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to supply Mrs. Vyvian's place. The consequence was that, for the first time in their lives, the young girls were left for a few weeks without a companion and without surveillance.


Chapter XVII


One beautiful morning in May, Lillian went out alone to sketch. The beauty of the sky and sea tempted her; fleecy-white clouds floated gently over the blue heavens; the sun shone upon the water until, at times, it resembled a huge sea of rippling gold. Far off in the distance were the shining white sails of two boats; they looked in the golden haze like the brilliant wings of some bright bird. The sun upon the white sails struck her fancy, and she wanted to sketch the effect.

It was the kind of morning that makes life seem all beauty and gladness, even if the heart is weighed down with care. It was a luxury merely to live and breathe. The leaves were all springing in the woods; the meadows were green; wild flowers blossomed by the hedge-rows; the birds sang gayly of the coming summer; the white hawthorn threw its rich fragrance all around, and the yellow broom bloomed on the cliffs.

As she sat there, Lillian was indeed a fair picture herself on that May morning; the sweet, spirituelle face; the noble head with its crown of golden hair; the violet eyes, so full of thought; the sensitive lips, sweet yet firm; the white forehead, the throne of intellect. The little fingers that moved rapidly and gracefully over the drawing were white and shapely; there was a delicate rose-leaf flush in the pretty hand. She looked fair and tranquil as the morning itself.

The pure, sweet face had no touch of fire or passion; its serenity was all unmoved; the world had never breathed on the innocent, child-like mind. A white lily was not more pure and stainless than the young girl who sat amid the purple heather, sketching the white, far-off sails.

So intent was Lillian upon her drawing that she did not hear light, rapid steps coming near; she was not aroused until a rich musical voice called, "Lillian, if you have not changed into stone or statue, do speak." Then, looking up, she saw Beatrice by her side.

"Lay down your pencils and talk to me," said Beatrice, imperiously. "How unkind of you, the only human being in this place who can talk, to come here all by yourself! What do you think was to become of me?"

"I thought you were reading to mamma," said Lillian, quietly.

"Reading!" exclaimed Beatrice. "You know I am tired of reading, tired of writing, tired of sewing, tired of everything I have to do."

Lillian looked up in wonder at the beautiful, restless face.

"Do not look 'good' at me," said Beatrice, impatiently. "I am tired to death of it all. I want some change. Do you think any girls in the world lead such lives as we do--shut up in a rambling old farm house, studying from morn to night; shut in on one side by that tiresome sea, imprisoned on the other by fields and woods? How can you take it so quietly, Lillian? I am wearied to death."

"Something has disturbed you this morning," said Lillian, gently.

"That is like mamma," cried Beatrice; "just her very tone and words. She does not understand, you do not understand; mamma's life satisfies her, your life contents you; mine does not content me--it is all vague and empty. I should welcome anything that changed this monotony; even sorrow would be better than this dead level--one day so like another, I can never distinguish them."

"My dear Beatrice, think of what you are saying," said Lillian.

"I am tired of thinking," said Beatrice; "for the last ten years I have been told to 'think' and 'reflect.' I have thought all I can; I want a fresh subject."

"Think how beautiful those far-off white sails look," said Lillian--"how they gleam in the sunshine. See, that one looks like a mysterious hand raised to beckon us away."

"Such ideas are very well for you, Lillian," retorted Beatrice. "I see nothing in them. Look at the stories we read; how different those girls are from us! They have fathers, brothers, and friends; they have jewels and dresses; they have handsome admirers, who pay them homage; they dance, ride, and enjoy themselves. Now look at us, shut up here with old and serious people."

"Hush, Beatrice," said Lillian; "mamma is not old."

"Not in years, perhaps," replied Beatrice; "but she seems to me old in sorrow. She is never gay nor light-hearted. Mrs. Vyvian is very kind, but she never laughs. Is every one sad and unhappy, I wonder? Oh, Lillian, I long to see the world--the bright, gay world--over the sea there. I long for it as an imprisoned bird longs for fresh air and green woods."

"You would not find it all happiness," said Lillian, sagely.

"Spare me all truism," cried Beatrice. "Ah, sister, I am tired of all this; for eleven years the sea has been singing the same songs; those waves rise and fall as they did a hundred years since; the birds sing the same story; the sun shines the same; even the shadow of the great elms fall over the meadow just as it did when we first played there. I long to away from the sound of the sea and the rustling of the elm trees. I want to be where there are girls of my own age, and do as they do. It seems to me we shall go on reading and writing, sewing and drawing, and taking what mamma calls instructive rambles until our heads grow gray."

