The Return of Peter Grimm - David Belasco (best books to read for knowledge .TXT) 📗

window into the glowing, flower-starred June world.

"How I loathe this pokey, dead old village!" he complained. "And what wouldn't I give to be back with the old Leyden crowd for one little night!"

He lurched over to the piano, sat carelessly, sidewise, on its stool, and, thrumming at the keyboard, fell to humming in a slurring, reminiscent fashion, the old Leyden University chorus:


"Ach, daar koonet ye amuseeren! Io vivat--Io vivat
Nostorum sanitas, hoc estamoris porculum,
Dolores est anti gotum--Io vivat--Io vivat
Nostorum sanitas--!


"Say, Hartmann," he broke off from his jumble of Dutch and Hollandised Latin, "the old man is aging. He's aging fast."

"Who?" asked Hartmann absently, glancing up from his work. "Oh, your uncle? Yes, he is mellowing. He is changing foliage with the years."

"Changing foliage? Not he. He changes nothing. What was good enough forty years ago seems to him quite good enough to-day. He's as old-fashioned as his hats. And they're the oldest things since Noah's time. He's just as old-fashioned in his financial ways. In my opinion, for instance, this would be a capital time to sell out the business. But he----"

"Sell out?" echoed Hartmann in genuine horror. "Sell out a business that's been in his family for--why, man, he'd as soon sell his soul. This business is his religion."

"Yes, and that's why it is so flourishing in spite of his back-date customs. It's at the very acme of its prosperity now. Why, the plant must be worth an easy half million. Yes, and more. Lord, but it _would_ sell now! One, two, three,--_Augenblick!_ By the way, speaking of selling,--what was the last offer the dear old gentleman turned down from Hicks of Rochester?"

But Hartmann did not hear the question. He was staring at Frederik in open-mouthed astonishment.

"Sell out?" he repeated dully. "This is a new one--even from you. There isn't a day your uncle doesn't tell me how triumphantly you are going to carry on the business after he is gone. He----"

"Oh, I am!" sneered Frederik. "I am. Of course I am. How can you doubt it. Wait and see. It's a big name--'Peter Grimm.' And the old gentleman knows his business. He assuredly knows his business."

"I don't mind being the repository of your confidences about hating work," burst out Hartmann, "any more than I mind listening to the mewing of a sick cat. But when you strike this new vein, you'll have to choose another audience. I'm afraid I'd be likely to take sudden charge of the meeting and break the talented orator's neck."

He gathered up some of his papers and stamped out. Frederik looked after him uncertainly, took a step toward the door through which the secretary had just vanished, then thought better of the idea, laughed shortly, and drew out a cigarette. But a creaking of heavy shoes on the walk outside led him to slip the cigarette back into its case, and to bend interestedly over the pile of office mail Hartmann had opened.

If Kathrien had typified all that was dainty and alluring in the room's Dutch art, the man who now stamped in from the front vestibule, assuredly was typical of all old Holland's solidity. Stocky, of medium height, he was clad more as though he had copied the fashions depicted in a daguerrotype than those of the twentieth century. His black broadcloth was of no recent cut. His low, upright collar and broad cravat were of stock-like aspect, while a high hat such as he wore has certainly appeared in no show window since 1870.

Withal, there was nothing ludicrous or even incongruous about the costume. It belonged with the wearer. And while on another man it would have been absurd, on him it seemed the only logical apparel.

Peter Grimm halted in the vestibule, laboriously removed his rubbers, and dropped his heavy ash stick into its place on the rack. Then he carefully lifted the antique hat from his head, deposited it on a peg, and came forward into the room. The face, revealed as he left the vestibule's gloom for the bright sunlight, was at first glance hard, deeply lined, and stubborn; the effect accented by a set mouth, the little truculently alert eyes under bushy brows, and the slightly uptilted nose.

A second look, however, would have revealed, to any one who could read faces, a lovable and almost tender light behind the eye's sharp twinkle and a kindly, humorous twist to the stubborn mouth. Hot temper, the physiognomist would have read, and obstinacy. But there the catalogue of faults would have ended abruptly. The rest was warm heart, trustfulness, eager sympathy,--an almost child-like friendliness toward the world at large that forever battled for mastery with native Dutch shrewdness.

There was far more kindness than shrewdness in the square old face just now, as Grimm noted his nephew's presence and his deep absorption in the contents of the mail. Frederik looked up as Grimm came forward.

"Good-morning, Oom Peter," said he.

"Good-morning, Fritzy," returned Grimm. "Hard at work, I see."

"Not so hard but that you were ahead of me. I felt unpardonably lazy when I heard you come downstairs at five."

"I'm sorry I woke you. Youngsters need their sleep. We old fellows have done about all the dozing we need to do; and we are coming so close to our Long Sleep that God gives us extra wakefulness for the little time left; so we may see as much as possible of this glorious old world of His."

"I ran over from the office----"

"Oh, I know why you ran over, Fritzy. A word with Kathrien--yes?"

"No, sir, I try to forget everything but work during business hours. I came to look for you. I've a suggestion----"

"Yes?"

