The Magic City by E. Nesbit (top novels txt) 📗
- Author: E. Nesbit
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'It's quite an event for them,' said Mr. Perrin. 'They don't have much happening here. A very lazy lot they be, almost as bad as Somnolentia.'
'What makes them lazy?' Lucy asked.[233]
'It's owing to the onions and potatoes growing wild in these parts, I believe,' said the Lord High Islander. 'They get enough to eat without working. And the onions make them sleepy.'
They talked apart while Mr. Noah was arranging things with the Governor of the town, who had come down to the harbour in a hurry and a flurry and a furry gown.
'I've arranged everything,' said Mr. Noah at last. 'The islanders and the M.A.'s and the animals are to be allowed to camp in the public park till we've consulted the oracle and decided what's to be done with them. They must live somewhere, I suppose. Life has become much too eventful for me lately. However there are only three more deeds for the Earl of Ark to do, and then perhaps we shall have a little peace and quietness.'
'The Earl of Ark?' Lucy repeated.
'Philip, you know. I do wish you'd try to remember that he's an earl now. Now you and I must take camel and be off.'
And now came seven long days of camel travelling, through desert and forest and over hill and through valley, till at last Lucy and Mr. Noah came to the Hidden Place where the oracle is, and where that is I may not tell you—because it's one of the eleven mysteries. And I must[234] not tell you what the oracle is because that is another of the mysteries. But I may tell you that if you want to consult the oracle you have to go a long way between rows of round pillars, rather like those in Egyptian tombs. And as you go it gets darker and darker, and when it is quite dark you see a little, little light a very long way off, and you hear very far away, a beautiful music, and you smell the scent of flowers that do not grow in any wood or field or garden of this earth. Mixed with this scent is the scent of incense and of old tapestried rooms, where no one has lived for a very long time. And you remember all the sad and beautiful things you have ever seen or heard, and you fall down on the ground and hide your face in your hands and call on the oracle, and if you are the right sort of person the oracle answers you.
Lucy and Mr. Noah waited in the dark for the voice of the oracle, and at last it spoke. Lucy heard no words, only the most beautiful voice in the world speaking softly, and so sweetly and finely and bravely that at once she felt herself brave enough to dare any danger, and strong enough to do any deed that might be needed to get Philip out of the clutches of the base Pretenderette. All the tiredness of her long journey faded away, and but for the thought that Philip needed her, she[235] would have been content to listen for ever to that golden voice. Everything else in the world faded away and grew to seem worthless and unmeaning. Only the soft golden voice remained and the grey hard voice that said, 'You've got to look after Philip, you know!' And the two voices together made a harmony more beautiful than you will find in any of Beethoven's sonatas. Because Lucy knew that she should follow the grey voice, and remember the golden voice as long as she lived.
But something was tiresomely pulling at her sleeve, dragging her away from the wonderful golden voice. Mr. Noah was pulling her sleeve and saying, 'Come away,' and they turned their backs on the little light and the music and the enchanting perfumes, and instantly the voice stopped and they were walking between dusky pillars towards a far grey speck of sunlight.
It was not till they were once more under the bare sky that Lucy said:
'What did it say?'
'You must have heard,' said Mr. Noah.
'I only heard the voice and what it meant. I didn't understand the words. But the voice was like dreams and everything beautiful I've ever thought of.'
'I thought it a wonderfully straight-forward[236] business-like oracle,' said Mr. Noah briskly; 'and the voice was quite distinct and I remember every word it said.'
(Which just shows how differently the same thing may strike two people.)
'What did it say?' Lucy asked, trotting along beside him, still clutching Philip's bundle, which through all these days she had never let go.
And Mr. Noah gravely recited the following lines. I agree with him that, for an oracle, they were extremely straightforward.
'Did it really say that?' Lucy asked.
'Of course it did,' said Mr. Noah; 'that's a special instruction to me, but I daresay you heard something quite different. The oracle doesn't say the same thing to every one, of course. Didn't you get any special instruction?'
'Only to try to be brave and good,' said Lucy shyly.
'Well, then,' said Mr. Noah, 'you carry out your instructions and I'll carry out mine.'
'But what's the use of going to the island if you can't land when you get there?' Lucy[237] insisted. 'You know only two people can land there, and we're not them, are we?'
