Under the Trees and Elsewhere - Hamilton Wright Mabie (any book recommendations txt) 📗

knowledge which it conveys. To the greatest of teachers this hunger for miracles was a bitter experience; he who came with the mystery of the heavenly love in his soul must have felt defiled by the homage rendered as to a necromancer, a doer of strange things. The curiosity which draws men to the masters of the arts has no real honour in it; the only recognition which is real and lasting is that which springs from the perception of truth and beauty disclosed anew in some noble form. Prospero was a magician, but he was much more and much greater than a wonder-worker; not Caliban, but Ferdinand and Miranda and Gonzalo, are the true judges of his power. Prospero was the master spirit of the world which moved about him. He alone knew its secret and used its forces; on him alone rested the government of this marvellous realm. His command had stirred the seas and sent the winds abroad which brought Milan and Naples within his hand; at his bidding the isle was full of sounds; Ariel served him with tireless devotion; he read the sweet thought that flashed from Miranda to Ferdinand; he unearthed the base conspiracy of Caliban, Trinculo, and Stephano; he read the treacherous hearts of Antonio and Sebastian; in his hand all these threads were gathered, and upon all these lives his will was imposed. In that majestic drama of human character and action, powers of air and earth, the highest and the lowest alike serving, it is a lofty soul and a noble mind possessed by a great purpose, which control and triumph. The magical arts are simply the means by which a great end is served; when the work is accomplished, the staff will be broken and the book sunk beneath the sea, lower than any sounding of plummet."

"Yes," said Rosalind impulsively, carrying the thought another step forward, "Prospero deals with natural, substantial things for great, real ends, not with magical powers for fantastic purposes. When it falls in his way, he evokes forces so unusual that they seem supernatural to those who do not understand his power, but the end which lies before him is always real, enduring, and noble; something which belongs to the eternal order of things."

"For that matter," I interrupted, "it grows more and more difficult to distinguish between the forces and the achievements that we have thought real and possible, and those which have seemed only dreams and visions. Men are doing things every day by mechanical agencies which the most famous of the old magicians failed to accomplish. The visions of great minds are realities discovered a little in advance of their universal recognition."

"As I was saying," continued the Poet, "most men hold Prospero to be a mere wonder-worker, a magician who puts his arts on and off with his robe; they do not know that he stands for the greatest force in the world. For the Imagination is not only the inspiring leader of men in their strange journey through life, but their nearest, most constant, and most practical helper and sustainer. That our souls would have starved without the Imagination we are all, I think, agreed; without Imagination we should have seen and remembered nothing on our long journey but the path at our feet. The heavens above us, the great, mysterious world about us, would have meant no more to us than to the birds and the beasts that have perished without thought or memory of the beauty which has encompassed them. All this the Imagination has interpreted for us. It has fashioned life for us, and the dullest mind that plods and counts and dies is ministered to and enriched by it. It does magical things. It puts on its robe and opens its book, and straightway the heavens rain melody and drop riches upon us. But this is its play. In these displays of its art it hints at the resources at its command, at the marvels it will yet bring to pass. Meanwhile it has made the earth hospitable for us and taught men how to live above the brutes."

The Poet stopped abruptly, as if he had been caught in the act of preaching, and Rosalind gave the sermon a delightful ending.

"I wonder," she said, "if love would be possible without the Imagination? For the heart of love is the perception of a deep and genuine fellowship of the soul, and the end of love is the happiness which comes through ministry. Could we understand a human soul or serve it if the Imagination did not aid us with its wonderful light? Is it not the Imagination which enables me to put myself in another's place, and so to sympathise with another's sorrow and share another's joy? Could a man feel the sufferings of a class or a race or the world if the Imagination did not open these things to him? And if he did not understand, could he serve?"

No one answered these questions, for they made us aware on the instant how dependent are all the deep and beautiful relations of life on this wonderful faculty. But for this "master light of all our seeing," how small a circle of light would lie about our feet, how vast a darkness would engulf the world!


V

O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in 't!


