Vittoria — Complete by George Meredith (best ereader manga .TXT) 📗

Giacomo Piaveni was a noble Italian of the young blood, son of a General loved by Eugene. In him the loss of Italy was deplorable. He perished by treachery at the age of twenty-three years. So splendid was this youth in appearance, of so sweet a manner with women, and altogether so-gentle and gallant, that it was a widowhood for women to have known him: and at his death the hearts of two women who had loved him in rivalry became bound by a sacred tie of friendship. He, though not of distinguished birth, had the choice of an almost royal alliance in the first blush of his manhood. He refused his chance, pleading in excuse to Count Serabiglione, that he was in love with that nobleman's daughter, Laura; which it flattered the count to hear, but he had ever after a contempt for the young man's discretion, and was observed to shrug, with the smooth sorrowfulness of one who has been a prophet, on the day when Giacomo was shot. The larger estates of the Piaveni family, then in Giacomo's hands, were in a famous cheese-making district, producing a delicious cheese:—'white as lambkins!' the count would ejaculate most dolefully; and in a rapture of admiration, 'You would say, a marble quarry when you cut into it.' The theme was afflicting, for all the estates of Giacomo were for the time forfeit, and the pleasant agitation produced among his senses by the mention of the cheese reminded him at the same instant that he had to support a widow with two children. The Signora Piaveni lived in Milan, and the count her father visited her twice during the summer months, and wrote to her from his fitful Winter residences in various capital cities, to report progress in the settled scheme for the recovery of Giacomo's property, as well for his widow as for the heirs of his body. 'It is a duty,' Count Serabiglione said emphatically. 'My daughter can entertain no proposal until her children are duly established; or would she, who is young and lovely and archly capricious, continue to decline the very best offers of the Milanese nobility, and live on one flat in an old quarter of the city, instead of in a bright and handsome street, musical with equipages, and full of the shows of life?'

In conjunction with certain friends of the signora, the count worked diligently for the immediate restitution of the estates. He was ably seconded by the young princess of Schyll-Weilingen,—by marriage countess of Fohrendorf, duchess of Graatli, in central Germany, by which title she passed,—an Austrian princess; she who had loved Giacomo, and would have given all for him, and who now loved his widow. The extreme and painful difficulty was that the Signora Piaveni made no concealment of her abhorrence of the House of Austria, and hatred of Austrian rule in Italy. The spirit of her dead husband had come to her from the grave, and warmed a frame previously indifferent to anything save his personal merits. It had been covertly communicated to her that if she performed due submission to the authorities, and lived for six months in good legal, that is to say, nonpatriotic odour, she might hope to have the estates. The duchess had obtained this mercy for her, and it was much; for Giacomo's scheme of revolt had been conceived with a subtlety of genius, and contrived on a scale sufficient to incense any despotic lord of such a glorious milch-cow as Lombardy. Unhappily the signora was more inspired by the remembrance of her husband than by consideration for her children. She received disaffected persons: she subscribed her money ostentatiously for notoriously patriotic purposes; and she who, in her father's Como villa, had been a shy speechless girl, nothing more than beautiful, had become celebrated for her public letters, and the ardour of declamation against the foreigner which characterized her style. In the face of such facts, the estates continued to be withheld from her governance. Austria could do that: she could wreak her spite against the woman, but she respected her own law even in a conquered land: the estates were not confiscated, and not absolutely sequestrated; and, indeed, money coming from them had been sent to her for the education of her children. It lay in unopened official envelopes, piled one upon another, quarterly remittances, horrible as blood of slaughter in her sight. Count Serabiglione made a point of counting the packets always within the first five minutes of a visit to his daughter. He said nothing, but was careful to see to the proper working of the lock of the cupboard where the precious deposits were kept, and sometimes in forgetfulness he carried off the key. When his daughter reclaimed it, she observed, 'Pray believe me quite as anxious as yourself to preserve these documents.' And the count answered, 'They represent the estates, and are of legal value, though the amount is small. They represent your protest, and the admission of your claim. They are priceless.'

In some degree, also, they compensated him for the expense he was put to in providing for his daughter's subsistence and that of her children. For there, at all events, visible before his eyes, was the value of the money, if not the money expended. He remonstrated with Laura for leaving it more than necessarily exposed. She replied,

'My people know what that money means!' implying, of course, that no one in her house would consequently touch it. Yet it was reserved for the count to find it gone.

The discovery was made by the astounded nobleman on the day preceding Vittoria's appearance at La Scala. His daughter being absent, he had visited the cupboard merely to satisfy an habitual curiosity. The cupboard was open, and had evidently been ransacked. He rang up the domestics, and would have charged them all with having done violence to the key, but that on reflection he considered this to be a way of binding faggots together, and he resolved to take them one by one, like the threading Jesuit that he was, and so get a Judas. Laura's return saved him from much exercise of his peculiar skill. She, with a cool 'Ebbene!' asked him how long he had expected the money to remain there. Upon which, enraged, he accused her of devoting the money to the accursed patriotic cause. And here they came to a curious open division.

'Be content, my father,' she said; 'the money is my husband's, and is expended on his behalf.'

'You waste it among the people who were the cause of his ruin!' her father retorted.

'You presume me to have returned it to the Government, possibly?'

'I charge you with tossing it to your so-called patriots.'

'Sir, if I have done that, I have done well.'

'Hear her!' cried the count to the attentive ceiling; and addressing her with an ironical 'madame,' he begged permission to inquire of her whether haply she might be the person in the pay of Revolutionists who was about to appear at La Scala, under the name of the Signorina Vittoria. 'For you are getting dramatic in your pose, my Laura,' he added, familiarizing the colder tone of his irony. 'You are beginning to stand easily in attitudes of defiance to your own father.'

'That I may practise how to provoke a paternal Government, you mean,' she rejoined, and was quite a match for him in dialectics.

The count chanced to allude further to the Signorina Vittoria.

'Do you know much of that lady?' she asked.

'As much as is known,' said he.

They looked at one another; the count thinking, 'I gave to this girl an excess of brains, in my folly!'

Compelled