Wandl the Invader by Ray Cummings (english books to improve english txt) 📗

rose a trifle higher; the colored lights overhead gave us a brief but clear view of it.

The thing in the box was a huge living brain. I saw goggling, protruding eyes; an orifice that could have been a nose, and a gash upended for a vertical mouth. It was a face. And the little tentacle arm holding up the box-lid was joined to where the ear should have been.

Was this something human? A huge distended human brain, with the body withered to that tiny arm?

The palpitating thing sank down in the box and the lid dropped. And upon our horrified gaze the insulated door of the room slid too.

"By the gods!" exclaimed Halsey. "One of them dares come to the Red Spark. Here, almost in public."

So Halsey knew what this meant. His eyes were blazing now; his face was white, with an intensity of emotion that transfigured it.

"Francis, tell Foley I'll be in the manager's office in five minutes."

He snapped off; our image connection with the Red Spark went dead.

"We're going to the Red Spark," he announced. "This changes everything, yet I don't know. Venza, I may need you more than ever, now."

Halsey herded us to the office door. From his desk he had snatched up a few portable instruments, and he flung on a cloak.

It was a brief trip to the Red Spark, on foot through the sub-cellar arcade to where, under Park Circle 29, we went up in a vertical lift to the roof. We were in the side entrance oval of the restaurant in five minutes.

In the dim metal room of Orentino, the Red Spark's manager, a barrage was up and Foley was waiting for us. We could hear it faintly humming. Now we could talk.

Halsey slammed the door down. He said swiftly, "My men caught one of these things this morning. They have it now and I think Molo does not yet know we captured it. A brain; we're convinced it understands English and can talk, but no one has been able to make it talk yet. Foley, order that damned Orentino to de-insulate the room Molo is in. Now, by the gods, we may see and hear something."[18]

The frightened manager of the Red Spark was in the control room. Halsey killed our barrage to let the outside connections get through to us. We all crowded around the mirror-grid which stood on Orentino's desk. Foley gave us connection with the control room. We saw Orentino's face, his eyes nearly popping with fright. "Colonel Halsey, I will do whatever you tell me."

"What room is that Martian occupying?"

"Insulated 39."

"Break off the insulation. Do it slowly and he may not notice. Then give us connection, audio and vision."

"But I have no image-finders in the insulated rooms."

"Cut off the barrage. I'll get connection there."

Foley was already setting up his eavesdropper on the desk. The mirror blurred a little; then it clarified. We had the interior of the secret room, and voices were coming out of Foley's tiny receiver.

The image showed the box on the floor, with its lid down. The tall hooded shape of the stranger stood with Molo and his sister by the table. They were talking in swift, vehement undertones. The language was Martian, a dialect principally used in Ferrok-Shahn. Our equipment brought it in and I could understand it.

Molo was saying: "But you are the fool to have dared to come here!"

"The master knows that there is danger. Something is wrong." The hooded stranger spoke like a foreigner, but not a Martian, nor an Earthman, and not like any person of Venus I had ever heard. It was a strange, indescribable intonation, a flat, hollow voice.

"I say the master is concerned."

"Let him be."

"And he demanded I bring him here to find you. He is displeased that you are here."

What gruesome thing was this? Their glances seemed to go to the box on the floor at their feet, as though the master were in there. But the lid of the box did not rise.

"Well, you have found me," Molo declared impatiently. "When you know me better, always you will find I have my wits. The thing is for tomorrow night, not tonight."

"But that, my master is not sure." The hollow voice was[19] deferential but insistent. "He fears danger; something has gone wrong. He is working on it now, striving to receive the message! There is a message. He knows that much. Perhaps from our world, Wandl, itself."

For a moment Molo had no answer. His sister had not spoken. I noticed that her gaze seemed roving the room.

"What is it I should do?" Molo asked at last.

"Come with us to your home-room."

"But I have everything ready there. The contact is ready for tomorrow night. Your world will control Earth."

"But if it be tonight?"

Again Molo was silent. My breath stopped. On our mirror I saw the stranger's hood part just a little. There seemed to be no face; just the blur of something brownish.

"But if it be tonight?" the voice insisted.

"I will go," Molo said abruptly, "but your coming here was dangerous. Suppose we cannot get out undetected? You know I will never go to where all our instruments are set up and have some damnable spy follow me. Is all going well on Venus and Mars?"

"Yes. My master feels so. He seems to get messages. The contacts will be made simultaneously." A gruesome chuckle. "The capture of these three worlds. We shall have all three enchained at once. Helpless."

The lid of the black box seemed again about to rise when there came a sharp cry from Meka. "This room is not insulated!"

Our eavesdropping was discovered. Beside me, I heard Halsey give a low curse. On our mirror we saw sudden action. The ten-foot, cloaked figure laboriously lifted the black box, and swung with it toward the outer wall of the room. I saw now clearly with what a dragging, heavy tread that giant shape moved, as though it weighed, here on Earth, far more than the normal weight to which it was accustomed.

"Over there!" Molo gasped. "The escape-port; this room has one. Meka, go with him. I will join you. You know where."

Foley cried, "Colonel, I may be able to stop them!"

But Halsey saw on our image that Molo was staying. "Wait. Let them go. If we have the Martian here, that's better."

