The Chessmen of Mars by Edgar Rice Burroughs (world best books to read .TXT) 📗

his Odwar's Panthan one square straight forward, a more scientific move, which opened up an avenue for himself through his line of Panthans, as well as announcing to the players and spectators that he intended having a hand in the fighting himself even before the exigencies of the game forced it upon him. The move elicited a ripple of applause from those sections of seats reserved for the common warriors and their women, showing perhaps that U-Dor was none too popular with these, and, too, it had its effect upon the morale of Gahan's pieces. A Chief may, and often does, play almost an entire game without leaving his own square, where, mounted upon a thoat, he may overlook the entire field and direct each move, nor may he be reproached for lack of courage should he elect thus to play the game since, by the rules, were he to be slain or so badly wounded as to be compelled to withdraw, a game that might otherwise have been won by the science of his play and the prowess of his men would be drawn. To invite personal combat, therefore, denotes confidence in his own swordsmanship, and great courage, two attributes that were calculated to fill the Black players with hope and valor when evinced by their Chief thus early in the game.

U-Dor's next move placed Lan-O's Odwar upon Tara's Odwar's fourth—within striking distance of the Black Princess.

Another move and the game would be lost to Gahan unless the Orange Odwar was overthrown, or Tara moved to a position of safety; but to move his Princess now would be to admit his belief in the superiority of the Orange. In the three squares allowed him he could not place himself squarely upon the square occupied by the Odwar of U-Dor's Princess. There was only one player upon the Black side that might dispute the square with the enemy and that was the Chief's Odwar, who stood upon Gahan's left. Gahan turned upon his thoat and looked at the man. He was a splendid looking fellow, resplendent in the gorgeous trappings of an Odwar, the five brilliant feathers which denoted his position rising defiantly erect from his thick, black hair. In common with every player upon the field and every spectator in the crowded stands he knew what was passing in his Chief's mind. He dared not speak, the ethics of the game forbade it, but what his lips might not voice his eyes expressed in martial fire, and eloquently: "The honor of the Black and the safety of our Princess are secure with me!"

Gahan hesitated no longer. "Chief's Odwar to Princess' Odwar's fourth!" he commanded. It was the courageous move of a leader who had taken up the gauntlet thrown down by his opponent.

The warrior sprang forward and leaped into the square occupied by U-Dor's piece. It was the first disputed square of the game. The eyes of the players were fastened upon the contestants, the spectators leaned forward in their seats after the first applause that had greeted the move, and silence fell upon the vast assemblage. If the Black went down to defeat, U-Dor could move his victorious piece on to the square occupied by Tara of Helium and the game would be over—over in four moves and lost to Gahan of Gathol. If the Orange lost U-Dor would have sacrificed one of his most important pieces and more than lost what advantage the first move might have given him.

Physically the two men appeared perfectly matched and each was fighting for his life, but from the first it was apparent that the Black Odwar was the better swordsman, and Gahan knew that he had another and perhaps a greater advantage over his antagonist. The latter was fighting for his life only, without the spur of chivalry or loyalty. The Black Odwar had these to strengthen his arm, and besides these the knowledge of the thing that Gahan had whispered into the ears of his players before the game, and so he fought for what is more than life to the man of honor.

It was a duel that held those who witnessed it in spellbound silence. The weaving blades gleamed in the brilliant sunlight, ringing to the parries of cut and thrust. The barbaric harness of the duelists lent splendid color to the savage, martial scene. The Orange Odwar, forced upon the defensive, was fighting madly for his life. The Black, with cool and terrible efficiency, was forcing him steadily, step by step, into a corner of the square—a position from which there could be no escape. To abandon the square was to lose it to his opponent and win for himself ignoble and immediate death before the jeering populace. Spurred on by the seeming hopelessness of his plight, the Orange Odwar burst into a sudden fury of offense that forced the Black back a half dozen steps, and then the sword of U-Dor's piece leaped in and drew first blood, from the shoulder of his merciless opponent. An ill-smothered cry of encouragement went up from U-Dor's men; the Orange Odwar, encouraged by his single success, sought to bear down the Black by the rapidity of his attack. There was a moment in which the swords moved with a rapidity that no man's eye might follow, and then the Black Odwar made a lightning parry of a vicious thrust, leaned quickly forward into the opening he had effected, and drove his sword through the heart of the Orange Odwar—to the hilt he drove it through the body of the Orange Odwar.

A shout arose from the stands, for wherever may have been the favor of the spectators, none there was who could say that it had not been a pretty fight, or that the better man had not won. And from the Black players came a sigh of relief as they relaxed from the tension of the past moments.

I shall not weary you with the details of the game—only the high features of it are necessary to your understanding of the outcome. The fourth move after the victory of the Black Odwar found Gahan upon U-Dor's fourth; an Orange Panthan was on the adjoining square diagonally to his right and the only opposing piece that could engage him other than U-Dor himself.

