Marietta: A Maid of Venice by F. Marion Crawford (ebook and pdf reader .txt) 📗

evil to his enemy, and as he reckoned up the chances of success, he began to wonder how he could have been so weak as to offer Zorzi an enormous bribe, instead of proceeding at once to his destruction.

Unconscious of his growing danger, Zorzi fed the fire of the furnace, and then sat down at the table before the window, laid his crutches beside him, and began to write out the details of his own experiments, as the master had done for years. He wrote the rather elaborate characters of the fifteenth century in a small but clear hand, very unlike old Beroviero's. The window was open, and the light breeze blew in, fanning his heated forehead; for the weather was growing hotter and hotter, and the order had been given to let the main furnaces cool after the following Saturday, as the workmen could not bear the heat many days longer. After that, they would set to work in a shed at the back of the glass-house to knead the clay for making new crucibles, and the night boys would enjoy their annual holiday, which consisted in helping the workmen by treading the stiff clay in water for several hours every day.

A man's shadow darkened the window while Zorzi was writing, and he looked up. Pasquale was standing outside.

"There is a pestering fellow at the door," he said, "who will not be satisfied till he has spoken with you. He says he has a message for you from some one in Venice, which he must deliver himself."

"For me?" Zorzi rose in surprise.

CHAPTER XIII

Zorzi swung himself along the dark corridor on his crutches after Pasquale, who opened the outer door with his usual deliberation. A little man stood outside in grey hose and a servant's dark coat, gathered in at the waist by a leathern belt. He was clean shaven and his hair was cropped close to his head, which was bare, for he held his black hat in his hand. Zorzi did not like his face. He waited for Zorzi to speak first.

"Have you a message for me?" asked the Dalmatian. "I am Zorzi."

"That is the name, sir," answered the man respectfully. "My master begs the honour and pleasure of your company this evening, as usual."

"Where?" asked Zorzi.

"My master said that you would know the place, sir, having been there before."

"What is your master's name?"

"The Angel," answered the man promptly, keeping his eyes on Zorzi's face.

The latter nodded, and the servant at once made an awkward obeisance preparatory to going away.

"Tell your master," said Zorzi, "that I have hurt my foot and am walking on crutches, so that I cannot come this evening, but that I thank him for his invitation, and send greeting to him and to the other guests."

The man repeated some of the words in a tone hardly audible, evidently committing the message to memory.

"Signor Zorzi—hurt his foot—crutches—thanks—greeting," he mumbled. "Yes, sir," he added in his ordinary voice, "I will say all that. Your servant, sir."

With another awkward bow, he turned away to the right and walked very quickly along the footway. He had left his boat at the entrance to the canal, not knowing exactly where the glass-house was. Zorzi looked after him a moment, then turned himself on his sound foot and set his crutches before him to go in. Pasquale was there, and must have heard what had passed. He shut the door and followed Zorzi back a little way.

"It is no concern of mine," he said roughly. "You may amuse yourself as you please, for you are young, and your host may be the Archangel Michael himself, or the holy Saint Mark, and the house to which you are bidden may be a paradise full of other angels! But I would as soon sit down before the grating and look at the hooded brother, while the executioner slipped the noose over my head to strangle me, as to go to any place on a bidding delivered by a fellow with such a jail-bird's head. It is as round as a bullet and as yellow as cheese. He has eyes like a turtle's and teeth like those of a young shark."

"I am quite of your opinion," said Zorzi, halting at the entrance to the garden.

"Then why did you not kick him into the canal?" inquired the porter, with admirable logic.

"Do I look as if I could kick anything?" asked Zorzi, laughing and glancing at his lame foot.

"And where should I have been?" inquired Pasquale indignantly. "Asleep, perhaps? If you had said 'kick,' I would have kicked. Perhaps I am a statue!"

Zorzi pointed out that it was not usual to answer invitations in that way, even when declining them.

"And who knows what sort of invitation it was?" retorted the old porter discontentedly. "Since when have you friends in Venice who bid you come to their houses at night, like a thief? Honest men, who are friends, say 'Come and eat with me at noon, for to-day we have this, or this'—say, a roast sucking pig, or tripe with garlic. And perhaps you go; and when you have eaten and drunk and it is the cool of the afternoon, you come home. That is what Christians do. Who are they that meet at night? They are thieves, or conspirators, or dice-players, or all three."

Pasquale happened to have been right in two guesses out of three, and Zorzi thought it better to say nothing. There was no fear that the surly old man would tell any one of the message; he had proved himself too good a friend to Zorzi to do anything which could possibly bring him into trouble, and Zorzi was willing to let him think what he pleased, rather than run the smallest risk of betraying the society of which he had been obliged to become a member. But he was curious to know why Contarini kept such a singularly unprepossessing servant, and why, if he chose to keep him, he made use of him to deliver invitations. The fellow had the look of a born criminal; he was just such a man as Zorzi had thought of when he had jestingly proposed to Giovanni to hire a murderer. Indeed, the more Zorzi thought of his face, the more he was inclined to doubt that the man came from Contarini at all.

