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to other artistes, other lodging-houses. He went the round of associates known and unknown, of lodgings strange and familiar, of third-rate possible public houses. Then he went to the Italians down in the Marsh—he knew these people always ask for one another. And then, hurrying, he dashed to the Midland Station, and then to the Great Central Station, asking the porters on the London departure platform if they had seen his pal, a man with a yellow bicycle, and a black bicycle cape. All to no purpose.

Geoffrey hurriedly lit his lamp and swung off in the dark back to Woodhouse. He was a powerfully built, imperturbable fellow. He pressed slowly uphill through the streets, then ran downhill into the darkness of the industrial country. He had continually to cross the new tram-lines, which were awkward, and he had occasionally to dodge the brilliantly-illuminated tram-cars which threaded their way across-country through so much darkness. All the time it rained, and his back wheel slipped under him, in the mud and on the new tram-track.

As he pressed in the long darkness that lay between Slaters Mill and Durbeyhouses, he saw a light ahead—another cyclist. He moved to his side of the road. The light approached very fast. It was a strong acetylene flare. He watched it. A flash and a splash and he saw the humped back of what was probably Ciccio going by at a great pace on the low racing machine.

"Hi Cic'—! Ciccio!" he yelled, dropping off his own bicycle.

"Ha-er-er!" he heard the answering shout, unmistakably Italian, way down the darkness.

He turned—saw the other cyclist had stopped. The flare swung round, and Ciccio softly rode up. He dropped off beside Geoffrey.

"Toi!" said Ciccio.

"Hé! Où vas-tu?"

"Hé!" ejaculated Ciccio.

Their conversation consisted a good deal in noises variously ejaculated.

"Coming back?" asked Geoffrey.

"Where've you been?" retorted Ciccio.

"Knarborough—looking for thee. Where have you—?"

"Buckled my front wheel at Durbeyhouses."

"Come off?"

"Hé!"

"Hurt?"

"Nothing."

"Max is all right."

"Merde!"

"Come on, come back with me."

"Nay." Ciccio shook his head.

"Madame's crying. Wants thee to come back."

Ciccio shook his head.

"Come on, Cic'—" said Geoffrey.

Ciccio shook his head.

"Never?" said Geoffrey.

"Basta—had enough," said Ciccio, with an invisible grimace.

"Come for a bit, and we'll clear together."

Ciccio again shook his head.

"What, is it adieu?"

Ciccio did not speak.

"Don't go, comrade," said Geoffrey.

"Faut," said Ciccio, slightly derisive.

"Eh alors! I'd like to come with thee. What?"

"Where?"

"Doesn't matter. Thou'rt going to Italy?"

"Who knows!—seems so."

"I'd like to go back."

"Eh alors!" Ciccio half veered round.

"Wait for me a few days," said Geoffrey.

"Where?"

"See you tomorrow in Knarborough. Go to Mrs. Pym's, 6 Hampden
Street. Gittiventi is there. Right, eh?"

"I'll think about it."

"Eleven o'clock, eh?"

"I'll think about it."

"Friends ever—Ciccio—eh?" Geoffrey held out his hand.

Ciccio slowly took it. The two men leaned to each other and kissed farewell, on either cheek.

"Tomorrow, Cic'—"

"Au revoir, Gigi."

Ciccio dropped on to his bicycle and was gone in a breath. Geoffrey waited a moment for a tram which was rushing brilliantly up to him in the rain. Then he mounted and rode in the opposite direction. He went straight down to Lumley, and Madame had to remain on tenterhooks till ten o'clock.

She heard the news, and said:

"Tomorrow I go to fetch him." And with this she went to bed.

In the morning she was up betimes, sending a note to Alvina. Alvina appeared at nine o'clock.

"You will come with me?" said Madame. "Come. Together we will go to
Knarborough and bring back the naughty Ciccio. Come with me, because
I haven't all my strength. Yes, you will? Good! Good! Let us tell
the young men, and we will go now, on the tram-car."

