Ixion in Heaven - Benjamin Disraeli (finding audrey .txt) 📗

couches; 'and a very pleasant place too. These worthy Immortals required their minds to be opened, and I trust I have effectually performed the necessary operation. They wanted to keep me down with their dull old-fashioned celestial airs, but I fancy I have given them change for their talent. To make your way in Heaven you must command. These exclusives sink under the audacious invention of an aspiring mind. Jove himself is really a fine old fellow, with some notions too. I am a prime favourite, and no one is greater authority with AEgiochus on all subjects, from the character of the fair sex or the pedigree of a courser, down to the cut of a robe or the flavour of a dish. Thanks, Ganymede,' continued the Thessalian, as he took the goblet from his returning attendant.

'I drink to your _bonnes fortunes_. Splendid! This nectar makes me feel quite immortal. By-the-bye, I hear sweet sounds. Who is in the Hall of Music?'

'The Goddesses, royal sir, practise a new air of Euterpe, the words by Apollo. 'Tis pretty, and will doubtless be very popular, for it is all about moonlight and the misery of existence.'

'I warrant it.'

'You have a taste for poetry yourself?' inquired Ganymede.

'Not the least,' replied Ixion.

'Apollo,' continued the heavenly page, 'is a great genius, though Marsyas said that he never would be a poet because he was a God, and had no heart. But do you think, sir, that a poet does indeed need a heart?'

'I really cannot say. I know my wife always said I had a bad heart and worse head; but what she meant, upon my honour I never could understand.'

'Minerva will ask you to write in her album.'

'Will she indeed! I am sorry to hear it, for I can scarcely scrawl my signature. I should think that Jove himself cared little for all this nonsense.'

'Jove loves an epigram. He does not esteem Apollo's works at all. Jove is of the classical school, and admires satire, provided there be no allusions to Gods and kings.'

'Of course; I quite agree with him. I remember we had a confounded poet at Larissa who proved my family lived before the deluge, and asked me for a pension. I refused him, and then he wrote an epigram asserting that I sprang from the veritable stones thrown by Deucalion and Pyrrha at the re-peopling of the earth, and retained all the properties of my ancestors.'

'Ha, ha! Hark! there's a thunderbolt! I must run to Jove.'

'And I will look in on the musicians. This way, I think?'

'Up the ruby staircase, turn to your right, down the amethyst gallery. Farewell!'

'Good-bye; a lively lad that!'

The King of Thessaly entered the Hall of Music with its golden walls and crystal dome. The Queen of Heaven was reclining in an easy chair, cutting out peacocks in small sheets of note paper. Minerva was making a pencil observation on a manuscript copy of the song: Apollo listened with deference to her laudatory criticisms. Another divine dame, standing by the side of Euterpe, who was seated by the harp, looked up as Ixion entered. The wild liquid glance of her soft but radiant countenance denoted the famed Goddess of Beauty.

Juno just acknowledged the entrance of Ixion by a slight and haughty inclination of the head, and then resumed her employment. Minerva asked him his opinion of her amendment, of which he greatly approved. Apollo greeted him with a melancholy smile, and congratulated him on being mortal. Venus complimented him on his visit to Olympus, and expressed the pleasure that she experienced in making his acquaintance.

'What do you think of Heaven?' inquired Venus, in a soft still voice, and with a smile like summer lightning.

'I never found it so enchanting as at this moment,' replied Ixion.

'A little dull? For myself, I pass my time chiefly at Cnidos: you must come and visit me there. 'Tis the most charming place in the world. 'Tis said, you know, that our onions are like other people's roses. We will take care of you, if your wife come.'

'No fear of that. She always remains at home and piques herself on her domestic virtues, which means pickling, and quarrelling with her husband.'

'Ah! I see you are a droll. Very good indeed. Well, for my part, I like a watering-place existence. Cnidos, Paphos, Cythera; you will usually find me at one of these places. I like the easy distraction of a career without any visible result. At these fascinating spots your gloomy race, to whom, by-the-bye, I am exceedingly partial, appear emancipated from the wearing fetters of their regular, dull, orderly, methodical, moral, political, toiling existence. I pride myself upon being the Goddess of watering-places. You really must pay me a visit at Cnidos.'

'Such an invitation requires no repetition. And Cnidos is your favourite spot?'

'Why, it was so; but of late it has become so inundated with invalid Asiatics and valetudinarian Persians, that the simultaneous influx of the handsome heroes who swarm in from the islands to look after their daughters, scarcely compensates for the annoying presence of their yellow faces and shaking limbs. No, I think, on the whole, Paphos is my favourite.'

'I have heard of its magnificent luxury.'

'Oh! 'tis lovely! Quite my idea of country life. Not a single tree! When Cyprus is very hot, you run to Paphos for a sea-breeze, and are sure to meet every one whose presence is in the least desirable. All the bores remain behind, as if by instinct.'

'I remember when we married, we talked of passing the honeymoon at Cythera, but Dia would have her waiting-maid and a bandbox stuffed between us in the chariot, so I got sulky after the first stage, and returned by myself.'

