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the sally. A little later, taking up the general plan of the town hall, he said:

"The fact is, I do--not--care for this kind of thing. The whole tendency----"

"Excuse me, sir," George interrupted, with conscious and elaborate respectfulness. "But surely the question isn't one of personal preferences. Is the design good or is it bad?"

"Well, I call it bad," said the examiner, showing testiness. The examiner too could be impulsive, was indeed apt to be short-tempered. The next instant he seized one of the brilliant perspective sketches, and by his mere manner of holding it between his thumb and finger he sneered at it and condemned it.

He snapped out, not angrily--rather pityingly:

"And what the devil's this?"

George, furious, retorted:

"What the hell do you think it is?"

He had not foreseen that he was going to say such a thing. The traffic in Regent Street, which had been inaudible to both of them, was loud in their ears.

The examiner had committed a peccadillo, George a terrible crime. The next morning the episode, in various forms, was somehow common knowledge and a source of immense diversion. George went through the second day, but lifelessly. He was sure he had failed. Apart from the significance of the fact that the viva voce counted for 550 marks out of a total of 1200, he felt that the Royal Institute of British Architects would know how to defend its dignity. On the Saturday morning John Orgreave had positive secret information that George would be plucked.


IV


On that same Saturday afternoon George and Marguerite went out together. She had given him a rendezvous in Brompton Cemetery, choosing this spot partly because it was conveniently near and partly in unconscious obedience to the traditional instinct of lovers for the society of the undisturbing dead. Each of them had a roofed habitation, but neither could employ it for the ends of love. No. 8 was barred to George as much by his own dignity as by the invisible sword of the old man; and of course he could not break the immemorial savage taboo of a club by introducing a girl into it. The Duke of Wellington himself, though Candle Court was his purdah, could never have broken the taboo of even so modest a club as Pickering's. Owing to the absence of Agg, who had gone to Wales with part of her family, the studio in Manresa Road was equally closed to the pair.

Marguerite was first at the rendezvous. George saw her walking sedately near the entrance. Despite her sedateness she had unmistakably the air of waiting at a tryst. Anybody at a glance would have said that she was expecting a man. She had the classical demure innocency of her situation. George did not care for that. Why? She in fact was expecting a man, and in expecting him she had nothing to be ashamed of. Well, he did not care for it. He did not care for her being like other girls of her class. In his pocket he had an invitation from Miss Wheeler for the next evening. Would Miss Wheeler wait for a man in a public place, especially a cemetery? Would Lois Ingram? Would Laurencine? He could not picture them so waiting. Oh, simpleton, unlearned in the world! A snob too, no doubt! (He actually thought that Hyde Park would have been 'better' than the cemetery for their rendezvous.) And illogical! If No. 8 had been open to them, and the studio, and the club, he would have accepted with gusto the idea of an open-air rendezvous. But since there was no alternative to an open-air rendezvous the idea of it humiliated and repelled him.

Further, in addition to her culpable demure innocency, Marguerite was wearing black. Of course she was. She had no choice. Still, he hated her mourning. Moreover, she was too modest; she did not impose herself. Some girls wore mourning with splendid defiance. Marguerite seemed to apologize; seemed to turn the other cheek to death.... He arrived critical, and naturally he found matter to criticize.

Her greeting showed quite candidly the pleasure she had in the sight of him. Her heart was in the hand she gave him; he felt its mystic throbbings there.

"How are things?" he began. "I rather thought I should have been hearing from you." He softened his voice to match the tenderness of her smile, but he did it consciously.

She replied:

"I thought you'd have enough to worry about with the exam. without me."

It was not a wise speech, because it implied that he was capable of being worried, of being disturbed in the effort of absorption necessary for the examination. He laughed a little harshly.

"Well, you see the result!"

He had written to tell her of the disastrous incident and that failure was a certainty; a sort of shame had made him recoil from telling her to her face; it was easier to be casual in writing than in talking; the letter had at any rate tempered for both of them the shock of communication. Now, he was out of humour with her because he had played the ass with an ass of an examiner--not because she was directly or indirectly responsible for his doing so; simply because he had done so. She was the woman. It was true that she in part was indirectly responsible for the calamity, but he did not believe it, and anyhow would never have admitted it.

"Oh! George! What a shame it was!" As usual, not a trace of reproach from her: an absolute conviction that he was entirely blameless. "What shall you do? You'll have to sit again."

"Sit again? Me?" he exclaimed haughtily. "I never shall! I've done with exams." He meant it.

"But--shall you give up architecture, then?"

"Certainly not! My dear girl, what are you thinking of? Of course I shan't give up architecture. But you needn't pass any exams, to be an architect. Anybody can call himself an architect, and be an architect, without passing exams. Exams. are optional. That's what makes old Enwright so cross with our beautiful profession."

