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steam-engine.”

But an interview with Judge Kemble, a fine of twenty-five dollars, and lectures from all the grown people of his acquaintance, prevented him from regarding his escapade as a feat to boast of. He discovered, also, how fickle a thing is public favor, for very soon those who had praised began to tease, and it took all his courage, patience, and pride to carry him through the next week or two. The lads were never tired of alluding to No. 11, giving shrill whistles in his ear, asking if his watch was right, and drawing locomotives on the blackboard whenever they got a chance.

The girls, too, had sly nods and smiles, hints and jokes of a milder sort, which made him color and fume, and once lose his dignity entirely. Molly Loo, who dearly loved to torment the big boys, and dared attack even solemn Frank, left one of Boo's old tin trains on the door-step, directed to “Conductor Minot,” who, I regret to say, could not refrain from kicking it into the street, and slamming the door with a bang that shook the house. Shrieks of laughter from wicked Molly and her coadjutor, Grif, greeted this explosion of wrath, which did no good, however, for half an hour later the same cars, all in a heap, were on the steps again, with two headless dolls tumbling out of the cab, and the dilapidated engine labelled, “No. 11 after the collision.”

No one ever saw that ruin again, and for days Frank was utterly unconscious of Molly's existence, as propriety forbade his having it out with her as he had with Grif. Then Annette made peace between them, and the approach of the Twenty-second gave the wags something else to think of.

But it was long before Frank forgot that costly prank; for he was a thoughtful boy, who honestly wanted to be good; so he remembered this episode humbly, and whenever he felt the approach of temptation he made the strong will master it, saying to himself “Down brakes!” thus saving the precious freight he carried from many of the accidents which befall us when we try to run our trains without orders, and so often wreck ourselves as well as others.





Chapter XII. The Twenty-Second of February

Of course, the young ladies and gentlemen had a ball on the evening of that day, but the boys and girls were full of excitement about their “Scenes from the Life of Washington and other brilliant tableaux,” as the programme announced. The Bird Room was the theatre, being very large, with four doors conveniently placed. Ralph was in his element, putting up a little stage, drilling boys, arranging groups, and uniting in himself carpenter, scene-painter, manager, and gas man. Mrs. Minot permitted the house to be turned topsy-turvy, and Mrs. Pecq flew about, lending a hand everywhere. Jill was costumer, with help from Miss Delano, who did not care for balls, and kindly took charge of the girls. Jack printed tickets, programmes, and placards of the most imposing sort, and the work went gayly on till all was ready.

When the evening came, the Bird Room presented a fine appearance. One end was curtained off with red drapery; and real footlights, with tin shades, gave a truly theatrical air to the little stage. Rows of chairs, filled with mammas and little people, occupied the rest of the space. The hall and Frank's room were full of amused papas, uncles, and old gentlemen whose patriotism brought them out in spite of rheumatism. There was a great rustling of skirts, fluttering of fans, and much lively chat, till a bell rang and the orchestra struck up.

Yes, there really was an orchestra, for Ed declared that the national airs must be played, or the whole thing would be a failure. So he had exerted himself to collect all the musical talent he could find, a horn, a fiddle, and a flute, with drum and fife for the martial scenes. Ed looked more beaming than ever, as he waved his baton and led off with Yankee Doodle as a safe beginning, for every one knew that. It was fun to see little Johnny Cooper bang away on a big drum, and old Mr. Munson, who had been a fifer all his days, blow till he was as red as a lobster, while every one kept time to the music which put them all in good spirits for the opening scene.

Up went the curtain and several trees in tubs appeared, then a stately gentleman in small clothes, cocked hat, gray wig, and an imposing cane, came slowly walking in. It was Gus, who had been unanimously chosen not only for Washington but for the father of the hero also, that the family traits of long legs and a somewhat massive nose might be preserved.

“Ahem! My trees are doing finely,” observed Mr. W., senior, strolling along with his hands behind him, casting satisfied glances at the dwarf orange, oleander, abutilon, and little pine that represented his orchard.

Suddenly he starts, pauses, frowns, and, after examining the latter shrub, which displayed several hacks in its stem and a broken limb with six red-velvet cherries hanging on it, he gave a thump with his cane that made the little ones jump, and cried out,—

“Can it have been my son?”

He evidently thought it was, for he called, in tones of thunder,—

“George! George Washington, come hither this moment!”

Great suspense on the part of the audience, then a general burst of laughter as Boo trotted in, a perfect miniature of his honored parent, knee breeches, cocked hat, shoe buckles and all. He was so fat that the little tails of his coat stuck out in the drollest way, his chubby legs could hardly carry the big buckles, and the rosy face displayed, when he took his hat off with a dutiful bow, was so solemn, the real George could not have looked more anxious when he gave the immortal answer.

