Told in a French Garden - Mildred Aldrich (books to read for beginners .txt) 📗

the public had learned how impossible it was to tempt him away from his rule. But Americans are persistent!

Again and again he had mounted the steps to the platform, and calmly bowed his thanks, while long drawn cheers surged through the noise of hand clapping, as strains on the brass buoy up the melody. I lost count of the number of times he had ascended and descended the little flight of steps which led, behind a screen, from the artist's room to the stage, when, having turned in my seat to watch him, as he came up and bowed, and walked off again, I saw him, as he stood behind the screen, gazing directly over our heads, suddenly raise his violin to his ear and slowly draw the bow across the strings.

Almost before we could realize what had happened, he crossed the stage, stepped to his stand, and drew his bow downward.

The applause died sharply on the crest of a crescendo, and left the air trembling. There was a sudden hush. A few sank back in their seats, but most of them remained standing where they were, just as we behind him were suddenly fixed in our positions.

I have since heard a deal of argument as to the use and power of music as the voice of thought. I was not then and I am not now of that school which holds music to be a medium to transmit anything but musical ideas. So, of the effect of Rodriguez's music on my mind, or the possibility that, for some occult reason, I was for the moment _en rapport_ with him, as after events forced me to believe, I shall enter into no discussion. I am merely going to record, to the best of my ability, my thoughts, as I remember them. I no more presume to explain why they came to me, than I do to analyse my trust in immortality.

As he drew his bow downward, as the first chord filled my ears, everything else faded away.

There was the merest prelude, and then the theme, which appeared, disappeared and re appeared again and again to be woven about every emotion, at once developed and dominated me.

I seemed at first to hear its melody in the fresh morning air, where it soared upward above the gentle breezes, mingling in harmony with the matins of the birds and the softly rustling trees. Hopeful as youth, careless as the wind, it sang in gladness and in trust. Then I heard the same melody throb under the noonday glow of summer. Its tone was broadened and sweetened, but still brave and pure, when all else in Nature, save its clear voice, seemed sensuous. I saw gardens in a riot of color; felt love at its passionate consummation, ere the light seemed to fade slowly toward the sunset hour. The world was still pulsing with color, but the grey of twilight was slowly enwrapping it. Then the simple melody soared above the day's peacefullest hour, firm in promise on the hushed air. In the mystery of night which followed, when black clouds snuffed out the torches of heaven, when the silence had something of terror even for the brave, that same steadfast loving hopeful theme moved on, consoling as trust in immortality. Through youth to maturity, and on to age, it sang with the same reiterant, subduing, infallible loyalty the crystallized melody of all that is spiritual in love, in adoration, in passion.

As it died away into the distance, as if its spirit, barely audible, were translated to the far off heavenly host, I strained my hearing to catch that "last fine sound" that passed so gently one "could not be quite sure where it and silence met," and for the first and last time in my life I had known all that a violin can do.

For a moment the hush was wonderful.

Rodriguez stood like a statue. His bow still touched the strings. Yet there was no sound that one could hear, though his own fine head was still bent, as though he, too, listened.

He gently dropped his bow he smiled we all came back to earth together.

Then such a scene followed as beggars description.

But he passed hurriedly out of sight, and no amount of tumult could induce him to even show himself again.

Slowly, reluctantly, the audience dispersed, still murmuring. The musicians picked up their traps, and wildly or soberly according to their temperaments, began to dispute. It was everywhere the same topic the unknown work that Rodriguez had so marvellously played.

As for me as he played, I seemed to be in the very heart of the melody, singing it too, as his violin sang it. As the song soared upward, my heart was filled with longing, with pain, with joy, with regret. As it gradually died into silence a mist seemed to pass from before my eyes, and I became suddenly conscious of the sweet face of my beloved, growing more and more distinct, until, as the last note died away, I was fully conscious that the music had passed between us, like a cloud, to obscure my sight utterly, and to recede as slowly, leaving her face before me.

I knew afterward, that, to all appearances, I had been gazing directly into her face all the time.

Through it all I had a vague sense that what he played was not new to me. It seemed like something I had long known and tried to say, but could not.

