Sketches by Boz, illustrative of everyday life and every-day people - Charles Dickens (best way to read an ebook .txt) 📗
- Author: Charles Dickens
Book online «Sketches by Boz, illustrative of everyday life and every-day people - Charles Dickens (best way to read an ebook .txt) 📗». Author Charles Dickens
a spring-van, accompanied by thirteen gentlemen, fourteen ladies, an unlimited number of children, and a barrel of beer; and we have a vague recollection of having, in later days, found ourself the eighth outside, on the top of a hackney-coach, at something past four o’clock in the morning, with a rather confused idea of our own name, or place of residence. We have grown older since then, and quiet, and steady: liking nothing better than to spend our Easter, and all our other holidays, in some quiet nook, with people of whom we shall never tire; but we think we still remember something of Greenwich Fair, and of those who resort to it. At all events we will try.
The road to Greenwich during the whole of Easter Monday, is in a state of perpetual bustle and noise. Cabs, hackney-coaches, ‘shay’ carts, coal-waggons, stages, omnibuses, sociables, gigs, donkey-chaises—all crammed with people (for the question never is, what the horse can draw, but what the vehicle will hold), roll along at their utmost speed; the dust flies in clouds, ginger-beer corks go off in volleys, the balcony of every public-house is crowded with people, smoking and drinking, half the private houses are turned into tea-shops, fiddles are in great request, every little fruit-shop displays its stall of gilt gingerbread and penny toys; turnpike men are in despair; horses won’t go on, and wheels will come off; ladies in ‘carawans’ scream with fright at every fresh concussion, and their admirers find it necessary to sit remarkably close to them, by way of encouragement; servants-of-all-work, who are not allowed to have followers, and have got a holiday for the day, make the most of their time with the faithful admirer who waits for a stolen interview at the corner of the street every night, when they go to fetch the beer—apprentices grow sentimental, and straw-bonnet makers kind. Everybody is anxious to get on, and actuated by the common wish to be at the fair, or in the park, as soon as possible.
Pedestrians linger in groups at the roadside, unable to resist the allurements of the stout proprietress of the ‘Jack-in-the-box, three shies a penny,’ or the more splendid offers of the man with three thimbles and a pea on a little round board, who astonishes the bewildered crowd with some such address as, ‘Here’s the sort o’ game to make you laugh seven years arter you’re dead, and turn ev’ry air on your ed gray vith delight! Three thimbles and vun little pea—with a vun, two, three, and a two, three, vun: catch him who can, look on, keep your eyes open, and niver say die! niver mind the change, and the expense: all fair and above board: them as don’t play can’t vin, and luck attend the ryal sportsman! Bet any gen’lm’n any sum of money, from harf-a-crown up to a suverin, as he doesn’t name the thimble as kivers the pea!’ Here some greenhorn whispers his friend that he distinctly saw the pea roll under the middle thimble—an impression which is immediately confirmed by a gentleman in top-boots, who is standing by, and who, in a low tone, regrets his own inability to bet, in consequence of having unfortunately left his purse at home, but strongly urges the stranger not to neglect such a golden opportunity. The ‘plant’ is successful, the bet is made, the stranger of course loses: and the gentleman with the thimbles consoles him, as he pockets the money, with an assurance that it’s ‘all the fortin of war! this time I vin, next time you vin: niver mind the loss of two bob and a bender! Do it up in a small parcel, and break out in a fresh place. Here’s the sort o’ game,’ &c.—and the eloquent harangue, with such variations as the speaker’s exuberant fancy suggests, is again repeated to the gaping crowd, reinforced by the accession of several new-comers.
The chief place of resort in the daytime, after the public-houses, is the park, in which the principal amusement is to drag young ladies up the steep hill which leads to the Observatory, and then drag them down again, at the very top of their speed, greatly to the derangement of their curls and bonnet-caps, and much to the edification of lookers-on from below. ‘Kiss in the Ring,’ and ‘Threading my Grandmother’s Needle,’ too, are sports which receive their full share of patronage. Love-sick swains, under the influence of gin-and-water, and the tender passion, become violently affectionate: and the fair objects of their regard enhance the value of stolen kisses, by a vast deal of struggling, and holding down of heads, and cries of ‘Oh! Ha’ done, then, George—Oh, do tickle him for me, Mary—Well, I never!’ and similar Lucretian ejaculations. Little old men and women, with a small basket under one arm, and a wine-glass, without a foot, in the other hand, tender ‘a drop o’ the right sort’ to the different groups; and young ladies, who are persuaded to indulge in a drop of the aforesaid right sort, display a pleasing degree of reluctance to taste it, and cough afterwards with great propriety.
