indirect of his disappearance. But this was scarcely the case. They themselves were too intensely hypothetical. In this respect the blank in his intellect was so unqualified that it might never have occurred to him to ask himself the question if they existed had it not been suggested to him by Mrs. Nightingale herself. It was, in fact, a question she almost always recurred to when Miss Sally was out of the way. It was no use trying to talk seriously when that little monkey was there. She turned everything to a joke. But the Major was quite another thing. He would back her up in anything reasonable.

"I wish more could be done to find out," said she for the twentieth time to Fenwick one evening, shortly after the musical recital of last chapter. "I don't feel as if it was right to give up advertising. Suppose the poor thing is in Australia or America."

"The poor thing is my hypothetical wife?"

"Exactly so. Well, suppose she is. Some people never see any newspapers at all. And all the while she may have been advertising for _you_."

"Oh no; we should have been sure to see or hear."

"But why? Now I ask you, Mr. Fenwick, suppose she advertised half a dozen times in the 'Melbourne Argus' or the 'New York Sun,' _would_ you have seen it, necessarily?"

"_I_ should not, because I never see the 'Melbourne Argus' or the 'New York Sun.' But those agents we paid to look out go steadily through the agony columns--the personal advertisements--of the whole world's press; they would have found it if it had ever been published."

"I dare say they only pocketed the money."

"That they did, no doubt. But they gave me something for it. A hundred and twenty-three advertisements addressed to Fenwicks--none of them to me!"

"But have we advertised enough?"

"Oh, heavens, yes. Think of the answers we've had! I've just received the hundred and forty-second. From a lady in distressed circumstances who bought a piano ten years ago from a party of my name and initials--thought I might be inclined to buy it back at half-price. She proposes to call on me early next week."

"Poor Mr. Fenwick! It _is_ discouraging, I admit. But, oh dear! fancy if there's some poor thing breaking her heart somewhere! It's easy enough for you--_you_ don't believe in her."

"That's it; I don't!" He dropped a tone of pleasantry, and spoke more seriously. "Dear Mrs. Nightingale, if my absence of conviction of the existence of this lady did not rise to the height of a definite disbelief in her altogether--well, I should be wretched. But I feel very strongly that I need not make myself a poor miserable about her. I _don't_ believe in her, that's the truth!"

"You don't believe a man could forget his wife?"

"I _can't_ believe it, try how I may! Anything--anybody else--but his wife, no!"

Fenwick had come in late in the evening, as he was in the habit of doing, often three or four times in the week. He looked across from his side of the hearthrug, where he had been standing watching the fire, but could not see the face opposite to him. Mrs. Nightingale was sitting with her back to the light sheltering her eyes from the blaze with a fire-screen. So Fenwick saw only the aureole the lamp made in her hair--it was a fine halo with a golden tinge. Sally was very proud of mamma's hair; it was much better fun to do than her own, said the vulgar child. But even had she not been hidden by the screen, the expression on her face might have meant nothing to him--that is, nothing more than the ready sympathy he was so well accustomed to. A little anxiety of eye, a tremor in the lip, the birth of a frown without a sequel--these might have meant anything or nothing. She might even have turned whiter than she did, and yet not be said to show the cross-fire of torments in her heart. She was, as we told you, a strong woman, either by nature, or else her life had made her one.

For, think of what the recesses of her memory held; think of the past she looked back on, and knew to be nothing but a blank to him. Think of what _she_ was, and _he_ was, as he stood there and said, "Anybody else, but his wife;" and then rather shaped the "No" that followed with his lips than said it; but shook an emphasis into the word with his head.

"When are you going to get your hair cut, Mr. Fenwick?" said she; and he did think she changed the subject abruptly, without apparent cause. "It's just like a lion's mane when you shake it like that."

"To-morrow, if you think it too disreputable."

"I like it. Sally wants to cut it...."

The last few words showed the completeness of Fenwick's _tame cattitude_ in the family. It had developed in an amazingly short time. Was it due to the old attachment of this man and woman--an attachment, mind you, that was sound and strong till it died a violent death? We do not find this so very incredible; perhaps, because that memory of their old parting in the garden went nearer to an actual revival than any other stirring in his mind. But, of course, there may have been others equally strong, only we chance to hear of this one.

That was not our purpose, however, in recording such seeming trivial chat. It was not trivial on Mrs. Nightingale's part. She had made up her mind to flinch from nothing, always to grasp her nettle. Here was a nettle, and she seized it firmly. If she identified as clearly as she did that shaken lion-mane of Fenwick's with that of Gerry, the young man of twenty years ago, and seeing its identity was silent, that would be flinching. She would and did say the self-same thing she could recall saying to Gerry. And she asked Fenwick when he was going to get his hair

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