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Lucius Tode would again be visible.

The human nervous system can only endure a certain amount of impact. The sight of that ghastly flame, already condensing into a violet pillar, was more than Jim could stand. He dragged old Parrish to his feet and started off with him into the thickest part of the undergrowth.

A fearful scream behind him stopped him at the very edge of the scrub. He looked back, still supporting the half-conscious old man in his arms. The violet flame was shooting up in a straight pillar, the whole central portion of the pool was dry, and the waters were heaped up all around it.

From the slightly elevated spot where Jim stood, he could see Tode holding Lucille in his arms in the very heart of the fire, which threw a pale, fluorescent light over their faces. Tode was wearing a spotted skin, like that of a leopard, and Lucille was in the blue frock that she had worn when Jim and she had dinner together two evenings before.

Jim dropped old Parrish, shouted in answer, and dashed back like a madman down the slope into the solid wall of water.

e fought his way desperately through that wall, which seemed of the consistency of soft rubber or treacle, as if some subtle change had taken place in its molecular isomers. It adhered to him without wetting him, and he plunged through it, hearing Lucille cry out again, and yet again.

And now he was through, and once more struggling over the viscid surface of the pond. Behind him he heard old Parrish blundering, and screeching at the top of his voice, but he paid no attention to him.

He could see Lucille more clearly, and the large, hazy outlines of Tode's features were beginning to assume the proper proportions. There was a diabolical leer upon Tode's face, unchanged during the five years since Jim had seen him last, except that it had become more evil, more powerful. The enormous and distorted face that Jim had seen had been simply due to the presence of some refracting medium.

The pillar of violet light was thinning, spreading out over the pool, but Jim could now see the scene more clearly than before, even as he rushed onward.

The machine was inside what looked like a flat boat, but more circular than a boat, and apparently was made of some metal resembling aluminum. Either from the metal hull or from the mechanism inside it there was emitted a pungent odor resembling chlorine.

The mechanism itself bore some resemblance to the old Atom Smasher of five years before, but it appeared to be immensely more complicated. Wheels of various sizes were set at every conceivable angle around the central tube, from which the violet light was emanating, and all were rotating and gyrating so fast that they looked like discs of light. The boat itself was trembling, and this movement appeared to be com[242]municated to the boiling mud in the central part of the pool.

s Jim tried to leap down through the sucking mud to snatch Lucille from Tode, the latter stopped, straightened himself, and pointed a short tube at Jim's heart.

Jim felt as if an enormous, invisible force had struck him in the chest. It was apparently the same repulsive force that had driven back the waters. The shock was not a violent one. It did not throw him off his feet. It merely pushed him slowly and irresistibly backward.

And the whole picture was beginning to fade. Etched sharply in the violet light one moment, it now looked like a drawing that had been covered with tissue paper.

The outlines were dissolving into a haze—or, rather, each line seemed reproduced an infinite number of times, as the edge of a vibrating saw shows an infinitude of edges. The violet fire was becoming still more diffused. It hovered over the waters, a pale, flickering glow. And simultaneously the walls of water began to break and come surging forward.

Jim saw Lucille stretching out her arms toward him, and tried to struggle forward, but in vain. She cried out his name, and he put all his strength into that desperate futile struggle to reach her. But he was being borne backward by the invisible power in the tube. The rushing torrent was surging about his knees; grew waist deep: in another moment Jim was swimming for his life against the furious flood.

Suddenly, however, the tremendous pressure on his chest was relaxed. Tode had turned the tube away from him. He was leaning forward out of the boat and grasped old Parrish, who had been flung violently against it by the dissolving waters.

The same flood carried Jim to the boat's side. Here, however, the flood was only knee deep, owing to the repulsion still being exercised by the violet light, which was glimmering feebly. Jim found his feet and leaped into the craft. He grasped Lucille in his arms.

e turned to confront Tode, who had just dragged old Parrish over the side. The three men confronted one another.

"Turn that tube on me, and I'll jump into your damn machinery and bust it!" Jim shouted.

An ironical expression came on Tode's face. It was clear that he still considered himself master of the situation. "At the immediate moment, Dent, the lives of all of us depend upon your keeping absolutely still," he answered. "Take my advice and sit down!"

Jim saw Lucille's face, ghastly in the faint violet light that played about it. The girl had fainted. She was lying unconscious, her feet against the circular metal plate that protected the machinery, her head upon the rail that ran around the boat's upper edge. Tode, without waiting for Jim's answer, stepped over the plate and took his seat at a sort of instrument board with control levers and thumb screws that apparently controlled the needles on four dials. He touched a button, and instantly the violet light disappeared.

With its vanishing, the waves came surging forward, and lapped violently against the hull, as if about to overwhelm the vessel, which, however, seemed immovable. It simply rose higher in the water.

Jim understood the cause of this. Those gyroscopes would retain the hull in the same position against anything but a mechanical force strong enough to ruin it. He watched Tode as he sat at the instrument board, which was illuminated by two tiny lights of what looked like mercury-vapor. His face, handsome and cruel as ever, was tense as he manipulated the thumb screws. Beside him lay Parrish, faintly whimpering. The old man had evidently abandoned all hope of effecting his escape, or of rescuing his daughter.