The old pensioners, who, for the moderate charge of a penny, exhibit the mast-house, the Thames and shipping, the place where the men used to hang in chains, and other interesting sights, through a telescope, are asked questions about objects within the range of the glass, which it would puzzle a Solomon to answer; and requested to find out particular houses in particular streets, which it would have been a task of some difficulty for Mr. Horner (not the young gentleman who ate mince-pies with his thumb, but the man of Colosseum notoriety) to discover. Here and there, where some three or four couple are sitting on the grass together, you will see a sun-burnt woman in a red cloak ‘telling fortunes’ and prophesying husbands, which it requires no extraordinary observation to describe, for the originals are before her. Thereupon, the lady concerned laughs and blushes, and ultimately buries her face in an imitation cambric handkerchief, and the gentleman described looks extremely foolish, and squeezes her hand, and fees the gipsy liberally; and the gipsy goes away, perfectly satisfied herself, and leaving those behind her perfectly satisfied also: and the prophecy, like many other prophecies of greater importance, fulfils itself in time.
But it grows dark: the crowd has gradually dispersed, and only a few stragglers are left behind. The light in the direction of the church shows that the fair is illuminated; and the distant noise proves it to be filling fast. The spot, which half an hour ago was ringing with the shouts of boisterous mirth, is as calm and quiet as if nothing could ever disturb its serenity: the fine old trees, the majestic building at their feet, with the noble river beyond, glistening in the moonlight, appear in all their beauty, and under their most favourable aspect; the voices of the boys, singing their evening hymn, are borne gently on the air; and the humblest mechanic who has been lingering on the grass so pleasant to the feet that beat the same dull round from week to week in the paved streets of London, feels proud to think as he surveys the scene before him, that he belongs to the country which has selected such a spot as a retreat for its oldest and best defenders in the decline of their lives.
Five minutes’ walking brings you to the fair; a scene calculated to awaken very different feelings. The entrance is occupied on either side by the vendors of gingerbread and toys: the stalls are gaily lighted up, the most attractive goods profusely disposed, and unbonneted young ladies, in their zeal for the interest of their employers, seize you by the coat, and use all the blandishments of ‘Do, dear’—‘There’s a love’—‘Don’t be cross, now,’ &c., to induce you to purchase half a pound of the real spice nuts, of which the majority of the regular fair-goers carry a pound or two as a present supply, tied up in a cotton pocket-handkerchief. Occasionally you pass a deal table, on which are exposed pen’orths of pickled salmon (fennel included), in little white saucers: oysters, with shells as large as cheese-plates, and divers specimens of a species of snail (_wilks_, we think they are called), floating in a somewhat bilious-looking green liquid. Cigars, too, are in great demand; gentlemen must smoke, of course, and here they are, two a penny, in a regular authentic cigar-box, with a lighted tallow candle in the centre.
Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.
This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes.
The company are now promenading outside in all the dignity of wigs, spangles, red-ochre, and whitening. See with what a ferocious air the gentleman who personates the Mexican chief, paces up and down, and with what an eye of calm dignity the principal tragedian gazes on the crowd below, or converses confidentially with the harlequin! The four clowns, who are engaged in a mock broadsword combat, may be all very well for the low-minded holiday-makers; but these are the people for the reflective portion of the community. They look so noble in those Roman dresses, with their yellow legs and arms, long black curly heads, bushy eyebrows, and scowl expressive of assassination, and vengeance, and everything else that is grand and solemn. Then, the ladies—were there ever such innocent and awful-looking beings; as they walk up and down the platform in twos and threes, with their arms round each other’s waists, or leaning for support on one of those majestic men! Their spangled muslin dresses and blue satin shoes and sandals (a _leetle_ the worse for wear) are the admiration of all beholders; and the playful manner in which they check the advances of the clown, is perfectly enchanting.
‘Just a-going to begin! Pray come for’erd, come for’erd,’ exclaims the man in the countryman’s dress, for the seventieth time: and people force their way up the steps in crowds. The band suddenly strikes up, the harlequin and columbine set the example, reels are formed in less than no time, the Roman heroes place their arms a-kimbo, and dance with considerable agility; and the leading tragic actress, and the gentleman who enacts the ‘swell’ in the pantomime, foot it to perfection. ‘All in to begin,’ shouts the manager, when no more people can be induced to ‘come for’erd,’ and away rush the leading members of the company to do the dreadful in the first piece.