"It is not so bad as that, Beatrice," laughed Lillian. "Lady Earle says papa must return some day; then we shall all go to him."

"I never believe one word of it," said Beatrice, undauntedly. "At times I could almost declare papa himself was a myth. Why do we not live with him? Why does he never write? We never hear of or from him, save through Lady Earle; besides, Lillian, what do you think I heard Mrs. Vyvian say once to grandmamma? It was that we might not go to Earlescourt at all--that if papa did not return, or died young, all would go to a Mr. Lionel Dacre, and we should remain here. Imagine that fate--living a long life and dying at the Elms!"

"It is all conjecture," said her sister. "Try to be more contented, Beatrice. We do not make our own lives, we have not the control of our own destiny."

"I should like to control mine," sighed Beatrice.

"Try to be contented, darling," continued the sweet, pleading voice. "We all love and admire you. No one was ever loved more dearly or better than you are. The days are rather long at times, but there are all the wonders and beauties of Nature and art."

"Nature and Art are all very well," cried Beatrice; "but give me life."

She turned her beautiful, restless face from the smiling sea; the south wind dancing over the yellow gorse caught up the words uttered in that clear, musical voice and carried them over the cliff to one who was lying with half-closed eyes under the shade of a large tree--a young man with a dark, half-Spanish face handsome with a coarse kind of beauty. He was lying there, resting upon the turf, enjoying the beauty of the morning. As the musical voice reached him, and the strange words fell upon his ear, he smiled and raised his head to see who uttered them. He saw the young girls, but their faces were turned from him; those words range in his ears--"Nature and Art are all very well, but give me life."

Who was it longed for life? He understood the longing; he resolved to wait there until the girls went away. Again he heard the same voice.

"I shall leave you to your sails, Lillian. I wish those same boats would come to carry us away--I wish I had wings and could fly over the sea and see the bright, grand world that lies beyond it. Goodbye; I am tired of the never-ending wash of those long, low waves."

He saw a young girl rise from the fragrant heather and turn to descend the cliff. Quick as thought he rushed down by another path, and, turning back, contrived to meet her half-way. Beatrice came singing down the cliff. Her humor, never the same ten minutes together, had suddenly changed. She remembered a new and beautiful song that Lady Earle had sent, and determined to go home and try it. There came no warning to her that bright summer morning. The south wind lifted the hair from her brow and wafted the fragrance of hawthorn buds and spring flowers to greet her, but it brought no warning message; the birds singing gayly, the sun shining so brightly could not tell her that the first link in a terrible chain was to be forged that morning.

Half-way down the cliff, where the path was steep and narrow, Beatrice suddenly met the stranger. A stranger was a rarity at the Elms. Only at rare intervals did an artist or a tourist seek shelter and hospitality at the old farm house. The stranger seemed to be a gentleman. For one moment both stood still; then, with a low bow, the gentleman stepped aside to let the young girl pass. As he did so, he noted the rare beauty of that brilliant face--he remembered the longing words.

"No wonder," he thought; "it is a sin for such a face as that to be hidden here."

The beauty of those magnificent eyes startled him. Who was she? What could she be doing here? Beatrice turning again, saw the stranger looking eagerly after her, with profound admiration expressed in every feature of his face; and that admiring gaze, the first she had ever received in her life, sank deep into the vain, girlish heart.

He watched the graceful, slender figure until the turn of the road hid Beatrice from his view. He followed her at a safe distance, and saw her cross the long meadows that led to the Elms. Then Hugh Fernely waited with patience until one of the farm laborers came by. By judicious questioning he discovered much of the history of the beautiful young girl who longed for life. Her face haunted him--its brilliant, queenly beauty, the dark, radiant eyes. Come what might, Hugh Fernely said to himself, he must see her again.

On the following morning he saw the girls return to the cliff. Lillian finished her picture. Ever and anon he heard Beatrice singing, in a low, rich voice, a song that had charmed her with its weird beauty:

"For men must work, and women must weep; And the sooner it's over, the sooner to sleep And goodbye to the bar and its moaning."

"I like those words, Lillian," he heard her say. "I wonder how soon it will be 'over' for me. Shall I ever weep, as the song says? I have never wept yet."

This morning the golden-haired sister left the cliff first, and Beatrice sat reading until the noonday sun shone upon the sea.
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