But in this he was mistaken. The message was genuine, and moreover, so far as Contarini and the society were concerned, the man was perfectly trustworthy. Possibly there were reasons why Contarini chose to employ him, and also why the servant was so consistently faithful to his master. After all, Zorzi reflected, he was certainly ignorant of the fact that the noble young idlers who met at the house of the Agnus Dei were playing at conspiracy and revolution.

But that night, when Contarini's friends were assembled and had counted their members, some one asked what had become of the Murano glass-blower, and whether he was not going to attend their meetings in future; and Contarini answered that Zorzi had hurt his foot and was on crutches, and sent a greeting to the guests. Most of them were glad that he was not there, for he was not of their own order, and his presence caused a certain restraint in their talk. Besides, he was poor, and did not play at dice.

"He works with Angelo Beroviero, does he not?" asked Zuan Venier in a tone of weary indifference.

"Yes," answered Contarini with a laugh. "He is in the service of my future father-in-law."

"To whom may heaven accord a speedy, painless and Christian death!" laughed Foscari in his black beard.

"Not till I am one of his heirs, if you please," returned Contarini. "As soon after the wedding day as you like, for besides her rich dowry, the lady is to have a share of his inheritance."

"Is she very ugly?" asked Loredan. "Poor Jacopo! You have the sympathy of the brethren."

"How does he know?" sneered Mocenigo. "He has never seen her. Besides, why should he care, since she is rich?"

"You are mistaken, for I have seen her," said Contarini, looking down the table. "She is not at all ill-looking, I assure you. The old man was so much afraid that I would not agree to the match that he took her to church so that I might look at her."

"And you did?" asked Mocenigo. "I should never have had the courage. She might have been hideous, and in that case I should have preferred not to find it out till I was married."

"I looked at her with some interest," said Contarini, smiling in a self-satisfied way. "I am bound to say, with all modesty, that she also looked at me," he added, passing his white hand over his thick hair.

"Of course," put in Foscari gravely. "Any woman would, I should think."

"I suppose so," answered Contarini complacently. "It is not my fault if they do."

"Nor your misfortune," added Fosoari, with as much gravity as before.

Zuan Venier had not joined in the banter, which seemed to him to be of the most atrocious taste. He had liked Zorzi and had just made up his mind to go to Murano the next day and find him out.

On that evening there was not so much as a mention of what was supposed to bring them together. Before they had talked a quarter of an hour, some one began to throw dice on the table, playing with his right hand against his left, and in a few moments the real play had begun.

High up in Arisa's room the Georgian woman and Aristarchi heard all that was said, crouching together upon the floor beside the opening the slave had discovered. When the voices were no longer heard except at rare intervals, in short exclamations of satisfaction or disappointment, and only the regular rattling and falling of the dice broke the silence, the pair drew back from the praying-stool.

"They will say nothing more to-night," whispered Arisa. "They will play for hours."

"They had not said a word that could put their necks in danger," answered Aristarchi discontentedly. "Who is this fellow from the glass-house, of whom they were speaking?"

Arisa led him away to a small divan between the open windows. She sat down against the cushions at the back, but he stretched his bulk upon the floor, resting his head against her knee. She softly rubbed his rough hair with the palm of her hand, as she might have caressed a cat, or a tame wild animal. It gave her a pleasant sensation that had a thrill of danger in it, for she always expected that he would turn and set his teeth into her fingers.

She told him the story of the last meeting, and how Zorzi had been made one of the society in order that they might not feel obliged to kill him for their own safety.

"What fools they are!" exclaimed Aristarchi with a low laugh, and turning his head under her hand.

"You would have killed him, of course," said Arisa, "if you had been in their place. I suppose you have killed many people," she added thoughtfully.

"No," he answered, for though he loved her savagely, he did not trust her. "I never killed any one except in fair fight."

Arisa laughed low, for she remembered.

"When I first saw you," she said, "your hands were covered with blood. I think the reason why I liked you was that you seemed so much more terrible than all the others who looked in at my cabin door."

"I am as mild as milk and almonds," said Aristarchi. "I am as timid as a rabbit."

His deep voice was like the purring of a huge cat. Arisa looked down at his head. Then her hands suddenly clasped his throat and she tried to make her fingers meet round it as if she would have strangled him, but it was too big for them. He drew in his chin a little, the iron muscles stiffened themselves, the cords stood out, and though she pressed with all her might she could not hurt him, even a little; but she loved to try.

"I am sure I could strangle Contarini," she said quietly. "He has a throat like a woman's."

"What a murderous creature you are!" purred the Greek, against hex knee. "You are always talking of killing."

"I should like to see you fighting for your life," she answered, "or for me."

"It is the same thing," he said.

"I should like to see it. It would be a splendid sight."

"What if I got the worst of it?" asked Aristarchi, his vast mouth grinning at the idea.

"You?" Arisa laughed contemptuously. "The man is not born who could kill you. I am sure of it."

"One very nearly succeeded, once upon a time," said Aristarchi.

"One man? I do not believe