The Matador of the Five Towns and Other Stories - Arnold Bennett (simple e reader .TXT) 📗
- Author: Arnold Bennett
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The second was a visitor beyond Mr Cowlishaw's hopes, no other than Mrs Simeon Clowes, landlady of the Turk's Head and Mayoress of Hanbridge; a tall and well-built, handsome, downright woman, of something more than fifty and something less than sixty; the mother of five married daughters, the aunt of fourteen nephews and nieces, the grandam of seven, or it might be eight, assorted babies; in short, a lady of vast influence. After all, then, she had come to him! If only he could please her, he regarded his succession to his predecessor as definitely established and his fortune made. No person in Hanbridge with any yearnings for style would dream, he trusted, of going to any other dentist than the dentist patronized by Mrs Clowes.
She eyed him interrogatively and firmly. She probed into his character, and he felt himself pierced.
"You _are_ Mr Cowlishaw?" she began.
"Good afternoon, Mrs Clowes," he replied. "Yes, I am. Can I be of service to you?"
"That depends," she said.
He asked her to step in, and in she stepped.
"Have you had any experience in taking teeth out?" she asked in the surgery. Her hand stroked her left cheek.
"Oh yes," he said eagerly. "But, of course, we try to avoid extraction as much as possible."
"If you're going to talk like that," she said coldly, and even bitterly, "I'd better go."
He wondered what she was driving at.
"Naturally," he said, summoning all his latent powers of diplomacy, "there are cases in which extraction is unfortunately necessary."
"How many teeth have you extracted?" she inquired.
"I really couldn't say," he lied. "Very many."
"Because," she said, "you don't look as if you could say 'Bo!' to a goose."
He observed a gleam in her eye.
"I think I can say 'Bo!' to a goose," he said. She laughed.
"Don't fancy, Mr Cowlishaw, that if I laugh I'm not in the most horrible pain. I am. When I tell you I couldn't go with Mr Clowes to the match--"
"Will you take this seat?" he said, indicating the chair of chairs; "then I can examine."
She obeyed. "I do hate the horrid, velvety feeling of these chairs," she said; "it's most creepy."
"I shall have to trouble you to take your bonnet off."
So she removed her bonnet, and he took it as he might have taken his firstborn, and laid it gently to rest on his cabinet. Then he pushed the gas-bracket so that the light came through the large crystal sphere, and made the Mayoress blink.
"Now," he said soothingly, "kindly open your mouth--wide."
Like all women of strong and generous character, Mrs Simeon Clowes had a large mouth. She obediently extended it to dimensions which must be described as august, at the same time pointing with her gloved and chubby finger to a particular part of it.
"Yes, yes," murmured Mr Cowlishaw, assuming a tranquillity which he did not feel. This was the first time that he had ever looked into the mouth of a Mayoress, and the prospect troubled him.
He put his little ivory-handled mirror into that mouth and studied its secrets.
"I see," he said, withdrawing the mirror. "Exposed nerve. Quite simple. Merely wants stopping. When I've done with it the tooth will be as sound as ever it was. All your other teeth are excellent."
Mrs Clowes arose violently out of the chair.
"Now just listen to me, please," she said. "I don't want any stopping; I won't have any stopping; I want that tooth out. I've already quarrelled with one dentist this afternoon because he refused to take it out. I came to you because you're young, and I thought you'd be more reasonable. Surely a body can decide whether she'll have a tooth out or not! It's my tooth. What's a dentist for? In my young days dentists never did anything else but take teeth out. All I wish to know is, will you take it out or will you not?"
"It's really a pity--"
"That's my affair, isn't it?" she stopped him, and moved towards her bonnet.
"If you insist," he said quickly, "I will extract."
"Well," she said, "if you don't call this insisting, what do you call insisting? Let me tell you I didn't have a wink of sleep last night!"
"Neither did I, in your confounded hotel!" he nearly retorted; but thought better of it.
The Mayoress resumed her seat, taking her gloves off.
"It's decided then?" she questioned.
"Certainly," said he. "Is your heart good?"
"Is my heart good?" she repeated. "Young man, what business is that of yours? It's my tooth I want you to deal with, not my heart."
"I must give you gas," said Mr Cowlishaw, faintly.
"Gas!" she exclaimed. "You'll give me no gas, young man. No! My heart is not good. I should die under gas. I couldn't bear the idea of gas. You must take it out without gas, and you mustn't hurt me. I'm a perfect baby, and you mustn't on any account hurt me." The moment was crucial. Supposing that he refused--a promising career might be nipped in the bud; would, undoubtedly, be nipped in the bud. Whereas, if he accepted the task, the patronage of the aristocracy of Hanbridge was within his grasp. But the tooth was colossal, monumental. He estimated the length of its triple root at not less than 0.75 inch.
