Marriage a la mode - Mrs. Humphry Ward (types of ebook readers txt) 📗

was not likely to draw her from life any more; and thereby hung a tale. As far as he was concerned the train had passed--in flame and fury--leaving an echoing silence behind it.

What folly! He turned resolutely to Mrs. Verrier, and tried to discuss with her an exhibition of French art recently opened in Washington. In vain. After a few sentences, the talk between them dropped, and both he and she were once more watching Miss Floyd, and joining in the conversation whenever she chose to draw them in.

As for Roger Barnes, he too was steadily subjugated--up to a certain point. He was not sure that he liked Miss Floyd, or her conversation. She was so much mistress of herself and of the company, that his masculine vanity occasionally rebelled. A little flirt!--that gave herself airs. It startled his English mind that at twenty--for she could be no more--a girl should so take the floor, and hold the stage. Sometimes he turned his back upon her--almost; and Cecilia Boyson held him. But, if there was too much of the "eternal womanly" in Miss Floyd, there was not enough in Cecilia Boyson. He began to discover also that she was too clever for him, and was in fact talking down to him. Some of the things that she said to him about New York and Washington puzzled him extremely. She was, he supposed, intellectual; but the intellectual women in England did not talk in the same way. He was equal to them, or flattered himself that he was; but Miss Boyson was beyond him. He was getting into great difficulties with her, when suddenly Miss Floyd addressed him:

"I am sure I saw you in New York, at the opera?"

She bent over to him as she spoke, and lowered her voice. Her look was merry, perhaps a little satirical. It put him on his guard.

"Yes, I was there. You were pointed out to me."

"You were with some old friends of mine. I suppose they gave you an account of me?"

"They were beginning it; but then Melba began to sing, and some horrid people in the next box said 'Hush!'"

She studied him in a laughing silence a moment, her chin on her hand, then said:

"That is the worst of the opera; it stops so much interesting conversation."

"You don't care for the music?"

"Oh, I am a musician!" she said quickly. "I teach it. But I am like the mad King of Bavaria--I want an opera-house to myself."

"You teach it?" he said, in amazement.

She nodded, smiling. At that moment a bell rang. Captain Boyson rose.

"That's the signal for closing. I think we ought to be moving up."

They strolled slowly towards the house, watching the stream of excursionists pour out of the house and gardens, and wind down the hill; sounds of talk and laughter filled the air, and the western sun touched the spring hats and dresses.

"The holidays end to-morrow," said Daphne Floyd demurely, as she walked beside young Barnes. And she looked smiling at the crowd of young women, as though claiming solidarity with them.

A teacher? A teacher of music?--with that self-confidence--that air as though the world belonged to her! The young man was greatly mystified. But he reminded himself that he was in a democratic country where all men--and especially all women--are equal. Not that the young women now streaming to the steamboat were Miss Floyd's equals. The notion was absurd. All that appeared to be true was that Miss Floyd, in any circumstances, would be, and was, the equal of anybody.

"How charming your friend is!" he said presently to Cecilia Boyson, as they lingered on the veranda, waiting for the curator, in a scene now deserted. "She tells me she is a teacher of music."

Cecilia Boyson looked at him in amazement, and made him repeat his remark. As he did so, his uncle called him, and he turned away. Miss Boyson leant against one of the pillars of the veranda, shaking with suppressed laughter.

But at that moment the curator, a gentle, gray-haired man, appeared, shaking hands with the General, and bowing to the ladies. He gave them a little discourse on the house and its history, as they stood on the veranda; and private conversation was no longer possible.


CHAPTER II

A sudden hush had fallen upon Mount Vernon. From the river below came the distant sounds of the steamer, which, with its crowds safe on board, was now putting off for Washington. But the lawns and paths of the house, and the formal garden behind it, and all its simple rooms upstairs and down, were now given back to the spring and silence, save for this last party of sightseers. The curator, after his preliminary lecture on the veranda, took them within; the railings across the doors were removed; they wandered in and out as they pleased.

Perhaps, however, there were only two persons among the six now following the curator to whom the famous place meant anything more than a means of idling away a warm afternoon. General Hobson carried his white head proudly through it, saying little or nothing. It was the house of a man who had wrenched half a continent from Great Britain; the English Tory had no intention whatever of bowing the knee. On the other hand, it was the house of a soldier and a gentleman, representing old English traditions, tastes, and manners. No modern blatancy, no Yankee smartness anywhere. Simplicity and moderate wealth, combined with culture--witness the books of the library--with land-owning, a family coach, and church on Sundays: these things the Englishman understood. Only the slaves, in the picture of Mount Vernon's past, were strange to him.