"But I am not properly dressed," said Alvina.

"Who will see?" said Madame. "Come, let us go."

They told Geoffrey they would meet him at the corner of Hampden
Street at five minutes to eleven.

"You see," said Madame to Alvina, "they are very funny, these young men, particularly Italians. You must never let them think you have caught them. Perhaps he will not let us see him—who knows? Perhaps he will go off to Italy all the same."

They sat in the bumping tram-car, a long and wearying journey. And then they tramped the dreary, hideous streets of the manufacturing town. At the corner of the street they waited for Geoffrey, who rode up muddily on his bicycle.

"Ask Ciccio to come out to us, and we will go and drink coffee at the Geisha Restaurant—or tea or something," said Madame.

Again the two women waited wearily at the street-end. At last
Geoffrey returned, shaking his head.

"He won't come?" cried Madame.

"No."

"He says he is going back to Italy?"

"To London."

"It is the same. You can never trust them. Is he quite obstinate?"

Geoffrey lifted his shoulders. Madame could see the beginnings of defection in him too. And she was tired and dispirited.

"We shall have to finish the Natcha-Kee-Tawara, that is all," she said fretfully.

Geoffrey watched her stolidly, impassively.

"Dost thou want to go with him?" she asked suddenly.

Geoffrey smiled sheepishly, and his colour deepened. But he did not speak.

"Go then—" she said. "Go then! Go with him! But for the sake of my honour, finish this week at Woodhouse. Can I make Miss Houghton's father lose these two nights? Where is your shame? Finish this week and then go, go—But finish this week. Tell Francesco that. I have finished with him. But let him finish this engagement. Don't put me to shame, don't destroy my honour, and the honour of the Natcha-Kee-Tawara. Tell him that."

Geoffrey turned again into the house. Madame, in her chic little black hat and spotted veil, and her trim black coat-and-skirt, stood there at the street-corner staring before her, shivering a little with cold, but saying no word of any sort.

Again Geoffrey appeared out of the doorway. His face was impassive.

"He says he doesn't want," he said.

"Ah!" she cried suddenly in French, "the ungrateful, the animal! He shall suffer. See if he shall not suffer. The low canaille, without faith or feeling. My Max, thou wert right. Ah, such canaille should be beaten, as dogs are beaten, till they follow at heel. Will no one beat him for me, no one? Yes. Go back. Tell him before he leaves England he shall feel the hand of Kishwégin, and it shall be heavier than the Black Hand. Tell him that, the coward, that causes a woman's word to be broken against her will. Ah, canaille, canaille! Neither faith nor feeling, neither faith nor feeling. Trust them not, dogs of the south." She took a few agitated steps down the pavement. Then she raised her veil to wipe away her tears of anger and bitter disappointment.

"Wait a bit," said Alvina. "I'll go." She was touched.

"No. Don't you!" cried Madame.

"Yes I will," she said. The light of battle was in her eyes. "You'll come with me to the door," she said to Geoffrey.

Geoffrey started obediently, and led the way up a long narrow stair, covered with yellow-and-brown oil-cloth, rather worn, on to the top of the house.

"Ciccio," he said, outside the door.

"Oui!" came the curly voice of Ciccio.

Geoffrey opened the door. Ciccio was sitting on a narrow bed, in a rather poor attic, under the steep slope of the roof.

"Don't come in," said Alvina to Geoffrey, looking over her shoulder at him as she entered. Then she closed the door behind her, and stood with her back to it, facing the Italian. He sat loose on the bed, a cigarette between his fingers, dropping ash on the bare boards between his feet. He looked up curiously at Alvina. She stood watching him with wide, bright blue eyes, smiling slightly, and saying nothing. He looked up at her steadily, on his guard, from under his long black lashes.