In a daze, I left the stage. Silently I put my violin in its case, pulled on my great coat, and turned up the collar about my face. I was sure I was haggard, and I did not wish her to remark it. I knew that I should find her waiting in the corridor with her father.

Just as I passed out of the artists' room, I was surprised to see Rodriguez standing there in conversation with her, and her father. He was, however, just leaving them, and did not see me.

I knew that her father had known him in Vienna, when the now great violinist was a mere lad, and I had heard that he forgot no one, so the sight gave me a merely momentary surprise.

As I joined her, and we stepped out into the night together, I could not help wondering if Rodriguez had noticed her sensitive violin face, as I tried to get a look into her eyes. I remembered afterward that, so wrapped was I in my own emotions, and so sure was I of her sympathy, that I neither noted nor asked how the music had affected her.

It was bitterly cold. We walked briskly, and parted at the door.

As I look back, I realize how much an egoist an emotional man can be, and in good faith be unconscious of it.

The day after the concert was Saturday a day on which I rarely saw her, as it was my habit to spend all Sunday with her. I was always somewhat an epicure in my moral nature. I liked to pet my inclinations, as I have seen good livers whet their appetites, by self denial.

All day I was restless and depressed.

At the piano, with my violin in my hand, it was still that same haunting melody that bewitched my fingers. Whatever I essayed led me, unconsciously, back to the same theme; and whenever that _motif_ fell from my fingers her face appeared before my eyes so distinctly that I would have to dash my hand across them to wipe away the impression that it was the real face that was before me. Afterward, when I was calmer, I knew that this was nothing singular since, whether I had ever reflected on the fact or not, she was rarely from my mind.

As I played that melody over and over again, it puzzled me more and more. I could find nowhere within my memory anything that even reminded me of it. Yet I was vaguely familiar with it.

When evening came on I was more restless than ever. By nine o'clock I found it impossible to bear longer with my own company, and I started out. I had no destination. Something impelled me toward the Opera House, though I cared little for opera as a rule, that is, opera as we have it in America fashionable and Philistine.

I entered the auditorium the opera was "Faust" just in season to hear the last half of the third act.

As the sensuous passionate music swelled in the sultry air of the dark garden at Nuremburg, I listened, moved by it as I always am when I cannot see the over dressed, lady like Marguerite that goes a starring in America. My eyes wandered restlessly over the audience. Suddenly there was a rushing, like the surging of waters, in my ears, which drowned the music, and I saw Rodriguez sitting carelessly in the front of a stage box. His eyes were fixed on me, and I thought there was an expression of relief in them.

Shocked that the unexpected sight of the man should have such an effect on me, I pulled myself together with an effort. The sound of the waters receded, the music rushed back, leaving me amazed at a condition in myself which should have rendered me so susceptible, in some subconscious way, to the undoubted magnetism of the man whose violin had so affected me the night before, and so haunted me all day, and in regard to whose composition I had an ill defined, but insistent, theory which would intrude into my mind.

In vain I turned my eyes to the stage. I could not forget his presence. Every few minutes my glance, as if drawn by a magnet, would turn in his direction, and as often as that happened, whether he were leaning back to speak to some one hidden by the curtain, or watching the house, or listening intently to the music, I never failed to find that his eyes met mine.

I sat through the next act in this condition. Then I could stand it no longer. I felt that I might end by making myself objectionable, and that, after all, it was far wiser to be safe at home, than sitting in the theatre where I occupied myself in staring at but one person.

I made my way slowly up the aisle and into the foyer, and had nearly reached the outer lobby, when I suddenly felt sure that he was near.

I looked up!

Yes, there he was, and he was looking me directly in the face again. An odd smile came into his eyes. He nodded to me as he approached, and, with a quaint shake of the head, said: "I just made a wager with myself. I bet that if I encountered you in the lobby, without actually seeking you, and you saw me, I'd speak to you and ask a favor of you. I am going to win that wager."

He did not seem to expect me to answer him. He simply turned beside me, thrust his arm carelessly through mine, and moved with me toward the exit.

"Let us step outside a moment," he said. It was easy to understand why. The hero of the night before could not hope to pass unnoted.

He stepped into the street.

It was a moonlit night. I remember that distinctly.

He lighted his cigarette, and held his case toward me. I shook my head. I