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from the pen of Mr. W. Waterfield:

“This is a favorite subject of Hindú sculpture, especially on the temples of Shiva, such as the caves of Elephanta and Ellora. It, no doubt, is an allegory of the contest between the followers of Shiva and the worshippers of the Elements, who observed the old ritual of the Vedas; in which the name of Shiva is never mentioned.

[pg 543]
Daksha for devotion
Made a mighty feast:
Milk and curds and butter,
Flesh of bird and beast,
Rice and spice and honey,
Sweetmeats ghí and gur,1038
Gifts for all the Bráhmans,
Food for all the poor.
At the gates of Gangá1039
Daksha held his feast;
Called the gods unto it,
Greatest as the least.
All the gods were gathered
Round with one accord;
All the gods but Umá,
All but Umá's lord.
Umá sat with Shiva
On Kailása hill:
Round them stood the Rudras
Watching for their will.
Who is this that cometh
Lilting to his lute?
All the birds of heaven
Heard his music, mute.
Round his head a garland
Rich of hue was wreathed:
Every sweetest odour
From its blossoms breathed.
'Tis the Muni Nárad;
'Mong the gods he fares,
Ever making mischief
By the tales he bears.
“Hail to lovely Umá!
Hail to Umá's lord!
Wherefore are they absent
For her father's board?
Multiplied his merits
Would be truly thrice,
Could he gain your favour
For his sacrifice.”
Worth of heart was Umá;
To her lord she spake:—
“Why dost thou, the mighty,
Of no rite partake?
Straight I speed to Daksha
Such a sight to see:
If he be my father,
He must welcome thee.”
Wondrous was in glory
Daksha's holy rite;
Never had creation
Viewed so brave a sight.
Gods, and nymphs, find fathers,
Sages, Bráhmans, sprites,—
Every diverge creature
Wrought that rite of rites.
Quickly then a quaking
Fell on all from far;
Umá stood among them
On her lion car.
“Greeting, gods and sages,
Greeting, father mine!
Work hath wondrous virtue,
Where such aids combine.
Guest-hall never gathered
Goodlier company:
Seemeth all are welcome.
All the gods but me.”
Spake the Muni Daksha,
Stern and cold his tone:—
“Welcome thou, too, daughter,
Since thou com'st alone.
But thy frenzied husband
Suits another shrine;
He is no partaker
Of this feast of mine.
He who walks in darkness
Loves no deeds of light:
He who herds with demons
Shuns each kindly sprite.
Let him wander naked.—
Wizard weapons wield,—
Dance his frantic measure
Round the funeral field.
Art thou yet delighted
With the reeking hide,
Body smeared with ashes.
Skulls in necklace tied?
Thou to love this monster?
Thou to plead his part!
Know the moon and Gangá
Share that faithless heart
Vainly art thou vying
With thy rivals' charms.
Are not coils of serpents
Softer than thine arms?”
Words like these from Daksha
Daksha's daughter heard:
Then a sudden passion
All her bosom stirred.
Eyes with fury flashing.
Speechless in her ire,
Headlong did she hurl her
'Mid the holy fire.
Then a trembling terror
Overcame each one,
And their minds were troubled
Like a darkened sun; [pg 544]
And a cruel Vision,
Face of lurid flame,
Umá's Wrath incarnate,
From the altar came.
Fiendlike forms by thousands
Started from his side,
'Gainst the sacrificers
All their might they plied:
Till the saints availed not
Strength like theirs to stay,
And the gods distracted
Turned and fled away.
Hushed were hymns and chanting,
Priests were mocked and spurned;
Food defiled and scattered;
Altars overturned.—
Then, to save the object
Sought at such a price,
Like a deer in semblance
Sped the sacrifice.
Soaring toward the heavens,
Through the sky it fled?
But the Rudras chasing
Smote away its head.
Prostrate on the pavement
Daksha fell dismayed:—
“Mightiest, thou hast conquered
Thee we ask for aid.
Let not our oblations
All be rendered vain;
Let our toilsome labour
Full fruition gain.”
Bright the broken altars
Shone with Shiva's form;
“Be it so!” His blessing
Soothed that frantic storm.
Soon his anger ceases,
Though it soon arise;—
But the Deer's Head ever
Blazes in the skies.”

Indian Ballads and other Poems.

Page 286. Urvasí.

“The personification of Urvasî herself is as thin as that of Eôs or Selênê. Her name is often found in the Veda as a mere name for the morning, and in the plural number it is used to denote the dawns which passing over men bring them to old age and death. Urvasî is the bright flush of light overspreading the heaven before the sun rises, and is but another form of the many mythical beings of Greek mythology whose names take us back to the same idea or the same root. As the dawn in the Vedic hymns is called Urûkî, the far-going (Têlephassa, Têlephos), so is she also Uruasî, the wide-existing or wide-spreading; as are Eurôpê, Euryanassa, Euryphassa, and many more of the sisters of Athênê and Aphroditê. As such she is the mother of Vasishtha, the bright being, as Oidipous is the son of Iokastê; and although Vasishtha, like Oidipous, has become a mortal bard or sage, he is still the son of Mitra and Varuṇa, of night and day. Her lover Purûravas is the counterpart of the Hellenic Polydeukês; but the continuance of her union with him depends on the condition that she never sees him unclothed. But the Gandharvas, impatient of her long sojourn among mortal men resolved to bring her back to their bright home; and Purûravas is thus led unwitingly to disregard her warning. A ewe with two lambs was tied to her couch, and the Gandharvas stole one of them; Urvasî said, ‘They take away my darling, as if I lived in a land where there is no hero and no man.’ They stole the second, and she upbraided her husband again. Then Purûravas looked and said, ‘How can that be a land without heroes or men where I am?’ And naked he sprang up; he thought it was too long to put on his dress. Then the Gandharvas sent a flash of lighting, and Urvasî saw her husband naked as by daylight. Then she vanished. ‘I come back,’ she said, and went. ‘Then he bewailed his vanished love in bitter grief.’ Her promise to return was fulfilled, but for a moment only, at the Lotos-lake, and Purûravas in vain beseeches her to tarry longer. ‘What shall I do with thy [pg 545] speech?’ is the answer of Urvasî. ‘I am gone like the first of the dawns. Purûravas, go home again. I am hard to be caught like the winds.’ Her lover is in utter despair; but when he lies down to die, the heart of Urvasî was melted, and she bids him come to her on the last night of the year. On that night only he might be with her; but a son should be born to him. On that day he went up to the golden seats, and there Urvasî told him that the Gandharvas would grant him one wish, and that he must make his choice. ‘Choose thou for me,’ he said: and she answered, ‘Say to them, Let me be one of you.’ ”

Cox's Mythology of the Aryan Nations. Vol. I. p. 397.

Page 324.
The sovereign of the Vánar race.

“Vánar is one of the most frequently occurring names by which the poem calls the monkeys of Ráma's army. Among the two or three derivations of which the word Vánar is susceptible, one is that which deduces it from vana which signifies a

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