It had been apparent to both players and spectators for the past two moves, that Gahan was moving straight across the field into the enemy's country to seek personal combat with the Orange Chief—that he was staking all upon his belief in the superiority of his own swordsmanship, since if the two Chiefs engage, the outcome decides the game. U-Dor could move out and engage Gahan, or he could move his Princess' Panthan upon the square occupied by Gahan in the hope that the former would defeat the Black Chief and thus draw the game, which is the outcome if any other than a Chief slays the opposing Chief, or he could move away and escape, temporarily, the necessity for personal combat, or at least that is evidently what he had in mind as was obvious to all who saw him scanning the board about him; and his disappointment was apparent when he finally discovered that Gahan had so placed himself that there was no square to which U-Dor could move that it was not within Gahan's power to reach at his own next move.

U-Dor had placed his own Princess four squares east of Gahan when her position had been threatened, and he had hoped to lure the Black Chief after her and away from U-Dor; but in that he had failed. He now discovered that he might play his own Odwar into personal combat with Gahan; but he had already lost one Odwar and could ill spare the other. His position was a delicate one, since he did not wish to engage Gahan personally, while it appeared that there was little likelihood of his being able to escape. There was just one hope and that lay in his Princess' Panthan, so, without more deliberation he ordered the piece onto the square occupied by the Black Chief.

The sympathies of the spectators were all with Gahan now. If he lost, the game would be declared a draw, nor do they think better of drawn games upon Barsoom than do Earth men. If he won, it would doubtless mean a duel between the two Chiefs, a development for which they all were hoping. The game already bade fair to be a short one and it would be an angry crowd should it be decided a draw with only two men slain. There were great, historic games on record where of the forty pieces on the field when the game opened only three survived—the two Princesses and the victorious Chief.

They blamed U-Dor, though in fact he was well within his rights in directing his play as he saw fit, nor was a refusal on his part to engage the Black Chief necessarily an imputation of cowardice. He was a great chief who had conceived a notion to possess the slave Tara. There was no honor that could accrue to him from engaging in combat with slaves and criminals, or an unknown warrior from Manataj, nor was the stake of sufficient import to warrant the risk.

But now the duel between Gahan and the Orange Panthan was on and the decision of the next move was no longer in other hands than theirs. It was the first time that these Manatorians had seen Gahan of Gathol fight, but Tara of Helium knew that he was master of his sword. Could he have seen the proud light in her eyes as he crossed blades with the wearer of the Orange, he might easily have wondered if they were the same eyes that had flashed fire and hatred at him that time he had covered her lips with mad kisses, in the pits of the palace of O-Tar. As she watched him she could not but compare his swordplay with that of the greatest swordsman of two worlds—her father, John Carter, of Virginia, a Prince of Helium, Warlord of Barsoom—and she knew that the skill of the Black Chief suffered little by the comparison.

Short and to the point was the duel that decided possession of the Orange Chief's fourth. The spectators had settled themselves for an interesting engagement of at least average duration when they were brought almost standing by a brilliant flash of rapid swordplay that was over ere one could catch his breath. They saw the Black Chief step quickly back, his point upon the ground, while his opponent, his sword slipping from his fingers, clutched his breast, sank to his knees and then lunged forward upon his face.

And then Gahan of Gathol turned his eyes directly upon U-Dor of Manator, three squares away. Three squares is a Chief's move—three squares in any direction or combination of directions, only provided that he does not cross the same square twice in a given move. The people saw and guessed Gahan's intention. They rose and roared forth their approval as he moved deliberately across the intervening squares toward the Orange Chief.

O-Tar, in the royal enclosure, sat frowning upon the scene. O-Tar was angry. He was angry with U-Dor for having entered this game for possession of a slave, for whom it had been his wish only slaves and criminals should strive. He was angry with the warrior from Manataj for having so far out-generaled and out-fought the men from Manator. He was angry with the populace because of their open hostility toward one who had basked in the sunshine of his favor for long years. O-Tar the jeddak had not enjoyed the afternoon. Those who surrounded him were equally glum—they, too, scowled upon the field, the players, and the people. Among them was a bent and wrinkled old man who gazed through weak and watery eyes upon the field and the players.

As Gahan entered his square, U-Dor leaped toward him with drawn sword with such fury as might have overborne a less skilled and powerful swordsman. For a minute the fighting was fast and furious and by comparison reducing to insignificance all that had gone before. Here indeed were two magnificent swordsmen, and here was to be a battle that bade fair to make up for whatever the people felt they had been defrauded of by the shortness of the game. Nor had it continued long before many there were who would have prophesied that they were witnessing a duel that was to become historic in the annals of jetan at Manator. Every trick, every subterfuge, known to the art of fence these men employed. Time and again each scored a point and brought blood to his opponent's copper hide until both were red with gore; but neither seemed able to administer the coup de grace.

From her position upon the opposite side of the field Tara of Helium watched the long-drawn battle.