The Marquis of Lossie - George MacDonald (best books for 20 year olds .txt) 📗

nearly as good as oriental topazes; and the claymore of the renowned Andrew's forging, with its basket hilt of silver, and its black, silver mounted sheath. He handled each with the reverence of a son. Having dressed in them, he drew himself up with not a little of the Celt's pleasure in fine clothes, and walked into the painting room.

Lenorme started with admiration of his figure, and wonder at the dignity of his carriage, while, mingled with these feelings, he was aware of an indescribable doubt, something to which he could give no name. He almost sprang at his palette and brushes: whether he succeeded with the likeness of the late marquis or not, it would be his own fault if he did not make a good picture! He painted eagerly, and they talked little, and only about things indifferent.

At length the painter said,

"Thank you. Now walk about the room while I spread a spadeful of paint: you must be tired standing."

Malcolm did as he was told, and walked straight up to the Temple of Isis, in which the painter had now long been at work on the goddess. He recognised his sister at once, but a sudden pinch of prudence checked the exclamation that had almost burst from his lips.

"What a beautiful picture!" he said. "What does it mean?- Surely it is Hermione coming to life, and Leontes dying of joy! But no; that would not fit. They are both too young, and-"

"You read Shakspere, I see," said Lenorme, "as well as Epictetus."

"I do-a good deal," answered Malcolm. "But please tell me what you painted this for."

Then Lenorme told him the parable of Novalis, and Malcolm saw what the poet meant. He stood staring at the picture, and Lenorme sat working away, but a little anxious-he hardly knew why: had he bethought himself he would have put the picture out of sight before Malcolm came.

"You wouldn't be offended if I made a remark, would you, Mr Lenorme?" said Malcolm at length.

"Certainly not," replied Lenorme, something afraid nevertheless of what might be coming.

"I don't know whether I can express what I mean," said Malcolm, "but I'll try. I could do it better in Scotch, I believe, but then you wouldn't understand me."

"I think I should," said Lenorme. "I spent six months in Edinburgh once."

"Ow ay! but ye see they dinna thraw the words there jist the same gait they du at Portlossie. Na, na! I maunna attemp' it."

"Hold, hold!" cried Lenorme. "I want to have your criticism. I don't understand a word you are saying. You must make the best you can of the English."

"I was only telling you in Scotch that I wouldn't try the Scotch," returned Malcolm. "Now I will try the English.-In the first place, then-but really it's very presumptuous of me, Mr Lenorme; and it may be that I am blind to something in the picture."

"Go on," said Lenorme impatiently.

"Don't you think then, that one of the first things you would look for in a goddess would be-what shall I call it?-an air of mystery?"

"That was so much involved in the very idea of Isis, in her especially, that they said she was always veiled, and no man had ever seen her face."

"That would greatly interfere with my notion of mystery," said Malcolm. "There must be revelation before mystery. I take it that mystery is what lies behind revelation; that which as yet revelation has not reached. You must see something-a part of something, before you can feel any sense of mystery about it. The Isis for ever veiled is the absolutely Unknown, not the Mysterious."

"But, you observe, the idea of the parable is different. According to that Isis is for ever unveiling, that is revealing herself, in her works, chiefly in the women she creates, and then chiefly in each of them to the man who loves her."

"I see what you mean well enough; but not the less she remains the goddess, does she not?"

"Surely she does."

"And can a goddess ever reveal all she is and has!"

"Never."

"Then ought there not to be mystery about the face and form of your Isis on her pedestal?"

"Is it not there? Is there not mystery in the face and form of every woman that walks the earth?"

"Doubtless; but you desire-do you not?-to show-that although this is the very lady the young man loved before ever he sought the shrine of the goddess, not the less is she the goddess Isis herself?"

"I do-or at least I ought; only-by Jove! you have already looked deeper into the whole thing than I!"

"There may be things to account for that on both sides," said Malcolm. "But one word more to relieve my brain:-if you would embody the full meaning of the parable, you must not be content that the mystery is there; you must show in your painting that you feel it there; you must paint the invisible veil that no hand can lift, for there it is, and there it ever will be, though Isis herself raise it from morning to morning."

"How am I to do that?" said Lenorme, not that he did not see what Malcolm meant, or agree with it: he wanted to make him talk.

"How can I, who never drew a stroke, or painted anything but the gunnel of a boat, tell you that?" rejoined Malcolm. "It is your business. You must paint that veil, that mystery in the forehead, and in the eyes, and in the lips-yes, in the cheeks and the chin and the eyebrows and everywhere. You must make her say without saying it, that she knows oh! so much, if only she could make you understand it!-that she is all there for you, but the all is infinitely more than you can know. As she stands there now,"

"I must interrupt you," cried Lenorme, "just to say that the picture is not finished yet."

