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harmonium. He wondered why he had turned away from that woman who knew all secrets, in whose eyes were all the mysteries. He opened the desk of his bureau, and was confronted by the heap and litter of papers, lying in confusion as he had left them. He knew that there was the motive of his refusal; he had been unwilling to abandon all hope of the work. The glory and the torment of his ambition glowed upon him as he looked at the manuscript; it seemed so pitiful that such a single desire should be thwarted. He was aware that if he chose to sit down now before the desk he could, in a manner, write easily enough—he could produce a tale which would be formally well constructed and certain of favorable reception. And it would not be the utterly commonplace, entirely hopeless favorite of the circulating library; it would stand in those ranks where the real thing is skillfully counterfeited, amongst the books which give the reader his orgy of emotions, and yet contrive to be superior, and "art," in his opinion. Lucian had often observed this species of triumph, and had noted the acclamation that never failed the clever sham. Romola, for example, had made the great host of the serious, the portentous, shout for joy, while the real book, The Cloister and the Hearth, was a comparative failure.

He knew that he could write a Romola; but he thought the art of counterfeiting half-crowns less detestable than this shabby trick of imitating literature. He had refused definitely to enter the atelier of the gentleman who pleased his clients by ingeniously simulating the grain of walnut; and though he had seen the old oaken ambry kicked out contemptuously into the farmyard, serving perhaps the necessities of hens or pigs, he would not apprentice himself to the masters of veneer. He paced up and down the room, glancing now and again at his papers, and wondering if there were not hope for him. A great thing he could never do, but he had longed to do a true thing, to imagine sincere and genuine pages.

He was stirred again to this fury for the work by the event of the evening before, by all that had passed through his mind since the melancholy dawn. The lurid picture of that fiery street, the flaming shops and flaming glances, all its wonders and horrors, lit by the naphtha flares and by the burning souls, had possessed him; and the noises, the shriek and the whisper, the jangling rattle of the piano-organ, the long-continued scream of the butcher as he dabbled in the blood, the lewd litany of the singers, these seemed to be resolved into an infernal overture, loud with the expectation of lust and death. And how the spectacle was set in the cloud of dark night, a phantom play acted on that fiery stage, beneath those hideous brassy lamps, very slowly swinging in a violent blast. As all the medley of outrageous sights and sounds now fused themselves within his brain into one clear impression, it seemed that he had indeed witnessed and acted in a drama, that all the scene had been prepared and vested for him, and that the choric songs he had heard were but preludes to a greater act. For in that woman was the consummation and catastrophe of it all, and the whole stage waited for their meeting. He fancied that after this the voices and the lights died away, that the crowd sank swiftly into the darkness, and that the street was at once denuded of the great lamps and of all its awful scenic apparatus.

Again, he thought, the same mystery would be represented before him; suddenly on some dark and gloomy night, as he wandered lonely on a deserted road, the wind hurrying before him, suddenly a turn would bring him again upon the fiery stage, and the antique drama would be re-enacted. He would be drawn to the same place, to find that woman still standing there; again he would watch the rose radiant and palpitating upon her cheek, the argent gleam in her brown eyes, the bronze curls gilding the white splendor of her neck. And for the second time she would freely offer herself. He could hear the wail of the singers swelling to a shriek, and see the dusky dancers whirling round in a faster frenzy, and the naphtha flares tinged with red, as the woman and he went away into the dark, into the cloistered court where every flower was a flame, whence he would never come out.

His only escape was in the desk; he might find salvation if he could again hide his heart in the heap and litter of papers, and again be rapt by the cadence of a phrase. He threw open his window and looked out on the dim world and the glimmering amber lights. He resolved that he would rise early in the morning, and seek once more for his true life in the work.

But there was a strange thing. There was a little bottle on the mantelpiece, a bottle of dark blue glass, and he trembled and shuddered before it, as if it were a fetish.

VII

It was very dark in the room. He seemed by slow degrees to awake from a long and heavy torpor, from an utter forgetfulness, and as he raised his eyes he could scarcely discern the pale whiteness of the paper on the desk before him. He remembered something of a gloomy winter afternoon, of driving rain, of gusty wind: he had fallen asleep over his work, no doubt, and the night had come down.

He lay back in his chair, wondering whether it were late; his eyes were half closed, and he did not make the effort and rouse himself. He could hear the stormy noise of the wind, and the sound reminded him of the half-forgotten days. He thought of his boyhood, and the old rectory, and the great elms that surrounded it. There was something pleasant in the consciousness that he was still half dreaming; he knew he could wake up whenever he pleased, but for the moment he amused himself by the pretence that he was a little boy again, tired with his rambles and the keen air of the hills. He remembered how he would sometimes wake up in the dark at midnight, and listen sleepily for a moment to the rush of the wind straining and crying amongst the trees, and hear it beat upon the walls, and then he would fall to dreams again, happy in his warm, snug bed.

