Venetia - Benjamin Disraeli (books to read as a couple TXT) 📗

moment when Venetia, in a rapture of love and duty, felt herself pressed to her mother's reconciled heart, it had not escaped her that Lady Annabel held in her hand a key; and though the feelings which that night had so forcibly developed, and which the subsequent conduct of Lady Annabel had so carefully and skilfully cherished, had impelled Venetia to banish and erase from her thought and memory all the associations which that spectacle, however slight, was calculated to awaken, still, in her present mood, the unexpected vision of the same instrument, identical she could not doubt, had triumphed in an instant over all the long discipline of her mind and conduct, in an instant had baffled and dispersed her self-control, and been hailed as the providential means by which she might at length penetrate that mystery which she now felt no longer supportable.

The clock of the belfry of Cherbury at this moment struck, and Venetia instantly sprang from her seat. It reminded her of the preciousness of the present morning. Her mother was indeed absent, but her mother would return. Before that event a great fulfilment was to occur. Venetia, still grasping the key, as if it were the talisman of her existence, looked up to Heaven as if she required for her allotted task an immediate and special protection; her lips seemed to move, and then she again quitted her apartment. As she passed through an oriel in her way towards the gallery, she observed Pauncefort in the avenue of the park, moving in the direction of the keeper's lodge. This emboldened her. With a hurried step she advanced along the gallery, and at length stood before the long-sealed door that had so often excited her strange curiosity. Once she looked around; but no one was near, not a sound was heard. With a faltering hand she touched the lock; but her powers deserted her: for a minute she believed that the key, after all, would not solve the mystery. And yet the difficulty arose only from her own agitation. She rallied her courage; once more she made the trial; the key fitted with completeness, and the lock opened with ease, and Venetia found herself in a small and scantily-furnished ante-chamber. Closing the door with noiseless care, Venetia stood trembling in the mysterious chamber, where apparently there was nothing to excite wonder. The chamber into which the ante-room opened was still closed, and it was some minutes before the adventurous daughter of Lady Annabel could summon courage for the enterprise which awaited her.

The door yielded without an effort. Venetia stepped into a spacious and lofty chamber. For a moment she paused almost upon the threshold, and looked around her with a vague and misty vision. Anon she distinguished something of the character of the apartment. In the recess of a large oriel window that looked upon the park, and of which the blinds were nearly drawn, was an old-fashioned yet sumptuous toilet-table of considerable size, arranged as if for use. Opposite this window, in a corresponding recess, was what might be deemed a bridal bed, its furniture being of white satin richly embroidered; the curtains half closed; and suspended from the canopy was a wreath of roses that had once emulated, or rather excelled, the lustrous purity of the hangings, but now were wan and withered. The centre of the inlaid and polished floor of the apartment was covered with a Tournay carpet of brilliant yet tasteful decoration. An old cabinet of fanciful workmanship, some chairs of ebony, and some girandoles of silver completed the furniture of the room, save that at its extreme end, exactly opposite to the door by which Venetia entered, covered with a curtain of green velvet, was what she concluded must be a picture.

An awful stillness pervaded the apartment: Venetia herself, with a face paler even than the hangings of the mysterious bed, stood motionless with suppressed breath, gazing on the distant curtain with a painful glance of agitated fascination. At length, summoning her energies as if for the achievement of some terrible yet inevitable enterprise, she crossed the room, and averting her face, and closing her eyes in a paroxysm of nervous excitement, she stretched forth her arm, and with a rapid motion withdrew the curtain. The harsh sound of the brass rings drawn quickly over the rod, the only noise that had yet met her ear in this mystical chamber, made her start and tremble. She looked up, she beheld, in a broad and massy frame, the full-length portrait of a man.

A man in the very spring of sunny youth, and of radiant beauty. Above the middle height, yet with a form that displayed exquisite grace, he was habited in a green tunic that enveloped his figure to advantage, and became the scene in which he was placed: a park, with a castle in the distance; while a groom at hand held a noble steed, that seemed impatient for the chase. The countenance of its intended rider met fully the gaze of the spectator. It was a countenance of singular loveliness and power. The lips and the moulding of the chin resembled the eager and impassioned tenderness of the shape of Antinous; but instead of the effeminate sullenness of the eye, and the narrow smoothness of the forehead, shone an expression of profound and piercing thought. On each side of the clear and open brow descended, even to the shoulders, the clustering locks of golden hair; while the eyes, large and yet deep, beamed with a spiritual energy, and shone like two wells of crystalline water that reflect the all-beholding heavens.

