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Hatton. She had driven down to the train in her victoria, and he took his seat proudly at her side and let his heart fully enjoy the happy ride home in the sunshine of her love.

A delightful lunch followed and John was glad that the presence of servants prevented the discussion of any subject having power to disturb this heavenly interlude. He talked of the approaching war, but as yet there was no tone of fear in his speculations about its effects. He told her of his visits to her uncle, and of the evenings they had spent together at Lord Harlow's club; or he spoke in a casual way of Harry's coming to Yoden and of little external matters connected with the change.

But as soon as they were alone Jane showed her disapproval of this movement. "Whatever is bringing your brother back to the North?" she asked. "I thought he objected both to the people and the climate."

"I advised him to take Ramsby's offer for Yoden. The children needed the country and Harry was not as I like to see him. I think they will be very happy at Yoden. Harry always liked living on the land. He was made to live on it."

"I thought he was made to fiddle and sing," said Jane with a little scornful laugh.

"He does both to perfection, but a man's likes and dislikes change, as the years go by."

"Yes, plenty of women find that out."

Her tone and manner was doubtful and unpleasant, the atmosphere of the room was chilled, and John said in a tentative manner, "I will now ride to Hatton Hall. Mother is expecting me, I know. Come with me, Jane, and I will order the victoria. It is a lovely afternoon for a drive."

"I would rather you went alone, John."

"Why, my dear?"

"It will spare me telling you some things I do not care to speak about."

"What is wrong at Hatton Hall?"

"Only Mrs. John Hatton."

Then John was much troubled. The light went out of his eyes and the smile faded from his face and he stood up as he answered,

"You have misunderstood something that mother has said."

"Why do you talk of things impossible, John?" Jane asked. "Mrs. Stephen Hatton speaks too plainly to be misunderstood. Indeed her words enter the ears like darts."

"Yes, she strips them to the naked truth. If it be a fault, it is one easy to excuse."

"I do not find it so."

"I am sorry you will not go with me, for I shall have to give a good deal of this evening to Greenwood."

"I expected that."

"Go with me this afternoon, _do_, my dear! We can ride on to Harlow also."

"I spent all yesterday with my mother."

"Then, good-bye! I will be home in an hour."

John found it very pleasant to ride through the village and up Hatton Hill again. He thought the very trees bent their branches to greet him and that the linnets and thrushes sang together about his return. Then he smiled at his foolish thought, yet instantly wondered if it might not be true, and thus fantastically reasoning, he came to the big gates of the Hall, and saw his mother watching for his arrival.

He took her hands and kissed her tenderly. "O mother! Mother!" he cried. "How glad I am to see you!"

"To be sure, my dear lad. But if I had not got your note this morning, I would have known by the sound of your horse's feet he was bringing John home, for your riding was like that of Jehu, the son of Nimshi. But there! Come thy ways in, and tell me what has happened thee, here and there."

They talked first of the coming war, and John advised his mother to prepare for it. "It will be a war between two rich and stubborn factions," he said. "It is likely enough to last for years. I may have to shut Hatton mill."

"Shut it while you have a bit of money behind it, John. I heard Arkroyd had told his hands he would lock his gates at the end of the month."

"I shall keep Hatton mill going, mother, as long as I have money enough to buy a bale of cotton at any price."

"I know you will. But there! What is the good of talking about _maybe's_? At every turn and corner of life, there is sure to stand a _maybe_. I wait until we meet and I generally find them more friendly than otherwise."

"I wanted Jane to come with me this afternoon, and she would not do so."

"She is right. I don't think I expect her to come. She didn't like what I said to her the last time she favored me with a visit."

"What did you say to her, mother?"

"I will not tell thee. I hev told her to her face and I will not be a backbiter. Not I! Ask thy wife what I said to her and why I said it and the example I set before her. She can tell thee."

"Whatever is the matter with the women of these days, mother?"

"I'm sure I cannot tell. If they had a thimbleful of sense, they would know that the denial of the family tie is sure to weaken the marriage tie. One thing I know is that society has put motherhood out of fashion. It considers the nursery a place of punishment instead of a place of pleasure. Young Mrs. Wrathall was here yesterday all in a twitter of pleasure, because her husband is letting her take lessons in music and drawing."

