Tales of the Five Towns - Arnold Bennett (the mitten read aloud .TXT) 📗

this windfall, and wished to use the money in enterprises of the earthenware trade. Mrs. Malpas, pretty and vivacious, with a self-conceit hardened by the adulation of saloon-bars, very decidedly thought otherwise. Her motto was, 'What's yours is mine, but what's mine's my own.' The difference was accentuated. Long mutual resistances were followed by reconciliations, which grew more and more transitory, and at length both recognised that the union, not founded on genuine affection, had been a mistake.

[1] This name is pronounced with the accent on the first syllable in
the Five Towns.

'Keep your d----d brass!' Lemuel exclaimed one morning, and he went off on a journey and forgot to come back. A curious letter dated from Liverpool wished his wife happiness, and informed her that, since she was well provided for, he had no scruples about leaving her. Mrs. Malpas was startled at first, but she soon perceived that what Lemuel had done was exactly what the brilliant and enterprising Lemuel might have been expected to do. She jerked up her doll's head, and ejaculated, 'So much the better!'

A few weeks later she sold the furniture and took rooms in Scarborough, where, amid pleasurable surroundings, she determined to lead the joyous life of a grass-widow, free of all cares. Then, to her astonishment and disgust, Nina was born. She had not bargained for Nina. She found herself in the tiresome position of a mother whose explanations of her child lack plausibility. One lodging-housekeeper to whom she hazarded the statement that Lemuel was in Australia had saucily replied: 'I thought maybe it was the North Pole he was gone to!'

This decided Mrs. Malpas. She returned suddenly to the Five Towns, where at least her reputation was secure. Only a week previously Lemuel had learnt indirectly that she had left their native district. He determined thenceforward to forget her completely. Mrs. Malpas's prettiness was of the fleeting sort. After Nina's birth she began to get stout and coarse, and the nostalgia of the saloon-bar, the coffee-room, and the sanded portico overtook her. The Tiger at Bursley was for sale, a respectable commercial hotel, the best in the town. She purchased it, wines, omnibus connection, and all, and developed into the typical landlady in black silk and gold rings.

In the Tiger Nina was brought up. She was a pretty child from her earliest years, and received the caresses of all as a matter of course. She went to a good school, studied the piano, and learnt dancing, and at sixteen did her hair up. She did as she was told without fuss, being apparently of a lethargic temperament; she had all the money and all the clothes that her heart could desire; she was happy, and in a quiet way she deemed herself a rather considerable item in the world. When she was eighteen her mother died miserably of cancer, and it was discovered that the liabilities of Mrs. Malpas's estate exceeded its assets--and the Tiger mortgaged up to its value! The creditors were not angry; they attributed the state of affairs to illness and the absence of male control, and good-humouredly accepted what they could get. None the less, Nina, the child of luxury and sloth, had to start life with several hundreds of pounds less than nothing. Of her father all trace had been long since lost. A place was found for her, and for over two years she saw the world from the office of a famous hotel in Doncaster. Her lethargy, and an invaluable gift of adapting herself to circumstances, saved her from any acute unhappiness in the Yorkshire town. Instinctively she ceased to remember the Tiger and past splendours. (Equally, if she had married a Duke instead of becoming a book-keeper, she would have ceased to remember the Tiger and past humility.) Then by good or ill fortune she had the offer of a situation at the Hotel Majestic, Strand, London. The Majestic and the sights thereof woke up the sleeping soul.

Before her death Mrs. Malpas had told Nina many things about the vanished Lemuel; among others, the curious detail that he had two small moles--one hairless, the other hirsute--close together on the under side of his right wrist. Nina had seen precisely such marks of identification on the right wrist of Mr. Lionel Belmont.

She was convinced that Lionel Belmont was her father. There could not be two men in the world so stamped by nature. She perceived that in changing his name he had chosen Lionel because of its similarity to Lemuel. She felt certain, too, that she had noticed vestiges of the Five Towns accent beneath his Americanisms. But apart from these reasons, she knew by a superrational instinct that Lionel Belmont was her father; it was not the call of blood, but the positiveness of a woman asserting that a thing is so because she is sure it is so.


III


Nina was not of an imaginative disposition. The romance of this extraordinary encounter made no appeal to her. She was the sort of girl that constantly reads novelettes, and yet always, with fatigued scorn, refers to them as 'silly.' Stupid little Nina was intensely practical at heart, and it was the practical side of her father's reappearance that engaged her birdlike mind. She did not stop to reflect that truth is stranger than fiction. Her tiny heart was not agitated by any ecstatic ponderings upon the wonder and mystery of fate. She did not feel strangely drawn towards Lionel Belmont, nor did she feel that he supplied a something which had always been wanting to her.

On the other hand, her pride--and Nina was very proud--found much satisfaction in the fact that her father, having turned up, was so fine, handsome, dashing, good-humoured, and wealthy. It was well, and excellently well, and delicious, to have a father like that. The possession of such a father opened up vistas of a future so enticing and glorious that her present career became instantly loathsome to her.

