Les Misérables - Victor Hugo (best finance books of all time TXT) 📗

Jean Valjean was a passer-by. He had said so himself. Well, he had passed. Whatever he was, his part was finished.

Henceforth, there remained Marius to fulfil the part of Providence to Cosette. Cosette had sought the azure in a person like herself, in her lover, her husband, her celestial male. Cosette, as she took her flight, winged and transfigured, left behind her on the earth her hideous and empty chrysalis, Jean Valjean.

In whatever circle of ideas Marius revolved, he always returned to a certain horror for Jean Valjean. A sacred horror, perhaps, for, as we have just pointed out, he felt a quid divinum in that man. But do what he would, and seek what extenuation he would, he was certainly forced to fall back upon this: the man was a convict; that is to say, a being who has not even a place in the social ladder, since he is lower than the very lowest rung. After the very last of men comes the convict. The convict is no longer, so to speak, in the semblance of the living. The law has deprived him of the entire quantity of humanity of which it can deprive a man.

Marius, on penal questions, still held to the inexorable system, though he was a democrat and he entertained all the ideas of the law on the subject of those whom the law strikes. He had not yet accomplished all progress, we admit. He had not yet come to distinguish between that which is written by man and that which is written by God, between law and right. He had not examined and weighed the right which man takes to dispose of the irrevocable and the irreparable. He was not shocked by the word vindicte. He found it quite simple that certain breaches of the written law should be followed by eternal suffering, and he accepted, as the process of civilization, social damnation. He still stood at this point, though safe to advance infallibly later on, since his nature was good, and, at bottom, wholly formed of latent progress.

In this stage of his ideas, Jean Valjean appeared to him hideous and repulsive. He was a man reproved, he was the convict. That word was for him like the sound of the trump on the Day of Judgment; and, after having reflected upon Jean Valjean for a long time, his final gesture had been to turn away his head. Vade retro.

Marius, if we must recognize and even insist upon the fact, while interrogating Jean Valjean to such a point that Jean Valjean had said: “You are confessing me,” had not, nevertheless, put to him two or three decisive questions.

It was not that they had not presented themselves to his mind, but that he had been afraid of them. The Jondrette attic? The barricade? Javert? Who knows where these revelations would have stopped? Jean Valjean did not seem like a man who would draw back, and who knows whether Marius, after having urged him on, would not have himself desired to hold him back?

Has it not happened to all of us, in certain supreme conjunctures, to stop our ears in order that we may not hear the reply, after we have asked a question? It is especially when one loves that one gives way to these exhibitions of cowardice. It is not wise to question sinister situations to the last point, particularly when the indissoluble side of our life is fatally intermingled with them. What a terrible light might have proceeded from the despairing explanations of Jean Valjean, and who knows whether that hideous glare would not have darted forth as far as Cosette? Who knows whether a sort of infernal glow would not have lingered behind it on the brow of that angel? The spattering of a lightning-flash is of the thunder also. Fatality has points of juncture where innocence itself is stamped with crime by the gloomy law of the reflections which give color. The purest figures may forever preserve the reflection of a horrible association. Rightly or wrongly, Marius had been afraid. He already knew too much. He sought to dull his senses rather than to gain further light.

In dismay he bore off Cosette in his arms and shut his eyes to Jean Valjean.

That man was the night, the living and horrible night. How should he dare to seek the bottom of it? It is a terrible thing to interrogate the shadow. Who knows what its reply will be? The dawn may be blackened forever by it.

In this state of mind the thought that that man would, henceforth, come into any contact whatever with Cosette was a heartrending perplexity to Marius.

He now almost reproached himself for not having put those formidable questions, before which he had recoiled, and from which an implacable and definitive decision might have sprung. He felt that he was too good, too gentle, too weak, if we must say the word. This weakness had led him to an imprudent concession. He had allowed himself to be touched. He had been in the wrong. He ought to have simply and purely rejected Jean Valjean. Jean Valjean played the part of fire, and that is what he should have done, and have freed his house from that man.

He was vexed with himself, he was angry with that whirlwind of emotions which had deafened, blinded, and carried him away. He was displeased with himself.

What was he to do now? Jean Valjean’s visits were profoundly repugnant to him. What was the use in having that man in his house? What did the man want? Here, he became dismayed, he did not wish to dig down, he did not wish to penetrate deeply; he did not wish to sound himself. He had promised, he had allowed himself to be drawn into a promise; Jean Valjean held his promise; one must keep one’s word even to a convict, above all to a convict. Still, his first duty was to Cosette. In short, he was carried away by the repugnance which dominated him.

Marius turned over all this confusion of ideas in his mind, passing from one to the other, and moved by all of them. Hence arose a profound trouble.

It was not easy for him to hide this trouble from Cosette, but love is a talent, and Marius succeeded in doing it.

However, without any apparent object, he questioned Cosette, who was as candid as a dove is white and who suspected nothing; he talked of her childhood and her youth, and he became more and more convinced that that convict had been everything good, paternal and respectable that a man can be towards Cosette. All that Marius had caught a glimpse of and had surmised was real. That sinister nettle had loved and protected that lily.