"Why, mother, she must be thirty years old. What did you say to her?"

"I reminded her that she had four little children and the world could get along without water-color sketches and amateur music, but that it could not possibly get along without wives and mothers."

"You might have also told her, mother, that if the Progressive Club would read history, they might find out that those times in any nation when wives were ornaments and not mothers were always periods of national decadence and moral failures."

"Well, John, you won't get women to search history for results that wouldn't please them; and to expect a certain kind of frivolous, selfish woman to look beyond her own pleasure is to expect the great miracle that will never come. You can't expect it."

"But Jane is neither frivolous nor selfish."

"I am glad to hear it."

"Is that all you can say, mother?"

"All. Every word. Between you and her I will not stand. I have given her my mind. It is all I have to give her at present. I want to hear something about Harry. Whatever is he coming to Yoden for? Yoden will take a goodish bit of money to run it and if he hasn't a capable wife, he had better move out as soon as he moves in."

Then John told her the whole truth about Harry's position--his weariness of his profession, his indifference to business, and his temptation to gamble.

"The poor lad! The poor lad!" she cried. "He began all wrong. He has just been seeking his right place all these years."

"Well, mother, we cannot get over the stile until we come to it. I think Harry has crossed it now. And there could not be a better wife and mother than Lucy Hatton. You will help and advise her, mother? I am sure you will."

"I will do what I can, John. She ought to have called the little girl after me. I can scarce frame myself to love her under Agnes. However, it is English enough to stick in my memory and maybe it may find the way to my heart. As to Harry, he is my boy, and I will stand by him everywhere and in every way I can. He is sweet and true-hearted, and clever on all sides--the dangerous ten talents, John! We ought to pity and help him, for their general heritage is


"The ears to hear,
The eyes to see,
And the hands
That let all go."



CHAPTER X


AT HER GATES





We shape ourselves the joy or tear,
Of which the coming life is made;
And fill our future atmosphere
With sunshine or with shade.




It was just at the edge of the dark when John left his mother. He had perhaps been strengthened by her counsel, but he had not been comforted. In Hatton market-place he saw a large gathering of men and women and heard Greenwood in a passionate tone talking to them. Very soon a voice, almost equally powerful, started what appeared to be a hymn, and John rode closer to the crowd and listened.


"The Day of the Lord is at hand, at hand,
His storms roll up the sky;
The nations sleep starving on heaps of gold,
The dreamers toss and sigh.
The night is darkest before the morn,
When the pain is sorest the child is born,
And the Day of the Lord is at hand.

"Gather you, gather you, hounds of hell,
Famine, and Plague, and War,
Idleness, Bigotry, Cant and Misrule,
Gather, and fall in the snare.
Hireling and Mammonite, Bigot and Knave,
Crawl to the battlefield, sneak to your grave,
In the Day of the Lord at hand."


John did not hear Greenwood's voice among the singers, but at the close of the second verse it rose above all others. "Lads and lasses of the chapel singing-pew," he cried, "we will better that kind of stuff. Sing up to the tune of Olivet," and to this majestic melody he started in a clarion-like voice Toplady's splendid hymn,


"Lo! He comes with clouds descending,
Once for favored sinners slain,
Thousand, thousand saints attending,
Swell the triumph of his train.
Hallelujah!
God appears on earth to reign."


The words were as familiar as their mother tongue, and Greenwood's authoritative voice in chapel, mill, and trade meetings, was quite as intimate and potential. They answered his request almost as automatically as the looms answered the signal for their movement or stoppage; for music quickly fires a Yorkshire heart and a hymn led by Jonathan Greenwood was a temptation no man or woman present could resist. Very soon he gave them the word "_Home_," and they scattered in every direction, singing the last verse. Then Greenwood's voice rose higher and higher, jubilant, triumphant in its closing lines,


"Yea, amen! Let all adore Thee,
High on thy eternal throne;
Saviour, take the power and glory,
Claim the kingdom for thine own.
Jah Jehovah!
Everlasting God come down."


Greenwood's joyful enthusiasm was more than John could encounter at that hour. He did not stop to speak with him, but rode swiftly home. He saw and felt the brooding trouble and knew the

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