Hilda Lessways - Arnold Bennett (the lemonade war series .TXT) 📗

chance which had sent her two unexpected visitors in the same day. They shook hands and kissed.

"So I've found you!" said Janet. "How are you, you poor dear? Why didn't you answer my letter?"

"Letter?" Hilda repeated, wondering. Then she remembered that she had indeed received a letter from Janet, but in her comatose dejection had neglected to answer it.

"I'm up in London with father for the weekend. We want you to come with us to the Abbey to-morrow. And you must come back with us to Bursley on Monday. You _must_! We're quite set on it. I've left father all alone this afternoon, to come up here and find you out. Not that he minds! What a way it is! But how are you, Hilda?"

Hilda was so touched by Janet's affectionate solicitude that her eyes filled with tears. She looked at that radiating and innocent goodness, and thought: "How different I am from her! She hasn't the least idea how different I am!"

For a moment, Janet seemed to her to be a sort of angel--modish, but exquisitely genuine. She saw in the invitation to the Five Towns a miraculous defence against a peril the prospect of which was already alarming her. She would be compelled to go to Turnhill in order to visit Lessways Street and decide what of her mother's goods she must keep. She would of course take Janet with her. In all the Turnhill affairs Janet should accompany her. Her new life should begin under the protection of Janet's society. And her heart turned from the old life towards the new with hope and a vague brightening expectation of happiness.

At the Cedars she led Janet to her bedroom, and then came out of the bedroom to bid good-bye to George Cannon. The extreme complexity of existence and of her sensations baffled and intimidated her.



CHAPTER III JOURNEY TO BLEAKRIDGE

I


Hilda and Janet were mounting the precipitous Sytch Bank together on their way from Turnhill into Bursley. It was dark; they had missed one train at Turnhill and had preferred not to wait for the next. Although they had been very busy in Hilda's house throughout all the afternoon and a part of the evening, and had eaten only a picnic meal, neither of them was aware of fatigue, and the two miles to Bursley seemed a trifle.

Going slowly up the steep slope, they did not converse. Janet said that the weather was changing, and Hilda, without replying, peered at the black baffling sky. The air had, almost suddenly, grown warmer. Above, in the regions unseen, mysterious activities were in movement, as if marshalling vast forces. The stars had vanished. A gentle but equivocal wind on the cheek presaged rain, and seemed to be bearing downwards into the homeliness of the earth some strange vibration out of infinite space. The primeval elements of the summer night encouraged and intensified Hilda's mood, half joyous, half apprehensive. She thought: "A few days ago, I was in Hornsey, with the prospect of the visit to Turnhill before me. Now the visit is behind me. I said that Janet should be my companion, and she has been my companion. I said that I would cut myself free, and I have cut myself free. I need never go to Turnhill again, unless I like. The two trunks will be sent for to-morrow; and all the rest will be sold--even the clock. The thing is done. I have absolute liberty, and an income, and the intimacy of this splendid affectionate Janet.... How fortunate it was that Mr. Cannon was not at his office when we called! Of course I was obliged to call.... And yet would it not be more satisfactory if I had seen him?... I must have been in a horribly morbid state up at Hornsey.... Soon I must decide about my future. Soon I shall actually have decided!... Life is very queer!" She had as yet no notion whatever of what she would do with her liberty and her income and the future; but she thought vaguely of something heroic, grandiose, and unusual.


II


In her hand she carried a small shabby book, bound in blue and gold, with gilt edges a little irregular. She had found this book while sorting out the multitudinous contents of her mother's wardrobe, and at the last moment, perceiving that it had been overlooked, and being somehow ashamed to leave it to the auctioneers, she had brought it away, not knowing how she would ultimately dispose of it. The book had possibly been dear to her mother, but she could not embarrass her freedom by conserving everything that had possibly been dear to her mother. It was entitled _The Girl's Week-day Book_, by Mrs. Copley, and it had been published by the Religious Tract Society, no doubt in her mother's girlhood. The frontispiece, a steel engraving, showed a group of girls feeding some swans by the terraced margin of an ornamental water, and it bore the legend, "Feeding the Swans." And on the title- page was the text: "That our daughters may be as corner-stones, polished after the similitude of a palace. Psalm cxliv. 12." In the table of contents were such phrases as: "One thing at a time. Darkness and Light. Respect for Ministers. The Drowning Fly. Trifling with words of Scripture. Goose and Swan. Delicate Health. Conscientious Regard to Truth. Sensibility and Gentleness contrasted with Affectation. Curiosity and Tattling. Instability of Worldly Possessions." A book representing, for Hilda, all that was most grotesque in an age that was now definitely finished and closed! A silly book!