We had never thought of the island in the old days save as lashed by tempests; but now the suns rose and set, dawn wore its shining veil and night its crest of stars and not a cloud darkened the sky; we seemed to be in the heart of a vast and changeless calm. There was no monotony in the unbroken succession of the days, but the changes were wrought by light, not by darkness. The singing of the sea, never rising into those shrill upper notes which bode disaster, nor sinking into the deep lower tones through which the awful thunder of the elements breaks, came to us as out of the depths of an infinite repose. The youth of an untroubled world was in it. The joy of effortless activities breathed through it. We felt that we were once more in the morning of the world's day, and hope gave the keynote to all our thought. Life is divided between hope and memory; when memory holds the chief place, the shadows are lengthening and the day declining.

It was one of the pleasures of the island that we were alone upon it. There was no trace of any other human occupation, although we never forgot those who had been before us in these enchanting scenes. One morning, when we had been talking about the delight of seclusion, Rosalind said that, although the silence and repose were really medicinal, people had never seemed so attractive to her as now when she remembered them under the spell of the island. It seemed to her, as she recalled them now, that the dull people had an interest of their own, the vulgar people were not without dignity, nor the bad people without noble qualities. The Poet, who had evidently been giving himself the luxury of dreaming, declared that we cannot know people save through the Imagination, and that lack of Imagination is at the bottom of all pessimism in philosophy, religion, and personal experience. A fact taken by itself and detached from the whole of which it is part is always hard, bare, repellent; it must be seen in its relations if one would perceive its finer and inner beauty; and it is the Imagination alone which sees things as a whole. The theologians who have stuck to what they call logic have spread a veil of sadness over the world which the poets must dissipate. "I do not mean," he added, "that there are not sombre and terrible aspects of life, but that these things have been separated from the whole, and discerned only in their bare and crushing isolated force. The real significance of things lies in their interpretation, and the Imagination is the only interpreter."

I had often had the same thought, and found infinite consolation in it; indeed, I rested in it so securely that I would trust myself with far more confidence to the poets than to the logicians. The guess of a great poetic mind has as solid ground under it as the speculation of a scientist; it differs from the scientific theory only in that it is an induction from a greater number of significant facts. The Imagination follows the arc until it "comes full circle;" observation halts and waits for further sight.

Rosalind thought it very beautiful that Miranda's first glance at men should have discovered them so fair and noble; there was evil enough in some of them, but standing beside Prospero Miranda saw only the "brave new world." I remembered at that moment that even Caliban discloses to the Imagination the germ of a human development; has not another poet written his later story and recorded the birth of his soul? It was characteristic of Rosalind that she should see the people in the marvellous drama through Miranda's eyes, and that straightway the whole world of men and women should reveal itself to her in a new light. "To see the good in people," she said, "is not so much a matter of charity as of justice. Our judgments of others fail oftenest through lack of Imagination. We fail to see all the facts; we see one or two very clearly, and at once form an opinion. To see the whole range of a human character involves an intellectual and spiritual quality which few of us possess. There is so little justice among us because we possess so little intelligence. I ought not to pronounce judgment on a fellow-creature until I know all that enters into his life; until I can measure all the forces of temptation and resistance; until I can give full weight to all the facts in the case. In other words, I am never in a position to judge another."

The Poet evidently assented to this statement, and I could not gainsay it; is there not the very highest authority for it? The time will come when there will be a universal surrender of that authority which we have been usurping all these centuries. We shall not cease to recognise the weakness and folly of men, but we shall cease to decide the exact measure of personal responsibility. That is a function for which we were never qualified; it is a task which belongs to infinite wisdom. The Imagination helps us to understand others because it reveals the vast compass of the influences that converge on every human soul like the countless rivulets that give the river its volume and impetus. To look at men and women through the vision of the Imagination is to see a very different race than that which meets our common sight. To this larger vision, within which the past supplements the present, the great army of men and women moves to a solemn and appealing music. The pathos of life touches them with an indescribable dignity; the work of life gives them an unspeakable nobility. Under the meanest exterior there are one knows not what