They stood at length in the death-chamber, with its low white bed, and its balcony overlooking the river.

"This, ladies, is the room in which General Washington died," said the curator, patiently repeating the familiar sentence. "It is, of course, on that account sacred to every true American."

He bowed his head instinctively as he spoke. The General looked round him in silence. His eye was caught by the old hearth, and by the iron plate at the back of it, bearing the letters G. W. and some scroll work. There flashed into his mind a vision of the December evening on which Washington passed away, the flames flickering in the chimney, the winds breathing round the house and over the snow-bound landscape outside, the dying man in that white bed, and around him, hovering invisibly, the generations of the future.

"He was a traitor to his king and country!" he repeated to himself, firmly. Then as his patriotic mind was not disturbed by a sense of humour, he added the simple reflection--"But it is, of course, natural that Americans should consider him a great man."

The French window beside the bed was thrown open, and these privileged guests were invited to step on to the balcony. Daphne Floyd was handed out by young Barnes. They hung over the white balustrade together. An evening light was on the noble breadth of river; its surface of blue and gold gleamed through the boughs of the trees which girdled the house; blossoms of wild cherry, of dogwood, and magnolia sparkled amid the coverts of young green.

Roger Barnes remarked, with sincerity, as he looked about him, that it was a very pretty place, and he was glad he had not missed it. Miss Floyd made an absent reply, being in fact occupied in studying the speaker. It was, so to speak, the first time she had really observed him; and, as they paused on the balcony together, she was suddenly possessed by the same impression as that which had mollified the General's scolding on board the steamer. He was indeed handsome, the young Englishman!--a magnificent figure of a man, in height and breadth and general proportions; and in addition, as it seemed to her, possessed of an absurd and superfluous beauty of feature. What does a man want with such good looks? This was perhaps the girl's first instinctive feeling. She was, indeed, a little dazzled by her new companion, now that she began to realize him. As compared with the average man in Washington or New York, here was an exception--an Apollo!--for she too thought of the Sun-god. Miss Floyd could not remember that she had ever had to do with an Apollo before; young Barnes, therefore, was so far an event, a sensation. In the opera-house she had been vaguely struck by a handsome face. But here, in the freedom of outdoor dress and movement, he seemed to her a physical king of men; and, at the same time, his easy manner--which, however, was neither conceited nor ill-bred--showed him conscious of his advantages.

As they chatted on the balcony she put him through his paces a little. He had been, it seemed, at Eton and Oxford; and she supposed that he belonged to the rich English world. His mother was a Lady Barnes; his father, she gathered, was dead; and he was travelling, no doubt, in the lordly English way, to get a little knowledge of the barbarians outside, before he settled down to his own kingdom, and the ways thereof. She envisaged a big Georgian house in a spreading park, like scores that she had seen in the course of motoring through England the year before.

Meanwhile, the dear young man was evidently trying to talk to her, without too much reference to the gilt gingerbread of this world. He did not wish that she should feel herself carried into regions where she was not at home, so that his conversation ran amicably on music. Had she learned it abroad? He had a cousin who had been trained at Leipsic; wasn't teaching it trying sometimes--when people had no ear? Delicious! She kept it up, talking with smiles of "my pupils" and "my class," while they wandered after the others upstairs to the dark low-roofed room above the death-chamber, where Martha Washington spent the last years of her life, in order that from the high dormer window she might command the tomb on the slope below, where her dead husband lay. The curator told the well-known story. Mrs. Verrier, standing beside him, asked some questions, showed indeed some animation.

"She shut herself up here? She lived in this garret? That she might always see the tomb? That is really true?"

Barnes, who did not remember to have heard her speak before, turned at the sound of her voice, and looked at her curiously. She wore an expression--bitter or incredulous--which, somehow, amused him. As they descended again to the garden he communicated his amusement--discreetly--to Miss Floyd.

Did Mrs. Verrier imply that no one who was not a fool could show her grief as Mrs. Washington did? That it was, in fact, a sign of being a fool to regret your husband?

"Did she say that?" asked Miss Floyd quickly.

"Not like that, of course, but----"

They had now reached the open air again, and found themselves crossing the front court to the kitchen-garden. Daphne Floyd did not wait till Roger should finish his sentence. She turned on him a face which was grave if not reproachful.

"I suppose you know Mrs. Verrier's story?"

"Why, I never saw her before! I hope I haven't said anything I oughtn't to have said?"

"Everybody knows it here," said Daphne slowly. "Mrs. Verrier married three years ago. She married a Jew--a New Yorker--who had changed his name. You know Jews are not in what we call 'society' over here? But Madeleine thought she could do it; she was