During the picnic meal she had idly read extracts from it to Janet, amusing sentences; and though the book had once been held sacred by her who was dead, and though they were engaged in stirring the scarce-cold ashes of a tragedy, the girls had nevertheless permitted themselves a kindly, moderate mirth. Hilda had quoted from a conversation in it: "Well, I would rather sit quietly round this cheerful fire, and talk with dear mamma, than go to the grandest ball that ever was known!" and Janet had plumply commented: "What a dreadful lie!" And then they had both laughed openly, perhaps to relieve the spiritual tension caused by the day's task and the surroundings. After that, Hilda had continued to dip into the book, but silently. And Janet had imagined that Hilda was merely bored by the monotonous absurdity of the sentiments expressed.

Janet was wrong. Hilda had read the following: "One word more. Do not rest in your religious impressions. You have, perhaps, been the subject of terror on account of sin; your mind has been solemnized by some event in Providence; by an alarming fit of sickness, or the death of a relative, or a companion.... This is indeed to be reckoned a great mercy; but then the danger is, lest you should rest here; lest those tears, and terrors, and resolutions, should be the only evidences on which you venture to conclude on the safety of your immortal state. What is your present condition?..."

Which words intimidated Hilda in spite of herself. In vain she repeated that the book was a silly book. She really believed that it was silly, but she knew also that there was an aspect of it which was not silly. She was reminded by it that she had found no solution of the problem which had distracted her in Hornsey. 'What is your present condition?' Her present condition was still that of a weakling and a coward who had sunk down inertly before the great problem of sin. And now, in the growing strength of her moral convalescence, she was raising her eyes again to meet the problem. Her future seemed to be bound up with the problem. As she breasted the top of the Sytch under the invisible lowering clouds, with her new, adored friend by her side, and the despised but powerful book in her hand, she mused in an ambiguous reverie upon her situation, dogged by the problem which alone was accompanying her out of the past into the future. Her reverie was shot through by piercing needles of regret for her mother; and even with the touch of Janet's arm against her own in the darkness she had sharp realizations of her extreme solitude in the world. Withal, the sense of life was precious and beautiful. She was not happy; but she was filled with the mysterious vital elation which surpasses happiness.


III


They descended gently into Bursley, crossing the top of St. Luke's Square and turning eastwards into Market Square, ruled by the sombre and massive Town Hall in whose high tower an illuminated dial shone like a topaz. To Hilda, this nocturnal entry into Bursley had the romance of an entry into a town friendly but strange and recondite. During the few days of her stay with the Orgreaves in the suburb of Bleakridge, she had scarcely gone into the town once. She had never seen it at night. In the old Turnhill days she had come over to Bursley occasionally with her mother; but to shoppers from Turnhill, Bursley meant St. Luke's Square and not a yard beyond.

Now the girls arrived at the commencement of the steam-car track, where a huge engine and tram were waiting, and as they turned another corner, the long perspective of Trafalgar Road, rising with its double row of lamps towards fashionable Bleakridge, was revealed to Hilda. She thought, naturally, that every other part of the Five Towns was more impressive and more important than the poor little outskirt, Turnhill, of her birth. In Turnhill there was no thoroughfare to compare with Trafalgar Road, and no fashionable suburb whatever. She had almost the feeling of being in a metropolis, if a local metropolis.

"It's beginning to rain, I think," said Janet.

"Who's that?" Hilda questioned abruptly, ignoring the remark in the swift, unreflecting excitement of a sensibility surprised.

"Where?"

"There!"

They were going down Duck Bank into the hollow. On the right, opposite the lighted Dragon Hotel, lay Duck Square in obscure somnolence; at the corner of Duck Square and Trafalgar Road was a double-fronted shop, of which all the shutters were up except two or three in the centre of the doorway. Framed thus in the aperture, a young man stood within the shop under a bright central gas-jet; he was gazing intently at a large sheet of paper which he held in his outstretched hands, and the girls saw him in profile: tall, rather lanky, fair, with hair dishevelled, and a serious, studious, and magnanimous face; quite unconscious that he made a picture for unseen observers.

"That?" said Janet, in a confidential and interested tone. "That's young Clayhanger--Edwin Clayhanger.[1] His father's the printer, you know. Came from Turnhill, originally."

"I never knew," said Hilda. "But I seem to have heard the name."

"Oh! It must have been a long time ago. He's got the best business in Bursley now. Father says it's one of the best in the Five Towns. He's built that new house just close to ours. Don't you remember I pointed it out to you? Father's the architect. They're going to move into it next week or the week after. I expect that's why the son and heir's working so late to-night, packing and so on, perhaps."

The young man moved out of sight. But his face had made in those few thrilling seconds a deep impression on Hilda; so that in her mind she still saw it, with an almost physical particularity of detail. It presented itself to her, in some mysterious way, as a romantic visage, wistful, full of sad subtleties, of the unknown