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it's sublime, sublime! Always fetches the house. I haven't got it in the book—I've only got one volume—but I reckon I can piece it out from memory. I'll just walk up and down a minute, and see if I can call it back from recollection's vaults."

So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he'd let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king:


To be, or not to be; that is the bare bodkin
That makes calamity of so long life;
For who would fardels bear, till Birnam Wood do come to Dunsinane,
But that the fear of something after death
Murders the innocent sleep,
Great nature's second course,
And makes us rather sling the arrows of outrageous fortune
Than fly to others that we know not of.
There's the respect must give us pause:
Wake Duncan with thy knocking! I would thou couldst;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The law's delay, and the quietus which his pangs might take,
In the dead waste and middle of the night, when churchyards yawn
In customary suits of solemn black,
But that the undiscovered country from whose bourne no traveler returns,
Breathes forth contagion on the world,
And thus the native hue of resolution, like the poor cat i' the adage,
Is sicklied o'er with care,
And all the clouds that lowered o'er our housetops,
With this regard their currents turn awry,
And lose the name of action.
'Tis a consummation devoutly to be wished. But soft you, the fair Ophelia:
Ope not thy ponderous and marble jaws,
But get thee to a nunnery—go!


Well, the old man he liked that speech, and he mighty soon got it so he could do it first rate. It seemed like he was just born for it; and when he had his hand in and was excited, it was perfectly lovely the way he would rip and tear and rair up behind when he was getting it off.

The first chance we got the duke he had some show-bills printed; and after that, for two or three days as we floated along, the raft was a most uncommon lively place, for there warn't nothing but sword-fighting and rehearsing—as the duke called it—going on all the time. One morning, when we was pretty well down the state of Arkansaw, we come in sight of a little one-horse town in a big bend; so we tied up about three-quarters of a mile above it, in the mouth of a crick which was shut in like a tunnel by the cypress trees, and all of us but Jim took the canoe and went down there to see if there was any chance in that place for our show.

We struck it mighty lucky; there was going to be a circus there that afternoon, and the country-people was already beginning to come in, in all kinds of old shackly wagons, and on horses. The circus would leave before night, so our show would have a pretty good chance. The duke he hired the court-house, and we went around and stuck up our bills. They read like this:

Shaksperean Revival ! ! !
Wonderful Attraction!
For One Night Only!
The world renowned tragedians,
David Garrick the younger, of Drury Lane Theatre, London,
and
Edmund Kean the elder, of the Royal Haymarket Theatre,
Whitechapel, Pudding Lane, Piccadilly, London, and the
Royal Continental Theatres, in their sublime
Shaksperean Spectacle entitled
The Balcony Scene
in
Romeo and Juliet ! ! !
Romeo...................Mr. Garrick
Juliet...................Mr. Kean
Assisted by the whole strength of the company!
New costumes, new scenery, new appointments!
Also:
The thrilling, masterly, and blood-curdling
Broad-sword conflict
In Richard III. ! ! !
Richard III................Mr. Garrick
Richmond....................Mr. Kean
Also:
(by special request)
Hamlet's Immortal Soliloquy ! !
By the Illustrious Kean!
Done by him 300 consecutive nights in Paris!
For One Night Only,
On account of imperative European engagements!
Admission 25 cents; children and servants, 10 cents.

Then we went loafing around town. The stores and houses was most all old, shackly, dried-up frame concerns that hadn't ever been painted; they was set up three or four foot above ground on stilts, so as to be out of reach of the water when the river was overflowed. The houses had little gardens around them, but they didn't seem to raise hardly anything in them but jimpson-weeds, and sunflowers, and ash-piles, and old curled-up boots and shoes, and pieces of bottles, and rags, and played-out tinware. The fences was made of different kinds of boards, nailed on at different times; and they leaned every which way, and had gates that didn't generly have but one hinge—a leather one. Some of the fences had been whitewashed some time or another, but the duke said it was in Columbus's time, like enough. There was generly hogs in the garden, and people driving them out.

All the stores was along one street. They had white domestic awnings in front, and the country-people hitched their horses to the awning-posts. There was empty dry-goods boxes under the awnings, and loafers roosting on them all day long, whittling them with their Barlow knives; and chawing tobacco, and gaping and yawning and stretching—a mighty ornery lot. They generly had on yellow straw hats most as wide as an umbrella, but didn't wear no coats nor waistcoats; they called one another Bill, and Buck, and Hank, and Joe, and Andy, and talked lazy and drawly, and used considerable many cuss-words. There was as many as one loafer leaning up against every awning-post, and he most always had his hands in his britches pockets, except when he fetched them out to lend a chaw of tobacco or scratch. What a body was hearing amongst them all the time was:

"Gimme a chaw 'v tobacker, Hank."

