Guy Mannering, Or, the Astrologer — Complete by Walter Scott (novels to read TXT) 📗

tells old stories of high life, of which he has seen a great deal; and I listen, and smile, and look as pretty, as pleasant, and as simple as I can, and we do very well.

'But, alas! my dearest Matilda, how would time pass away, even in this paradise of romance, tenanted as it is by a pair assorting so ill with the scenes around them, were it not for your fidelity in replying to my uninteresting details? Pray do not fail to write three times a week at least; you can be at no loss what to say.'

FIFTH EXTRACT

'How shall I communicate what I have now to tell! My hand and heart still flutter so much, that the task of writing is almost impossible! Did I not say that he lived? did I not say I would not despair? How could you suggest, my dear Matilda, that my feelings, considering I had parted from him so young, rather arose from the warmth of my imagination than of my heart? O I was sure that they were genuine, deceitful as the dictates of our bosom so frequently are. But to my tale—let it be, my friend, the most sacred, as it is the most sincere, pledge of our friendship.

'Our hours here are early—earlier than my heart, with its load of care, can compose itself to rest. I therefore usually take a book for an hour or two after retiring to my own room, which I think I have told you opens to a small balcony, looking down upon that beautiful lake of which I attempted to give you a slight sketch. Mervyn Hall, being partly an ancient building, and constructed with a view to defence, is situated on the verge of the lake. A stone dropped from the projecting balcony plunges into water deep enough to float a skiff. I had left my window partly unbarred, that, before I went to bed, I might, according to my custom, look out and see the moonlight shining upon the lake. I was deeply engaged with that beautiful scene in the "Merchant of Venice" where two lovers, describing the stillness of a summer night, enhance on each other its charms, and was lost in the associations of story and of feeling which it awakens, when I heard upon the lake the sound of a flageolet. I have told you it was Brown's favourite instrument. Who could touch it in a night which, though still and serene, was too cold, and too late in the year, to invite forth any wanderer for mere pleasure? I drew yet nearer the window, and hearkened with breathless attention; the sounds paused a space, were then resumed, paused again, and again reached my ear, ever coming nearer and nearer. At length I distinguished plainly that little Hindu air which you called my favourite. I have told you by whom it was taught me; the instrument, the tones, were his own! Was it earthly music, or notes passing on the wind, to warn me of his death?

'It was some time ere I could summon courage to step on the balcony; nothing could have emboldened me to do so but the strong conviction of my mind that he was still alive, and that we should again meet; but that conviction did embolden me, and I ventured, though with a throbbing heart. There was a small skiff with a single person. O, Matilda, it was himself! I knew his appearance after so long an absence, and through the shadow of the night, as perfectly as if we had parted yesterday, and met again in the broad sunshine! He guided his boat under the balcony, and spoke to me; I hardly knew what he said, or what I replied. Indeed, I could scarcely speak for weeping, but they were joyful tears. We were disturbed by the barking of a dog at some distance, and parted, but not before he had conjured me to prepare to meet him at the same place and hour this evening.

'But where and to what is all this tending? Can I answer this question? I cannot. Heaven, that saved him from death and delivered him from captivity, that saved my father, too, from shedding the blood of one who would not have blemished a hair of his head, that Heaven must guide me out of this labyrinth. Enough for me the firm resolution that Matilda shall not blush for her friend, my father for his daughter, nor my lover for her on whom he has fixed his affection.'

CHAPTER XVIII

Talk with a man out of a window!—a proper saying.

Much Ado about Nothing.

We must proceed with our extracts from Miss Mannering's letters, which throw light upon natural good sense, principle, and feelings, blemished by an imperfect education and the folly of a misjudging mother, who called her husband in her heart a tyrant until she feared him as such, and read romances until she became so enamoured of the complicated intrigues which they contain as to assume the management of a little family novel of her own, and constitute her daughter, a girl of sixteen, the principal heroine. She delighted in petty mystery and intrigue and secrets, and yet trembled at the indignation which these paltry manoeuvres excited in her husband's mind. Thus she frequently entered upon a scheme merely for pleasure, or perhaps for the love of contradiction, plunged deeper into it than she was aware, endeavoured to extricate herself by new arts, or to cover her error by dissimulation, became involved in meshes of her own weaving, and was forced to carry on, for fear of discovery, machinations which she had at first resorted to in mere wantonness.

Fortunately the young man whom she so imprudently introduced into her intimate society, and encouraged to look up to her daughter, had a fund of principle and honest pride which rendered him a safer intimate than Mrs. Mannering ought to have dared to hope or expect. The obscurity of his birth could alone be objected to him; in every other respect,

     With prospects bright upon the world he came,
     Pure love of virtue, strong desire of fame,
     Men watched the way his lofty mind would take,
     And all foretold the progress he would make.