'Oh, if you begin asking what's the use, we shan't get anywhere,' said Mr. Noah. 'And more than half the things you say are questions.'
I'm sorry this chapter is cut up into bits with lines of stars, but stars are difficult to avoid when you have to tell about a lot of different things happening all at once. That is why it is much better always to keep your party together if you can. And I have allowed mine to get separated so that Philip, the parrot and the rest of the company are going through three sets of adventures all at the same time. This is most trying for me, and fully accounts for the stars. Which I hope you'll excuse. However.
We now come back by way of the stars to Philip wrong way up in the clutches of the Pretenderette. She had breathed the magic word in the Hippogriff's ear, but she had not added any special order. So the Hippogriff was entirely its own master as far as the choice of where it was to go was concerned. It tossed its white mane after circling three times between air and sky, made straight for the Island-where-you-mayn't-go. The Pretender[238]ette didn't know that it was the Island-where-you-mayn't-go, and as they got nearer and she could see plainly its rainbow-coloured sands, its palms and its waterfalls, its cool green thickets and many tinted flowers and glowing fruits, it seemed to her that she might do worse than land there and rest for a little while. For even the most disagreeable people get tired sometimes, and the Pretenderette had had a hard day of it. So she made no attempt to check the Hippogriff or alter its course. And when the Hippogriff was hovering but a few inches from the grass of the most beautiful of the island glades, she jerked Philip roughly off her knee and he fell all in a heap on the ground. With great presence of mind our hero—if he isn't a hero by now he never will be—picked himself up and bolted into the bushes. No rabbit could have bolted more instantly and fleetly.
'I'll teach you,' said the furious Pretenderette, preparing to alight. She looked down to find a soft place to jump on. And then she saw that every blade of grass was a tiny spear of steel, and every spear was pointed at her. She made the Hippogriff take her to another glade—more little steel spears. To the rainbow sands—but on looking at them she saw that they were quivering quicksands.[239] Wherever green grass had grown the spears now grew; and wherever the sand was it was a terrible trap of quicksand. She tried to dismount in a little pool, but fortunately for her she noticed in time that what shone in it so silvery was not water but white-hot molten metal.
'What a nasty place,' said the Pretenderette; 'I don't know that I could have chosen a nastier place to leave that naughty child in. He'll know who's master by the time I send to fetch him back to prison. Here, you, get back to Polistopolis as fast as you can. See? Please, I mean,' she added, and then she spoke the magic word.
Philip was peeping through the bushes close by, and he heard that magic word (I dare not tell you what it is) and he saw for the first time the face of the Pretenderette. And he trembled and shivered in his bushy lurking-place. For the Pretenderette was the only really unpleasant person Philip had ever met in the world. It was Lucy's nurse, the nurse with the grey dress and the big fat feet, who had been so cross to him and had pulled down his city.
'How on earth,' Philip wondered to himself, 'did she get here? And how on earth shall I get away from her?' He had not seen[240] the spears and the quicksands and the molten metal, and he was waiting unhappily for her to alight, and for a game of hide and seek to begin, which he was not at all anxious to play.
Even as he wondered, the Hippogriff spread wings and flew away. And Philip was left alone on the island. But what did that matter? It was much better to be alone than with that Pretenderette. And for Philip there were no white-hot metal and spears and snares of quicksand, only dewy grass and sweet flowers and trees and safety and delight.
'If only Lucy were here,' he said.
When he was quite sure that the Pretenderette was really gone, he came out and explored the island. It had on it every kind of flower and fruit that you can think of, all growing together. There were gold oranges and white orange flowers, pink apple-blossom and red apples, cherries and cherry-blossom, strawberry flowers and strawberries, all growing together, wild and sweet.
At the back of his mind Philip remembered that he had, at some time or other, heard of an island where fruit and blossoms grew together at the same time, but that was all he could remember. He passed through the lovely orchards and came to a lake. It was frozen. And he remembered that, in the island he had[241] heard of, there was a lake ready for skating even when the flowers and fruit were on the trees. Then he came to a little summer-house built all of porcupine quills like Helen's pen-box.
And then he knew. All these wonders were on the island that he and Helen had invented long ago—the island that she used to draw maps of.
'It's our very own island,' he
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