The Romance of the Forest - Ann Radcliffe (black authors fiction .txt) 📗

us, lovely Adeline; tomorrow you shall consent to become the Marchioness de Montalt. You will then return my love and” Ñ

“You must first deserve my esteem, my Lord.”

“I will Ñ I do deserve it. Are you not now in my power, and do I not forbear to take advantage of your situation? Do I not make you the most honourable proposals?” Ñ Adeline shuddered: “If you wish I should esteem you, my Lord, endeavour, if possible, to make me forget by what means I came into your power; if your views are, indeed, honourable, prove them so by releasing me from my confinement.”

“Can you then wish, lovely Adeline, to fly from him who adores you?” replied the Marquis, with a studied air of tenderness. “Why will you exact so severe a proof of my disinterestedness, a disinterestedness which is not consistent with love? No, charming Adeline, let me at least have the pleasure of beholding you, till the bonds of the church shall remove every obstacle to my love. Tomorrow” Ñ

Adeline saw the danger to which she was now exposed, and interrupted him. “Deserve my esteem, Sir, and then you will obtain it: as a first step towards which, liberate me from a confinement that obliges me to look on you only with terror and aversion. How can I believe your professions of love, while you shew that you have no interest in my happiness?” Thus did Adeline, to whom the arts and the practice of dissimulation were hitherto equally unknown, condescend to make use of them in disguising her indignation and contempt. But though these arts were adopted only for the purpose of self-preservation, she used them with reluctance, and almost with abhorrence; for her mind was habitually impregnated with the love of virtue, in thought, word, and action, and, while her end in using them was certainly good, she scarcely thought that end could justify the means.

The Marquis persisted in his sophistry. “Can you doubt the reality of that love, which, to obtain you, has urged me to risque your displeasure? But have I not consulted your happiness, even in the very conduct which you condemn? I have removed you from a solitary and desolate ruin to a gay and splendid villa, where every luxury is at your command, and where every person shall be obedient to your wishes.”

“My first wish is to go hence,” said Adeline; “I entreat, I conjure you, my Lord, no longer to detain me. I am a friendless and wretched orphan, exposed to many evils, and, I fear, abandoned to misfortune: I do not wish to be rude; but allow me to say, that no misery can exceed that I shall feel in remaining here, or, indeed, in being any where pursued by the offers you make me!” Adeline had now forgot her policy: tears prevented her from proceeding, and she turned away her face to hide her emotion.

“By Heaven! Adeline, you do me wrong,” said the Marquis, rising from his seat, and seizing her hand; “I love, I adore you; yet you doubt my passion, and are insensible to my vows. Every pleasure possible to be enjoyed within these walls you shall partake, but beyond them you shall not go.” She disengaged her hand, and in silent anguish walked to a distant part of the saloon; deep sighs burst from her heart, and, almost fainting, she leaned on a window-frame for support.

The Marquis followed her; “Why thus obstinately persist in refusing to be happy?” said he; “recollect the proposal I have made you, and accept it, while it is yet in your power. Tomorrow a priest shall join our hands Ñ Surely, being, as you are, in my power, it must be your interest to consent to this?” Adeline could answer only by tears; she despaired of softening his heart to pity, and feared to exasperate his pride by disdain. He now led her, and she suffered him, to a seat near the banquet, at which he pressed her to partake of a variety of confectionaries, particularly of some liquors, of which he himself drank freely: Adeline accepted only of a peach.

And now the Marquis, who interpreted her silence into a secret compliance with his proposal, resumed all his gaiety and spirit, while the long and ardent regards he bestowed on Adeline, overcame her with confusion and indignation. In the midst of the banquet, soft music again sounded the most tender and impassioned airs; but its effect on Adeline was now lost, her mind being too much embarrassed and distressed by the presence of the Marquis, to admit even the soothings of harmony. A song was now heard, written with that sort of impotent art, by which some voluptuous poets believe they can at once conceal and recommend the principles of vice. Adeline received it with contempt and displeasure, and the Marquis, perceiving its effect, presently made a sign for another composition, which, adding the force of poetry to the charms of music, might withdraw her mind from the present scene, and enchant it in sweet delirium.

SONG OF A SPIRIT.

In the sightless air I dwell, On the sloping sun-beams play; Delve the cavern’s inmost cell, Where never yet did day-light stray:

Dive beneath the green sea waves, And gambol in the briny deeps; Skim ev’ry shore that Neptune laves, From Lapland’s plains to India’s steeps.

Oft I mount with rapid force Above the wide earth’s shadowy zone; Follow the day-star’s flaming course Through realms of space to thought unknown:

And listen oft celestial sounds That swell the air unheard of men, As I watch my nightly rounds O’er woody steep, and silent glen.

Under the shade of waving trees, On the green bank of fountain clear, At pensive eve I sit at ease, While dying music murmurs near.