The wind grew louder, and the windows rattled. He half opened his eyes and shut them again, determined to cherish that sensation of long ago. He felt tired and heavy with sleep; he imagined that he was exhausted by some effort; he had, perhaps, been writing furiously without rest. He could not recollect at the instant what the work had been; it would be delightful to read the pages when he had made up his mind to bestir himself.

Surely that was the noise of boughs, swaying and grinding in the wind. He remembered one night at home when such a sound had roused him suddenly from a deep sweet sleep. There was a rushing and beating as of wings upon the air, and a heavy dreary noise, like thunder far away upon the mountain. He had got out of bed and looked from behind the blind to see what was abroad. He remembered the strange sight he had seen, and he pretended it would be just the same if he cared to look out now. There were clouds flying awfully from before the moon, and a pale light that made the familiar land look strange and terrible. The blast of wind came with a great shriek, and the trees tossed and bowed and quivered; the wood was scourged and horrible, and the night air was ghastly with a confused tumult, and voices as of a host. A huge black cloud rolled across the heaven from the west and covered up the moon, and there came a torrent of bitter hissing rain.

It was all a vivid picture to him as he sat in his chair, unwilling to wake. Even as he let his mind stray back to that night of the past years, the rain beat sharply on the window-panes, and though there were no trees in the grey suburban street, he heard distinctly the crash of boughs. He wandered vaguely from thought to thought, groping indistinctly amongst memories, like a man trying to cross from door to door in a darkened unfamiliar room. But, no doubt, if he were to look out, by some magic the whole scene would be displayed before him. He would not see the curve of monotonous two-storied houses, with here and there a white blind, a patch of light, and shadows appearing and vanishing, not the rain plashing in the muddy road, not the amber of the gas-lamp opposite, but the wild moonlight poured on the dearly loved country; far away the dim circle of the hills and woods, and beneath him the tossing trees about the lawn, and the wood heaving under the fury of the wind.

He smiled to himself, amidst his lazy meditations, to think how real it seemed, and yet it was all far away, the scenery of an old play long ended and forgotten. It was strange that after all these years of trouble and work and change he should be in any sense the same person as that little boy peeping out, half frightened, from the rectory window. It was as if looking in the glass one should see a stranger, and yet know that the image was a true reflection.

The memory of the old home recalled his father and mother to him, and he wondered whether his mother would come if he were to cry out suddenly. One night, on just such a night as this, when a great storm blew from the mountain, a tree had fallen with a crash and a bough had struck the roof, and he awoke in a fright, calling for his mother. She had come and had comforted him, soothing him to sleep, and now he shut his eyes, seeing her face shining in the uncertain flickering candle light, as she bent over his bed. He could not think she had died; the memory was but a part of the evil dreams that had come afterwards.

He said to himself that he had fallen asleep and dreamed sorrow and agony, and he wished to forget all the things of trouble. He would return to happy days, to the beloved land, to the dear and friendly paths across the fields. There was the paper, white before him, and when he chose to stir, he would have the pleasure of reading his work. He could not quite recollect what he had been about, but he was somehow conscious that the had been successful and had brought some long labor to a worthy ending. Presently he would light the gas, and enjoy the satisfaction that only the work could give him, but for the time he preferred to linger in the darkness, and to think of himself as straying from stile to stile through the scented meadows, and listening to the bright brook that sang to the alders.

It was winter now, for he heard the rain and the wind, and the swaying of the trees, but in those old days how sweet the summer had been. The great hawthorn bush in blossom, like a white cloud upon the earth, had appeared to him in twilight, he had lingered in the enclosed valley to hear the nightingale, a voice swelling out from the rich gloom, from the trees that grew around the well. The scent of the meadowsweet was blown to him across the bridge of years, and with it came the dream and the hope and the longing, and the afterglow red in the sky, and the marvel of the earth. There was a quiet walk that he knew so well; one went up from a little green byroad, following an unnamed brooklet scarce a foot wide, but yet wandering like a river, gurgling over its pebbles, with its dwarf bushes shading the pouring water. One went through the meadow grass, and came to the larch wood that grew from hill to hill across the stream, and shone a brilliant tender green, and sent vague sweet spires to the flushing sky. Through the wood the path wound, turning and dipping, and beneath, the brown fallen needles of last year were soft and thick, and the resinous cones gave out their odor as the warm night advanced, and the shadows darkened.

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