Jennie Gerhardt - Theodore Dreiser (recommended reading TXT) 📗

I do. I can't help that. But you mustn't come near me any more. Please don't."

He turned his proposition over in his mind with the solemnity of a judge. He knew that this girl liked him—loved him really, brief as their contact had been. And he was drawn to her, perhaps not irrevocably, but with exceeding strength. What prevented her from yielding, especially since she wanted to? He was curious.

"See here, Jennie," he replied. "I hear what you say. I don't know what you mean by 'can't' if you want to. You say you like me. Why can't you come to me? You're my sort. We will get along beautifully together. You're suited to me temperamentally. I'd like to have you with me. What makes you say you can't come?"

"I can't," she replied. "I can't. I don't want to. I oughtn't. Oh, please don't ask me any more. You don't know. I can't tell you why." She was thinking of her baby.

The man had a keen sense of justice and fair play. Above all things he wanted to be decent in his treatment of people. In this case he intended to be tender and considerate, and yet he must win her. He turned this over in his mind.

"Listen to me," he said finally, still holding her hand. "I may not want you to do anything immediately. I want you to think it over. But you belong to me. You say you care for me. You admitted that this morning. I know you do. Now why should you stand out against me? I like you, and I can do a lot of things for you. Why not let us be good friends now? Then we can talk the rest of this over later."

"But I mustn't do anything wrong," she insisted. "I don't want to. Please don't come near me any more. I can't do what you want."

"Now, look here," he said. "You don't mean that. Why did you say you liked me? Have you changed your mind? Look at me." (She had lowered her eyes.) "Look at me! You haven't, have you?"

"Oh no, no, no," she half sobbed, swept by some force beyond her control.

"Well, then, why stand out against me? I love you, I tell you—I'm crazy about you. That's why I came back this time. It was to see you!"

"Was it?" asked Jennie, surprised.

"Yes, it was. And I would have come again and again if necessary. I tell you I'm crazy about you. I've got to have you. Now tell me you'll come with me."

"No, no, no," she pleaded. "I can't. I must work. I want to work. I don't want to do anything wrong. Please don't ask me. You mustn't. You must let me go. Really you must. I can't do what you want."

"Tell me, Jennie," he said, changing the subject. "What does your father do?"

"He's a glass-blower."

"Here in Cleveland?"

"No, he works in Youngstown."

"Is your mother alive?"

"Yes, sir."

"You live with her?"

"Yes, sir."

He smiled at the "sir." "Don't say 'sir' to me, sweet!" he pleaded in his gruff way. "And don't insist on the Mr. Kane. I'm not 'mister' to you any more. You belong to me, little girl, me." And he pulled her close to him.

"Please don't, Mr. Kane," she pleaded. "Oh, please don't. I can't! I can't! You mustn't."

But he sealed her lips with his own.

"Listen to me, Jennie," he repeated, using his favorite expression. "I tell you you belong to me. I like you better every moment. I haven't had a chance to know you. I'm not going to give you up. You've got to come to me eventually. And I'm not going to have you working as a lady's maid. You can't stay in that place except for a little while. I'm going to take you somewhere else. And I'm going to leave you some money, do you hear? You have to take it."

At the word money she quailed and withdrew her hand.

"No, no, no!" she repeated. "No, I won't take it."

"Yes, you will. Give it to your mother. I'm not trying to buy you. I know what you think. But I'm not. I want to help you. I want to help your family. I know where you live. I saw the place to-day. How many are there of you?"

"Six," she answered faintly.

"The families of the poor," he thought.

"Well, you take this from me," he insisted, drawing a purse from his coat. "And I'll see you very soon again. There's no escape, sweet."

"No, no," she protested. "I won't. I don't need it. No, you mustn't ask me."

He insisted further, but she was firm, and finally he put the money away.

"One thing is sure, Jennie, you're not going to escape me," he said soberly. "You'll have to come to me eventually. Don't you know you will? Your own attitude shows that. I'm not going to leave you alone."

"Oh, if you knew the trouble you're causing me."

"I'm not causing you any real trouble, am I?" he asked. "Surely not."

"Yes. I can never do what you want."

"You will! You will!" he exclaimed eagerly, the bare thought of this prize escaping him heightening his passion. "You'll come to me." And he drew her close in spite of all her protests.

"There," he said when, after the struggle, that mystic something between them spoke again, and she relaxed. Tears were in her eyes, but he did not see them. "Don't you see how it is? You like me too."

"I can't," she repeated, with a sob.

Her evident distress touched him. "You're not crying, little girl, are you?" he asked.

She made no answer.

"I'm sorry," he went on. "I'll not say anything more to-night. We're almost at your home. I'm leaving to-morrow, but I'll see you again. Yes, I will, sweet. I can't give you up now. I'll do anything in reason to make it easy for you, but I can't, do you hear?"