I saw the room's escape-port swing open as Meka and the hooded shape carrying the box moved for it. The moonlit[20] darkness of the outer catwalk enveloped the disappearing figures.

Molo was left alone. He closed the port swiftly. His detector now was in his hand, but Halsey anticipated him by a second or two. Our listener went dead; our mirror darkened. Doubtless Molo was never sure whether he had been spied on or not.

Halsey was on his feet. "Foley, get out into the main room. Stay with him."

But there was no need to follow Molo. He had sent his visitor and sister out by the escape-port, which was usual enough; now he was back in the main room as though nothing of importance had happened, with an appearance of intoxication about him. He wavered jovially across the room, threading his way through the gay diners, and reached the table where his party still sat carousing.

Again Halsey shut us off.

"He's got a base somewhere in the city; you heard what they said about it. We've got to trick him into going there, unsuspecting."

Halsey seized the audiphone. "Your chance, Venza. It's the only way. Foley, keep away from that Martian. Shut off all contacts. I'll meet you out there in a moment. I'm sending a girl; she'll go after him."

"Now?" Venza asked.

"Yes. It's the only way. Perhaps you can get him drinking. Venza, use all the wiles you possess now."

"No!" gasped Snap. "It's too dangerous!"

Anita was clinging to Venza. "Colonel Halsey, I'm going too."

Halsey stared, then made a swift decision. "Right. That is still better."

I jumped to my feet. "Colonel, I should prefer that one of us men...."

He gripped me by the shoulders. "Gregg Haljan, I take no suggestions from you!" His blazing eyes bored into me. "There isn't a second to lose. Don't you realize this means destruction of our three inhabited planets? I'll sacrifice myself, you, or these girls! Venza, take Anita outside. I'll join you immediately, give you last instructions. Take a portable audiphone with you."[21]

He turned to Snap. "This is the only way. These demons can't be forced. You know that."

The girls were moving toward the door. I met Snap's anguished gaze.

"Gregg, don't let them go!"

"No! No, I won't!"

I made a lunge past Halsey, with Snap after me. Halsey did not move, but one of his rays struck us. With all senses numbed, I felt myself falling.

"Gregg—don't—let them...."

Snap had tumbled upon me. My senses did not quite fade. I was aware of Anita's and Venza's horrified cries, but Halsey pushed them toward the door. It slid up. I vaguely saw the two girls going out with Halsey after them; and the door coming down.

3

I have no idea how long it was before Halsey came back. Snap and I were seated on a low metal bench against the wall. The effect of the paralysing ray was wearing off. We were tingling all over, our senses still confused.

Halsey stalked in upon us. "So you are recovered?"

Snap stammered, "We—I say, we're sorry as hell we acted like that."

"I know you are." His voice softened. "If I could have done anything else, believe me, I would have. But I don't think harm will come to them. They're clever."

"Are they outside?" I asked. "Did they find a way of meeting the Martians? How long have you been gone?"

Halsey merely stared at me as though he had no intention of answering. And then the audiphone on the desk buzzed.

"This is Halsey," he said. "Yes, I have them here. Bring them—did you say bring them?"

We could not hear the answering voice, for Halsey had the muffler in contact.[22]

"No, I would prefer not to come. I'm watching something. I'm at the Red Spark Cafe. Well, I'm going back to my office presently to wait there."

He continued in code. Like Snap, I had never had occasion to learn it. The words were a strange sounding staccato gibberish. He ended, "I will send them, Grantline. Very well, I'll tell them to locate him. At once, yes." He closed off the audiphone.

Halsey swung on us. "You're all right now?"

"Yes." I stood up, drawing Snap up with me. "What is wanted of us Colonel?"

"That's better, Gregg." He smiled, but he was still grim. "I wanted you here to wait for this call from the Conclave of Public Safety. It met at midnight. They have ordered both of you there."

"That's a secret meeting, isn't it?" asked Snap. "There was no report of it over the air tonight."

"Yes. Secret." He was leading us to the door. "They won't need you for more than half an hour. When they finish, come back to my office. You can come openly." He stood with his finger on the door lever. "Good-by, lads. Foley will lead you to the service room. You are to take a mail cylinder for Postal Switch-station 20. They'll re-route you from there to the conclave auditorium."

The door slid up. "When you disembark," he added, "Ask for Johnny Grantline. You are to sit with him."

He showed us out and the door slid down before him. We trudged the corridor, and Snap gripped me.

"For myself," he whispered swiftly, "I'll go to the damnable conclave because I'm ordered. But I won't stay there long. Once we get out of it, if I don't route myself back to the Red Spark, I'm a motor-oiler."

I agreed with him. We had a mental picture of Anita and Venza in the Red Spark's public room. Doubtless Orentino had created a way for them to meet Molo. They would sit there in the Red Spark with that drinking party, and in less than an hour we would be back.

But as we crossed diagonally across an end of the main room with Foley leading us, we caught a glimpse of Molo's table. The party was still there, but Molo, Anita, and Venza were gone![23]

We had no time to get any information. Foley abruptly left us and another man took his place. In the service room a passenger cylinder was waiting. Our guide entered it with us.

At the switch station we had the breath knocked out of us. After another ten minutes in the vacuum tube, we reached our unknown destination. The cylinder-slide opened. We found ourselves with a lone guard; and through a gloomy arcade opening, Johnny Grantline was advancing, to greet us.

"Well, so