And oft, on point of airy clift, That hangs upon the western main, I watch the gay tints passing swift, And twilight veil the liquid plain.

Then, when the breeze has sunk away, And ocean scarce is heard to lave, For me the sea-nymphs softly play Their dulcet shells beneath the wave.

Their dulcet shells! I hear them now, Slow swells the strain upon mine ear; Now faintly falls Ñ now warbles low, Till rapture melts into a tear.

The ray that silvers o’er the dew, And trembles through the leafy shade, And tints the scene with softer hue, Calls me to rove the lonely glade;

Or hie me to some ruin’d tower, Faintly shewn by moonlight gleam, Where the lone wanderer owns my power In shadows dire that substance seem;

In thrilling sounds that murmur woe, And pausing silence make more dread; In music breathing from below Sad solemn strains, that wake the dead.

Unseen I move Ñ unknown am fear’d! Fancy’s wildest dreams I weave; And oft by bards my voice is heard To die along the gales of eve.

When the voice ceased, a mournful strain, played with exquisite expression, sounded from a distant horn; sometimes the notes floated on the air in soft undulations Ñ now they swelled into full and sweeping melody, and now died faintly into silence: when again they rose and trembled in sounds so sweetly tender, as drew tears from Adeline, and exclamations of rapture from the Marquis; he threw his arm round her, and would have pressed her towards him, but she liberated herself from his embrace, and with a look, on which was impressed the firm dignity of virtue, yet touched with sorrow, she awed him to forbearance. Conscious of a superiority, which he was ashamed to acknowledge, and endeavouring to despise the influence which he could not resist, he stood for a moment the slave of virtue, though the votary of vice. Soon, however, he recovered his confidence, and began to plead his love; when Adeline, no longer animated by the spirit she had lately shewn, and sinking beneath the languor and fatigue which the various and violent agitations of her mind produced, entreated he would leave her to repose.

The paleness of her countenance, and the tremulous tone of her voice, were too expressive to be misunderstood; and the Marquis, bidding her remember tomorrow, with some hesitation, withdrew. The moment she was alone, she yielded to the bursting anguish of her heart, and was so absorbed in grief, that it was some time before she perceived she was in the presence of the young women, who had lately attended her, and had entered the saloon soon after the Marquis quitted it: they came to conduct her to her chamber. She followed them for some time in silence, till, prompted by desperation, she again endeavoured to awaken their compassion: but again the praises of the Marquis were repeated, and perceiving that all attempts to interest them in her favour were in vain, she dismissed them. She secured the door through which they had departed, and then, in the languid hope of discovering some means of escape, she surveyed her chamber. The airy elegance with which it was fitted up, and the luxurious accommodations with which it abounded, seemed designed to fascinate the imagination, and to seduce the heart. The hangings were of straw-coloured silk, adorned with a variety of landscapes and historical paintings, the subjects of which partook of the voluptuous character of the owner; the chimney-piece, of Parian marble, was ornamented with several reposing figures from the antique. The bed was of silk the colour of the hangings, richly fringed with purple and silver, and the head made in form of a canopy. The steps, which were placed near the bed to assist in ascending it, were supported by Cupids, apparently of solid silver. China vases, filled with persume, stood in several of the recesses, upon stands of the same structure as the toilet, which was magnificent, and ornamented with a variety of trinkets.

Adeline threw a transient look upon these various objects, and proceeded to examine the windows, which descended to the floor, and opened into balconies towards the garden she had seen from the saloon. They were now fastened, and her efforts to move them were ineffectual; at length she gave up the attempt. A door next attracted her notice, which she found was not fastened; it opened upon a dressing closet, to which she descended by a few steps: two windows appeared, she hastened towards them; one refused to yield, but her heart beat with sudden joy when the other opened to her touch.

In the transport of the moment, she forgot that its distance from the ground might yet deny the escape she meditated. She returned to lock the door of the closet, to prevent a surprize, which, however, was unnecessary, that of the bedroom being already secured. She now looked out from the window; the garden lay before her, and she perceived that the window, which descended to the floor, was so near the ground, that she might jump from it with ease: almost in the moment she perceived this, she sprang forward and alighted safely in an extensive garden, resembling more an English pleasure ground, than a series of French parterres.

Thence she had little doubt of escaping, either by some broken fence, or low part of the wall; she tripped lightly along, for hope played round her heart. The clouds of the late storm were now dispersed, and the moonlight, which slept on the lawns and spangled the flowerets, yet heavy with rain-drops, afforded her a distinct view of the surrounding scenery: she followed the direction of the high wall that adjoined the chateau, till it was concealed from her sight by a thick wilderness, so entangled with boughs and obscured by darkness, that she feared, to enter, and turned aside into a walk on the right; it conducted her to the margin of a lake overhung with lofty trees.

The moonbeams dancing upon the waters, that with gentle undulation played along the shore,