It was unbearable to have to sit there,[243] knowing that the three of them were absolutely at Tode's mercy, and yet there was nothing else to do.

ode looked up with a saturnine smile. "It's a delicate operation to blur the present without shooting out a hundred years or so in time," he said, "but my micrometer's pretty accurate, Dent. Don't move, I caution you!" He smiled again. "Yes, Dent, time is something like the fourth dimension of space, as we believed in the old days, and I've proved it."

Jim saw Tode touch the screw that controlled the fourth dial, and instantly it was borne in on him that each of the dials controlled one spatial dimension. This fourth, then, was the time dimension!

Could it be true that Tode had solved the practical problem of traveling in time, theoretically implied since the discoveries of Einstein?

He had known in the old days that the Atom Smasher might be adapted to this purpose, but neither Parrish nor he had dreamed of turning aside from their endeavor to utilize it for the purpose of releasing atomic energy.

Thump! Thump! The familiar old sound, rushing back into memory after all those years, the release of the electrical discharge, echoing through infinity! The scrub around the pool blurred and was gone. A vast gray panorama extended itself on either side of them.

They were travelling—in space—and time too. Jim no longer doubted. And, chilled with horror, he sat there, his arm about Lucille's unconscious form.

CHAPTER III Into the Infinite

ow long he sat there he did not know. Minutes or hours seemed all the same to him. Nothing but that gray monochrome, of neither light nor darkness, that endless panorama of miles and years, blended together into this chaos!

But suddenly there came a shout from Tode. The blur ceased, the lights flickered. Again there sounded the two thumps of the electrical discharge. The vibrating mechanism grew steady. Above them, out of the grayness, a moon disclosed itself, then the pin-points of stars. All about them was an immense, sandy waste.

"Know where we are, Dent?" came Tode's chuckle.

Jim was not sufficiently master of himself to attempt to answer.

"We are on what will be the Russian steppes some fifty thousand years ahead of us in time," grinned Tode. "This is an interlude between two ice ages. Observe how pleasantly warm the climate is, for Russia. Unfortunately the receding glaciers carried off the top-soil, which accounts for the barrenness of the district, but in another century this country will be overgrown with ferns, and inhabited by the mastodon and wild horse, and a few enterprising palaeolithic hunters, who will come in to track them down and destroy them with their stone axes."

 think you're the same sort of damn liar you always were, Tode," answered Jim—but without conviction. There was something terrific about that desolation. Nothing within a thousand miles of Long Island corresponded to it.

"You'll be convinced pretty quickly, when you see my specimen," answered Tode. "I let him off here on the way to the pool. He's not exactly presentable, and when I got the idea of picking up Lucille and taking her back with me, I thought it best not to let her see him. He didn't want to be let off. Was afraid I wouldn't pick him up again, and I'll admit it was a matter of pretty careful reckoning. But this is the place, almost to the yard.

"Yes, I've done some close reckoning, Dent, but the cleverest part of the business was letting old Parrish think he'd got away from me. I knew he'd telephone Lucille. You know, I always[244] had the brains of the outfit, Dent," he continued, with a smirk of self-satisfaction.

He looked out of the boat. "And here, if I'm not mistaken, comes my specimen," he added.

omething was running across the steppes toward them. It came nearer, took human form. It was human! A man—but such a man as Jim had never seen before outside the covers of a book. And he recognised the race immediately.

It was a Neanderthal man, one of the race that co-existed with the highly developed Cro-Magnons some thirty thousand years ago. Man and not ape, though the face was bestial, and there were huge ridges above the eyebrows.

And if Jim had needed conviction, the sight of this gibbering creature, now climbing into the boat and fawning upon Tode, convinced him. For the Neanderthal man vanished from the scene long before the beginning of recorded history.

For a few moments a deathly faintness overcame him ... his eyes closed, he felt unconsciousness rushing in upon him like a black cloud.

"It's all right, Dent—don't look so scared!" came Tode's mocking voice.

Jim opened his eyes, shook off that cloud of darkness with an immense effort. The boat was throbbing violently as the wheels gyrated, the violet light had become a pillar as thick as a man, and shot straight up to a height of fifty feet, before it rolled away. Lucille was lying where she had been, her eyes still staring up unseeing at the stars. Old Parrish was whining and whimpering as he crouched in his place.

And at Tode's feet crouched the Neanderthal man, repulsive, bestial, even though hardly formidable, and filling the last vacant spot inside the boat. He was gibbering and mouthing as he fawned upon Tode and pressed his hand to his hairy face. He continued to crouch and looked up at his master with doglike eyes.

epulsive, and yet man, not ape. Distinctly human, perhaps a little lower than the Australian aborigine, the Neanderthal showed by his reverence that the human faculty of worship existed in him.

"Meet Cain, one of my Drilgoes," said Tode, with a grin. "A faithful servant. I left him here to wait for me on the return journey. Cain's just my pet name for him because he subsists on the fruits of the earth, don't

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