A change of performance takes place every day during the fair, but the story of the tragedy is always pretty much the same. There is a rightful heir, who loves a young lady, and is beloved by her; and a wrongful heir, who loves her too, and isn’t beloved by her; and the wrongful heir gets hold of the rightful heir, and throws
The road to Greenwich during the whole of Easter Monday, is in a state of perpetual bustle and noise. Cabs, hackney-coaches, ‘shay’ carts, coal-waggons, stages, omnibuses, sociables, gigs, donkey-chaises—all crammed with people (for the question never is, what the horse can draw, but what the vehicle will hold), roll along at their utmost speed; the dust flies in clouds, ginger-beer corks go off in volleys, the balcony of every public-house is crowded with people, smoking and drinking, half the private houses are turned into tea-shops, fiddles are in great request, every little fruit-shop displays its stall of gilt gingerbread and penny toys; turnpike men are in despair; horses won’t go on, and wheels will come off; ladies in ‘carawans’ scream with fright at every fresh concussion, and their admirers find it necessary to sit remarkably close to them, by way of encouragement; servants-of-all-work, who are not allowed to have followers, and have got a holiday for the day, make the most of their time with the faithful admirer who waits for a stolen interview at the corner of the street every night, when they go to fetch the beer—apprentices grow sentimental, and straw-bonnet makers kind. Everybody is anxious to get on, and actuated by the common wish to be at the fair, or in the park, as soon as possible.
Pedestrians linger in groups at the roadside, unable to resist the allurements of the stout proprietress of the ‘Jack-in-the-box, three shies a penny,’ or the more splendid offers of the man with three thimbles and a pea on a little round board, who astonishes the bewildered crowd with some such address as, ‘Here’s the sort o’ game to make you laugh seven years arter you’re dead, and turn ev’ry air on your ed gray vith delight! Three thimbles and vun little pea—with a vun, two, three, and a two, three, vun: catch him who can, look on, keep your eyes open, and niver say die! niver mind the change, and the expense: all fair and above board: them as don’t play can’t vin, and luck attend the ryal sportsman! Bet any gen’lm’n any sum of money, from harf-a-crown up to a suverin, as he doesn’t name the thimble as kivers the pea!’ Here some greenhorn whispers his friend that he distinctly saw the pea roll under the middle thimble—an impression which is immediately confirmed by a gentleman in top-boots, who is standing by, and who, in a low tone, regrets his own inability to bet, in consequence of having unfortunately left his purse at home, but strongly urges the stranger not to neglect such a golden opportunity. The ‘plant’ is successful, the bet is made, the stranger of course loses: and the gentleman with the thimbles consoles him, as he pockets the money, with an assurance that it’s ‘all the fortin of war! this time I vin, next time you vin: niver mind the loss of two bob and a bender! Do it up in a small parcel, and break out in a fresh place. Here’s the sort o’ game,’ &c.—and the eloquent harangue, with such variations as the speaker’s exuberant fancy suggests, is again repeated to the gaping crowd, reinforced by the accession of several new-comers.
The chief place of resort in the daytime, after the public-houses, is the park, in which the principal amusement is to drag young ladies up the steep hill which leads to the Observatory, and then drag them down again, at the very top of their speed, greatly to the derangement of their curls and bonnet-caps, and much to the edification of lookers-on from below. ‘Kiss in the Ring,’ and ‘Threading my Grandmother’s Needle,’ too, are sports which receive their full share of patronage. Love-sick swains, under the influence of gin-and-water, and the tender passion, become violently affectionate: and the fair objects of their regard enhance the value of stolen kisses, by a vast deal of struggling, and holding down of heads, and cries of ‘Oh! Ha’ done, then, George—Oh, do tickle him for me, Mary—Well, I never!’ and similar Lucretian ejaculations. Little old men and women, with a small basket under one arm, and a wine-glass, without a foot, in the other hand, tender ‘a drop o’ the right sort’ to the different groups; and young ladies, who are persuaded to indulge in a drop of the aforesaid right sort, display a pleasing degree of reluctance to taste it, and cough afterwards with great propriety.