It suddenly seemed impossible that she could have tolerated the existence of a hotel clerk for a single week. Her eyes were opened, and she saw, as many women have seen, that luxury was an absolute necessity to her. All her ideas soared with the magic swiftness of the bean-stalk. And at the same time she was terribly afraid, unaccountably afraid, to confront Mr. Belmont and tell him that she was his Nina; he was entirely unaware that he had a Nina.

'I'm your daughter! I know by your moles!'

She whispered the words in her tiny heart, and felt sure that she could never find courage to say them aloud to that great and important man. The announcement would be too monstrous, incredible, and absurd. People would laugh. He would laugh. And Nina could stand anything better than being laughed at. Even supposing she proved to him his paternity--she thought of the horridness of going to lawyers' offices--he might decline to recognise her. Or he might throw her fifty pounds a year, as one throws sixpence to an importunate crossing-sweeper, to be rid of her. The United States existed in her mind chiefly as a country of highly-remarkable divorce laws, and she thought that Mr. Belmont might have married again. A fashionable and arrogant Mrs. Belmont, and a dazzling Miss Belmont, aged possibly eighteen, might arrive, both of them steeped in all conceivable luxury, at any moment. Where would Nina be then, with her two-and-eleven-pence-halfpenny blouse from Glave's?...

Mr. Belmont, accompanied by Alphonse, the head-waiter in the _salle a manger_, descended in the lift and crossed the hall to the portico, where he stood talking for a few seconds. Mr. Belmont turned, and, as he conversed with Alphonse, gazed absently in the direction of the bureau. He looked straight through the pretty captive. After all, despite his superficial heartiness, she could be nothing to him--so rich, assertive, and truly important. A hansom was called for him, and he departed; she observed that he was in evening dress now.

No! Her cause was just; but it was too startling--that was what was the matter with it.

Then she told herself she would write to Lionel Belmont. She would write a letter that night.

At nine-thirty she was off duty. She went upstairs to her perch in the roof, and sat on her bed for over two hours. Then she came down again to the bureau with some bluish note-paper and envelopes in her hand, and, in response to the surprised question of the pink-frocked colleague who had taken her place, she explained that she wanted to write a letter.

'You do look that bad, Miss Malpas,' said the other girl, who made a speciality of compassion.

'Do I?' said Nina.

'Yes, you do. What have you got _on_, _now_, my poor dear?'

'What's that to you? I'll thank you to mind your own business, Miss Bella Perkins.'

Usually Nina was not soon ruffled; but that night all her nerves were exasperated and exceedingly sensitive.

'Oh!' said the girl. 'What price the Duchess of Doncaster? And I was just going to wish you a nice day to-morrow for your holiday, too.'

Nina seated herself at the table to write the letter. An electric light burned directly over her frizzy head. She wrote a weak but legible and regular back-hand. She hated writing letters, partly because she was dubious about her spelling, and partly because of an obscure but irrepressible suspicion that her letters were of necessity silly. She pondered for a long time, and then wrote: 'Dear Mr. Belmont,--I venture----' She made a new start: 'Dear Sir,--I hope you will not think me----' And a third attempt: 'My dear Father----' No! it was preposterous. It could no more be written than it could be said.

The situation was too much for simple Nina.

Suddenly the grand circular hall of the Majestic was filled with a clamour at once charming and fantastic. There was chattering of musical, gay American voices, pattering of elegant feet on the tessellated pavement, the unique incomparable sound of the _frou-frou_ of many frocks; and above all this the rich tones of Mr. Lionel Belmont. Nina looked up and saw her radiant father the centre of a group of girls all young, all beautiful, all stylish, all with picture hats, all self-possessed, all sparkling, doubtless the recipients of the dandy supper.

Oh, how insignificant and homicidal Nina felt!

'Thirteen of you!' exclaimed Lionel Belmont, pulling his superb moustache. 'Two to a hansom. I guess I'll want six and a half hansoms, boy.'

There was an explosion of delicious laughter, and the page-boy grinned, ran off, and began whistling in the portico like a vexed locomotive. The thirteen fair, shepherded by Lionel Belmont, passed out into the murmurous summer night of the Strand. Cab after cab drove up, and Nina saw that her father, after filling each cab, paid each cabman. In three minutes the dream-like scene was over. Mr. Belmont re-entered the hotel, winked humorously at the occupant of the pagoda, ignored the bureau, and departed to his rooms.

Nina ripped her inchoate letters into small pieces, and, with a tart good-night to Miss Bella Perkins, who was closing her ledgers, the hour being close upon twelve-thirty, she passed sedately, stiffly, as though in performance of some vestal's ritual, up the grand staircase. Turning to the right at the first landing, she traversed a long corridor which was no part of the route to her cubicle on the ninth floor. This corridor was lighted by glowing sparks, which hung on yellow cords from the central line of the ceiling; underfoot was a heavy but narrow crimson patterned carpet with a strip