But it could not be expected that he should resist the snare which Mrs. Mannering's imprudence threw in his way, or avoid becoming attached to a young lady whose beauty and manners might have justified his passion, even in scenes where these are more generally met with than in a remote fortress in our Indian settlements. The scenes which followed have been partly detailed in Mannering's letter to Mr. Mervyn; and to expand what is there stated into farther explanation would be to abuse the patience of our readers.

We shall therefore proceed with our promised extracts from Miss
Mannering's letters to her friend.

SIXTH EXTRACT

'I have seen him again, Matilda—seen him twice. I have used every argument to convince him that this secret intercourse is dangerous to us both; I even pressed him to pursue his views of fortune without farther regard to me, and to consider my peace of mind as sufficiently secured by the knowledge that he had not fallen under my father's sword. He answers—but how can I detail all he has to answer? He claims those hopes as his due which my mother permitted him to entertain, and would persuade me to the madness of a union without my father's sanction. But to this, Matilda, I will not be persuaded. I have resisted, I have subdued, the rebellious feelings which arose to aid his plea; yet how to extricate myself from this unhappy labyrinth in which fate and folly have entangled us both!

'I have thought upon it, Matilda, till my head is almost giddy; nor can I conceive a better plan than to make a full confession to my father. He deserves it, for his kindness is unceasing; and I think I have observed in his character, since I have studied it more nearly, that his harsher feelings are chiefly excited where he suspects deceit or imposition; and in that respect, perhaps, his character was formerly misunderstood by one who was dear to him. He has, too, a tinge of romance in his disposition; and I have seen the narrative of a generous action, a trait of heroism, or virtuous self-denial, extract tears from him which refused to flow at a tale of mere distress. But then Brown urges that he is personally hostile to him. And the obscurity of his birth, that would be indeed a stumbling-block. O, Matilda, I hope none of your ancestors ever fought at Poictiers or Agincourt! If it were not for the veneration which my father attaches to the memory of old Sir Miles Mannering, I should make out my explanation with half the tremor which must now attend it.'

SEVENTH EXTRACT

'I have this instant received your letter—your most welcome letter! Thanks, my dearest friend, for your sympathy and your counsels; I can only repay them with unbounded confidence.

'You ask me what Brown is by origin, that his descent should be so unpleasing to my father. His story is shortly told. He is of Scottish extraction, but, being left an orphan, his education was undertaken by a family of relations settled in Holland. He was bred to commerce, and sent very early to one of our settlements in the East, where his guardian had a correspondent. But this correspondent was dead when he arrived in India, and he had no other resource than to offer himself as a clerk to a counting-house. The breaking out of the war, and the straits to which we were at first reduced, threw the army open to all young men who were disposed to embrace that mode of life; and Brown, whose genius had a strong military tendency, was the first to leave what might have been the road to wealth, and to choose that of fame. The rest of his history is well known to you; but conceive the irritation of my father, who despises commerce (though, by the way, the best part of his property was made in that honourable profession by my great-uncle), and has a particular antipathy to the Dutch—think with what ear he would be likely to receive proposals for his only child from Vanbeest Brown, educated for charity by the house of Vanbeest and Vanbruggen! O, Matilda, it will never do; nay, so childish am I, I hardly can help sympathising with his aristocratic feelings. Mrs. Vanbeest Brown! The name has little to recommend it, to be sure. What children we are!'

EIGHTH EXTRACT

'It is all over now, Matilda! I shall never have courage to tell my father; nay, most deeply do I fear he has already learned my secret from another quarter, which will entirely remove the grace of my communication, and ruin whatever gleam of hope I had ventured to connect with it. Yesternight Brown came as usual, and his flageolet on the lake announced his approach. We had agreed that he should continue to use this signal. These romantic lakes attract numerous visitors, who indulge their enthusiasm in visiting the scenery at all hours, and we hoped that, if Brown were noticed from the house, he might pass for one of those admirers of nature, who was giving vent to his feelings through the medium of music. The sounds might also be my apology, should I be observed on the balcony. But last night, while I was eagerly enforcing my plan of a full confession to my father, which he as earnestly deprecated, we heard the window of Mr. Mervyn's library, which is under my room, open softly. I signed to Brown to make his retreat, and immediately reentered, with some faint hopes that our interview had not been observed.

'But, alas! Matilda, these hopes vanished the instant I beheld Mr. Mervyn's countenance at breakfast the next morning. He looked so provokingly intelligent and confidential, that, had I dared, I could have been more angry than ever I was in my life; but I must be on good behaviour, and my walks are now limited within his farm precincts, where the good gentleman can amble along by my side without inconvenience. I have detected him once or twice attempting to sound my thoughts, and watch the expression of my countenance. He has talked of the flageolet more than once, and has, at different times, made eulogiums upon the watchfulness and ferocity of his dogs, and the regularity with which the keeper makes his rounds with a loaded fowling-piece. He mentioned even man-traps and springguns. I should be loth to affront my father's old friend in his own house;