The old pensioners, who, for the moderate charge of a penny, exhibit the mast-house, the Thames and shipping, the place where the men used to hang in chains, and other interesting sights, through a telescope, are asked questions about objects within the range of the glass, which it would puzzle a Solomon to answer; and requested to find out particular houses in particular streets, which it would have been a task of some difficulty for Mr. Horner (not the young gentleman who ate mince-pies with his thumb, but the man of Colosseum notoriety) to discover. Here and there, where some three or four couple are sitting on the grass together, you will see a sun-burnt woman in a red cloak ‘telling fortunes’ and prophesying husbands, which it requires no extraordinary observation to describe, for the originals are before her. Thereupon, the lady concerned laughs and blushes, and ultimately buries her face in an imitation cambric handkerchief, and the gentleman described looks extremely foolish, and squeezes her hand, and fees the gipsy liberally; and the gipsy goes away, perfectly satisfied herself, and leaving those behind her perfectly satisfied also: and the prophecy, like many other prophecies of greater importance, fulfils itself in time.
But it grows dark: the crowd has gradually dispersed, and only a few stragglers are left behind. The light in the direction of the church shows that the fair is illuminated; and the distant noise proves it to be filling fast. The spot, which half an hour ago was ringing with the shouts of boisterous mirth, is as calm and quiet as if nothing could ever disturb its serenity: the fine old trees, the majestic building at their feet, with the noble river beyond, glistening in the moonlight, appear in all their beauty, and under their most favourable aspect; the voices of the boys, singing their evening hymn, are borne gently on the air; and the humblest mechanic who has been lingering on the grass so pleasant to the feet that beat the same dull round from week to week in the paved streets of London, feels proud to think as he surveys the scene before him, that he belongs to the country which has selected such a spot as a retreat for its oldest and best defenders in the decline of their lives.
Five minutes’ walking brings you to the fair; a scene calculated to awaken very different feelings. The entrance is occupied on either side by the vendors of gingerbread and toys: the stalls are gaily lighted up, the most attractive goods profusely disposed, and unbonneted young ladies, in their zeal for the interest of their employers, seize you by the coat, and use all the blandishments of ‘Do, dear’—‘There’s a love’—‘Don’t be cross, now,’ &c., to induce you to purchase half a pound of the real spice nuts, of which the majority of the regular fair-goers carry a pound or two as a present supply, tied up in a cotton pocket-handkerchief. Occasionally you pass a deal table, on which are exposed pen’orths of pickled salmon (fennel included), in little white saucers: oysters, with shells as large as cheese-plates, and divers specimens of a species of snail (_wilks_, we think they are called), floating in a somewhat bilious-looking green liquid. Cigars, too, are in great demand; gentlemen must smoke, of course, and here they are, two a penny, in a regular authentic cigar-box, with a lighted tallow candle in the centre.
Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.
This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes.
The company are now promenading outside in all the dignity of wigs, spangles, red-ochre, and whitening. See with what a ferocious air the gentleman who personates the Mexican chief, paces up and down, and with what an eye of calm dignity the principal tragedian gazes on the crowd below, or converses confidentially with the harlequin! The four clowns, who are engaged in a mock broadsword combat, may be all very well for the low-minded holiday-makers; but these are the people for the reflective portion of the community. They look so noble in those Roman dresses, with their yellow legs and arms, long black curly heads, bushy eyebrows, and scowl expressive of assassination, and vengeance, and everything else that is grand and solemn. Then, the ladies—were there ever such innocent and awful-looking beings; as they walk up and down the platform in twos and threes, with their arms round each other’s waists, or leaning for support on one of those majestic men! Their spangled muslin dresses and blue satin shoes and sandals (a _leetle_ the worse for wear) are the admiration of all beholders; and the playful manner in which they check the advances of the clown, is perfectly enchanting.
‘Just a-going to begin! Pray come for’erd, come for’erd,’ exclaims the man in the countryman’s dress, for the seventieth time: and people force their way up the steps in crowds. The band suddenly strikes up, the harlequin and columbine set the example, reels are formed in less than no time, the Roman heroes place their arms a-kimbo, and dance with considerable agility; and the leading tragic actress, and the gentleman who enacts the ‘swell’ in the pantomime, foot it to perfection. ‘All in to begin,’ shouts the manager, when no more people can be induced to ‘come for’erd,’ and away rush the leading members of the company to do the dreadful in the first piece.
A change of performance takes place every day during the fair, but the story of the tragedy is always pretty much the same. There is a rightful heir, who loves a young lady, and is beloved by her; and a wrongful heir, who loves her too, and isn’t beloved by her; and the wrongful heir gets hold of the rightful heir, and throws
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