Twelve Stories and a Dream by H. G. Wells (jenna bush book club .txt) 📗

and most unscrupulous men in London journalism, and Banghurst instantly seized upon the situation. The interviewer vanishes from the narrative, no doubt very doubtfully remunerated, and Banghurst, Banghurst himself, double chin, grey twill suit, abdomen, voice, gestures and all, appears at Dymchurch, following his large, unrivalled journalistic nose. He had seen the whole thing at a glance, just what it was and what it might be.

At his touch, as it were, Filmer's long-pent investigations exploded into fame. He instantly and most magnificently was a Boom. One turns over the files of the journals of the year 1907 with a quite incredulous recognition of how swift and flaming the boom of those days could be. The July papers know nothing of flying, see nothing in flying, state by a most effective silence that men never would, could or should fly. In August flying and Filmer and flying and parachutes and aerial tactics and the Japanese Government and Filmer and again flying, shouldered the war in Yunnan and the gold mines of Upper Greenland off the leading page. And Banghurst had given ten thousand pounds, and, further, Banghurst was giving five thousand pounds, and Banghurst had devoted his well-known, magnificent (but hitherto sterile) private laboratories and several acres of land near his private residence on the Surrey hills to the strenuous and violent completion—Banghurst fashion—of the life-size practicable flying machine. Meanwhile, in the sight of privileged multitudes in the walled-garden of the Banghurst town residence in Fulham, Filmer was exhibited at weekly garden parties putting the working model through its paces. At enormous initial cost, but with a final profit, the New Paper presented its readers with a beautiful photographic souvenir of the first of these occasions.

Here again the correspondence of Arthur Hicks and his friend Vance comes to our aid.

“I saw Filmer in his glory,” he writes, with just the touch of envy natural to his position as a poet passe. “The man is brushed and shaved, dressed in the fashion of a Royal-Institution-Afternoon Lecturer, the very newest shape in frock-coats and long patent shoes, and altogether in a state of extraordinary streakiness between an owlish great man and a scared abashed self-conscious bounder cruelly exposed. He hasn't a touch of colour in the skin of his face, his head juts forward, and those queer little dark amber eyes of his watch furtively round him for his fame. His clothes fit perfectly and yet sit upon him as though he had bought them ready-made. He speaks in a mumble still, but he says, you perceive indistinctly, enormous self-assertive things, he backs into the rear of groups by instinct if Banghurst drops the line for a minute, and when he walks across Banghurst's lawn one perceives him a little out of breath and going jerky, and that his weak white hands are clenched. His is a state of tension—horrible tension. And he is the Greatest Discoverer of This or Any Age—the Greatest Discoverer of This or Any Age! What strikes one so forcibly about him is that he didn't somehow quite expect it ever, at any rate, not at all like this. Banghurst is about everywhere, the energetic M.C. of his great little catch, and I swear he will have every one down on his lawn there before he has finished with the engine; he had bagged the prime minister yesterday, and he, bless his heart! didn't look particularly outsize, on the very first occasion. Conceive it! Filmer! Our obscure unwashed Filmer, the Glory of British science! Duchesses crowd upon him, beautiful, bold peeresses say in their beautiful, clear loud voices—have you noticed how penetrating the great lady is becoming nowadays?—'Oh, Mr. Filmer, how DID you do it?'

“Common men on the edge of things are too remote for the answer. One imagines something in the way of that interview, 'toil ungrudgingly and unsparingly given, Madam, and, perhaps—I don't know—but perhaps a little special aptitude.'”

So far Hicks, and the photographic supplement to the New Paper is in sufficient harmony with the description. In one picture the machine swings down towards the river, and the tower of Fulham church appears below it through a gap in the elms, and in another, Filmer sits at his guiding batteries, and the great and beautiful of the earth stand around him, with Banghurst massed modestly but resolutely in the rear. The grouping is oddly apposite. Occluding much of Banghurst, and looking with a pensive, speculative expression at Filmer, stands the Lady Mary Elkinghorn, still beautiful, in spite of the breath of scandal and her eight-and-thirty years, the only person whose face does not admit a perception of the camera that was in the act of snapping them all.

So much for the exterior facts of the story, but, after all, they are very exterior facts. About the real interest of the business one is necessarily very much in the dark. How was Filmer feeling at the time? How much was a certain unpleasant anticipation present inside that very new and fashionable frock-coat? He was in the halfpenny, penny, six-penny, and more expensive papers alike, and acknowledged by the whole world as “the Greatest Discoverer of This or Any Age.” He had invented a practicable flying machine, and every day down among the Surrey hills the life-sized model was getting ready. And when it was ready, it followed as a clear inevitable consequence of his having invented and made it—everybody in the world, indeed, seemed to take it for granted; there wasn't a gap anywhere in that serried front of anticipation—that he would proudly and cheerfully get aboard it, ascend with it, and fly.

But we know now pretty clearly that simple pride and cheerfulness in such an act were singularly out of harmony with Filmer's private constitution. It occurred to no one at the time, but there the fact is. We can guess with some confidence now that it must have been drifting about in his mind a great deal during the day, and, from a little note to his physician complaining of persistent insomnia, we have the soundest reason for supposing it dominated his nights,—the idea that it would be after all, in spite of his theoretical security, an abominably sickening, uncomfortable, and dangerous thing for him to flap about in nothingness a thousand feet or so in the air. It must have dawned upon him quite early in the period of being the Greatest Discoverer of This or Any Age, the vision of doing this and that with an extensive void below. Perhaps somewhen in his youth he had looked down a great height or fallen down in some excessively uncomfortable way; perhaps some habit of sleeping on the wrong side had resulted in that disagreeable falling nightmare one knows, and given him his horror; of the strength of that horror there remains now not a particle of doubt.

Apparently he had never weighed this duty of flying in his earlier days of research; the machine had been his end, but now things were opening out beyond his end, and particularly this giddy whirl up above there. He was a Discoverer and he had Discovered. But he was not a Flying Man, and it was only now that he was beginning to perceive clearly that he was expected to fly. Yet, however much the thing was present in his mind he gave no expression to it until the very end, and meanwhile he went to and fro from Banghurst's magnificent laboratories, and was interviewed and lionised, and wore good clothes, and ate good food, and lived in an elegant flat, enjoying a very abundant feast of such good, coarse, wholesome Fame and Success as a man, starved for all his years as he had been starved, might be reasonably expected to enjoy.

After a time, the weekly gatherings in Fulham ceased. The model had failed one day just for a moment to respond to Filmer's guidance, or he had been distracted by the compliments of an archbishop. At any rate, it suddenly dug its nose into the air just a little too