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and ploughed it with my own heifer.

The reign of Edward IV. is in itself suggestive of new considerations and unexhausted interest to those who accurately regard it. Then commenced the policy consummated by Henry VII.; then were broken up the great elements of the old feudal order; a new Nobility was called into power, to aid the growing Middle Class in its struggles with the ancient; and in the fate of the hero of the age, Richard Nevile, Earl of Warwick, popularly called the King-maker, “the greatest as well as the last of those mighty Barons who formerly overawed the Crown,” [Hume adds, “and rendered the people incapable of civil government,”—a sentence which, perhaps, judges too hastily the whole question at issue in our earlier history, between the jealousy of the barons and the authority of the king.] was involved the very principle of our existing civilization. It adds to the wide scope of Fiction, which ever loves to explore the twilight, that, as Hume has truly observed, “No part of English history since the Conquest is so obscure, so uncertain, so little authentic or consistent, as that of the Wars between the two Roses.” It adds also to the importance of that conjectural research in which Fiction may be made so interesting and so useful, that “this profound darkness falls upon us just on the eve of the restoration of letters;” [Hume] while amidst the gloom, we perceive the movement of those great and heroic passions in which Fiction finds delineations everlastingly new, and are brought in contact with characters sufficiently familiar for interest, sufficiently remote for adaptation to romance, and above all, so frequently obscured by contradictory evidence, that we lend ourselves willingly to any one who seeks to help our judgment of the individual by tests taken from the general knowledge of mankind.

Round the great image of the “Last of the Barons” group Edward the Fourth, at once frank and false; the brilliant but ominous boyhood of Richard the Third; the accomplished Hastings, “a good knight and gentle, but somewhat dissolute of living;” [Chronicle of Edward V., in Stowe] the vehement and fiery Margaret of Anjou; the meek image of her “holy Henry,” and the pale shadow of their son. There may we see, also, the gorgeous Prelate, refining in policy and wile, as the enthusiasm and energy which had formerly upheld the Ancient Church pass into the stern and persecuted votaries of the New; we behold, in that social transition, the sober Trader—outgrowing the prejudices of the rude retainer or rustic franklin, from whom he is sprung—recognizing sagaciously, and supporting sturdily, the sectarian interests of his order, and preparing the way for the mighty Middle Class, in which our Modern Civilization, with its faults and its merits, has established its stronghold; while, in contrast to the measured and thoughtful notions of liberty which prudent Commerce entertains, we are reminded of the political fanaticism of the secret Lollard,—of the jacquerie of the turbulent mob-leader; and perceive, amidst the various tyrannies of the time, and often partially allied with the warlike seignorie, [For it is noticeable that in nearly all the popular risings—that of Cade, of Robin of Redesdale, and afterwards of that which Perkin Warbeck made subservient to his extraordinary enterprise—the proclamations of the rebels always announced, among their popular grievances, the depression of the ancient nobles and the elevation of new men.]—ever jealous against all kingly despotism,—the restless and ignorant movement of a democratic principle, ultimately suppressed, though not destroyed, under the Tudors, by the strong union of a Middle Class, anxious for security and order, with an Executive Authority determined upon absolute sway.

Nor should we obtain a complete and comprehensive view of that most interesting Period of Transition, unless we saw something of the influence which the sombre and sinister wisdom of Italian policy began to exercise over the councils of the great,—a policy of refined stratagem, of complicated intrigue, of systematic falsehood, of ruthless, but secret violence; a policy which actuated the fell statecraft of Louis XI.; which darkened, whenever he paused to think and to scheme, the gaudy and jovial character of Edward IV.; which appeared in its fullest combination of profound guile and resolute will in Richard III.; and, softened down into more plausible and specious purpose by the unimpassioned sagacity of Henry VII., finally attained the object which justified all its villanies to the princes of its native land,—namely, the tranquillity of a settled State, and the establishment of a civilized but imperious despotism.

Again, in that twilight time, upon which was dawning the great invention that gave to Letters and to Science the precision and durability of the printed page, it is interesting to conjecture what would have been the fate of any scientific achievement for which the world was less prepared. The reception of printing into England chanced just at the happy period when Scholarship and Literature were favoured by the great. The princes of York, with the exception of Edward IV. himself, who had, however, the grace to lament his own want of learning, and the taste to appreciate it in others, were highly educated. The Lords Rivers and Hastings [The erudite Lord Worcester had been one of Caxton’s warmest patrons, but that nobleman was no more at the time in which printing is said to have been actually introduced into England.] were accomplished in all the “witte and lere” of their age. Princes and peers vied with each other in their patronage of Caxton, and Richard III., during his brief reign, spared no pains to circulate to the utmost the invention destined to transmit his own memory to the hatred and the horror of all succeeding time. But when we look around us, we see, in contrast to the gracious and fostering reception of the mere mechanism by which science is made manifest, the utmost intolerance to science itself. The mathematics in especial are deemed the very cabala of the black art. Accusations of witchcraft were never more abundant; and yet, strange to say, those who openly professed to practise the unhallowed science, [Nigromancy, or Sorcery, even took its place amongst the regular callings. Thus, “Thomas Vandyke, late of Cambridge,” is styled (Rolls Parl. 6, p. 273) Nigromancer as his profession.—Sharon Turner, “History of England,” vol iv. p. 6. Burke, “History of Richard III.”] and contrived to make their deceptions profitable to some unworthy political purpose, appear to have enjoyed safety, and sometimes even honour, while those who, occupied with some practical, useful, and noble pursuits uncomprehended by prince or people, denied their sorcery were despatched without mercy. The mathematician and astronomer Bolingbroke (the greatest clerk of his age) is hanged and quartered as a wizard, while not only impunity but reverence seems to have awaited a certain Friar Bungey, for having raised mists and vapours, which greatly befriended Edward IV. at the battle of Barnet.

Our knowledge of the intellectual spirit of the age, therefore, only becomes perfect when we contrast the success of the Impostor with the fate of the true Genius. And as the prejudices of the populace ran high against all mechanical contrivances for altering the settled conditions of labour, [Even in the article of bonnets and hats, it appears that certain wicked falling mills were deemed worthy of a special anathema in the reign of Edward IV. These engines are accused of having sought, “by subtle imagination,” the destruction of the original makers of hats and bonnets by man’s strength,—that is, with hands and feet; and an act of parliament was passed (22d of Edward IV.) to put down the fabrication of the said hats and bonnets by mechanical contrivance.] so probably, in the very instinct and destiny of Genius which ever drive it to a war with popular prejudice, it would be towards such contrivances that a man of great ingenuity and intellect, if studying the physical sciences, would direct his ambition.

Whether the author, in the invention he has assigned to his philosopher (Adam Warner), has too boldly assumed the possibility of a conception so much in advance of the time, they who have examined such of the works

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