Writings in the United Amateur, 1915-1922 by H. P. Lovecraft (best pdf ebook reader for android .txt) 📗

size than this, are ever welcome, and do more than anything else to maintain interest and promote progress in the association.

The Trail for April must by no means be confused with Alfred L. Hutchinson's professionalized magazine of identical title, for this Trail is an older and emphatically non-professional publication issued co-operatively by Dora M. Hepner and George W. Macauley. Non-professionalism, indeed, seems to dominate the entire issue to a degree unusual in the broadened and developed United. With the exception of one poem and one short story or sketch, the contents are wholly personal and social. "He Reached my Hand", by Dora M. Hepner, is an excellent piece of verse, though perhaps not of that extreme polish which is observed in the productions of very careful bards. Miss Hepner has great refinement of fancy and vigour of expression, but evidently neglects to cultivate that beautiful rhetoric and exquisite rhythmic harmony which impress us so forcibly in the work of scholars and bookmen like Rheinhart Kleiner. "A Girl of the U. S.", by George W. Macauley, is a prose piece whose nature seems to waver between that of a story and a descriptive sketch. Though description apparently preponderates, the narrative turn toward the conclusion may sanction classification as fiction. The faults are all faults of imperfect technique rather than of barren imagination, for Mr. Macauley wields a graphic pen, and adorns every subject he approaches. In considering minor points, we must remark the[45] badly fractured infinitive "to no longer walk", and the unusual word "reliefful". We have never seen the latter expression before, and though it may possibly be a modernism in good usage, it was certainly unknown in the days when we attempted to acquire our education. Mr. Macauley, with his marked descriptive ability, is less at ease in stories of contemporary life than in historical fiction, particularly mediaeval and Oriental tales. His genius is not unlike that of Sir Walter Scott, and shows to especial advantage in annals of knights and chivalry. "Scratchings" are by the pen of Miss Hepner, and display an active wit despite the profusion of slang. It would seem, however, that so brilliant a writer could preserve the desired air of vivacity without quite so many departures from the standard idioms of our language.

Miss Hepner's remarks on the assimilation of new United members are worthy of note. The cruder amateurs should not feel discouraged by the extraordinary average scholarship of the recent element, but should rather use it as a model for improvement. They should establish correspondence with the cultivated recruits, thereby not only benefiting themselves, but helping each gifted newcomer to find a useful and congenial place amongst us. The present situation is pitifully ludicrous, for practically all young aspirants call upon only one or two sadly overburdened older members for literary aid, forgetting that there are scores of brilliant writers, teachers, and professors waiting anxiously but vainly to be of real service to their fellow-amateurs. Several of the scholarly new members have particularly inquired how they can best assist the association; yet the association, as represented by its literary novices, has failed to take advantage of most of these offers of instructions and co-operation. We are impelled here to reiterate the slogan which Mr. Daas has so frequently printed in his various journals: "Welcome the Recruits!". Such a welcome is certain to react with double felicity upon the giver.

"From the Michigan Trail" is Mr. Macauley's personal column, and contains so bitter an attack on some of the United's policies of improvement, that we are tempted to remonstrate quite loudly. The captious criticism of the Second Vice-President's invaluable activities, constructive labours which have practically regenerated the association and raised it to a higher plane in the world of educational endeavour, is positively ungenerous. To speak of the article in Ole Miss' entitled "Manuscripts and Silver" as "mercenary", is the summit of injustice, for it was nothing more or less than the absolutely gratuitous offer to the United of what is now the Symphony Literary Service. We are rather at a loss to divine Mr. Macauley's precise notion of amateur journalism. He speaks of it as a "tarn", but we cannot believe he would have it so stagnant a thing as that name implies. Surely, the United is something greater than a superficial fraternal order composed of mediocre and unambitious dabblers. Progress leads toward the outside world of letters, and to cavil at work such as Mrs. Renshaw's is to set obstacles in the path of progress. Professional literary success on the part of amateur journalists can never react unfavorably on the United, and it seems far from kind and proper to impede the development of members. Why is a professional author necessarily less desirable as an amateur journalist than a professional plumber or boiler-maker? But there is one sound principle at the base of Mr. Macauley's argument, which deserves more emphasis than the points he elaborates. Professionalism must not enter into the workings of the association, nor should the professionalized amateur take advantage of amateur connexions to create a market for writings otherwise unsalable. This applies to the now happily extinct tribe of "ten-cents-a-year" publishers, who coolly expected all amateur journalists to subscribe to their worthless misprints as a matter of fraternal obligation. Mr. Macauley is an extremist on the subject of amateur rating, a fact which explains many otherwise puzzling allusions in his current editorials.

THE UNITED AMATEUR for February is the final number of the Daas regime, and constitutes a noble valedictory indeed. We find it impossible to express with sufficient force our regret at the withdrawal of Mr. Daas from the United, and we can but hope that the retirement may prove merely temporary. The February official organ is wholly literary in contents, and in quality sustains the best traditions of amateur journalism. Miss Olive G.[46] Owen's poem, "Give us Peace!", which opens the issue, is tasteful in imagery and phraseology, and correct in rhyme and metre, but contains the customary unrealities and substitutions of emotion for reasoning which are common to all pacific propaganda. "The Little Old Lady's Dream", by M. Almedia Bretholl, is a short story of the almost unpleasantly "realistic" type, whose development and atmosphere exhibit much narrative talent and literary skill. "The Teuton's Battle-Song" is an attempt of the present critic to view the principles of human warfare without the hypocritical spectacles of sentimentality. "Nature in Literature", by Arthur W. Ashby, is an essay of unusual quality, revealing a depth of well assimilated scholarship and a faculty for acute observation and impartial analysis, of which few amateur writers may justly boast. "His All", is an excellent poem by Mrs. Ella Colby Eckert, distinguished equally for its noble thought and facile rhythm. "'Twixt the Red and the White", a short story by Miss Coralie Austin, displays marked skill in construction and phraseology, though its development is not without a few of the typical crudities of youthful work. There is a trifling suspicion of triteness and banality in plot and dialogue; which is, however, compensated for in the artistic passages so frequently encountered. "Romance, Mystery, and Art", an essay by Edgar Ralph Cheyney, reflects the learning and thoughtfulness of its author. The poetical fragments entitled "Songs from Walpi", by Mrs. Winifred V. Jordan, describe the hopeless affection of a Southwestern Indian prince for a maiden of the conquering white race. The atmosphere and images are cleverly wrought, whilst the rhythm is in every detail satisfactory. "Nescio Quo", by Kathleen Baldwin, is a poem of great attractiveness both in structure and sentiment. "A Crisis", by Eleanor J. Barnhart, is a short story of distinctly modern type, whose substance and development compare well with professional work. "My Heart and I", a sonnet by James T. Pyke, exhibits the skill and philosophical profundity characteristic of its author. "My Native Land", a poem by Adam Dickson, describes the Scottish Border with pleasing imagery and bounding anapaestic metre. Mr. Dickson is a poet whose progress should be carefully watched. His improvement is steady, the