"Very well, madam," he said, for he was a brave youngster.
But he was in a panic. He felt as though he were about to lead the charge of the Light Brigade. He wanted a stiff drink. (But dentists may not drink.) If he failed to wrench the monument out at the first pull the result would be absolute disaster; in an instant he would have ruined the practice which had cost him so dear. And could he hope not to fail with the first pull? At best he would hurt her indescribably. However, having consented, he was obliged to go through with the affair.
He took every possible precaution. He chose his most vicious instrument. He applied to the vicinity of the tooth the very latest substitute for cocaine; he prepared cotton wool and warm water in a glass. And at length, when he could delay the fatal essay no longer, he said:
"Now, I think we are ready."
"You won't hurt me?" she asked anxiously.
"Not a bit," he replied, with an admirable simulation of gaiety.
"Because if you do--"
He laughed. But it was a hysterical laugh. All his nerves were on end. And he was very conscious of having had no sleep during the previous night. He had a sick feeling. The room swam. He collected himself with a terrific effort.
"When I count one," he said, "I shall take hold; when I count two you must hold very tight to the chair; and when I count three, out it will come."
Then he encircled her head with his left arm--brutally, as dentists always are brutal in the thrilling crisis. "Wider!" he shouted.
And he took possession of that tooth with his fiendish contrivance of steel.
"One--two--"
He didn't know what he was doing.
There was no three. There was a slight shriek and a thud on the floor. Mrs Simeon Clowes jumped up and briskly rang a bell. The attendant rushed in. The attendant saw Mrs Clowes gurgling into a handkerchief, which she pressed to her mouth with one hand, while with the other, in which she held her bonnet, she was fanning the face of Mr Cowlishaw. Mr Cowlishaw had fainted from nervous excitement under fatigue. But his unconscious hand held the forceps; and the forceps, victorious, held the monumental tooth.
"O-o-pen the window," spluttered Mrs Clowes to the attendant. "He's gone off; he'll come to in a minute."
She was flattered. Mr Cowlishaw was for ever endeared to Mrs Clowes by this singular proof of her impressiveness. And a woman like that can make the fortune of half a dozen dentists.
CATCHING THE TRAIN
I
Arthur Cotterill awoke. It was not exactly with a start that he awoke, but rather with a swift premonition of woe and disaster. The strong, bright glare from the patent incandescent street lamp outside, which the lavish Corporation of Bursley kept burning at the full till long after dawn in winter, illuminated the room (through the green blind) almost as well as it illuminated Trafalgar Road. He clearly distinguished every line of the form of his brother Simeon, fast and double-locked in sleep in the next bed. He saw also the open trunk by the dressing-table in front of the window. Then he looked at the clock on the mantelpiece, the silent witness of the hours. And a pair of pincers seemed to clutch his heart, and an anvil to drop on his stomach and rest heavily there, producing an awful nausea. Why had he not looked at the clock before? Was it possible that he had been awake even five seconds without looking at the clock--the clock upon which it seemed that his very life, more than his life, depended? The clock showed ten minutes to seven, and the train went at ten minutes past. And it was quite ten minutes' walk to the station, and he had to dress, and button those new boots, and finish packing--and the porter from the station was late in coming for the trunk! But perhaps the porter had already been; perhaps he had rung and rung, and gone away in despair of making himself heard (for Mrs Hopkins slept at the back of the house).
Something had to be done. Yet what could he do with those hard pincers pinching his soft, yielding heart, and that terrible anvil pressing on his stomach? He might even now, by omitting all but the stern necessities of his toilet, and by abandoning the trunk and his brother, just catch the train, the indispensable train. But somehow he could not move. Yet he was indubitably awake.
"Simeon!" he cried at length, and sat up.
The younger Cotterill did not stir.
"Sim!" he cried again, and, leaning over, shook the bed.
"What's up?" Simeon demanded, broad awake in a second, and, as usual, calm, imperturbable.
"We've missed the train! It's ten--eight--minutes to seven," said Arthur, in a voice which combined reproach and terror. And he sprang out of bed and began with hysteric fury to sort out his garments.
Simeon turned slowly on his side and drew a watch from under his pillow. Putting it close to his face, Simeon could just read the dial.
"It's all right," he said. "Still, you'd better get up. It's eight minutes to six. We've got an hour and eighteen minutes."
"What do you mean? That clock was right last night."
"Yes. But I altered it."
"When?"
"After you got into bed."
"I never saw you."
"No. But I altered it."
"Why?"
"To be on the safe side."
"Why didn't you tell me?"
"If I'd told you, I might just as well have not altered it. The man who puts a clock on and then
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