"Won't you come?" she said, smiling and looking into his eyes. He flicked off the ash of his cigarette with his little finger. She wondered why he wore the nail of his little finger so long, so very long. Still she smiled at him, and still he gave no sign.

"Do come!" she urged, never taking her eyes from him.

He made not the slightest movement, but sat with his hands dropped between his knees, watching her, the cigarette wavering up its blue thread of smoke.

"Won't you?" she said, as she stood with her back to the door.
"Won't you come?" She smiled strangely and vividly.

Suddenly she took a pace forward, stooped, watching his face as if timidly, caught his brown hand in her own and lifted it towards herself. His hand started, dropped the cigarette, but was not withdrawn.

"You will come, won't you?" she said, smiling gently into his strange, watchful yellow eyes, that looked fixedly into hers, the dark pupil opening round and softening. She smiled into his softening round eyes, the eyes of some animal which stares in one of its silent, gentler moments. And suddenly she kissed his hand, kissed it twice, quickly, on the fingers and the back. He wore a silver ring. Even as she kissed his fingers with her lips, the silver ring seemed to her a symbol of his subjection, inferiority. She drew his hand slightly. And he rose to his feet.

She turned round and took the door-handle, still holding his fingers in her left hand.

"You are coming, aren't you?" she said, looking over her shoulder into his eyes. And taking consent from his unchanging eyes, she let go his hand and slightly opened the door. He turned slowly, and taking his coat from a nail, slung it over his shoulders and drew it on. Then he picked up his hat, and put his foot on his half-smoked cigarette, which lay smoking still. He followed her out of the room, walking with his head rather forward, in the half loutish, sensual-subjected way of the Italians.

As they entered the street, they saw the trim, French figure of Madame standing alone, as if abandoned. Her face was very white under her spotted veil, her eyes very black. She watched Ciccio following behind Alvina in his dark, hangdog fashion, and she did not move a muscle until he came to a standstill in front of her. She was watching his face.

"Te voilà donc!" she said, without expression. "Allons boire un café, hé? Let us go and drink some coffee." She had now put an inflection of tenderness into her voice. But her eyes were black with anger. Ciccio smiled slowly, the slow, fine, stupid smile, and turned to walk alongside.

Madame said nothing as they went. Geoffrey passed on his bicycle, calling out that he would go straight to Woodhouse.

When the three sat with their cups of coffee, Madame pushed up her veil just above her eyes, so that it was a black band above her brows. Her face was pale and full like a child's, but almost stonily expressionless, her eyes were black and inscrutable. She watched both Ciccio and Alvina with her black, inscrutable looks.

"Would you like also biscuits with your coffee, the two of you?" she said, with an amiable intonation which her strange black looks belied.

"Yes," said Alvina. She was a little flushed, as if defiant, while Ciccio sat sheepishly, turning aside his ducked head, the slow, stupid, yet fine smile on his lips.

"And no more trouble with Max, hein?—you Ciccio?" said Madame, still with the amiable intonation and the same black, watching eyes. "No more of these stupid scenes, hein? What? Do you answer me."

"No more from me," he said, looking up at her with a narrow, cat-like look in his derisive eyes.

"Ho? No? No more? Good then! It is good! We are glad, aren't we, Miss Houghton, that Ciccio has come back and there are to be no more rows?—hein?—aren't we?"

"I'm awfully glad," said Alvina.

"Awfully glad—yes—awfully glad! You hear, you Ciccio. And you remember another time. What? Don't you? Hé?"

He looked up at her, the slow, derisive smile curling his lips.

"Sure," he said slowly, with subtle intonation.

"Yes. Good! Well then! Well then! We are all friends. We are all friends, aren't we, all the Natcha-Kee-Tawaras? Hé? What you think? What you say?"

"Yes," said Ciccio, again looking up at her with his yellow, glinting eyes.

"All right! All right then! It is all right—forgotten—" Madame sounded quite frank and restored. But the sullen watchfulness in her eyes, and the

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