'You were quite right. I hate bandboxes: they are always in the way. You would have liked Cy-thera if you had been in the least in love. High rocks and green knolls, bowery woods, winding walks, and delicious sunsets. I have not been there much of late,' continued the Goddess, looking somewhat sad and serious, 'since--but I will not talk sentiment to Ixion.'

'Do you think, then, I am insensible?'

'Yes.'

'Perhaps you are right. We mortals grow callous.'

'So I have heard. How very odd!' So saying, the Goddess glided away and saluted Mars, who at that moment entered the hall. Ixion was presented to the military hero, who looked fierce and bowed stiffly. The King of Thessaly turned upon his heel. Minerva opened her album, and invited him to inscribe a stanza.

'Goddess of Wisdom,' replied the King, 'unless you inspire me, the virgin page must remain pure as thyself. I can scarcely sign a decree.'

'Is it Ixion of Thessaly who says this; one who has seen so much, and, if I am not mistaken, has felt and thought so much? I can easily conceive why such a mind may desire to veil its movements from the common herd, but pray concede to Minerva the gratifying compliment of assuring her that she is the exception for whom this rule has been established.'

'I seem to listen to the inspired music of an oracle. Give me a pen!

'Here is one, plucked from a sacred owl.' 'So! I write. There! Will it do?' Minerva read the inscription:--


I HAVE SEEN THE WORLD, AND MORE THAN THE WORLD:
I HAVE STUDIED THE HEART OF MAN,
AND NOW I CONSORT WITH IMMORTALS.
THE FRUIT OF MY TREE OF KNOWLEDGE IS PLUCKED,
AND IT IS THIS,
'Adventures are to the Adventurous.'
Written in the Album of Minerva, by
Ixion in Heaven.


''Tis brief,' said the Goddess, with a musing air, 'but full of meaning. You have a daring soul and pregnant mind.'

'I have dared much: what I may produce we have yet to see.'

'I must to Jove,' said Minerva, 'to council. We shall meet again. Farewell, Ixion.'

'Farewell, Glaucopis.'

The King of Thessaly stood away from the remaining guests, and leant with folded arms and pensive brow against a wreathed column. Mars listened to Venus with an air of deep devotion. Euterpe played an inspiring accompaniment to their conversation. The Queen of Heaven seemed engrossed in the creation of her paper peacocks.

Ixion advanced and seated himself on a couch near Juno. His manner was divested of that reckless bearing and careless coolness by which it was in general distinguished. He was, perhaps, even a little embarrassed. His ready tongue deserted him. At length he spoke.

'Has your Majesty ever heard of the peacock of the Queen of Mesopotamia?'

'No,' replied Juno, with stately reserve; and then she added with an air of indifferent curiosity, 'Is it in any way remarkable?'

'Its breast is of silver, its wings of gold, its eyes of carbuncle, its claws of amethyst.'

'And its tail?' eagerly inquired Juno.

'That is a secret,' replied Ixion. 'The tail is the most wonderful part of all.'

'Oh! tell me, pray tell me!'

'I forget.'

'No, no, no; it is impossible!' exclaimed the animated Juno. 'Provoking mortal!' continued the Goddess. 'Let me entreat you; tell me immediately.'

'There is a reason which prevents me.'

'What can it be? How very odd! What reason can it possibly be? Now tell me; as a particular, a personal favour, I request you, do tell me.'

'What! The tail or the reason? The tail is wonderful, but the reason is much more so. I can only tell one. Now choose.'

'What provoking things these human beings are! The tail is wonderful, but the reason is much more so. Well then, the reason; no, the tail. Stop, now, as a particular favour, pray tell me both. What can the tail be made of and what can the reason be? I am literally dying of curiosity.'

'Your Majesty has cut out that peacock wrong,' remarked Ixion. 'It is more like one of Minerva's owls.'

'Who cares about paper peacocks, when the Queen of Mesopotamia has got such a miracle!' exclaimed Juno; and she tore the labours of the morning to pieces, and threw away the fragments with vexation. 'Now tell me instantly; if you have the slightest regard for me, tell me instantly. What was the tail made of?'

'And you do not wish to hear the reason?'

'That afterwards. Now! I am all ears.' At this moment Ganymede entered, and whispered the Goddess, who rose in evident vexation, and retired to the presence of Jove.

The King of Thessaly quitted the Hall of Music. Moody, yet not uninfluenced by a degree of wild excitement, he wandered forth into the gardens of Olympus. He came to a beautiful green retreat surrounded by enormous cedars, so vast that it seemed they must have been coeval with the creation; so fresh and brilliant, you would have deemed them wet with the dew of their first spring. The turf, softer than down, and exhaling, as you pressed it, an exquisite perfume, invited him to recline himself upon this natural couch. He threw himself upon the aromatic herbage, and leaning on his arm, fell into a deep reverie.

Hours flew away; the sunshiny glades that opened in the distance had softened into shade.

'Ixion, how do you do?' inquired a voice, wild, sweet, and thrilling as a bird. The King of Thessaly started and looked up with the distracted air of a