She shook her head.

"Here's where you get out," he said, as the carriage drew up near the corner. He could see the evening lamp gleaming behind the Gerhardt cottage curtains.

"Good-by," he said as she stepped out.

"Good-by," she murmured.

"Remember," he said, "this is just the beginning."

"Oh no, no!" she pleaded.

He looked after her as she walked away.

"The beauty!" he exclaimed.

Jennie stepped into the house weary, discouraged, ashamed. What had she done? There was no denying that she had compromised herself irretrievably. He would come back.

He would come back. And he had offered her money. That was the worst of all.

CHAPTER XIX

The inconclusive nature of this interview, exciting as it was, did not leave any doubt in either Lester Kane's or Jennie's mind; certainly this was not the end of the affair. Kane knew that he was deeply fascinated. This girl was lovely. She was sweeter than he had had any idea of. Her hesitancy, her repeated protests, her gentle "no, no, no" moved him as music might. Depend upon it, this girl was for him, and he would get her. She was too sweet to let go. What did he care about what his family or the world might think?

It was curious that Kane held the well-founded idea that in time Jennie would yield to him physically, as she had already done spiritually. Just why he could not say. Something about her—a warm womanhood, a guileless expression of countenance—intimated a sympathy toward sex relationship which had nothing to do with hard, brutal immorality. She was the kind of a woman who was made for a man—one man. All her attitude toward sex was bound up with love, tenderness, service. When the one man arrived she would love him and she would go to him. That was Jennie as Lester understood her. He felt it. She would yield to him because he was the one man.

On Jennie's part there was a great sense of complication and of possible disaster. If he followed her of course he would learn all. She had not told him about Brander, because she was still under the vague illusion that, in the end, she might escape. When she left him she knew that he would come back. She knew, in spite of herself that she wanted him to do so. Yet she felt that she must not yield, she must go on leading her straitened, humdrum life. This was her punishment for having made a mistake. She had made her bed, and she must lie on it.

The Kane family mansion at Cincinnati to which Lester returned after leaving Jennie was an imposing establishment, which contrasted strangely with the Gerhardt home. It was a great, rambling, two-story affair, done after the manner of the French chateaux, but in red brick and brownstone. It was set down, among flowers and trees, in an almost park-like inclosure, and its very stones spoke of a splendid dignity and of a refined luxury. Old Archibald Kane, the father, had amassed a tremendous fortune, not by grabbing and brow-beating and unfair methods, but by seeing a big need and filling it. Early in life he had realized that America was a growing country. There was going to be a big demand for vehicles—wagons, carriages, drays—and he knew that some one would have to supply them. Having founded a small wagon industry, he had built it up into a great business; he made good wagons, and he sold them at a good profit. It was his theory that most men were honest; he believed that at bottom they wanted honest things, and if you gave them these they would buy of you, and come back and buy again and again, until you were an influential and rich man. He believed in the measure "heaped full and running over." All through his life and now in his old age he enjoyed the respect and approval of every one who knew him. "Archibald Kane," you would hear his competitors say, "Ah, there is a fine man. Shrewd, but honest. He's a big man."

This man was the father of two sons and three daughters, all healthy, all good-looking, all blessed with exceptional minds, but none of them so generous and forceful as their long-living and big-hearted sire. Robert, the eldest, a man forty years of age, was his father's right-hand man in financial matters, having a certain hard incisiveness which fitted him for the somewhat sordid details of business life. He was of medium height, of a rather spare build, with a high forehead, slightly inclined to baldness, bright, liquid-blue eyes, an eagle nose, and thin, firm, even lips. He was a man of few words, rather slow to action and of deep thought. He sat close to his father as vice-president of the big company which occupied two whole blocks in an outlying section of the city. He was a strong man—a coming man, as his father well knew.

Lester, the second boy, was his father's favorite. He was not by any means the financier that Robert was, but he had a larger vision of the subtleties that underlie life. He was softer, more human, more good-natured about everything. And, strangely enough, old Archibald admired and trusted him. He knew he had the bigger vision. Perhaps he turned to Robert when it was a question of some intricate financial problem, but Lester was the most loved as a son.

Then there was Amy, thirty-two years of age, married, handsome, the mother of one child—a boy; Imogene, twenty-eight, also married, but as yet without children, and Louise, twenty-five, single, the best-looking of the girls, but also the coldest and most critical. She was the most eager of all for social distinction, the most vigorous of all in her love of family prestige, the most desirous that the Kane family should outshine every other. She was proud to think that the family was so well placed socially, and carried herself with an air and a hauteur which was sometimes amusing, sometimes irritating to Lester! He liked her—in a way she was his favorite sister—but he thought she might take