"Cain't; I hain't got but one chaw left. Ask Bill."

Maybe Bill he gives him a chaw; maybe he lies and says he ain't got none. Some of them kinds of loafers never has a cent in the world, nor a chaw of tobacco of their own. They get all their chawing by borrowing; they say to a fellow, "I wisht you'd len' me a chaw, Jack, I jist this minute give Ben Thompson the last chaw I had"—which is a lie pretty much every time; it don't fool nobody but a stranger; but Jack ain't no stranger, so he says:

"You give him a chaw, did you? So did your sister's cat's grandmother. You pay me back the chaws you've awready borry'd off'n me, Lafe Buckner, then I'll loan you one or two ton of it, and won't charge you no back intrust, nuther."

"Well, I did pay you back some of it wunst."

"Yes, you did—'bout six chaws. You borry'd store tobacker and paid back nigger-head."

Store tobacco is flat black plug, but these fellows mostly chaws the natural leaf twisted. When they borrow a chaw they don't generly cut it off with a knife, but set the plug in between their teeth, and gnaw with their teeth and tug at the plug with their hands till they get it in two; then sometimes the one that owns the tobacco looks mournful at it when it's handed back, and says, sarcastic:

"Here, gimme the chaw, and you take the plug."



'GIMME A CHAW'

"'GIMME A CHAW'"



All the streets and lanes was just mud; they warn't nothing else but mud—mud as black as tar and nigh about a foot deep in some places, and two or three inches deep in all the places. The hogs loafed and grunted around everywheres. You'd see a muddy sow and a litter of pigs come lazying along the street and whollop herself right down in the way, where folks had to walk around her, and she'd stretch out and shut her eyes and wave her ears whilst the pigs was milking her, and look as happy as if she was on salary. And pretty soon you'd hear a loafer sing out, "Hi! so boy! sick him, Tige!" and away the sow would go, squealing most horrible, with a dog or two swinging to each ear, and three or four dozen more a-coming; and then you would see all the loafers get up and watch the thing out of sight, and laugh at the fun and look grateful for the noise. Then they'd settle back again till there was a dog-fight. There couldn't anything wake them up all over, and make them happy all over, like a dog-fight—unless it might be putting turpentine on a stray dog and setting fire to him, or tying a tin pan to his tail and see him run himself to death.

On the river-front some of the houses was sticking out over the bank, and they was bowed and bent, and about ready to tumble in. The people had moved out of them. The bank was caved away under one corner of some others, and that corner was hanging over. People lived in them yet, but it was dangersome, because sometimes a strip of land as wide as a house caves in at a time. Sometimes a belt of land a quarter of a mile deep will start in and cave along and cave along till it all caves into the river in one summer. Such a town as that has to be always moving back, and back, and back, because the river's always gnawing at it.

The nearer it got to noon that day the thicker and thicker was the wagons and horses in the streets, and more coming all the time. Families fetched their dinners with them from the country, and eat them in the wagons. There was considerable whisky-drinking going on, and I seen three fights. By and by somebody sings out:

"Here comes old Boggs!—in from the country for his little old monthly drunk; here he comes, boys!"

All the loafers looked glad; I reckoned they was used to having fun out of Boggs. One of them says:

"Wonder who he's a-gwyne to chaw up this time. If he'd a-chawed up all the men he's ben a-gwyne to chaw up in the last twenty year he'd have considerable ruputation now."

Another one says, "I wisht old Boggs 'd threaten me, 'cuz then I'd know I warn't gwyne to die for a thousan' year."

Boggs comes a-tearing along on his horse, whooping and yelling like an Injun, and singing out:

"Cler the track, thar. I'm on the waw-path, and the price uv coffins is a-gwyne to raise."

He was drunk, and weaving about in his saddle; he was over fifty year old, and had a very red face. Everybody yelled at him and laughed at him and sassed him, and he sassed back, and said he'd attend to them and lay them out in their regular turns, but he couldn't wait now because he'd come to town to kill old Colonel Sherburn, and his motto was, "Meat first, and spoon vittles to top off on."

He see me, and rode up and says:

"Whar'd you come f'm, boy? You prepared to die?"

Then he rode on. I was scared, but a man says:

"He don't mean nothing; he's always a-carryin' on like that when he's drunk. He's the best-naturedest old fool in Arkansaw—never hurt nobody, drunk nor sober."

Boggs rode up before the biggest store in town, and bent his head down so he could see under the curtain of the awning and yells:

"Come out here, Sherburn! Come out and meet the man you've swindled. You're the houn' I'm after, and I'm a-gwyne to

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