Grimm's face lighted with the rare smile that played over its harsh outlines like sunshine. Each proof of his nephew's interest in the work was as tonic to him.

"I came over," went on Frederik, by hard mental calisthenics creating an impromptu suggestion, "to propose that we insert a full-page cut of your new tulip in our midsummer floral almanac."

"H'--m!" muttered Grimm doubtfully. "I don't see why we----"

"Oh, sir, the public's expecting it."

"What makes you think so?"

"Why," now quite at home with his newly evolved notion, "you've no idea the stir the tulip has made. We get letters from everywhere----"

"It didn't seem to me anything so extraordinary," said Grimm modestly, albeit hugely gratified. "I'll think over the plan. What have you been doing all day?"

Frederik glanced at the clock. It registered three minutes before nine.

"Oh, I've had a busy morning," he answered. "In the packing house. Lots of orders to attend to. It's never safe to trust the more important ones to subordinates."

"That's right," approved Grimm. "Fritzy, it does me good, all through, to see you taking hold of the business the way you're doing."

Further praise was cut short by old Marta, the housekeeper, who bustled in to attend to her regular nine o'clock duty of winding the chain-weighted Dutch clock.

As she drew up the weights with a grate and a whirr that made audible conversation quite out of the question, she formed a study, in clothes and visage, that might have stepped direct from a Franz Hals canvas.

There was nothing American or modern about the old woman. Nothing about her save her face had changed since the day, sixty years back, when an earlier Grimm, returning from a visit from the Fatherland, had brought her to Grimm Manor as maid for his young American wife. Her task accomplished, Marta turned dutifully to courtesy to her master.

"_Huge moroche, Mynheer Grimm_," she saluted him. "_Komt ujuist eut di teum?_"

"_Ja_," replied Peter, dropping into the tongue of his fathers, yet with an odd twinkle in his little eyes. "_En ik bin hongerig._--Taking her morning exercise," he added, noting the performance with the clock weights.

"You are always making fun of me!" sniffed Marta, trying not to grin as she swept indignantly out of the room.

In her departure she nearly collided with Hartmann who was entering from the offices. Seating himself at the desk, dictation pad in hand, Hartmann asked:

"Are you ready for me, sir?"

"Yes," answered Grimm.--"No, I'm not. But I will be in a minute. There's something I'd forgotten. Wait----"

Cupping his hands about his mouth, Grimm wheeled to face the gallery and shouted a curiously high-pitched dissyllable:

"_Ou--hoo!_"

And, as though a sweeter, more silvery echo of the rough old voice, came from one of the gallery rooms an answering hail. Kathrien herself followed close upon her reply to the familiar signal call.

"Oh, Oom Peter!" she exclaimed, running lightly down the stairs and throwing her arms about his neck. "Good-morning. How careless I was not to come sooner and make your coffee. I didn't know you were in yet. You must be half starved."

She started for the dining-room. But Grimm's arm was about her waist, detaining her.

"This is the very busiest little woman you ever saw, Frederik," he announced. "She is forever thinking of things to do for me. And I'm never remembering to do anything for her."

"Shame!" cried Kathrien, "you do everything in this big world for me, Oom Peter, and you know it. I've got everything any girl's heart could ask."

"Oh, no, you haven't though," sagely contradicted Grimm. "Before you say that, wait till I give you some fine young chap for a husband. Hey, Frederik?"

She drew away from his embrace with gentle impatience.

"Don't, Oom Peter," she begged. "You're always talking about weddings lately. I don't know what's come over you."

"It's nesting time," Grimm defended himself. "Weddings are in the air. And then, I keep thinking of all the linen packed in my grandmother's chest upstairs. We must use it again some day. There, there, little girl! You shan't be teased any more. Only, I'll leave it to you, Fritzy, if she doesn't deserve a grand husband,--this little girl of mine. If for no other reason, to pay for all she's done for me."

"Done for you?" laughed Kathrien. "Truly, I was forgetting that. I do you the great favour of letting you do everything for me."

"Nonsense! Who lays out my linen and brushes my clothes and fixes wonderful little dishes for me, and puts my slippers and dressing gown in front of the fire on cold nights, and puts flowers on my desk every day? And, best of all, _Kindchen_, who floods this old house of mine with the glory of Youth?"

"Youth?" she mocked with the true scorn of the young for their supreme gift. "Youth can't do very much. What does it amount to?"

"Nothing much," gravely answered her uncle. "Youth, as you say, is not anything worth mentioning. It is only the most priceless and most perishable treasure in God's storehouse. It is only the thing that means Beauty and Strength and Hope. It is the thing we all despise as long as we have it and would give our souls to get back as soon as we have lost it. No, as you say, Youth doesn't amount to much. It is only the nearest approach to Immortality that mortals have ever known. Why, where should I be now,--a grouchy old bachelor like me--without Youth in my house? Why, Frederik, this girl has made me feel kindlier toward all other women."

"Oh, I have, have I?" demanded Kathrien, "that's more than I bargained for."