“Sirrah, did you cut that tree?” demanded the papa, with another rap of the cane, and such a frown that poor Boo looked dismayed, till Molly whispered, “Put your hand up, dear.” Then he remembered his part, and, putting one finger in his mouth, looked down at his square-toed shoes, the image of a shame-stricken boy.

“My son, do not deceive me. If you have done this deed I shall chastise you, for it is my duty not to spare the rod, lest I spoil the child. But if you lie about it you disgrace the name of Washington forever.”

This appeal seemed to convulse George with inward agony, for he squirmed most effectively as he drew from his pocket a toy hatchet, which would not have cut a straw, then looking straight up into the awe-inspiring countenance of his parent, he bravely lisped,—

“Papa, I tannot tell a lie. I did tut it with my little hanchet.”

“Noble boy—come to my arms! I had rather you spoilt all my cherry trees than tell one lie!” cried the delighted gentleman, catching his son in an embrace so close that the fat legs kicked convulsively, and the little coat-tails waved in the breeze, while cane and hatchet fell with a dramatic bang.

The curtain descended on this affecting tableau; but the audience called out both Washingtons, and they came, hand in hand, bowing with the cocked hats pressed to their breasts, the elder smiling blandly, while the younger, still flushed by his exertions, nodded to his friends, asking, with engaging frankness, “Wasn't it nice?”

The next was a marine piece, for a boat was seen, surrounded by tumultuous waves of blue cambric, and rowed by a party of stalwart men in regimentals, who with difficulty kept their seats, for the boat was only a painted board, and they sat on boxes or stools behind it. But few marked the rowers, for in their midst, tall, straight, and steadfast as a mast, stood one figure in a cloak, with folded arms, high boots, and, under the turned-up hat, a noble countenance, stern with indomitable courage. A sword glittered at his side, and a banner waved over him, but his eye was fixed on the distant shore, and he was evidently unconscious of the roaring billows, the blocks of ice, the discouragement of his men, or the danger and death that might await him. Napoleon crossing the Alps was not half so sublime, and with one voice the audience cried, “Washington crossing the Delaware!” while the band burst forth with, “See, the conquering hero comes!” all out of tune, but bound to play it or die in the attempt.

It would have been very successful if, all of a sudden, one of the rowers had not “caught a crab” with disastrous consequences. The oars were not moving, but a veteran, who looked very much like Joe, dropped the one he held, and in trying to turn and pummel the black-eyed warrior behind him, he tumbled off his seat, upsetting two other men, and pulling the painted boat upon them as they lay kicking in the cambric deep. Shouts of laughter greeted this mishap, but George Washington never stirred. Grasping the banner, he stood firm when all else went down in the general wreck, and the icy waves engulfed his gallant crew, leaving him erect amid a chaos of wildly tossing boots, entangled oars, and red-faced victims. Such god-like dignity could not fail to impress the frivolous crowd of laughers, and the curtain fell amid a round of applause for him alone.

“Quite exciting, wasn't it? Didn't know Gus had so much presence of mind,” said Mr. Burton, well pleased with his boy.

“If we did not know that Washington died in his bed, December 14, 1799, I should fear that we'd seen the last of him in that shipwreck,” laughed an old gentleman, proud of his memory for dates.

Much confusion reigned behind the scenes; Ralph was heard scolding, and Joe set every one off again by explaining, audibly, that Grif tickled him, and he couldn't stand it. A pretty, old-fashioned picture of the “Daughters of Liberty” followed, for the girls were determined to do honor to the brave and patient women who so nobly bore their part in the struggle, yet are usually forgotten when those days are celebrated. The damsels were charming in the big caps, flowered gowns, and high-heeled shoes of their great-grandmothers, as they sat about a spider-legged table talking over the tax, and pledging themselves to drink no more tea till it was taken off. Molly was on her feet proposing, “Liberty forever, and down with all tyrants,” to judge from her flashing eyes as she held her egg-shell cup aloft, while the others lifted theirs to drink the toast, and Merry, as hostess, sat with her hand on an antique teapot, labelled “Sage,” ready to fill again when the patriotic ladies were ready for a second “dish.”

This was much applauded, and the curtain went up again, for the proud parents enjoyed seeing their pretty girls in the faded finery of a hundred years ago. The band played “Auld Lang Syne,” as a gentle hint that our fore-mothers should be remembered as well as the fore-fathers.

It was evident that something very martial was to follow, for a great tramping, clashing, and flying about took place behind the scenes while the tea-party was going on. After some delay, “The Surrender of Cornwallis” was presented in the most superb manner, as you can believe when I tell you that the stage was actually lined with a glittering array of Washington and his generals, Lafayette, Kosciusko, Rochambeau and the rest, all in astonishing uniforms, with swords which were evidently the pride of their lives. Fife and drum struck up a march, and in came Cornwallis, much cast down but full of manly resignation, as he surrendered his sword, and stood aside with averted eyes while his army marched past, piling their arms at the hero's feet.

This scene was the delight of the boys,

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