"And yet I will finish my sentence, if you will allow me," returned Malcolm. "-As she stands there-the goddess-she looks only a beautiful young woman, with whom the young man spreading out his arms to her is very absolutely in love. There is the glow and the mystery of love in both their faces, and nothing more."

"And is not that enough?" said Lenorme.

"No," answered Malcolm. "And yet it may be too much," he added, "if you are going to hang it up where people will see it."

As he said this, he looked hard at the painter for a moment. The dark hue of Lenorme's cheek deepened; his brows lowered a little farther over the black wells of his eyes; and he painted on without answer.

"By Jove!" he said at length.

"Don't swear, Mr Lenorme," said Malcolm. "-Besides, that's my Lord Liftore's oath.-If you do, you will teach my lady to swear."

"What do you mean by that?" asked Lenorme, with offence plain enough in his tone.

Thereupon Malcolm told him how on one occasion, himself being present, the marquis her father happening to utter an imprecation, Lady Florimel took the first possible opportunity of using the very same words on her own account, much to the marquis's amusement and Malcolm's astonishment. But upon reflection he had come to see that she only wanted to cure her father of the bad habit.

The painter laughed heartily, but stopped all at once and said, "It's enough to make any fellow swear though, to hear a-groom talk as you do about art."

"Have I the impudence? I didn't know it," said Malcolm, with some dismay. "I seemed to myself merely saying the obvious thing, the common sense, about the picture, on the ground of your own statement of your meaning in it. I am annoyed with myself if I have been talking of things I know nothing about."

"On the contrary, MacPhail, you are so entirely right in what you say, that I cannot for the life of me understand where or how you can have got it."

"Mr Graham used to talk to me about everything."

"Well, but he was only a country schoolmaster."

"A good deal more than that, sir," said Malcolm, solemnly. "He is a disciple of him that knows everything. And now I think of it, I do believe that what I've been saying about your picture, I must have got from hearing him talk about the revelation, in which is included Isis herself, with her brother and all their train."

Lenorme held his peace. Malcolm had taken his place again unconsciously, and the painter was working hard, and looking very thoughtful. Malcolm went again to the picture.

"Hillo!" cried Lenorme, looking up and finding no object in the focus of his eyes.

Malcolm returned directly.

"There was just one thing I wanted to see," he said, "-whether the youth worshipping his goddess, had come into her presence clean."

"And what is your impression of him?" half murmured Lenorme, without lifting his head.

"The one that's painted there," answered Malcolm, "does look as if he might know that the least a goddess may claim of a worshipper is, that he should come into her presence pure enough to understand her purity. I came upon a fine phrase the other evening in your English prayer book. I never looked into it before, but I found one lying on a book stall, and it happened to open at the marriage service. There, amongst other good things, the bridegroom says: 'With my body I thee worship.'-'That's grand,' I said to myself. 'That's as it should be. The man whose body does not worship the woman he weds, should marry a harlot.' God bless Mr William Shakspere!-he knew that. I remember Mr Graham telling me once, before I had read the play, that the critics condemn Measure for Measure as failing in poetic justice. I know little about the critics, and care less, for a man who has to earn his bread and feed his soul as well, has enough to do with the books themselves without what people say about them; and Mr Graham would not tell me whether he thought the critics right or wrong; he wanted me to judge for myself. But when I came to read the play, I found, to my mind, a most absolute and splendid justice in it. They think, I suppose, that my lord Angelo should have been put to death. It just reveals the low breed of them; they think death the worst thing, therefore the greatest punishment. But Angelo prays for death, that it may hide him from his shame: it is too good for him, and he shall not have it. He must live to remove the shame from Mariana. And then see how Lucio is served!"

While Malcolm talked, Lenorme went on painting diligently, listening and saying nothing. When he had thus ended, a pause of some duration followed.

"A goddess has a right to claim that one thing-has she not, Mr Lenorme?" said Malcolm at length, winding up a silent train of thought aloud.

"What thing?" asked Lenorme, still without lifting his head.

"Purity in the arms a man holds out to her," answered Malcolm.

"Certainly," replied Lenorme, with a sort of mechanical absoluteness.

"And according to your picture, every woman whom a man loves is a goddess-the goddess of nature?"

"Certainly;-but what are you driving at? I can't paint for you. There you stand," he went on, half angrily, "as if you were Socrates himself, driving