He laughed again harshly. All the time, beneath his quite genuine defiance, he was thinking what an idiot he had been to cheek the examiner, and how staggeringly simple it was to ruin years of industry by one impulsive moment's folly, and how iniquitous was a world in which such injustice could be.

Marguerite was puzzled. In her ignorance she had imagined that professions were inseparably connected with examinations. However, she had to find faith to accept his dictum, and she found it.

"Now about this afternoon," he said. "I vote we take a steamboat down the river. I've made up my mind I must have a look at Greenwich again from the water. And we both need a blow."

"But won't it take a long time?" she mildly objected.

He turned on her violently, and spoke as he had never spoken:

"What if it does?"

He knew that she was thinking of her infernal father, and he would not have it. He remembered all that Agg had said. Assuredly Agg had shown nerve, too much nerve, to tackle him in the way she did, and the more he reflected upon Agg's interference the more he resented it as impertinent. Still, Agg had happened to talk sense.

"Oh, nothing!" Marguerite agreed quickly, fearfully. "I should like to go. I've never been. Do we go to Chelsea Pier? Down Fernshaw Road will be the nearest."

"We'll go down Beaufort Street," he decided. He divined that she had suggested Fernshaw Road in order to avoid passing the end of the Grove, where her father might conceivably see them. Well, he was not going out of his way to avoid her father. Nay, he was going slightly out of his way in order to give her father every chance of beholding them together.

Although the day was Saturday there was no stir on Chelsea Pier. The pier-keeper, indeed, was alone on the pier, which rose high on the urgent flood-tide, so that the gangway to it sloped unusually upwards. No steamer was in sight, and it seemed impossible that any steamer should ever call at that forlorn and decrepit platform that trembled under the straining of the water. Nevertheless, a steamer did after a little while appear round the bend, in Battersea Reach; she dropped her funnel, aimed her sharp nose at an arch of Battersea Bridge, and finally, poising herself against the strong stream, bumped very gently and neatly into contact with the pier. The pier-keeper went through all the classic motions of mooring, unbarring, barring, and casting off, and in a few seconds the throbbing steamer, which was named with the name of a great Londoner, left the pier again with George and Marguerite on board. Nobody had disembarked. The shallow and handsome craft, flying its gay flags, crossed and recrossed the river, calling at three piers in the space of a few minutes; but all the piers were like Chelsea Pier; all the pier-keepers had the air of castaways upon shaking islets. The passengers on the steamer would not have filled a motor-bus, and they carried themselves like melancholy adventurers who have begun to doubt the authenticity of the inspiration which sent them on a mysterious quest. Such was travel on the Thames in the years immediately before Londoners came to a final decision that the Thames was meet to be ignored by the genteel town which it had begotten.

George and Marguerite sat close together near the prow, saying little, the one waiting to spring, the other to suffer onslaught. It was in Lambeth Reach that the broad, brimming river challenged and seized George's imagination. A gusty, warm, south-west wind met the rushing tide and blew it up into foamy waves. The wind was powerful, but the tide was irresistible. Far away, Land's End having divided the Atlantic surge, that same wind was furiously driving vast waters up the English Channel and round the Forelands, and also vast waters up the west coast of Britain. The twin surges had met again in the outer estuary of the Thames and joined their terrific impulses to defy the very wind which had given them strength, and the mighty flux swept with unregarding power through the mushroom city whose existence on its banks was a transient episode in the everlasting life of the river.

The river seemed to threaten the city that had confined it in stone. And George, in the background of his mind, which was obsessed by the tormenting enigma of the girl by his side, also threatened the city. With the uncompromising arrogance of the student who has newly acquired critical ideas, he estimated and judged it. He cursed the Tate Gallery and utterly damned Doulton's works. He sternly approved Lambeth Palace, the Houses of Parliament, Westminster Abbey, Somerset House, Waterloo Bridge, and St. Paul's. He cursed St. Thomas's Hospital and the hotels. He patronized New Scotland Yard. The "Isambard Brunel" penetrated more and more into the heart of the city, fighting for every yard of her progress. Flags stood out straight in the blue sky traversed by swift white clouds. Huge rudder-less barges, each with a dwarf in the stern struggling at a giant's oar, were borne westwards broadside on like straws upon the surface of a hurrying brook. A launch with an orchestra on board flew gaily past. Tugs with a serpentine tail of craft threaded perilously through the increasing traffic. Railway trains, cabs, coloured omnibuses, cyclists, and footfarers mingled in and complicated the scene. Then the first ocean-going steamer appeared, belittling all else. And then the calm, pale
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