Twelve Stories and a Dream by H. G. Wells (jenna bush book club .txt) 📗

I've forgotten. I've been hanging about here since midnight last night, hiding in the cupboards of the empty bedrooms and things like that. I'm flurried. I've never come haunting before, and it seems to put me out.'

“'Put you out?'

“'Yes, sir. I've tried to do it several times, and it doesn't come off. There's some little thing has slipped me, and I can't get back.'

“That, you know, rather bowled me over. He looked at me in such an abject way that for the life of me I couldn't keep up quite the high, hectoring vein I had adopted. 'That's queer,' I said, and as I spoke I fancied I heard some one moving about down below. 'Come into my room and tell me more about it,' I said. 'I didn't, of course, understand this,' and I tried to take him by the arm. But, of course, you might as well have tried to take hold of a puff of smoke! I had forgotten my number, I think; anyhow, I remember going into several bedrooms—it was lucky I was the only soul in that wing—until I saw my traps. 'Here we are,' I said, and sat down in the arm-chair; 'sit down and tell me all about it. It seems to me you have got yourself into a jolly awkward position, old chap.'

“Well, he said he wouldn't sit down! he'd prefer to flit up and down the room if it was all the same to me. And so he did, and in a little while we were deep in a long and serious talk. And presently, you know, something of those whiskies and sodas evaporated out of me, and I began to realise just a little what a thundering rum and weird business it was that I was in. There he was, semi-transparent—the proper conventional phantom, and noiseless except for his ghost of a voice—flitting to and fro in that nice, clean, chintz-hung old bedroom. You could see the gleam of the copper candlesticks through him, and the lights on the brass fender, and the corners of the framed engravings on the wall,—and there he was telling me all about this wretched little life of his that had recently ended on earth. He hadn't a particularly honest face, you know, but being transparent, of course, he couldn't avoid telling the truth.”

“Eh?” said Wish, suddenly sitting up in his chair.

“What?” said Clayton.

“Being transparent—couldn't avoid telling the truth—I don't see it,” said Wish.

“I don't see it,” said Clayton, with inimitable assurance. “But it IS so, I can assure you nevertheless. I don't believe he got once a nail's breadth off the Bible truth. He told me how he had been killed—he went down into a London basement with a candle to look for a leakage of gas—and described himself as a senior English master in a London private school when that release occurred.”

“Poor wretch!” said I.

“That's what I thought, and the more he talked the more I thought it. There he was, purposeless in life and purposeless out of it. He talked of his father and mother and his schoolmaster, and all who had ever been anything to him in the world, meanly. He had been too sensitive, too nervous; none of them had ever valued him properly or understood him, he said. He had never had a real friend in the world, I think; he had never had a success. He had shirked games and failed examinations. 'It's like that with some people,' he said; 'whenever I got into the examination-room or anywhere everything seemed to go.' Engaged to be married of course—to another over-sensitive person, I suppose—when the indiscretion with the gas escape ended his affairs. 'And where are you now?' I asked. 'Not in—?'

“He wasn't clear on that point at all. The impression he gave me was of a sort of vague, intermediate state, a special reserve for souls too non-existent for anything so positive as either sin or virtue. I don't know. He was much too egotistical and unobservant to give me any clear idea of the kind of place, kind of country, there is on the Other Side of Things. Wherever he was, he seems to have fallen in with a set of kindred spirits: ghosts of weak Cockney young men, who were on a footing of Christian names, and among these there was certainly a lot of talk about 'going haunting' and things like that. Yes—going haunting! They seemed to think 'haunting' a tremendous adventure, and most of them funked it all the time. And so primed, you know, he had come.”

“But really!” said Wish to the fire.

“These are the impressions he gave me, anyhow,” said Clayton, modestly. “I may, of course, have been in a rather uncritical state, but that was the sort of background he gave to himself. He kept flitting up and down, with his thin voice going talking, talking about his wretched self, and never a word of clear, firm statement from first to last. He was thinner and sillier and more pointless than if he had been real and alive. Only then, you know, he would not have been in my bedroom here—if he HAD been alive. I should have kicked him out.”

“Of course,” said Evans, “there ARE poor mortals like that.”

“And there's just as much chance of their having ghosts as the rest of us,” I admitted.

“What gave a sort of point to him, you know, was the fact that he did seem within limits to have found himself out. The mess he had made of haunting had depressed him terribly. He had been told it would be a 'lark'; he had come expecting it to be a 'lark,' and here it was, nothing but another failure added to his record! He proclaimed himself an utter out-and-out failure. He said, and I can quite believe it, that he had never tried to do anything all his life that he hadn't made a perfect mess of—and through all the wastes of eternity he never would. If he had had sympathy, perhaps—. He paused at that, and stood regarding me. He remarked that, strange as it might seem to me, nobody, not any one, ever, had given him the amount of sympathy I was doing now. I could see what he wanted straight away, and I determined to head him off at once. I may be a brute, you know, but being the Only Real Friend, the recipient of the confidences of one of these egotistical weaklings, ghost or body, is beyond my physical endurance. I got up briskly. 'Don't you brood on these things too much,' I said. 'The thing you've got to do is to get out of this get out of this—sharp. You pull yourself together and TRY.' 'I can't,' he said. 'You try,' I said, and try he did.”

“Try!” said Sanderson. “HOW?”

“Passes,” said Clayton.

“Passes?”

“Complicated series of gestures and passes with the hands. That's how he had come in and that's how he had to get out again. Lord! what a business I had!”

“But how could ANY series of passes—?” I began.

“My dear man,” said Clayton, turning on me and putting a great emphasis on certain words, “you want EVERYTHING clear. I don't know HOW. All I know is that you DO—that HE did, anyhow, at least. After a fearful time, you know, he got his passes right and suddenly disappeared.”

“Did you,” said Sanderson, slowly, “observe the passes?”