Rise and Fall of Cesar Birotteau - Honoré de Balzac (best fiction novels .TXT) 📗

mean?" said Cesar, smiling.

"It will last; I have no more fears," said Madame Birotteau.

"That's right," said the perfumer; "you appreciate me at last."

People who are sufficiently large-minded to perceive their own innate weakness will admit that an orphan girl who eighteen years earlier was saleswoman at the Petit-Matelot, Ile Saint-Louis, and a poor peasant lad coming from Touraine to Paris with hob-nailed shoes and a cudgel in his hand, might well be flattered and happy in giving such a fete for such praiseworthy reasons.

"Bless my heart!" cried Cesar. "I'd give a hundred francs if someone would only come in now and pay us a visit."

"Here is Monsieur l'Abbe Loraux," said Virginie.

The abbe entered. He was at that time vicar of Saint-Sulpice. The power of the soul was never better manifested than in this saintly priest, whose intercourse with others left upon the minds of all an indelible impression. His grim face, so plain as to check confidence, had grown sublime through the exercise of Catholic virtues; upon it shone, as it were by anticipation, the celestial glories. Sincerity and candor, infused into his very blood, gave harmony to his unsightly features, and the fires of charity blended the discordant lines by a phenomenon, the exact counterpart of that which in Claparon had debased and brutalized the human being. Faith, Hope, and Charity, the three noblest virtues of humanity, shed their charm among the abbe's wrinkles; his speech was gentle, slow, and penetrating. His dress was that of the priests of Paris, and he allowed himself to wear a brown frock-coat. No ambition had ever crept into that pure heart, which the angels would some day carry to God in all its pristine innocence. It required the gentle firmness of the daughter of Louis XVI. to induce him to accept a benefice in Paris, humble as it was. As he now entered the room he glanced with an uneasy eye at the magnificence before him, smiled at the three delighted people, and shook his gray head.

"My children," he said, "my part in life is not to share in gaieties, but to visit the afflicted. I came to thank Monsieur Cesar for his invitation, and to congratulate you. I shall come to only one fete here,--the marriage of this dear child."

After the short visit the abbe went away without seeing the various apartments, which the perfumer and his wife dared not show him. This solemn apparition threw a few drops of cold water into the boiling delight of Cesar's heart. Each of the party slept amid their new luxury, taking possession of the good things and the pretty things they had severally wished for. Cesarine undressed her mother before a toilet-table of white marble with a long mirror. Cesar had given himself a few superfluities, and longed to make use of them at once: and they all went to sleep thinking of the joys of the morrow.

On that morrow Cesarine and her mother, having been to Mass, and having read their vespers, dressed about four o'clock in the afternoon, after resigning the _entresol_ to the secular arm of Chevet and his people. No attire ever suited Madame Cesar better than this cherry-colored velvet dress with lace trimmings, and short sleeves made with jockeys: her beautiful arms, still fresh and youthful, her bosom, sparklingly white, her throat and shoulders of a lovely shape, were all heightened in effect by the rich material and the resplendent color. The naive delight which every woman feels when she sees herself in the plenitude of her power gave an inexpressible sweetness to the Grecian profile of this charming woman, whose beauty had all the delicacy of a cameo. Cesarine, dressed in white crape, wore a wreath of white roses, a rose at her waist, and a scarf chastely covering her shoulders and bust: Popinot was beside himself.

"These people crush us," said Madame Roguin to her husband as they went through the appartement.

The notary's wife was furious at appearing less beautiful than Madame Cesar; for every woman knows how to judge the superiority or the inferiority of a rival.

"Bah!" whispered Roguin to his wife, "it won't last long; you will soon bespatter her when you meet her a-foot in the streets, ruined."

Vauquelin showed perfect tact; he came with Monsieur de Lacepede, his colleague of the Institute, who had called to fetch him in a carriage. On beholding the resplendent mistress of the fete they both launched into scientific compliments.

"Ah, madame, you possess a secret of which science is ignorant," said the chemist, "the recipe for remaining young and beautiful."

"You are, as I may say, partly at home here, Monsieur l'academicien," said Birotteau. "Yes, Monsieur le comte," he added, turning to the high chancellor of the Legion of honor, "I owe my fortune to Monsieur Vauquelin. I have the honor to present to your lordship Monsieur le president of the Court of Commerce. This is Monsieur le Comte de Lacepede, peer of France," he said to Joseph Lebas, who accompanied the president.

The guests were punctual. The dinner, like all commercial dinners, was extremely gay, full of good humor, and enlivened by the rough jests which always raise a laugh. The excellence of the dishes and the goodness of the wines were fully appreciated. It was half-past nine o'clock when the company returned to the salons to take their coffee. A few hackney-coaches had already brought the first impatient dancers. An hour later the rooms were full, and the ball took the character of a rout. Monsieur de Lacepede and Monsieur Vauquelin went away, much to the grief of Cesar, who followed them to the staircase, vainly entreating them to remain. He succeeded, however, in keeping Monsieur Popinot the judge, and Monsieur de la Billardiere. With the exception of three women who severally represented the aristocracy, finance, and government circles,--namely, Mademoiselle de Fontaine, Madame Jules, and Madame Rabourdin, whose beauty, dress, and manners were sharply defined in this assemblage,--all the other women wore heavy, over-loaded dresses, and offered to the eye that anomalous air of richness which gives to the bourgeois masses their vulgar aspect, made cruelly apparent on this occasion by the airy graces of the three other women.