Now when Venetia Herbert beheld this countenance a change came over her. It seemed that when her eyes met the eyes of the portrait, some mutual interchange of sympathy occurred between them. She freed herself in an instant from the apprehension and timidity that before oppressed her. Whatever might ensue, a vague conviction of having achieved a great object pervaded, as it were, her being. Some great end, vast though indefinite, had been fulfilled. Abstract and fearless, she gazed upon the dazzling visage with a prophetic heart. Her soul was in a tumult, oppressed with thick-coming fancies too big for words, panting for expression. There was a word which must be spoken: it trembled on her convulsive lip, and would not sound. She looked around her with an eye glittering with unnatural fire, as if to supplicate some invisible and hovering spirit to her rescue, or that some floating and angelic chorus might warble the thrilling word whose expression seemed absolutely necessary to her existence. Her cheek is flushed, her eye wild and tremulous, the broad blue veins of her immaculate brow quivering and distended; her waving hair falls back over her forehead, and rustles like a wood before the storm. She seems a priestess in the convulsive throes of inspiration, and about to breathe the oracle. The picture, as we have mentioned, was hung in a broad and massy frame. In the centre of its base was worked an escutcheon, and beneath the shield this inscription:


MARMION HERBERT, AET. XX.


Yet there needed not these letters to guide the agitated spirit of Venetia, for, before her eye had reached them, the word was spoken; and falling on her knees before the portrait, the daughter of Lady Annabel had exclaimed, 'My father!'


CHAPTER V.

The daughter still kneels before the form of the father, of whom she had heard for the first time in her life. He is at length discovered. It was, then, an irresistible destiny that, after the wild musings and baffled aspirations of so many years, had guided her to this chamber. She is the child of Marmion Herbert; she beholds her lost parent. That being of supernatural beauty, on whom she gazes with a look of blended reverence and love, is her father. What a revelation! Its reality exceeded the wildest dreams of her romance; her brightest visions of grace and loveliness and genius seemed personified in this form; the form of one to whom she was bound by the strongest of all earthly ties, of one on whose heart she had a claim second only to that of the being by whose lips his name was never mentioned. Was he, then, no more? Ah! could she doubt that bitterest calamity? Ah! was it, was it any longer a marvel, that one who had lived in the light of those seraphic eyes, and had watched them until their terrestrial splendour had been for ever extinguished, should shrink from the converse that could remind her of the catastrophe of all her earthly hopes! This chamber, then, was the temple of her mother's woe, the tomb of her baffled affections and bleeding heart. No wonder that Lady Annabel, the desolate Lady Annabel, that almost the same spring must have witnessed the most favoured and the most disconsolate of women, should have fled from the world that had awarded her at the same time a lot so dazzling and so full of despair. Venetia felt that the existence of her mother's child, her own fragile being, could have been that mother's sole link to life. The heart of the young widow of Marmion Herbert must have broken but for Venetia; and the consciousness of that remaining tie, and the duties that it involved, could alone have sustained the victim under a lot of such unparalleled bitterness. The tears streamed down her cheek as she thought of her mother's misery, and her mother's gentle love; the misery that she had been so cautious her child should never share; the vigilant affection that, with all her own hopes blighted, had still laboured to compensate to her child for a deprivation the fulness of which Venetia could only now comprehend.

When, where, why did he die? Oh that she might talk of him to her mother for ever! It seemed that life might pass away in listening to his praises. Marmion Herbert! and who was Marmion Herbert? Young as he was, command and genius, the pride of noble passions, all the glory of a creative mind, seemed stamped upon his brow. With all his marvellous beauty, he seemed a being born for greatness. Dead! in the very burst of his spring, a spring so sweet and splendid; could he be dead? Why, then, was he ever born? It seemed to her that he could not be dead; there was an animated look about the form, that seemed as if it could not die without leaving mankind a prodigal legacy of fame.

Venetia turned and looked upon her parents' bridal bed. Now that she had discovered her father's portrait, every article in the room interested her, for her imagination connected everything with him. She touched the wreath of withered roses, and one instantly broke away from the circle, and fell; she knelt down, and gathered up the scattered leaves, and placed them in her bosom. She approached the table in the oriel: in its centre was a volume, on which reposed a dagger of curious workmanship; the volume bound in velvet, and the word 'ANNABEL' embroidered upon it in gold. Venetia unclasped it. The volume was his; in a fly-leaf were written these words:


'TO THE LADY OF MY LOVE, FROM HER MARMION HERBERT.'


With a fluttering heart, yet sparkling eye, Venetia sank into a chair, which was placed before the table, with all her soul concentred in the contents of this volume. Leaning on her right hand, which shaded her agitated brow, she turned a page of the volume with a trembling hand. It contained a sonnet, delineating the feelings of a lover at the first sight of his beloved, a being to him yet unknown. Venetia perused with breathless interest the graceful and passionate