The bourgeoisie of the Rue Saint-Denis displayed itself majestically in the plenitude of its native powers of jocose silliness. It was a fair specimen of that middle class which dresses its children like lancers or national guards, buys the "Victoires et Conquetes," the "Soldat-laboureur," admires the "Convoi du Pauvre," delights in mounting guard, goes on Sunday to its own country-house, is anxious to acquire the distinguished air, and dreams of municipal honors,--that middle class which is jealous of all and of every one, and yet is good, obliging, devoted, feeling, compassionate, ready to subscribe for the children of General Foy, or for the Greeks, whose piracies it knows nothing about, or the Exiles until none remained; duped through its virtues and scouted for its defects by a social class that is not worthy of it, for it has a heart precisely because it is ignorant of social conventions,--that virtuous middle-class which brings up ingenuous daughters to an honorable toil, giving them sterling qualities which diminish as soon as they are brought in contact with the superior world of social life; girls without mind, among whom the worthy Chrysale would have chosen his wife,--in short, a middle-class admirably represented by the Matifats, druggists in the Rue des Lombards, whose firm had supplied "The Queen of Roses" for more than sixty years.

Madame Matifat, wishing to give herself a dignified air, danced in a turban and a heavy robe of scarlet shot with gold threads,--a toilet which harmonized well with a self-important manner, a Roman nose, and the splendors of a crimson complexion. Monsieur Matifat, superb at a review of the National Guard, where his protuberant paunch could be distinguished at fifty paces, and upon which glittered a gold chain and a bunch of trinkets, was under the yoke of this Catherine II. of commerce. Short and fat, harnessed with spectacles and a shirt-collar worn above his ears, he was chiefly distinguished for his bass voice and the richness of his vocabulary. He never said Corneille, but "the sublime Corneille"; Racine was "the gentle Racine"; Voltaire, "Oh! Voltaire, second in everything, with more wit than genius, but nevertheless a man of genius"; Rousseau, "a gloomy mind, a man full of pride, who hanged himself." He related in his prosy way vulgar anecdotes of Piron, a poet who passes for a prodigy among the bourgeoisie. Matifat, a passionate lover of the stage, had a slight leaning to obscenity. It was even said that, in imitation of Cadot and the rich Camusot, he kept a mistress. Sometimes Madame Matifat, seeing him about to relate some questionable anecdote, would hasten to interrupt him by screaming out: "Take care what you are saying, old man!" She called him habitually her "old man." This voluminous queen of drugs caused Mademoiselle de Fontaine to lose her aristocratic countenance, for the impertinent girl could not help laughing as she overheard her saying to her husband: "Don't fling yourself upon the ices, old man, it is bad style."

It is more difficult to explain the nature of the difference between the great world and the bourgeoisie than it is for the bourgeoisie to obliterate it. These women, embarrassed by their fine clothes and very conscious of them, displayed a naive pleasure which proved that a ball was a rarity in their busy lives; while the three women, who each represented a sphere in the great world, were then exactly what they would be on the morrow. They had no appearance of having dressed purposely for the ball, they paid no heed to the splendor of their jewels, nor to the effect which they themselves produced; all had been arranged when they stood before their mirrors and put the last touches on their toilets. Their faces showed no excitement or excessive interest, and they danced with the grace and ease which unknown genius has given to certain statues of antiquity.

The others, on the contrary, stamped with the mark of toil, retained their vulgar attitudes, and amused themselves too heartily; their eyes were full of inconsiderate curiosity; their voices ranged above the low murmur which gives inimitable piquancy to the conversations of a ball-room; above all, they had none of that composed impertinence which contains the germs of epigram, nor the tranquil attitude which characterizes those who are accustomed to maintain empire over themselves. Thus Madame Rabourdin, Madame Jules, and Mademoiselle de Fontaine, who had expected much amusement from the ball of their perfumer, were detached from the background of the bourgeoisie about them by their soft and easy grace, by the exquisite taste of their dress and bearing,--just as three leading singers at an opera stand out in relief from the stolid array of their supernumeraries. They were watched with jealous, wondering eyes. Madame Roguin, Constance, and Cesarine formed, as it were, a link which united the three types of feminine aristocracy to the commercial figures about them.

There came, as there does at all balls, a moment when the animation of the scene, the torrents of light, the gaiety, the music, the excitement of dancing brought on a species of intoxication which puts out of sight these gradations in the _crescendo_ of the _tutti_. The ball was beginning to be noisy, and Mademoiselle de Fontaine made a movement to retire; but when she looked about for the arm of her venerable Vendeen, Birotteau, his wife, and daughter made haste to prevent such a desertion of the aristocracy.

"There is a perfume of good taste about this appartement which really amazes me," remarked that impertinent young woman to the perfumer. "I congratulate